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This essay delves into the New Urbanism movement, tracing its origins and principles, and examining its relevance in the context of rapidly urbanizing India. Drawing on the need for sustainable urban development, the paper postulates the importance of studying
New Urbanism to address the challenges posed by urbanization in India. The paper further illustrates its applicability in the Indian context with a supporting case study. Key principles particularly the charrette methodology are explored in detail to ensure citizen participation in the highly contested Indian context. Through this analysis, the essay aims to highlight the potential of New Urbanism as a guiding framework for sustainable urban development in India.

Hindi translation of the Charter of the New Urbanism.

This digital object contains an archived version of Thane's personal website, captured in 2023 October.

This digital object contains an archived version of the website for the Forum on Life, Culture & Society (FOLCS), captured in 2023 October.

Thane Rosenbaum is a novelist, essayist, law professor, and legal analyst, the author of numerous books of fiction and nonfiction, including the novels How Sweet It Is! and Second Hand Smoke; the works of nonfiction The Myth of Moral Justice: Why Our Legal System Fails to Do What's Right and Payback: The Case for Revenge; and the forthcoming Crossing the Line: The High Cost of Weaponized Speech.

His writings and commentary on matters of justice, human rights, antisemitism, the Middle East, global terrorism, the Holocaust, and art and culture appear frequently in The New York Times, The Washington Post, the Wall Street Journal, L.A. times, CNN.com, Slate, Salon, ABA Journal, The Daily Beast, and Jewish Week, Jewish journal, Algemeiner, Haaretz, and Times of Israel, among other publications.

Thane is the Legal Analyst for CBS News Radio and hosts "The Talk Show" at the 92nd Street Young Men's and Young Women's Hebrew Association. He is also a Distinguished Fellow at New York University School of Law, where he directs the Forum on Law, Culture, & Society.

The Thane Rosenbaum papers include drafts, manuscripts, typescripts, book contracts, and reviews of books he authored such as: Myth of Moral Justice, Second Hand Smoke, Golems of Gotham, Stranger Within, Elijah Visible, Myth of Moral Justice, Pay Back and How Sweet It Is!. There are also speeches, essays, letters and legal writings by Mr. Rosenbaum. Finally, the collection also includes materials pertaining to the Forum on Law, Culture and Society (FOLCS) which he moderates at New York University, large posters of various public events he participated in and a box of audio-visual materials that relate to the above mentioned categories.

“In his adopted home of South Florida he imaged a cuisine that would wed the raw and rustic powers of the diverse immigrant cultures that comprise the population there to the classic techniques of gastronomy that have survived the test of time and trends. The revolution for a new style of cooking was born and Norman christened it a 'New World Cuisine.'” - Norman Van Aken, Correspondence, 1993 December 2.

A 2016 MenuMasters Hall of Fame Inductee, noted restauranteur, and the first chef to use the term "fusion cuisine" in its modern definition, Norman Van Aken (1951- ) is a celebrity chef primarily known for his "New World" fusion cuisine. Drawing from the flavors and culinary traditions of Latin America, the Caribbean, North America, Asia, and Africa, his impact on the culinary arts has been internationally recognized since the start of his career. His culinary influences on Florida's own local cuisine and restaurant culture are still observable to this day, especially to those who dine nightly at his Orlando restaurant.

This collection serves as a meaningful look into his career as a chef and culinary expert, and his personal life as a man with a deep interest in his family's past and present. The Norman Van Aken papers include documents, correspondence, photographs, manuscript drafts, menus, ephemera, recipes, and more, which showcase the personal life and professional career of one of South Florida's most celebrated chefs. Researchers with an interest in gastronomy, the history of South Florida's restaurant and food culture during the 1990s-2000s, or interpersonal relationships between celebrity chefs, may find this collection useful in their studies.

A collection of photographs, negatives, prints, CD-Rs, and external hard-drives full of images taken by photographer, Lawson Corbett Little (1945-2023). Also included are some copies of Western Beat Entertainment newsletter, for which Little regularly provided photographs.

This collection currently contains several exhibit catalogs, mainly from the Sofía Ímber Contemporary Art Museum of Caracas (Museo de Arte Contemporáneo de Caracas Sofía Ímber), DVDs featuring interviews with Sofía Ímber and covering famous Venezuelan and international artists, politicians, and writers, CD-Rs, a collection of fliers from local photography exhibitions in Coral Gables, newspaper clippings of articles either about or by Sofía Ímber or Guillermo Meneses, oversized exhibit posters, and digital correspondence and photographs stored in external hard-drives.

There will be further ongoing accruals to this collection.

Second interview to professor Allan Shulman by Gilda Santana. Interview length: 1:25:31 min.

Transcript of interview with Germane Barnes, 1 February 2019
Interview length 50:50 min.

Interview to professor Teofilo Victoria by Gilda Santana. Interview length 52:14 min.

Interview to former professor Thomas Spain by Gilda Santana. Interview Length: 1:41:59 min.

Interview to professor Elizabeth Plater-Zyberk by Gilda Santana. Interview Length: 56:55 min.

Transcript interview to professor Sonia R. Chao by Gilda Santana. Interview length: 1:52:52 min.

Transcript interview to former professor Andres Duany by Gilda Santana. Interview length: 1:19:27 min.

Transcript interview to professor Jose Gelabert-Navia by Gilda Santana. Interview length: 1:18:25 min

This collection consists of the records of the Pan Am Historical Foundation, an organization dedicated to preserving the history of Pan American World Airways, Inc.

Transcript interview to professor Jean-Francois Lejeune by Gilda Santana. Interview length: 1:42:21 min

Interview to former professor and Dean Emeritus Nicholas Patricios by Gilda Santana. Interview Length: 1:14:51 min.

Interview to professor Adib Cure by Gilda Santana. Interview Length: 55:34 min.

Transcript of interview with Charles Bohl by Gilda Santana. Interview length: 1:14:07 min.

Interview to professor Steven Fett by Gilda Santana. Interview Length: 38:02 min.

Diaspora Vibe Cultural Arts Incubator was created to promote, nurture, and cultivate the visions and diverse talents of emerging artists from the Caribbean and the Latin American Diaspora through exhibitions, artists in residence programs, international exchanges, and education and outreach activities that celebrate Miami-Dade's rich cultural and social fabric. The Diaspora Vibe Cultural Arts Incubator records include the gallery's organizational records, administrative documents, artists' information, resumes, artists' profiles, programs, invitations, slides, catalogs, photographs, audio-visual materials (VHS tapes, CD-ROMs, CDs, audiocassettes), notes, and event ephemera.

Interview transcribed by Gilda Santana. Interview length: 20:24 min.

Transcript interview to professor Ceo J. Rocco by Gilda Santana. Interview length: 53:42 min.

Transcript interview to professor Jaime Correa by Gilda Santana. Interview length: 53:33 min.

Interview to professor Carie Penabad by Gilda Santana. Interview Length: 41:13 min.

Interview to professor Katherine Wheeler by Gilda Santana. Interview Length: 35:00 min.

Interview to professor Wyn Bradley by Gilda Santana. Interview Length: 37:16 min.

Interview to professor Allan Shulman by Gilda Santana.

1st of 2 interviews (fully transcribed) with professor Germane Barnes

Interview to professor James Brazil by Gilda Santana. Interview Length: 1:06:55 min.

Interview to professor Christopher Chung by Gilda Santana. Interview Length: 45:41 min.

Transcript of interview with Roberto Behar by Gilda Santana. Interview length: 51:42 min.

Transcript interview to professor Victor Deupi by Gilda Santana. Interview length: 37:35 min.

Interview to SoA Dean Rodolphe El-Khoury by Gilda Santana. Interview Length: 23:44 min.

Interview to professor Jorge Hernandez by Gilda Santana. Interview Length: 30:09 min.

Interview to professor Joanna Lombard by Gilda Santana. Interview Length: 1:11:24 min.

Interview to former professor Aristides Millas by Gilda Santana. Interview Length: 1:20:12 min.

Open spaces -- Competitions

Court documents, correspondence, witness and plaintiff testimonials, hearing transcripts, audio-visual materials containing depositions from victims, and legal research related to the Hungarian Gold Train case.

The Abel Sierra Madero collection comprises a selection of periodicals curated by Sierra Madero for his book "Fidel Castro: El Comandante Playboy: Sexo, Revolución y Guerra Fría."

This collection includes pulp fiction, Cold War print culture, and magazines on masculine culture and gossip. These periodicals document the portrayal of Fidel Castro as a significant figure in U.S. entertainment culture, reflecting the intersections of politics, sexuality, and media during the Cold War era.

The Julia P. Herzberg, Ph.D. collection contains artist portfolios, clippings, and visual arts files.

The collection also contains an interview between Julia P. Herzberg and Helena (Holzer) Benitez, former wife of artist Wifredo Lam from 1944 to 1950. The interview took place on February 7, 1990, at 1125 Park Avenue, New York, NY, then home of Julia P. Herzberg. The discussion centers on Helena's memories of Wifredo’s paintings, his practice, their cultural life in Havana, the artist’s family, his relationship with Lydia Cabrera, and his relationship to Afro-Cubanism.

Copyright to the interview is held by Julia P. Herzberg. The interview has been digitized and can be accessed here: https://miami.app.box.com/s/sbh6jn27iqx0ooovarbt7ofw68kqmv0r/folder/308218924469.

The histories of Miami and Biscayne Bay are intimately related. In addition to food, industry, transportation and recreation, the Bay provides a constant source of aesthetic satisfaction to those who live and work along its shores.

Biscayne Bay is a tropical lagoon, approximately 35 miles long and a maximum of 8 miles wide. It is geographically divided into three parts: North, Central and South Bay. The North Bay is the most urbanized, bordered on the east by barrier islands, including Miami Beach, and including the Miami business district. Central Bay, extending from Government Cut to the southern limits of Coral Gables, has been affected by bulkheading and canal discharges. South Bay, aside from the Cutler and Turkey Point power plants, has been less affected by human activity and includes the northwestern portion of the Biscayne National Park.

Over 100 years ago, Hugh M. Smith of the U.S. Commission of Fish and Fisheries was dispatched to Biscayne Bay to determine whether the region was suitable for a marine hatching and experiment station. He found that "the water of Biscayne Bay is exceedingly clear. In no part can one fail to clearly distinguish objects on the bottom when the surface is not especially rough." Since that time, however, a century of natural phenomena, development and urbanization have profoundly affected the health and character of the Bay. Dredging and filling, sewage disposal, channel and canal building, flood control practices, hurricanes, and intense development of the shoreline have profoundly altered the waters.

Information on the marine environment of Biscayne Bay is frequently requested by students, researchers, engineers, planners and the public. All the documents listed are available in the Library of the Rosenstiel School of Marine and Atmospheric Science (RSMAS) at the University of Miami. Included are books, scientific articles, theses and dissertations, book chapters, conference proceedings, reports, videos, and government publications. The bibliography does not include newspaper articles, accounts of public hearings, personal correspondence or articles from popular boating and sports magazines. Besides nautical charts issued by the U.S. Defense Mapping Agency, only a few maps are cited.

The Leandro Soto Papers consist primarily of original drawings of set and costume designs, audiovisual materials, posters, and photographs of productions and exhibitions documenting the work of visual and performance artist Leandro Soto. While the collection also includes correspondence, clippings, press releases, manuscripts, and theater and exhibitions programs, the bulk of materials relate to Soto’s artistic production in the United States since 1992.

This publication will report on a wide-ranging assessment of tools being used throughout the country to better support compact development through visioning, planning, and new regulations.
ULI Community Catalysis Reports can be downloaded free of charge from ULI's Web site www.uli.org

The 28 items in this collection of watercolor renderings were done by students in the School of Architecture at the University of Miami under the direction of Professor Tom Spain. Drawing and architectural rendering were essential to the curriculum since the early departmental days. Hand-drawing as a tool for seeing and comprehending spaces in the built environment continues to be strongly encouraged.

The Randy Barceló Collection consists primarily of oversize costume and set designs by Cuban-born designer Randy Barceló. The collection also includes costume plots, drawings and sketches, posters and postcards, videotapes, photographs and slides, and two scripts written by Barceló.

Reports can be downloaded free of charge from ULI's Web site (www.uli.org)

The report can be downloaded free of charge from ULI's Web site: www.uli.org

Collection consists of incoming and outgoing handwritten and typed correspondence (original and copies) with artists and other personalities, as well as, a scrapbook with newspaper clippings about Elio Beltran's artistic career, and a CD with a selection of oil paintings by Elio Beltran.

Prepare properly for public/private partnerships -- Create a shared vision -- Understand your partners and key players -- Be clear on the risks and rewards for all parties -- Establish a clear and rational decision-making process -- Make sure all parties do their homework -- Secure consistent and coordinated leadership -- Communicate early and often -- Negotiate a fair deal structure -- Build trust as a core value.
www.uli.org

The records of Pan American World Airways Inc. begin with the company's founding in 1927 and document the 64 year lifespan of a pioneer airline and international symbol of adventure and romance. The 1,500 linear foot collection contains evidence of Pan Am’s long list of accomplishments, which includes being: the first American airline to operate a permanent international air service, the first American airline to use radio communications, the first American airline to develop an airport and airways traffic control system, the first American airline to employ cabin attendants and serve meals aloft, the first American airline to develop a complete aviation weather service, the first airline in the world to offer scheduled transpacific passenger and mail service, the first airline in the world to offer scheduled transatlantic passenger and mail service, and the first airline to operate jets within the continental United States.

Among the many divisions, departments, offices and individuals that contributed to the daily operations of Pan Am reflected in this collection are: the Alaska Division, the Atlantic Division, the Latin American Division, China National Aviation Corporation (CNAC), Pan American Grace Airways (Panagra), the Technical Assistance Program, the legal department, the library, and the offices of: Pan Am Founder and Chief Executive Officer Juan T. Trippe, Andre Priester, C. Edward Acker, Charles Vaughn, Erwin Balluder, Everette M. Goulard, Franklin Gledhill, G. Erskine Rice, George Rihl, H. Preston Morris, Harold Bixby, Harold E. Gray, Humphrey Toomey, John C. Leslie, John C. Pirie, Karl Lueder, Kathy Babl, Najeeb E. Halaby, Mike Clark, Peter Paul von Bauer Chlumecky, Robert G. Thach, Russel L. Ray, Jr., Samuel Pryor, Sergio Bettancourt, Thomas G. Plaskett, William Langhorne Bond, William Mallory, William T. Seawell, William Van Dusen, and Willis Player.

The types of records contained in the collection include: administrative reports, clippings (newspapers, magazines, etc.), contracts (agreements, legal instruments, etc.), corporate minutes, correspondence (letters, memos, telegraphs, telexes, etc.), financial records (financial statements, bonds, expense accounts, taxation, etc.), legal records (trial and arbitral proceedings, dockets, applications for court orders, exhibits, etc.), logbooks, manuals, pamphlets (booklets, brochures, etc.), periodicals, press kits, press releases, sales records (purchase agreements, invoices, etc.), and timetables. Additionally, the collection contains audiovisual material, graphic material and over 2,000 folders of photographs.

Among the noteworthy people referenced in the collection are: famed aviator and technical assistant to Pan Am, Charles Lindbergh; Haitian writer Pradel Pompilus; famed navigator and aviation pioneer Frederick “Fred” Noonan; the Beatles; Raquel Welch; former British Prime Minister Winston Churchill; former Presidents Franklin Roosevelt, Dwight David “Ike” Eisenhower, John F. Kennedy, Lyndon B. Johnson, Richard Nixon, and Ronald Reagan; and former First Ladies Eleanor Roosevelt and Mamie Eisenhower.

Collection highlights include: correspondence between Charles A. Lindbergh and Juan Trippe from 1933 regarding the establishment of a transatlantic air route, many internal publications containing detailed accounts of everything from the operations of company divisions to biweekly memoranda from Juan Trippe to top executives regarding changes to corporate structure, hundreds of files documenting the vital role Pan Am played in World War II, and the records of National Airlines obtained during the Pan Am/National Airlines merger in 1980.

Absent from the collection are employee medical and personnel records. These were retained by Pan Am during bankruptcy proceedings. Their disposition is unknown.

The collection contains scrapbooks containing photographs and ephemera related to the Cuban visual artist Emilio Sánchez, collected by Hugh Harrison.

The Mississippi Renewal Forum. October 12-17, 2005. Biloxi, Mississippi

Community Catalysis Reports can be downloaded free of charge from ULI's Web site (www.uli.org)
Series: ULI community catalyst report , no. 2.

Mississippi Renewal Forum.

The Eduardo Machado Papers contain the works of Cuban-born playwright Eduardo Machado, including fundamentally his scripts and related materials such as photographs, notebooks and journals, clippings, programs, reviews, and playwriting exercises.

The first seven boxes of this collection include Machado's scripts and drafts, arranged in alphabetical order by the title of the play, and the eighth box contains materials related to his works, including correspondence, notebooks and journals, reviews, and programs. Box nine includes both photographs pertaining both to his personal and professional life.

The collection documents the activities of Gina Pellón as an artist. The materials include catalogues, postcards, flyers, books and a DVD.

INTAR Theatre Records include the organizational records of New York-based INTAR Theatre, one of the oldest Hispanic theater companies in the United States. The collection contains scripts, musical scores, correspondence, financial records, photographs, audiovisual materials, posters, programs, clippings, and other materials related to INTAR Theatre productions from its founding in 1966 to 2004. The collection also includes the records of INTAR's Latin American Gallery.

This collection documents the work of the television writer and playwright, Luis Santeiro. It includes television scripts for the bilingual sitcom "¿Qué Pasa, USA?" and other files related to the show such as contracts and reviews. The papers also consist of scripts and other documents related to his plays (such as programs and production files) and documents regarding "Carrascolendas".

Great streets need great champions -- It takes a vision -- Think residential -- Honor the pedestrian -- Parking is power -- Merchandise and lease proactively -- Make it happen -- Be clean, safe, and friendly -- Extend day into night -- Manage for change.
www.uli.org

The María Julia Casanova Papers primarily document the work of radio and television writer and theater designer and director María Julia Casanova (1916-2004) in Cuba and Miami. The Papers include her scripts, photographs, clippings, theater programs, set and costume designs, posters, audiovisual materials, memorabilia, and honors and awards.

The Alpha 66 Records document the political, propaganda, paramilitary, and administrative activities of the organization as collected by Andrés Nazario Sargén, one of it's founders and longtime leaders.  The Records include correspondence, circular letters, financial records, clippings, maps, photographs, press releases, proclamations, programs, propaganda, and reports.

The Leila Míccolis Brazilian Alternative Press Collection consists primarily of political and countercultural pamphlets and periodicals, concrete poetry, neo-concrete poetry and other vanguard/avant-garde artistic experimentation, fanzines, film reviews, university publications, theater, and musical pieces.

As opposed to the commercial and widely-circulated press of "official" Brazilian governmental venues, the publications contained in the collection especially treat stigmatized or marginalized groups, such as Afro-Brazilians, women, sexual minorities. It accomplishes this goal by utilizing various mediums including literary pieces, editorial cartoons, political comics, sociopolitical critiques of "Brazilianness," humor, and the promotion of ecological and environmental awareness. The collection also contains a large variety of materials from the 1970s Marginália movement, a term used to describe a series of underground publications which circulated during the military dictatorship.

The collection was painstakingly accumulated over the course of forty-five years by Míccolis who decided to place the archive in a North American university so as to assure the preservation of the collection, as well as to prevent its censorship.

This collection consists of the works of Cuban poet, playwright, and critic José Corrales (1937-2002), including published and unpublished scripts, poems, essays, stories, criticism, editorials, and articles. It also includes programs for performances of his plays and personal papers such as personal and business correspondence, financial records, and research notes.

The José Miró Cardona Papers consist of 21 boxes the administrative records of the Cuban Revolutionary Council (Consejo Revolucionario Cubano) under Miró Cardona’s presidency in the 1960s.  Central to this group of documents are those that relate to the Brigade 2506 and the Bay of Pigs Invasion.  The Papers also include 36 boxes of Miró Cardona’s personal and professional correspondence, his writings and speeches, clippings, photographs, memorabilia and materials related to his career as a law professor.

The Héctor Santiago Papers collection includes only part of his literary anthology, with future additions expected. The Papers include scripts, essays, short stories, reviews, clippings, and theater programs.  Additionally, the collection contains personal and professional correspondence, interviews, awards, and financial records. Some scripts and stories written by Santiago in 1960s were excavated from the ground beneath a tree in Cuba where they had been buried for more than 20 years.  In order to preserve these original typescripts, photocopies have been made for perusal.  Also of interest is a group of letters written by Santiago’s fellow prisoners in UMAP.

This collection contains a wide variety of posters advertising events, political elections, travel destinations, organizations, and corporations, pertaining in particular to Florida, South America, Central America, the Caribbean, Spain, and Vietnam.

15 letter sized images of drawings and sketches of what would become the Jorge M. Perez Architecture Center

The Enrique Labrador Ruiz Papers are organized into five series and consists primarily of the manuscripts of his articles and essays written in exile and includes that of his final book, Cartas a la carte (1991) which can be found in box 5, folders 444 and 445. The bulk of the material of this collection is in Series I: Works, n.d., 1933–2001 (bulk dates 1977–1987). There are many photocopies of his articles as they were published in various publications. A small collection of correspondence, photographs, and graphic materials can also be found in this collection, along with programs of events held in the 1980s and 1990s in honor of Labrador Ruiz.

Warson, Albert. "The Newest New Urbanism". May/June 2001

The Herberto Dumé Papers document the work of theater director Herberto Dumé (1929-2003) primarily during his years in exile from Cuba. The collection primarily includes the scripts of plays that Dumé directed along with photographs, clippings, programs, and reviews and records related to the Dumé Spanish Theater.

The collection contains the personal papers of Louis J. Hector, in the form of clippings, invitations, letters, memorandum, notebooks, photographs, and reports. Prominently represented are files pertaining to the University of Miami, the Southeast Banking Corporation, Pan American World Airways, Inc., the Civil Aeronautics Board, the National Endowment for the Humanities, the National Gallery, the National Humanities Center, and the Academy of Arts and Sciences.

The Manuel Martín, Jr. Papers consists primarily of scripts, programs, clippings, and photographs of plays written by Cuban-born playwright Manuel Martín, Jr.

A container list is available for the first three series of the collection, which includes the papers donated by Manuel Martín, Jr. Series 4 contains the materials donated by Pedro Monge Rafuls.

These traffic management guidelines have been prepared to accompany Liveable Neighbourhoods (Edition 2).

traditional neighborhood development

The Polita Grau de Agüero Papers document two aspects of Polita Grau’s life and family. The correspondence, writings, and memorabilia primarily document Polita’s time as a political prisoner in Cuba as well as her activities in exile on behalf of political prisoners. There are many clippings related to Polita’s experiences in prison, her life in exile, and Operation Pedro Pan. The photographs in this collection document Polita’s family from her parents to her own grandchildren, as well as the life of her uncle, Cuban president Ramón Grau San Martín.

Of special note in this collection is Series II where can be found biographies of Cuban women political prisoners. These biographies detail the experiences of these women in Cuban prisons. Series IV contains handicrafts created by Polita Grau and other political prisoners while serving their sentences.

This collection contains the institutional and operational records of Eastern Airlines, Inc., a major airline in the United States that operated from 1926 to 1991, as well as several personal collections from former employees of Eastern Airlines, Inc. graciously donated by the Eastern Airlines Retiree Association (EARA) in 2017. Records include photographs, manuals, guides, plaques, awards, objects and ephemera, slides, maps, and more.

The Cordovés & Bolaños Families Collection contains letters, clippings, documents, and photographs from Cuba's Wars of Independence and the Bay of Pigs Invasion.

The collection contains materials from the Cuban Wars of Independence, including signed letters from famous Cuban statesmen of the period. A separate series contains articles and photographs relating to the Bay of Pigs invasion, as well as photos of Fidel Castro in a meeting with Pedro Tinoco, then-president of the Central Bank of Venezuela. The third series contains genealogical materials, namely photographs, family trees, and investigative research for the Bolaños, Cordovés and Mestre families.

The Manuel R. Bustamente Photograph Collection consists primarily of hundreds of black and white photographs of Cuba from the early 1900s to the 1930s. There are several photographs dating from the 1950s and 1960s, and a few color snapshots from the 1990s. The bulk of photographs are found in Series II and III. Series II: Havana, n.d., 1900s-1999 (bulk dates 1910s-1930s) contains photographs of the city of Havana and includes various aspects of the life, architecture, and culture of that capital city. Series III: Cities and Towns, n.d., 1900s-1990 (bulk dates 1900s-1920s) is arranged in alphabetical order and contains photographs of various towns and cities throughout the island of Cuba. The Manuel R. Bustamante Papers in Series V consist of materials donated by Mr. Bustamante related to his personal works and educational experiences, including photographs and memorabilia of the Universidad Social Católica San Juan Bautista de la Salle in Havana (Sub-Series 1).

The collection consists of documents, books and other materials written and collected by Cuban writer Gastón Baquero (1914-1997) during the last years of his life in Madrid, Spain. The collection includes correspondence, published and unpublished works by Baquero, clippings of newspaper articles by and about Baquero, research notes, photographs, clippings, scrapbooks, awards and memorabilia. Although the collection includes personal papers and documents, the bulk of materials relates to the subjects that occupied Baquero throughout his life, namely Cuban, Spanish and Latin American literature, history and politics.

Originally conceived and organized in 1925, the Coral Gables Garden Club has served the local city of Coral Gables in its planning by helping create and nurture its many gardens and beautiful landscapes. The club was founded by Eunice Peacock Merrick and Althea Merrick out of a shared love of horticulture and has grown considerably since then and maintained their commitment to civic improvement through gardening. Today, the club is composed of 150 community members who actively contribute to Coral Gables' local institutions and businesses, including providing scholarships and educational programs, as well as assisting youth-oriented gardening clubs.

Their records contain scrapbooks, meeting minutes, president papers, yearbooks, guestbooks, photographs, programs, pamphlets, news clippings, awards, ephemera, administrative documents, and other archival materials, all pertaining to the club and its various events and initiatives over the years.

The Tomás Estrada Palma Collection contains materials from a scrapbook donated by the great-grandson of TEP, Tomás Douglas Estrada Palma III. Items that were preserved in the scrapbook include photographs, letters, personal documents, and newspaper clippings. They document primarily the Tomás Andrés Estrada Palma II branch of the Estrada Palma family tree, including some materials related to his wife, Helen Douglas Browne, and her family.

Correspondence includes letters written by TEP, TEP II and other members of the Estrada Palma family. Clippings largely cover the 1906 resignation of TEP from the Cuban presidency and the consequent US military occupation, TEP's death in 1908, as well as events honoring TEP in the years after his death. Also amongst the clippings are articles relating to TEP II's marriage to Helen Douglas Browne in 1910. Other items include documents such as TEP II's report card, marriage certificate, and passport. There are also photographs of TEP, TEP II, and TEP III, as well as photos of other members of the family such as Genoveva Guardiola de Estrada Palma, Candelaria "Candita" Estrada Palma, and Helen (Douglas Browne) Estrada Palma. Of special interest is a photograph of the presidential convoy that traveled with TEP from Bayamo to Havana for his inauguration in 1902 and photographs of the Presidential Palace in Havana taken during TEP's presidency.

Included in this collection is the citizenship certificate of José Guimunde y Martínez, which was signed by TEP. This document was donated by Mirtha Alberto in August 2000 and added to the Tomás Estrada Palma Collection at that time.

Grupo Cañaveral is a Hispanic duo from Miami, Florida. Formed in 1985, the duo consists of Nelson Zuleto and Hilda Luisa Díaz Perera. The collection consists of audio cassettes recorded by Grupo Cañaveral, a book published on José Martí by Hilda Luisa Diaz-Perera, and a thank-you card with the Grupo Cañaveral logo.

Report on history of architecture education at UM

Dr. I. A. Richards (1893-1979) was an influential English literary critic and rhetorician. His books on literary criticism, especially The Meaning of Meaning, Principles of Literary Criticism, Practical Criticism, and The Philosophy of Rhetoric, are taken to be founding influences for the New Criticism. Richards is also considered one of the founders of the contemporary study of literature in English.

The I. A. Richards Collection at the Special Collections department contains a large selection of Richards' work in language learning and literacy, in the form of textbooks, workbooks, brochures, audio-visual materials, index cards, phonograph records, and slides.

The José Fernández Partagás Papers consist of research materials on Atlantic and Caribbean hurricanes and storms since the 1800s, including manuscripts, publications, and personal memorabilia.

Source: Architectural Record, Section: OBSERVATIONS; Vol. 184, No. 3; Pg. 23

article

The Directorio Revolucionario Estudiantil en el Exilio (DRE) Records include administrative files, correspondence, clippings, propaganda, subject files, and photographs created, collected, or published by the DRE in exile.

1 letter sized event flyer for the opening of an exhibition of David Plowden's photography, February 13-20, 1996 at the University of Miami School of Architecture.
1 letter sized event flyer for David Plowden's lecture on February 14th, 1996, at the Wilder Auditorium. 5 approx. 11x17in copies of the flyer for the lecture.