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Original blueprints for foundation and footing plan, floor plan, roof plan, and North elevation designed by Marion I. Manley in 1941. Addition added in 1958 when it became the residence of Mr. and Mrs. Flinlay Matheson. Earl M. Starnes & Joseph G. Kenscher, Architects. (24 February 1958)

Promotional exhibition materials for Feliciano Centurion; José-Antonio Fernández-Muro; Neo Muyanga; Anna Bella Geiger; Magali Lara; Lea Lublin; Margarita Paksa; Gory (Rogelio Lopez Marin); Rene Francisco Rodriguez; Gustavo Acosta; Luis Enrique Camejo; Marta Minujin; Luis Cruz Azaceta; Carolina Sardi; Sara Grilo; Meira Marrero; José Toirac; Carlos Quintana; Jose Manuel ForsMarcia Schvartz

The New Urbanism is the only distinctly American architectural movement of the 20th Century that systemically critiqued the conventional urban planning patterns of the post-war period. The University of Miami Libraries Architecture Research Center Archives is the sole repository for collecting and housing materials documenting this movement that impacted the discourse on urbanization theories and town planning. The principles of the movement were articulated in 1994 in the Charter of the Congress for The New Urbanism. The Congress for the New Urbanism, an organization that promotes walkable, mixed-use neighborhood development and sustainable communities was recognized by the New York Times as "…the most important phenomenon to emerge in American Architecture in the post-Cold-War era."
The New Urbanism movement, which signaled a turning point from the segregated planning and architecture of post-war America to a return to historic principles of traditional town planning, became the focus of a series of contested dialogues not just among architects, planners and developers, but among historians, environmentalists and policy makers as well. The movement continues to influence the principles of town planning and design, and spark debate among its advocates and critics as evidenced in the public fora thirty years following its inception.
This collection includes drawings, project folios, books and manuscripts, periodicals, article clippings, correspondence, videos, CDs, DVDs, audio cassettes and other materials related to New Urbanism theory, writing, and design.

This collection contains publications, announcements, administrative papers, reports, and ephemera associated with the University of Miami School of Architecture.  It includes an executive summary, Seventy + Years of Architectural Education at the University of Miami, by Prof. Ralph Warburton, which consists of photocopied documents of administrative records compiled mostly from University Archives.  They are arranged chronologically from 1950-2002 in a ring binder. The collection also contains correspondence, newsletters, graphics, announcements, invitations, project files, and SoA related ephemera.

Collection contains architectural drawings, site plans, photographs, reports.

This collection includes regional and historic maps, original drawings, plans, elevations, photographs, and blueprints of residential and commercial architecture, community project plans, city/town plans, historic restoration plans and aerial photographs.  The bulk of the materials are focused on, but, not limited to the areas of Miami-Dade, Coral Gables, and Miami Beach.

This collection consists of miscellaneous photographs and images that have no relation to other collections. The bulk of the photographs are taken throughout Miami-Dade County and the south Florida region.

This collection consists of publications for the planning and building of Florida homes primarily, but not exclusively, targeted to returning war veterans.  The majority of the pamphlets and guidebooks in this collection were distributed through contractors, builders, and real estate agencies located primarily in the Florida region during the 1940s and 50s.

Theses submitted in partial fulfillment of the requirements for the degree of Master of Architecture for the School of Architecture, University of Miami.

11" x 17" bound (mostly spiral) format, some include CDs

8 1/2" x 11" bound

Collection includes facsimiles of site plans, ephemera, and one ring binder of project related facsimiles of presentation drawings, sketches, and models for the proposed buildings.

Tracings, construction drawings, site plans for the home of Richard Namon at 5501 SW 93rd Street, Miami FL
Correspondence from Alfred Browning Parker to Richard Namon

Original architectural blueprints by firm of Kiehnel & Elliott designed for the residence of Mrs. William J. Gilbert at 908 Brickell Avenue, and alterations done in 1948 by the firm of Robert Law Weed & Associates for Dr. Fuad Hanna.

Commodore Club (Highleyman House) 1402 South Bayshore Drive, aka A.J.A Fay Residence with architectural revisions by Henry Lapointe and Martin L. Hampton

Personal papers, manuscripts, photographs, 35 mm slides, postcards, ephemera, books, journals

This collection contains the teaching collections of Paul Buisson, Professor of Architecture in the Department of Architecture & Planning in the School of Engineering and the School of Architecture from 1964 to 1988. He traveled extensively throughout Europe, the Middle East and Asia photographing architectural heritage sites, urban developments and other architecturally relevant cultural attractions.

This collection contains a selection of historic preservation reports prepared by Architect, Allan T. Shulman.  The majority of the surveys are of Miami Beach architecture from the 20s, 30s, 40s, 50s and 60s and one report for Hialeah Park and its immediate environs. This collection holds the distinction of providing a documentation of recommendations for the preservation, restoration and conservation of the sub-tropical building environment with an emphasis on the architecture of the resort/hospitality industry in Miami Beach.

This collection contains photographs, 35 mm slides, and ephemera related to Browne's architectural legacy to include:
Avocado Elementary School, Homestead FL; Rio Mar Village Residential Resort, Rio Grande, Luquillo, Puerto Rico; Ocean Pines Yacht Club, Ocean Pines, MD, and other projects in South Florida and the Caribbean.

The Architecture Faculty Oral History Project is a series of interviews with faculty from the University of Miami School of Architecture. These oral histories serve a fundamental purpose in capturing and preserving the individual memories of the faculty. The project began with informal conversations to assess how the library could best address their scholarly support needs. The interview process revealed critical yet untold stories about the history and pedagogical evolution of the School of Architecture. An ongoing project, the faculty oral histories documented here provide the scaffolding for narrating the school's pedagogical trajectories from the mid-century to the present.

Built works, unbuilt/schematic works, experimental architecture work, and reference materials created by, and about, Gordon Gilbert including preliminary sketches, construction drawings, construction photos, final photos, models, presentations, and publications.

Business records and research papers of T.A. Fennell, Jr., proprietor of the "The Orchid Jungle". (Fennell Orchid Co., Inc.). Contains correspondence, receipts, plant catalogs, stock lists, lecture notes, photographs, field notes, bulletins and newsletters from various botanical organizations.

A collection of 151 photographs kept on 35mm slides. Most were taken in 1979 with outlying dates as early as 1978 and as late as 1987. Includes multiple pictures taken of buildings and landscapes around the University of Miami Coral Gables campus. Other pictures are of various buildings and street views around south Florida including Palm Beach, Downtown Miami, Port of Miami, Opa-Locka, Hialeah, Coconut Grove, Miami Beach, Vizcaya, and Cape Florida.

The Congress for the New Urbanism (CNU) Records Collection includes annual conference programs, promotional materials, attendance lists, correspondence, audio visual recordings, research project materials, publications, award submission packets, award programs, and administrative files relating to the CNU’s annual congress meeting, annual Charter Awards, board meetings, research projects, and CNU publications. The records cover the organization's activities between 1991 and 2017.

This collection contains fragmentary texts and images documenting cultural expressions from the Caribbean and South America. Many of the transitory materials grouped under ephemera include posters, postcards, leaflets, tracts, special editions, programs and menus published in countries such as the Bahamas, Brazil, Cuba, Curaçao Grenada, the Dominican Republic, Haiti, Puerto Rico, and Trinidad and Tobago.

This collection consists of the technical files and papers of John G. Borger (1913-2011), who served as Pan American World Airways, Inc.'s Vice President and Chief Engineer. His materials document the development and acquisition of: Boeing aircrafts, including the 377 Stratocruiser, B-707 and B-747; the Douglas DC-6B, DC-7B, and DC-7C, the DC-8 jet; the Lockheed Constellation and the L-1011; the Convair CV-240; the Dassault Falcon 20, 10, and 50; the Pratt and Whitney and Rolls Royce engines, including the JT9D; and the Supersonic Transport (SST) aircraft.

Types of materials retained in the collection include: pamphlets, programs, engineering information, studies, evaluation reports, manuals, personal notes taken by John G. Borger, lectures, typescripts, correspondence, diagrams, flight path drawings, periodicals, research, articles, ephemera, newsclippings, and 3D material objects.

The Walter Adams Collection contains letters, deeds, notes, property records, and receipts from the years 1674 to 1786, in the Massachusetts area.

The John Allen collection contains three rolls of tape documenting events celebrating the 150th anniversary of Abraham Lincoln's Birth. The first roll covers a Joint Session of Congress on February 12, 1959. The second and third roll cover events at the Lincoln Museum.

Hervey Allen was a literature professor, poet, World War I veteran, and Trustee of the University of Miami from 1936 until 1949, the year that he died. Allen had a formative influence on the "Friends of the University" organization, as well as on Latin American studies at the University.

The collection consists of letters both by Allen and about Allen after his passing away, clippings about Allen and his writings, photographs, photocopies and typescripts of Allen's writings, and obituaries including an official University of Miami memorial.

This collection contains the papers of Dr. Roger W. and Frances S. Arnold. Dr. Roger W. Arnold was a doctor who practiced Naprapathy and massage, an active member of the First Presbyterian Church of Miami, and a World War II air warden. Frances S. Arnold was a soprano soloist in churches, programs, and music clubs, an editor of the Florida Teacher Magazine, member of the Florida Historical Society, and 1948 president of the Mothers of Sigma Chi Coral Gables Chapter. She was active in the research and development program of the University of Miami, and in local music clubs. The papers document their activity in all of the above, and also contain materials (i.e. brochures, directories, pamphlets, photographs) on the University of Miami, Coral Gables, Coconut Grove, and Miami at large.

Ralph Middleton Munroe (1851-1933) settled in Florida in 1891, drawn by its lush tropical landscapes and beautiful seashores. An avid yachtsman and photographer, the Commodore traveled the South Florida coast capturing images of its pristine wilderness and the early inhabitants. Munroe’s photographs provide a unique visual record of South Florida history before its rapid urbanization. The Ralph M. Munroe Family Papers contain a rich assortment of photographs, albums, postcards, correspondence, clippings and manuscripts that document the frontier life in Coconut Grove.

This collection contains one audiotape of a lecture given by Herbert Aptheker on April 20, 1966 at the University of Miami Student Union.

The papers consists of correspondence, photographs, clippings, publications, awards, certificates and medals, speeches and various other materials documenting the life and work of Dr. John O. Brown, first African American Ophthalmologist in Florida and the first African American President of the American Medical  Association. The collection also includes clippings, sermons, speeches and photos of African American folklorist, Rev. William Faulkner.

25 black and white photographs featuring Pan American World Airways.

Dr. José Agustín Balseiro (1900-1991) was an award-winning author, poet, and scholar of Latin American Studies and Hispanic literature. He was also a professor of Hispanic Literature at the University of Miami from 1946 to 1967.

Throughout his career, Dr. Balseiro exhibited a strong interest in Latin American and Hispanic-American studies, Latin American and Spanish literature, and Puerto Rican history and literature. His papers, donated to the University of Miami, reflect all of these interests and range in date from his earliest activities as a writer in Spain to his final days working as a consultant to the University of Miami Libraries starting in 1974. Much of the content consists of correspondence, clippings, typescripts, and periodicals in which Balseiro’s writings were featured. Also included is sheet music belonging to his father, Rafael Balseiro, who was a Puerto Rican composer.

Of special note are three bronze medallions: (1) from the Instituto de Cultura Puertorriquena, commemorating el primer Centenario del Natalicio de Luiz Muñoz Rivera (the centennial of the birth of Luiz Muñoz Rivera); (2) from the Instituto de Cultura Puertorriquena, commemorating el Centenario de la Abolición de la Esclavidud in Puerto Rico (the centennial of the abolition of slavery in Puerto Rico); and (3) from the University of Panama commemorating the first 25 years of the University’s existence.

The John W. Bennett collection contains two audiocassettes titled "Alistair Cook speaks of H. L. Mencken from the tape of Mrs. R. R. Bennett, 6/15/80" and "Conversation - H. L. Mencken and Dr. Donald Kirkley. June 30, 1948," two newspaper clippings on H. L. Mencken, and a photocopy of a book titled "Roosevelt and the Republic" by John W. Bennett.

The Dr. John Bitter collection contains materials documenting Bitter's career as a conductor and composer. The collection includes sheet music for several compositions by Bitter, as well as publications about the Frost School of Music at the University of Miami and a 1953 photograph of the University of Miami Orchestra at the Miami Beach Auditorium. Also included are numerous programs from the 1940s-1960s, including ones from the UM Symphony Orchestra, the Greater Miami Philharmonic, and the Berlin Philharmonic.

The Ruth Blanch Papers contains photographic slides, some purchased and some original, depicting a number of major cities in Europe as well as some in the United States and Mexico. Particularly represented in the collection are Italian cities and provinces, such as Rome, Venice, Caserta, Pompei, Naples, Padova, Milan, as well as the Vatican. Interspersed are purchased slides of famous European artworks and personal family slides.

The Theodore R. Gibson Family Papers document the life and work of Reverend Gibson, longtime Miami Commissioner during the 1970s and 1980s, and champion of Black Coconut Grove. The collection also contains materials documenting the civic activities and interests of Reverend Gibson’s wife, Thelma Gibson.

The collection includes albums that document Reverend Gibson’s family life, as well as his church, community, and political activities. The albums include photographs, letters of commendation, invitations, programs, biographical information, and numerous clippings.

The subject files provide evidence of the activities and interests of Reverend and Thelma Gibson, dating from the 1950s to the 1990s. Included are programs for services and events at Christ Episcopal Church and other area churches; speeches and invocations written by Reverend Gibson; letters received; and materials concerning the NAACP.

The clippings document the interests of Reverend and Thelma Gibson and highlight their work and accomplishments. A majority of the clippings are arranged chronologically and date from 1981-1990. Clippings arranged by subject document the activities of Reverend Gibson and his family, as well as other topics, and date from the 1960s to the1990s.

Professor Gregory Bush (History Department) and the Institute for Public History (IPH) have recorded a series of interviews around the issue of public spaces in South Florida. Participants, who are representative of the diverse cultural milieu of the region, reflect and provide insights on migration, gentrification, the history of individual neighborhoods, housing, and community services.

These voices help to articulate the ongoing discourse on public space as it applies to South Florida’s History of development. The recordings and accompanying transcripts of the oral history collection document the unique experiences of the region’s inhabitants. In addition, the collection serves as a repository of primary source materials for students, faculty and the general public.

The Theodore Bolton Papers contains materials that span from across the entirety of Bolton's life. Bolton was active as a book illustrator and as an art historian, and so there are typescripts, manuscripts, reprints, and periodicals, as well as sketches, prints, drawings, engravings, and sketchbooks.

Bolton's sketches are primarily illustrations for books or Christmas Card designs. Also among the sketches are several done by other illustrators. These include an original illustration by Timothy Cole, as well as a number of original sketches by James Daugherty. Many of these sketches are on Christmas cards sent to Theodore Bolton and Helen, his wife.

Beside his manuscripts and illustrations, of special notice are travel journals by Bolton spanning across several decades, each of which contain illustrations of the places that he visited, and 20 Confederate States of America Banknotes.

Natale Bongiovanni was a Field Captain with the U.S. Army. The Natale Bongiovanni Papers contains six notebooks in which Bongiovanni defines and provides context and etymology for every word of President Harry Truman's State of the Union Address to Congress on January 4, 1950.

The Aldemaro Romero Archive is comprised of the artistic and intellectual production of the Venezuelan composer from 1945 to his death in 2007. His collection is divided in two sections: concert and popular music. Aldemaro Romero's concert collection is made of one hundred original manuscripts and copies of scores with works for symphonic orchestra, chorus and orchestra, solo concerts for wind and string instruments with orchestra, and chamber music. The popular music collection contains 126 songs and 31 instrumental works (vol. 1 and vol. 20), manuscripts and copies of the lead sheets and/or lyrics and recordings.

The Miami Woman’s Club Records document the club’s history, as well as its civic, community, and social activities from 1903-2004.The records include minutes from 1903-1914, 1921-1929, 1936-1939, and 1959-1967. The collection also includes yearbooks from 1907-2004, as well as correspondence (correspondents include: Judge Edith M. Atkinson, Louise Austin, Alice Johnston, Anne Stevenson Brown, Katherine B. Trippetts, Katherine S. Fitts, and Eva J. Lewis), financial reports, programs, photographs, and other documentation. Also included are over 50 scrapbooks documenting club activities, membership, and events dating from 1919-1979.

The Walter Etling Papers include documents, clippings, and photographs related to Etling’s student years at the University of Miami, as well as his professional and community activities in Miami from the 1950s through the 1970s.

The bulk of the collection consists of photographs, clippings, documents, letters, programs, advertisements, brochures, and ephemera that Etling compiled into albums documenting his student years, professional activities, community service, and personal life.  The collection also contains loose personal papers, photographs, clippings, and other materials related to Etling’s student, business, community, and alumni activities, and personal life.

Business related materials, such as advertisements, brochures, statistics, and other papers, document Etling’s work as a real estate agent for the Allen Morris Company, the Keyes Company, and Walter Etling Company. Examples include brochures for the Keys Company and the Walter Etling Company, as well as the sale of the Flamingo Hotel. The collection also contains photographs and ephemera related to Etling’s involvement in establishing a Kentucky Fried Chicken franchise in Spain, and letters and documents regarding his service on the board of Key Biscayne Bank.

Community service related materials include letters, certificates, clippings, photographs, and other materials primarily related to Etling’s service to the Miami Science Museum, and also his involvement with Kiwanis International and the Dade County Grand Jury.

The collection also contains materials related to Etling’s extensive involvement with the University of Miami. Class assignments, notes, photographs, clippings, and other materials document his student years. Also included are letters, programs, photographs, clippings, and ephemera regarding his service for the Alumni Association and the Board of Trustees. In addition, the collection contains materials relating to class reunions and university athletics, as well as artistic studies Etling prepared when creating the painting that is on the cover of the University of Miami’s 75th anniversary book, Rendezvous with Greatness. 

Personal materials document family vacations, such as photographs of a trip to the 1976 Winter Olympics. Also included are materials related to his hobby of selling memorabilia, and programs and clippings that document the activities of his children while attending the University of Miami.

The Cutler Ridge Woman’s Club records document the club’s founding and history, in addition to its civic, community, and social activities from 1956-2010. The records include minutes for 1956-2008; annual reports for 1956-2005; club histories for 1956-2010;  financial records for 1956-2009; charter and by-laws; newsletters; yearbooks; and guest books, as well as clippings, certificates, letters, and other documentation relating to club activities. Also included is one folder of materials relating to the club’s predecessor, the Welcome Wagon Club. Oversize materials include proclamations and a map of Cutler Ridge used for a street light campaign in 1970.

The Kenneth Close Collection contains a number of prints from the Metropolitan Museum of Art and elsewhere, sheet music for "The Death of Minnehaha" by Longfellow and Ch. C. Converse, and several insurance policies from the 19th century (some which are photocopied).

The Charles Creighton Collection contains an illuminated manuscript on parchment, signed by Charles VI, last of the house of Habsburg, Holy Roman Emperor and King of Bohemia and Hungary-Croatia. It was the property of Prince Max of Baden until the end of the first World War.

The 33-page manuscript measures 8 by 11 inches, with illuminated borders in red, blue, and gold, and an artistically designed title in black and gold of royal insignia surrounded by implements of war and the crown of the king. The manuscript is bound in a gilded hand-embroidered binding of decorative design with ornamental ribbon ties and tinsel fringes. It is attached with a gold braided cord is the Royal Seal of Charles VI, measuring 4 1/4 inches in diameter with the inscription "Carolus VI Romanorum Imperator S. A. Hispaniarum et utriusque Siciliae Rex." The seal is enclosed in a decorated silver case which is intended to rest in a circular compartment in the center of a tooled Viennese leather binding in which the manuscript reposes. The manuscript is written entirely in Latin and confers the title of Marquis on Honuphrium Ianno Ernandes Arias for "Militiaque multa suae Fides, Constantia Sapienta, ac Fortitudinis Specima edidissent..." (translation: In long military service he displayed Faith, Constancy, Prudence, and Courage...) To legalize the document, it is signed in the autograph of King Charles VI "Yo el Rey," below which are the signatures of noblemen and dignitaries of state.

Included also are 15 separate pages of manuscript written in Latin. These pages also refer to the Marquis and are dated in May of 1731. An unsigned manuscript by one of the Ianno family consists of 5 lines and is written in French.

The Charles Creighton Collection also contains high quality facsimiles of several historical predominantly French documents from the 17th and 18th century. These are: a letter pleading for a 3 day postponement of Louis XIV's execution by Louis XIV dated January 20, 1793; two letters informing French generals of the Waterloo victory by the Duke of Wellington, dated June 14 and June 20, 1815; Vice Admiral Horatio Nelson's unfinished letter to Lady Hamilton, dated October 19, 1805; Napoleon's appeal to England for protection after his defeat at Waterloo, dated July 13, 1815; a note written by Marie Antoinette written just before her execution in 1793; and the last letter written by Robespierre, unfinished due to his being shot, with bloodstains at the bottom of the letter, dated July 27, 1794.

The Cronin papers consists primarily of Spanish poetry in manuscript form. However, there is also a notebook with personal reflections, a catalogue of "Teatro del Siglo XVI" (or 16th century theater), a list of authors and poems, cards with authors and poems, and a piece of sheet music.

Allison B. Curry, Jr. served as Director of Public Service for Coral Gables from 1934 to 1939. Between 1939 to 1942 he was promoted to city manager. In 1942 he left to hold this same post for the city of Miami. From 1946 to the end of his career he was Director of the Dade County Port Authority as well as of the Miami International Airport.

The Allison B. Curry collection contains diplomas, photographs, a brochure on the metric system, two metric rulers (one in a leather sleeve with his name in ink), metric converters, a lighter with his initials engraved and a case, and a cartoon of Curry signed by city employees.

The R. A. Cushman Papers contain the following items: (1) a U.S. flag, and letters from Arthur R. De Reyes, from the American Expeditionary Forces, to his mother written in 1917 and 1918; (2) three photographic prints from the U.S. Signal Corps; (3) 46 folders of reports, essays, transcripts, bibliographies, and pamphlets largely concerned with American foreign policy, touching on topics such as foreign trade, foreign concessions, foreign aid, U.S. exports, foreign banking, and immigration.

This collection contains a sound reel of the Dante Festival program celebrating the 7th centenary of writer Dante Alighieri. The program was held in Brockway Hall of the Otto G. Richter Library.

Simón Daro Dawidowicz was a businessman and art collector who resided in Miami, Florida. A long-time resident of Colombia, Dawidowicz had a strong interest in Latin American liberator Simón Bolívar and his lasting influence on Latin America. Dawidowicz was a member of several Bolivarian societies, president of the Bolavarian Review, and founded the non-profit organization Darien Action Committee, which sought to promote the completion of the Panamerican Highway from Panama to Colombia. Dawidowicz had strong connections with several prominent Latin American artists including Leopoldo Richter and David Manzur. He was a curator as well as a collector of their and others' work, and donated a number of their pieces to museums and institutions including the University of Miami. A mural titled "Bolívar and Humboldt" by Leopoldo Richter was donated by Dawidowicz to the University, and currently stands in front of the Otto G. Richter Library.

The Simón Daro Dawidowicz Bolivarian collection contains items pertaining to all of the above pursuits and interests. Much of it is correspondence and official records, or newspapers clippings and photographs that document his activities. There are a number of audiocassettes and film reels, and a single videocassette as well.

Of particular interest are a bust of Simón Bolívar that Dawidowicz had commissioned as a gift for former President Lyndon Johnson, as well as a box containing photographs, photographic prints, brochures, periodicals, and other forms of material depicting the works of a number of Latin American artists. These include David Manzur, Leopoldo Richter, German Tessarolo, Marlene Hoffman, Enrique Grau, Edgar Silva, Armando Villegas, Patricia Tavera, Ràmon Carulla, and Miguel Rojas Niño. Some of these items are signed by the artists.

Two family members of Dawidowicz, Miriam and Sylvia, were curators and donors of Latin American art as well, and several documents detailing their efforts are held within the collection.

Finally, the collection contains assorted personal photographs and several short stories written by Dawidowicz.

The Thomas de Valcourt and Michael Lerner collection contains materials concerning 19th century New England poets and authors, most prominently Henry Wadsworth Longfellow, but also Henry David Thoreau, Washington Irving, Oliver Wendell Holmes, Ralph Waldo Emerson, Nathaniel Hawthorne, Walt Whitman, and minor figures. Much of the materials - which predominantly consists of prints, photographs, clippings, photocopies, newspapers, periodicals, postcards, reprints, poetry, and other formats - concerns their famous New England homes and their families' homes, and other literary landmarks in the vicinity. Most of the materials date from the late 19th and early 20th century.

Also included are a scrapbook of clippings of poetry, a 1962 plaster cast bust of Henry David Thoreau by Melvina Hoffman, an 1864 ceramic bust of Henry Wadsworth Longfellow by M. Milmore, two paperweights with depictions of the Longfellow house, a brick noted as "being used by Thoreau when adding to the family house on Virginia Road in Concord," and one copper ashtray.

Edward C. Dougherty was a Government Administrator and United Nations Expert in taxation for Latin America, as well as a private practitioner of law in the Miami area, specializing in Latin American matters. His papers consists predominantly of materials concerning real estate in Brazil, in the form of letters, maps, notes, photocopies, clippings, photographs, pamphlets, and reports.

The Papers consist primarily of  typescripts, correspondence, photographs, diaries, scrapbooks, clippings and other primary source materials documenting the life and career of Marjory Stoneman Douglas.

The Senator Mel Martinez Papers, donated to the University of Miami in 2010, consist primarily of records created during Martinez’s service as a United States Senator for Florida from 2005 to 2009.  Comprised of 89 boxes, the collection includes legislative and committee files, schedules and appointments, correspondence with constituents and colleagues, speeches and floor statements, media coverage, casework files, campaign files, and administrative office records.  The collection also includes photographs, audiovisual materials, and electronic records that date primarily from 1998 to 2009, but also includes scans of photographs and memorabilia relating to Martinez’s childhood in Cuba and immigration to the United States.  Topics of research include American legislative history, Mel Martinez’s committee assignments, Florida projects, immigration, United States relations with Cuba, services for the elderly, and Florida’s environment, including issues relating to offshore oil drilling.

The Clark Mixon Emery papers consists of materials regarding the 20th century modernist expatriate American poet Ezra Pound (1885-1972).

A total of 53 letters and postcards by Ezra Pound addressed mostly to Emery written from September 4th, 1951 to August 1st, 1959 are held in this collection, predominantly written during Pound's stay in the St. Elizabeth Hospital where he was treated for mental illness until 1958. Some letters by his wife Dorothy are included as well. Most of the letters are typed, and about half are signed. Many of the letters concern Emery's work on his 1958 monograph Ideas Into Action; A Study of Pound's Cantos. In others Pound writes about his complacency in the hospital and his eagerness to depart, and discusses the work of Emery's student Ronald Perry. In addition to the letters the envelopes are preserved as well. Photocopies of the letters and envelopes are included in the collection.

Other correspondence held in the collection concerns Ezra Pound and his Cantos. These include letters from Pound's daughter, Mary de Rachewitz, to Emery; letters from Sheri Martinelli and Ronald Perry, also 20th century American poets, to Emery; a letter from Walton Brooks McDaniel, former teacher and friend of Pound, to Archie McNeal, former university librarian of the University of Miami Libraries, regarding Emery's work on Pound; and photocopies of other letters by Pound not addressed to Emery. Some of Ronald Perry's poetry, and two photographs of Sherri Martinelli's paintings of Ezra Pound, are included as well.

The other materials in the collection are as follows: essays by and about Pound from the 1950s; transcripts of broadcasts by Pound from December 7, 1941 to June 28, 1942; The Analyst, "A Guide to Ezra's Cantos"; a January 1948 issue of "Four Pages," regarding Pound's poetry; an "Ezra Pound for President" pamphlet; The Pound newsletter #1-10 from January 1954 to April 1956; Strike periodical #1-3, #5-6, #8-10 from June 1955 to June 1956; Amagogic & Paideuminic Review #5-6 and an October 1959 issue; a 1952 typescript titled "Die Pisaner Gesänge" by Rainer M. Gerhardt; and other periodicals, newspapers, and clippings.

Spec's Music Inc. records is comprised of press releases in the form of newspaper and magazine clippings, business records, photographs, store memorabilia, and framed music posters, and plaques acquired during Ann Lieff's tenure.

The following description of material types and context was provided by JC Bourque, the main designer for Spec's merchandising and ad campaigns:

Promotion to Record Labels
These programs were intended to convince the record labels to allocate advertising revenue, known as “co-op” funds, to Spec’s Music rather than the competitors, or at least garner a larger share of the labels’ promotion budgets. Spec’s would commit to a media schedule, and use these materials to show the labels how much coverage they could get for their co-op dollars.The calendars were created to show the various advertising and store promotion themes that would be employed during the upcoming year. For example, Country Music Month would employ a different media mix than Classical Music Month. Knowing this, the labels might coordinate the release of major artists when the media mix was weighted toward that musical genre.

Promotion to Public
Marketing to the public included radio and TV spots, newspaper ads and inserts, in-store signage and theme art, direct mail, in-store sale flyers and other methods. Typically, a theme would be created and used across all platforms used for a particular promotion. The particular mix of media and other methods would vary according to the particulars of each promotion.

Newspaper Ads and Inserts
Spec’s would often place full-color, full page ads on the back covers of the Sunday lifestyle magazine in various major newspapers in Florida and Puerto Rico. Sometimes, for major promotions, multi-page inserts printed on higher-quality paper were inserted into newspapers instead.

Music Genre Art
These artworks were produced by Impossible Images for use in print materials to denote various musical genres.

Store Signage
Several types of in-store signage were used to reinforce the advertising messaging utilized in radio, TV, and print media.
Posters - There were two types of posters produced. Single-sided posters were used on walls and windows. Double-sided posters were hung from the store ceiling grid so they could be seen from any place in the store.
Danglers - These were also hung from the grid. A single line was attached to one corner of the dangler, presenting a diamond-shaped sign that would rotate in the air currents of the ventilation system.
Genre Signage - These were typically mounted on top of the music bins (gondolas) and consisted of the genre descriptor (Country, Jazz, etc.) and a Spec’s logo. These would identify specific locations for the different types of music. These were used in conjunction with large murals, below, that showed customers the general area of their music preferences.
Retrofit Signage - These were developed by Impossible Products to be added to older gondolas that had not been fabricated with slots for the genre signage holders. These were installed between back-to-back gondolas, with different genre inserts on either side.

Sound & Vision Magazine
This was a periodic publication that would showcase popular music and video releases. The music section was named “Sound &”, while the video section, printed upside down relative to the music section, was titled “Vision &”, so ether side could be considered the front page.

Moon Beach TV Spot
This was a “theme” TV spot (as opposed to a “donut”, below) that was intended to increase “top-of-mind-awareness” of the Spec’s brand, and create a shopping preference in the consumer. It was shot completely under ultraviolet light, and all the props, costumes and makeup were decorated with fluorescent materials.
The script, costumes and props were created by JC Bourque of Impossible Images, Inc. The spot was directed and shot by David Schweitzer. The footage was shot on 16mm film and transferred to electronic media for compositing.
The music was composed after the footage was roughed in. Various visual elements, such as the “frizbee” landing were accentuated in the music track. The musician thought JC was nuts when he proposed attempting this.
Behind the Scenes - Moon Beach TV Spot
These are photos of the shoot during production.

“Dominoes” Video TV Spot
This is an example of a “donut” spot introducing Spec’s entry into the video market. The donut would be distributed to the various TV stations, and the “hole” would be filled with promotions for specific video titles, with the visuals and narration supplied by the station. These insert would be different and various stations depending on demographics, time slot and label co-op purchases.

Special Promotions
Various themes, such as “Instant Hits Blitz,” “Mother’s Day Deals,” and “Saving Season” were developed and deployed across most or all of the media and store displays.Music... Serious Business This was a campaign to get prospective employees interested in the retail side of the music industry. I believe these were used at job fairs and other venues where people were looking for careers. The poster was designed similar to a playing card, with the two interlocking aspects of the music industry: the music, and the business.The brochure was a take-away for the prospect and included in-depth information about the business side of the industry.

The John Erskine Collection contains a lecture given by Erskine on Don Quixote at the University of Miami Winter Institute of Literature on February 16, 1940.

The Lester L. Evans Collection contains U.S. newspaper clippings of cartoons and caricatures published during World War II. Many of the clippings are from the Chicago Sun-Times, the Times Herald,  the Times-Picayune from New Orleans, the Kansas City Star, the Detroit News, the Washington Post, the New York Times, the New York Post, and the Los Angeles Times.

The David Ewen Collection consists of materials which pertain to several aspects of music, ranging from composers to opera houses and festivals, as well as his personal life and work. The papers follow the original order established by David Ewen.

The bulk of the collection contains information and some correspondence pertaining to American and foreign composers and serious and popular performers such as George Gershwin, Charles Ives, Igor Stravinsky, Gustav Mahler, Maria Callas, Bing Crosby, and other notable 20th century composers and performers.

Daniella Levine Cava was elected as the Miami-Dade County Commissioner in 2014 and 2018, representing District 8. Her collection contains materials from her successful 2014 campaign, including correspondence, interviews, and periodicals documenting her initiatives on the campaign trail.

Charles E. Feinberg was an editor Emeritus of the Walt Whitman Quarterly Review. The collection consists of Walt Whitman related materials; predominantly framed and unframed prints, but also leaves from periodicals and leaves advertising Whitman reissues, a Whitman poetry broadside, a Romanian Institute of Cultural Relations with Foreign Countries catalog for a Walt Whitman Exhibit, and other Whitman memorabilia.

The Florida Audubon Society records contains photocopies of minutes from 1900 to 1910, as well as original leaflets published by the society from the same time period.

The Florida Corporations records contains annual and quarterly reports, statements of conditions, and other documents from various Florida corporations from 1955 to 1978. Particularly represented are the Florida Gas Company, Florida National Banks of Florida, Gulf Life Insurance Company, Keller Industries Incorporated, Sikes Corporation, Storer Broadcasting Corporation, Tropigas (Tropical Gas Co.), United States Sugar Corporation, and Wometco Enterprises.

The Florida Philharmonic, Inc. Records contain financial records, administrative files, and scrapbooks pertaining to the Greater Miami Philharmonic, which later became known as the Florida Philharmonic under conductor Brian Priestman.

The Richard Forbes Papers contains research documents for Richard Forbes's 1984 University of Miami dissertation titled Arya Samaj in Trinidad: An Historical Study of Hindu Organizational Process in Acculturative Conditions. The description of the dissertation is as follows: "Arya Samaj is a democratic Hindu reform movement founded in 1875. Though reflecting Western and Christian methods, it aims to revive ancient Vedic ideals. Brought to Trinidad after 1910 by Indian Missionaries, the Samaj spearheaded a Hindu renaissance and socio-religious reforms while also provoking an orthodox counter-reformation in the 1930s. While retarding assimilation of Hindus into the dominant Trinidad culture, the Samaj promoted inter-communal dialogue and was an effective and unified pressure group. Yet, despite emphasis on constitutional rule, the "Aryas" eventually suffered the same factionalism as other Hindus. Differential acculturation between competing groups within the movement was found to be the immediate source of conflict. Opposing factions differed significantly in their members' average educational level, exposure to Christianity, proximity to urban centers and acceptance of secular values."

Contained in the collection are a number of audio cassettes (and corresponding transcripts) of interviews with members of the Arya-Samaj, articles, typescripts, manuscripts, notebooks, reports, bibliographies, pamphlets, and photocopies.

Dr. Sidney Walter Fox (1912-1998) was a biochemist known for discoveries in the autosynthesis of protocells. Fox served as director of the Institute for Molecular and Cellular Evolution (IMCE) at the University of Miami.

The Sidney Fox Collection contains 9 NASA reports concerning the NASA Surveyor Program which took place from 1966 to 1968. The Surveyor Program was a NASA program that sent seven robotic spacecraft to the surface of the Moon, with the intent of demonstrating the possibility of soft landings on the Moon.

Also included is a 1978 interview with Russian-American inventor and engineer Dr. Vladimir Zworykin.

This collection contains one sound reel of Robert Frost speaking at Plymouth Congregational Church, Coconut Grove, Florida, March 3, 1959. It was recorded from a radio replay broadcast by a local radio station.