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The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.

Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.

A large part of the collection consists of photocopies of news articles.

Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."

Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."

The Martha Frayde Barraqué Papers consist of letters from the Cuban painter Wifredo Lam (1902-1982) to Frayde dating between 1962 and 1966.  The collection also includes a group photograph of Lam and Frayde in Mexico in 1957.

The Arva Moore Parks photograph collection consists of images of Cuban exile owned restaurants, stores and other businesses in Miami in the 1960s and 1970s.

The Laura Zarrabeitia Papers consist of four scrapbooks documenting her career as an actress in Cuba in the 1960s and 1970s.  The scrapbooks include photographs, theater programs, contracts, scripts, and clippings.

The papers document professional activities of Carlos Felipe in a capacity of a playwright and of Rosa Felipe in a capacity of an actress.  The materials consist of manuscripts of Carlos Felipe's plays, in which he deals with human passions, giving his characters essential Cuban elements.  Some of the plays were published in Spain, while others were published in Cuba.  The manuscripts of the following plays are included in the papers: "Esta noche en el bosque," for which he received Premio Nacional de Teatro in 1939, "Tambores," and "De pelicula."  A copy of "El Chino," published by Repertorio Teatral Cubano and a published miniature of "Capricho en rojo" are also included in this collection.  The collection also contains academic essays by other authors about Carlos Felipe's plays, especially about "Réquiem por Yarini" in which Carlos Felipe utilizes structure of Greek tragedy.  Materials include clippings with interviews with Carlos Felipe, theatre programs, especially the programs of the several productions of "Réquiem por Yarini" and theatrical reviews.

The materials also document acting career of Rosa Felipe who worked in Cuba, Madrid, Latin America and Miami.  Rosa Felipe worked with other Cuban actors in exile in Miami for the theatre group Repertorio Español.  The bulk of the material documenting Rosa Felipe's career consists of photographs from Cuban TV, theatre and award receiving events.  Moreover, the collection contains Certificates of Recognition, membership cards, slides and theatre programs of productions featuring Rosa Felipe.

The Miami Woman’s Club Records document the club’s history, as well as its civic, community, and social activities from 1903-2004.The records include minutes from 1903-1914, 1921-1929, 1936-1939, and 1959-1967. The collection also includes yearbooks from 1907-2004, as well as correspondence (correspondents include: Judge Edith M. Atkinson, Louise Austin, Alice Johnston, Anne Stevenson Brown, Katherine B. Trippetts, Katherine S. Fitts, and Eva J. Lewis), financial reports, programs, photographs, and other documentation. Also included are over 50 scrapbooks documenting club activities, membership, and events dating from 1919-1979.

The Lincoln Díaz-Balart Papers document the professional and personal activities of Lincoln Díaz-Balart in his capacity as U.S. Representative for Florida's 21st congressional district and as a member of the Florida House of Representatives and the Florida Senate. Materials in the collection include personal and legislative correspondence on issues such as education, the environment, federal and state budgets, human rights in Cuba, and immigration; and official documents on issues of immigration, international trade, Latin America and Cuba. The collection also contains press releases, audiovisual materials, photographs and clippings collected by Díaz-Balart.

Original order was retained, with papers arranged in two series: Florida House and Senate and United States Congress.

The Rafael F. Risco papers are comprised of documents regarding Risco's involvement with the Rescate Revolucionario Democrático counter-revolutionary organization in exile. These materials include biographical materials, photographs, and correspondence between members of the organization.

The Herminio Portell Vilá Papers (1901-1992) include research writings, bibliographic notes, and clippings about events in Cuba and Latin America during his exile time in the United States (1960-1992) . Materials also consist of radio transcripts, audio materials of radio programs, memorabilia and correspondence of the Cuban historian and scholar Herminio Portell Vilá.  His primary research interests focused on early U.S.-Cuban relations, but his papers also include materials about those relations in the 20th century and revolutionary Cuba.

Elizabeth Erickson was an instructor in the University of Miami's physical education program during 1928 and 1931. Her collection contains black and white photographs of students and colleagues in the program, other UM-related subjects, and Miami.

There is also a 2-page essay titled "Physical Education Program, University of Miami, 1928-1931, Elizabeth (Betty) Erickson, Instructor" in the collection.  It was written especially for the UM Archives and received on March 31, 1975.

Slides of Northshore Village, Sears House, Cluster Condos, Ocean Pires, and Swim and Tennis Club. Film of Sears House. Photographs show images of trees.

Novack Residence in Miami, Florida. Photograph showing outside entrance of the house.

Photographs in multiple formats of a waterside structure titled "Moorings" that includes a pool and dining area.

A collection of material from acclaimed theater director, Henry Fonte, who served as the producing artistic director at the Jerry Herman Ring Theatre and the Director of Conservatory Programs in University of Miami for five years. He received his initial education from the University of Florida, earning both a Bachelor of Arts in 1973 and a Master of Arts in teaching in 1976. His acting career began in New York City where he was a founding member of the Pearl Theatre Company. He later founded the New Works Development Program at the Hartt School at the University of Hartford in Connecticut.

The collection is primarily comprised of playscripts, production notes, playbills, and programs but also contains audio-visual materials, posters, photographs, clippings, correspondence, theater set models, and various related items and ephemera from Henry Fonte.

The Scott Carver Housing History collection includes photographs, clippings, reports, ephemera, and digitized files of oral history interviews that document the advocacy work of Scott Carver Miami residents and activists for the restitution of the demolished Scott Carver homes.

The Olga Espejo photograph collection consists of photo reproductions of rare maps held by the Special Collections of Otto G. Richter Library used for her 1995 publication "The West Indies and Florida to 1900: An annotated carto-bibliography." 

The Pablo F. Lavín papers contain documents pertaining to Lavín’s legal and academic career. Included are essays, conference lectures, notes, and personal works written by Lavín and others. There is also correspondence addressed to and written by him, diplomas that were awarded to Lavín, and personal travel documents. There are clippings on a variety of topics as well as books not written by him. Lastly, there are photographs and magazines.

Collection consists of author files, press photos and other photographs, organizational records, financial records, audio recordings, video recordings, and promotional materials.

Author files (8 cubic feet): manila folders containing materials related to authors who appeared or were considered as panelists.

Press photos (1 cubic foot): biographical material, handwritten and typewritten correspondence.

Photographs: candid photos of KWLS authors and attendees; some studio/posed portraits.

Organizational records (6 cubic feet): 3-ring binders containing board agendas, minutes, related correspondence, and press clippings. Financial records (3 cubic feet) tax and accounting records, grant records.

Audio recordings: approximately 75 unique audio cassettes, 20 unique DAT (digital audio tape) recordings; 100+ unique CD (compact disc) recordings 1999-2008; 85 GB unique audio stored on digital drives, 2009-2014.

Video recordings: 7 VHS cassettes.

Ephemera and other promotional materials: posters, programs, postcards, and publications.

Books received with the donation will be cataloged separately.

The María Martínez-Cañas collection includes 1 portfolio of Páginas del Viaje, including : Chine CollePhotogravures, 20 x 20 inches, in 1 complete portfolio of the Páginas del Viaje 1996 edition of 14 prints with 2 artists proofs, 2 printer proofs, 1 studio proof, 1 plate maker proof, and 1 BAT set. Each one of the 5 photogravures copper plates were mounted to aluminum, cancelled and presented in handmade portfolio cases with the first 5 edition sets.

Photographs of post-hurricane damage after The Great Labor Day Hurricane of 1935.

Una Austin Week, whose maiden name was Una Austin, was a professional concert mezzo-soprano singer performed in London, England in the 1910s.  The collection contains professional portrait photographs, concert programs, and press clippings of her performance appeared in newspapers and telegraphs.

This collection contains 19th century portraits and group photographs related to the Cuban War of Independence.

The collection consists of historical photostat maps of Cuba and the globe, photographs, correspondence and two medals awarded to Luis Howell.

The papers include letters from various prominent Cuban figures; among them Tomás Estrada Palma, Salvador Cisneros, Lola R. de Tió, Armando Menocal, Mario Menocal and others.  The materials also consist of newspaper clippings about sugar industry and some photographs.

The scrapbook includes photographs, clippings, and an invitation documenting the activities of the Children Hospital "San Juan de Dios" in Camaguey, Cuba.

The Raquel & Ruth Robés collection contains photographs of school life in pre-revolutionary Cuba, as well as pamphlets and memorabilia. It also contains certifications for educators Raquel and Ruth Robés.

The scrapbook titled "Bienvenido Rumbaut" includes caricatures, photographs, autographs etc., of Cuban personalities.

The collection documents the professional activities of the Cuban singer Celia Cruz from the 1950s until 2003. The bulk of materials in this collection include photographs documenting Celia Cruz's career in Cuba, the U.S. and internationally. The collection also contains an important number of photographs and newspaper clippings about Celia Cruz’s funeral in July 2003. The materials include both old and recent newspaper clippings, as well as posters, magazines, invitations, correspondence, signed postcards, awards, and uncorrected page proofs for the book. The collection also contains important music scores: the instrumental parts for the arrangements of some of Cruz's major hits, written by some of the most important arrangers in Latin music, and one published music score. Additionally, the collection includes an array of items like a shoe, cassette tapes, a fan, CDs and a DVD.

The papers consist of manuscripts of musical scores, photographs of Avilés family, scrapbooks, drawings and memorabilia of Avilés family. The drawings, in particular, exhibit artistic aptitudes of John and Mariana Avilés.  Of note, is the collection of daguerreotypes and photographs from 19th and early 20th century of Avilés family.

The records document activities of Asociación Cubana de Mujeres Universitarias.  The materials include minutes, financial reports, by-laws, correspondence, election advertisements, newspaper clippings, invitations and photographs.

The papers of Federico Sánchez Villalba contain letters, photographs, clippings costume and stage designs, as well as fashion designs and some original art work.

The Carmen Puig papers document Carmen Puig's family ties to Jennings Cox, Puig's step-grandfather and the American credited with inventing the daiquiri cocktail. Cox was an engineer with Bethlehem Iron Works in charge of mines in Daiquirí, a town in Cuba's southeast region. Cox reportedly invented the famous daiquiri cocktail in 1898 by mixing together white Bacardi rum, mineral water, sugar, lemon juice, and crushed ice.

The Carmen Puig Papers include an original recipe for the daiquiri, while the bulk of the materials consist of family photographs. The papers also include some correspondence, clippings, and memorabilia; and materials related to Puig's career with the Bacardi company from 1965 to 1986.

The Lydia Cabrera papers document the life and career of writer and ethnographer Lydia Cabrera, one of the 20th century’s leading writers on Cuban folklore and an internationally known chronicler of Afro-Cuban culture and religion. The materials include correspondence, manuscripts of her works, field notes, interviews, photographs, illustrations, and memorabilia. This collection also contains documentation about the restoration of several colonial buildings in Cuba.

A highlight of the collection are the libretas, or notebooks, collected by Cabrera from Santeria priests and priestesses that document rituals and religious practices of the Afro-Cuban faith. These are found in Series 3 along with her manuscripts and field notes.

Part of this collection has been digitized and is available in the University of Miami Digital Collections online repository.

The collection consists of 340 photographs of Miami including the celebration of Carnival Miami at Calle 8. The photographs were taken by Gustavo Roca.

The papers document professional activities of Osvaldo Farrés as a composer who composed both songs and lyrics. The bulk of papers consists of the scores of the songs that were translated into many languages and recorded by top singing stars e.g., "Quizás, Quizás, Quizás" (Perhaps, Perhaps, Perhaps) and "Toda Una Vida"(Until Tomorrow). The materials also include photographs, clippings, diplomas honoring Farrés' musical achievements, magazines, programs and a multicultural school calendar for year 1980 featuring Hispanic role models for children.

This collection consists of the technical files and papers of John G. Borger (1913-2011), who served as Pan American World Airways, Inc.'s Vice President and Chief Engineer. His materials document the development and acquisition of: Boeing aircrafts, including the 377 Stratocruiser, B-707 and B-747; the Douglas DC-6B, DC-7B, and DC-7C, the DC-8 jet; the Lockheed Constellation and the L-1011; the Convair CV-240; the Dassault Falcon 20, 10, and 50; the Pratt and Whitney and Rolls Royce engines, including the JT9D; and the Supersonic Transport (SST) aircraft.

Types of materials retained in the collection include: pamphlets, programs, engineering information, studies, evaluation reports, manuals, personal notes taken by John G. Borger, lectures, typescripts, correspondence, diagrams, flight path drawings, periodicals, research, articles, ephemera, newsclippings, and 3D material objects.

The Dr. John Bitter collection contains materials documenting Bitter's career as a conductor and composer. The collection includes sheet music for several compositions by Bitter, as well as publications about the Frost School of Music at the University of Miami and a 1953 photograph of the University of Miami Orchestra at the Miami Beach Auditorium. Also included are numerous programs from the 1940s-1960s, including ones from the UM Symphony Orchestra, the Greater Miami Philharmonic, and the Berlin Philharmonic.

The Kenneth Close Collection contains a number of prints from the Metropolitan Museum of Art and elsewhere, sheet music for "The Death of Minnehaha" by Longfellow and Ch. C. Converse, and several insurance policies from the 19th century (some which are photocopied).

Simón Daro Dawidowicz was a businessman and art collector who resided in Miami, Florida. A long-time resident of Colombia, Dawidowicz had a strong interest in Latin American liberator Simón Bolívar and his lasting influence on Latin America. Dawidowicz was a member of several Bolivarian societies, president of the Bolavarian Review, and founded the non-profit organization Darien Action Committee, which sought to promote the completion of the Panamerican Highway from Panama to Colombia. Dawidowicz had strong connections with several prominent Latin American artists including Leopoldo Richter and David Manzur. He was a curator as well as a collector of their and others' work, and donated a number of their pieces to museums and institutions including the University of Miami. A mural titled "Bolívar and Humboldt" by Leopoldo Richter was donated by Dawidowicz to the University, and currently stands in front of the Otto G. Richter Library.

The Simón Daro Dawidowicz Bolivarian collection contains items pertaining to all of the above pursuits and interests. Much of it is correspondence and official records, or newspapers clippings and photographs that document his activities. There are a number of audiocassettes and film reels, and a single videocassette as well.

Of particular interest are a bust of Simón Bolívar that Dawidowicz had commissioned as a gift for former President Lyndon Johnson, as well as a box containing photographs, photographic prints, brochures, periodicals, and other forms of material depicting the works of a number of Latin American artists. These include David Manzur, Leopoldo Richter, German Tessarolo, Marlene Hoffman, Enrique Grau, Edgar Silva, Armando Villegas, Patricia Tavera, Ràmon Carulla, and Miguel Rojas Niño. Some of these items are signed by the artists.

Two family members of Dawidowicz, Miriam and Sylvia, were curators and donors of Latin American art as well, and several documents detailing their efforts are held within the collection.

Finally, the collection contains assorted personal photographs and several short stories written by Dawidowicz.

Hervey Allen was a literature professor, poet, World War I veteran, and Trustee of the University of Miami from 1936 until 1949, the year that he died. Allen had a formative influence on the "Friends of the University" organization, as well as on Latin American studies at the University.

The collection consists of letters both by Allen and about Allen after his passing away, clippings about Allen and his writings, photographs, photocopies and typescripts of Allen's writings, and obituaries including an official University of Miami memorial.

The papers consists of correspondence, photographs, clippings, publications, awards, certificates and medals, speeches and various other materials documenting the life and work of Dr. John O. Brown, first African American Ophthalmologist in Florida and the first African American President of the American Medical  Association. The collection also includes clippings, sermons, speeches and photos of African American folklorist, Rev. William Faulkner.

John Barrett (1866 – 1938) was a United States diplomat and journalist and one of the early directors general of the Pan American Union (currently known as the Organization of American States). This collection consists of photographs of Latin American delegates to the Pan American Union.

Exhibition Catalog for dual exhibition: "Brazilian Photography in the 19th Century" & "Visual Documentation of Brazil: Lithography to Photography," at the University of New Mexico Maxwell Museum of Anthropology & Library; Correspondence between Robert Levine and Stella de Se Rego, Head of Special Collections at University of New Mexico re: ordering reproductions of 19th Brazilan photography; 1 B&W photograph reproduction depicting the execution of Generals Mejia, Miramon, and Maximillian c. 1867.

8 B&W 16 x 20" prints directly on foam-core boards w/ hanging slats attached to back

9 B&W 16 x 20" prints directly on foam-core boards w/ hanging slats attached to back

The James Baxter collection contains Florida related materials. Included are a deed of sale and title of a house in Flagler; theater publications from the Coconut Grove Playhouse, the Miami Summer Star Theater, and the Dade County Auditorium Playgoer; postcards from Key West, Ft. Lauderdale, Port Everglades, Fort Myers, Palm Beach, and Miami Beach; a series of photographs of historic sites in Florida, largely lighthouses; a 1903 periodical titled "Liberty Boys of '76: The Liberty Boys in Florida, 1903"; an 1883 Vol XIX issue of Dime Beadle's New York Library, subtitled "Alligator Ike; or The Secret of the Everglade. A Tale of the Outlaws of the Okeechobee"; and a photocopy of the latter periodical.

Ione Wright, a Professor Emeritus at the University of Miami, researched the development of Pan American Airlines' Transpacific service. The Ione Wright papers contain documents, oral histories, photographs, operations manuals, maps, and other materials related to the history of Pan American Airlines, including materials related to Victor Wright and materials documenting the establishment of routes in the Pacific.

The topical files document a variety of subjects related to Pan American Airlines, dating from 1920-1986. Ione Wright compiled many of the files during her research on the airline’s activities in the Pacific, including correspondence with former Pan Am employees and oral history transcripts. Also included are photographs, files related to the China Clipper, and a variety of Pan Am publications.

The collection also contains navigation manuals and operations manuals for Pan Am airplanes, including the B-727, the DC-4, the DC-6, and the DC-7, as well as operations manuals for Pan American Airlines’ Latin American Division.

Also included a variety of maps and aviation charts for parts of the United States, South America, and the Caribbean, as well as route maps for Pan American Airlines, and a map of the United States by John Melish from 1816.

The Fidelia Righi papers contains a notebook of poetry, a series of handwritten pages on architecture with accompanying architectural sketches, six photographs from the Intercollegiate Cosmopolitan Club of the City of New York, a 1922 address by Harry E. Edmonds to the club called "The Ideals of International House," and a 1922 program for "European Night" held at the club.

Paul Nagel was a professor at the School of Communication at the University of Miami, as well as a writer, producer, director, and actor in non-theatrical "sponsored films."

The collection includes University of Miami radio tapes and video cassettes, scripts, and publications including Tempo, UM Bulletin, UM School of Music, UM Ballet, UM School of Communication; a series of historical photographs depicting students at work in the Radio, Television and Motion Pictures department of the School of Communication; and clippings, scripts, playbills and programs from the Coconut Grove Playhouse, Parker Playhouse, the Ring Theatre, Players State Theatre, the Cannes Film Festival, Mayfair Theatre, and the Carillon Hotel.

The Spencer Family papers contains a number of personal items pertaining to various members of the Spencer family, in the form of books, clippings, journals, manuscripts, memorandums, news bulletins,  newspapers, notebooks, pamphlets, periodicals, photographs, poetry, postcards, reports, and scrapbooks.

Photographs of Pan Am aircraft at Dinner Key terminal in Miami, Florida.

Photographs and negatives of Hurricane Andrew created by the students of Southwood Middle School.

The Royal Poinciana Festival is a South Floridian festival that celebrates the royal poinciana tree's blooming in May. The Royal Poinciana Festival Records Collection holds materials pertaining to the festival, in the form of clippings, records, letters, notes, photocopies, photographs, and programs.

Photographs, negatives, sides, sketches, drawings, etchings, watercolor and oil works, correspondence, clippings, exhibition programs and catalogs, and other related materials created and collected by artist Richard Merrick (1903-1986) and the Merrick family.

R. A. Seymour was a Wing Commander from the Royal Air Force. The collection contains photographs and memoirs Seymour's training at the Pan American Training Academy at the University of Miami during World War II.

Formed in 1959, World Wings International is an association of former Pan Am flight attendants that now dedicates itself to charitable activities. This collection includes the administrative records of the organization as well as scrapbooks, photographs, membership and annual meetings files, correspondence and financial records.

The Helen Muir Papers include correspondence, drafts of writings, research notes, topical files, publications, photographs, clippings, materials relating to Robert Frost, and other items documenting Muir’s life, career, and service.

The correspondence dates from 1927-1995, and includes both personal and professional correspondence. Intermixed with the correspondence are notes, clippings, writings and other materials relating to the correspondent. Noteworthy files include Marjory Stoneman Douglas, former Florida governor Bob Graham, Richard and George Merrick, Eunice Peacock, and Janet Reno.

The collection also contains drafts of Muir’s articles and columns, research notes, and several magazines containing published articles. Also included are notes for her book The Biltmore: A Beacon for Miami, and extensive notes and chapter drafts for her book Miami, U.S.A.

In addition, the collection contains topical files on various subjects, including libraries, awards, photographs, and speaking engagements. Also included are scrapbooks documenting Muir’s life and career, as well as her 1929 class yearbook.

The Hurricane Andrew collection contains two different series of materials regarding the 1992 hurricane.

Series I consists of photographs, writings, and artwork made by children representing their Hurricane Andrew experience. The majority of the materials are photographs, negatives, prints, photographic slides, writings about those photographs, and administrative documents from a project done at Southwood Middle School titled "The Eye of the Storm through the Eye of the Child." Administered and organized by Colette Stemple, a photography teacher at the school, the photographs depict damage done to their homes and their neighborhoods, and have accompanying text written by the children as well. The project was eventually on display in the Miami Art Museum one year after the landfall of Andrew, under the same name. Also included are drawings, poems, a bound volume titled "Hands On: The Day the Winds Came... Migrant Children Write About the Effects of Hurricane Andrew," reflections written by Caribbean Elementary School students, and a folder scrapbook on Hurricane Andrew's effects titled "In the Wake of Andrew."

Series II contains historic Miami Herald newspapers chronicling the Hurricane's impending landfall in South Florida, the actual landfall, and several weeks of the aftermath.

This archival collection features several materials of personal interest gathered and collected by Kenneth W. Goodman, PhD, FACMI, FACE, the founder and director of the University of Miami Miller School of Medicine’s Institute for Bioethics and Health Policy and director of the university’s Ethics Programs and Professor of Medicine with appointments in the Department of Philosophy, School of Nursing and Health Studies and Department of Public Health Sciences. Featured within his collection are NASA press kits and press releases, particularly pertaining to the Apollo 11 moon landing, the Apollo-Soyuz Test Project, NASA transportation shuttles, and other related NASA projects. Furthermore, there are also political ephemera, one photograph, and one news clipping housed inside his collection.

The Frost Museum of Science had originally opened in 1950 under the name the Junior Museum of Miami and has since underwent several renovations and relocations. It had also been renamed in 1952 as the Museum of Science and Natural History and once again renamed in 2011 after Phillip and Patricia, two wealthy and influential Miami philanthropists who have donated and supported various educational institutes and museums throughout South Florida, including the University of Miami. In its current inception, the Frost Museum of Science is located in Downtown Miami's waterfront Museum Park and offers a variety of STEM (Science Technology Engineering and Math)-based exhibits, lectures, and shows. It is particularly well-known for hosting the show Star Gazers with Jack Horheimer (formerly Jack Horheimer: Star Hustlers and Jack Horheimer: Star Gazer).

This collection includes typescripts for the Star Gazers (Star Hustler) planetarium show, research files, exhibit files, exhibit prints, convention proceedings, pamphlets, historical news clippings, ephemera, periodicals, scrapbooks, photographs, event files, administrative records, and other archival documents pertaining to the Frost Museum of Science's day-to-day operations.

"An archive of ephemera detailing the short-lived Miami punk band, Screaming Sneakers, compiled by their drummer Mark Evans. The collection includes artwork, flyers, 28 letters, 12 photographs, maquettes, newspaper clippings, promotional material, and other items collected between 1981 and 1983 by Evans.

These items show the early days of the band in 1979 and their do-it-yourself rise to their only recordings in 1982. Featured throughout are various letters from fans and inquiring music writers including Mick Mercer of the English zines, ZigZag Mag and Panache Fanzine. In his letter he writes to frontwoman, Lisa, asking for an interview and saying, 'you seem to be a special sort of band.' Another letter is a retained copy of a note written by Mark to Blondie guitarist, Chris Stein, asking if his new record label, Animal Records, would be interested in the band. A group of 12 black and white band photos showing them posed around New York is featured here. A promotional poster for the band features a piece from the Miami News on Lisa which reads, 'she is more interesting simply sitting at her table than any of the bands cavorting on stage.'

Formed in 1979, the Screaming Sneakers were a punk, New Wave band based in Miami, Florida. The band consisted of then 17 year-old front woman Lisa Nash, Mark Evans (drums), Bud Gangemi (bass), and Gary Sunshine (guitar). Part of South Florida’s fleeting punk and new wave scene, the band was active mostly throughout Dade and Broward County. In 1982 they cut a four-song EP titled Marching Orders, which prompted new management, a move to New York, and a brief glimmer of fame, but despite their best efforts the band slowly faded into obscurity. Little enough is written on them, though they were recently featured in Gary McLaughlin’s 2012 documentary Invisible Bands, which covers the South Florida music scene between 1979 through the mid-1980’s.

An interesting collection of ephemera following a female fronted Miami punk Band’s short-lived time in the 1980s punk scene." -Between the Covers Rare Books

This collection consists of miscellaneous photographs and images that have no relation to other collections. The bulk of the photographs are taken throughout Miami-Dade County and the south Florida region.

This collection largely contains materials and personal items from noted Eastern Airlines pilot, Arthur W. Dunlop, and his family members, Patricia H. Dunlop and Lorraine F. Dunlop. Contained within are Eastern Airlines documents, photographs, manuals, flight records, flight instruments; ephemera, VHS, vinyl records, pilot's wives' yearbooks, and news clippings; University of Miami pins, tags, ephemera, and Bachelor's certificate; family photographs, photograph albums, and drawings.

This collection documents the career of the University of Miami President Henry King Stanford (April 22, 1916 – January 1, 2009). Contained within are correspondence to and from Henry King Stanford, newspaper clippings, photographs, speeches, research files, scrapbooks, ephemera, and memorabilia that once belonged to him.

This collection contains autographed photographs and other associated photographs either collected by or about Marie Volpe (1880-1970), the former manager of the University of Miami Symphony Orchestra.

A rich collection of graphic design prints, transparencies, sketches, mock-ups, and maquettes, as well as promotional materials (pamphlets, flyers, leaflets, brochures, advertisements) created by Erwin G. Harris and his design firm. Included within are commercial advertising materials for hotels, restaurants, and tourist attractions in Florida, other parts of the United States, Latin America, and the Caribbean; wines and spirits; and other companies, such as IGENE Biotechnology, Scopitone, and Mastro Plastics.

The collection also includes correspondence to and from Erwin G. Harris, photographs, advertisement proposals, resumes, biographies, portfolios and other documents pertaining to Harris and Company Advertising, and Inc. and Erwin G. Harris’ other businesses, along with legal documents, correspondence, and news clipping detailing Harris' feud with the Cuban government under Fidel Castro during the early 1960s.

Dr. Robert M. Levine (1941-2003) was the Gabelli Senior Scholar in the Arts and Sciences, Director of Latin American Studies, and professor of history at the University of Miami. Throughout his career, Dr. Levine exhibited a strong interest in Brazilian cultural and political history, Jewish Diasporas in Latin America, Cuban history, and Latin American history in general. His collection contains publications (many written by himself), audio-visual materials, photographs, and photograph albums.

The collection contains correspondence, photos, performance fliers, a plaque, and posters of dancer Caridad "Pitucha" Vega.

This collection contains articles, screenplays, research notes, drafts, and other writings by John Underwood, as well as research files, audiovisual materials, and clippings. His research topics included former Florida State Senator George A. Smathers, sports, Disney, and South Florida. His collection also contains correspondence, his personal files, photograph albums, scrapbooks, his University of Miami files, and ephemera.

This collection contains typed manuscripts, drafts, poems, periodicals, publications, correspondence, news clippings, photographs, slides, negatives, VHS tapes, audiocassette tapes, CDs and other archival materials from the local South Floridian poet, Jeffrey Knapp (1949-2011). Also included in the collection are photographs and research materials on the South Floridian artist, Betti Bernay (also known as Betty Godlfarb; 1926-2010).

The Band of the Hour collection contains photograph albums, photographs, programs, certificates, sheet music, cards, newspaper clippings, memorabilia, plaque, posters, and other ephemera pertaining to University of Miami Frost School of Music's Band of the Hour.

This collection contains an array of materials that document the history and legacy of the University of Miami Department of Intercollegiate Athletics. Contained within are photographs, audio-visual materials, publications, news and magazine clippings, sports statistics, contracts, questionnaires, and topical files.

This collection contains materials from the University of Miami's 75th Anniversary celebration. The materials in this collection include news clippings, memorabilia, posters, t-shirts, correspondence, general ephemera, reports, photographs, pamphlets, programs, invitations, announcements, and other materials related to the event planning among the different schools, colleges, and divisions.

This collection contains photographs, handbooks, correspondence, and other administrative documents created and collected by the Iota Alpha Pi Sorority.

Color and B&W reproductions of photos taken at the event; General Chappie James in attendance

Architectural blueprints, floorplans, drawings, and renderings of Henry Melich's residential and commercial projects in the Bahamas in 35mm slides and negative slide cards

Various photographic prints of projects done by Henry Melich, mostly likely in the Bahamas

17 assorted silver-gelatin prints related to CRB meetings and activities

The University of Miami Iron Arrow Honor Society collection contains the official records of the Society dating from 1926 to the present. Items in the collection include organizational records, member directories, programs, bulletins, event ephemera, resumes, periodicals, awards, correspondence, financial records, press releases, photographs, photograph albums, flags, clippings, and jackets worn by the members. 

The papers document professional and personal activities of José Martín in capacity of a commercial artist and professor in Cuba and Miami. Martín was a Professor Founder of the Koubek Memorial Center at the University of Miami where he taught for 10 years. He also founded and headed Martín Technical College until 1979, and his commercial firm, "Martín-Studio Advertising," and founded APLA (Asociación de Publicitarios Latinoamericanos). Martín's art expresses pain, suffering and joy of people searching for freedom.

The materials consist of autographed letter of Generalísimo Máximo Gómez, Chief of the Cuban Army during the Cuban Independence War to Victoria Pedraza, dated September 22, 1898, postmarked envelopes with stamp of winning design featuring José Martí and Antonio Maceo by José Martín, postmarked envelopes with stamps of winning design featuring José Martí by Isidro Martín and stamps of first place awards granted to José Martín in a Postage Stamp Contest held in Cuba in 1948 and 1953. The materials also include correspondence, clippings, post cards with award winning photographs by José Martín, drawings by Martín, photographs, awards, certificates, drawings showing various stages of advertisement, documents related to Commercial Art and Advertising College, information about programs offered in Koubek Memorial Center at the University of Miami, scrap book and DVD with Martín's art.

The papers of Cuban actress Yolanda Arenas include primarily photographs, clippings, and  programs of theater productions in which Arenas performed. Folders for a few productions include scripts with annotations by Arenas.  The collection also contains headshots and other portraits and audio and video recordings.

This collection consists of correspondence, manuals, personal papers, photographs, ephemera, and other records concerning Pan American World Airways.

The Roberto Gacio Papers contain personal papers of Cuban actor, professor and theater critic Roberto Gacio (b. 1941), including theater ephemera, photos, a thesis, and other manuscripts.

The Beaux Arts collection consists of scrapbooks, newspaper clippings, brochures, photographs, and magazines related to the Beaux Arts Organization and the annual Beaux Arts Festival that takes place in South Florida, which is usually co-hosted by University of Miami.

This collection contains 9 black and white promotional photographs of classes taught in the Industrial Education Department of the University of Miami in 1951. The photographs show classes in bookbinding, printing, working with plastics and sheet metal, welding, and woodworking.  The size of the photos are 7.5 x 9.5 inches glued onto 8 x10 inch matte boards.

In addition, there are two press articles about the department (1954 and 1955) and brochures promoting the profession of industrial art teacher (no date).