The Laura Zarrabeitia Papers consist of four scrapbooks documenting her career as an actress in Cuba in the 1960s and 1970s.  The scrapbooks include photographs, theater programs, contracts, scripts, and clippings.

The Leon Robbin Collection contains two full-color prints of two similar engravings from the work Marriage À-La-Mode by William Hogarth. The prints are designed by William Hogarth and engraved by Thomas Cook. They are dated February 1st and October 1st, 1978, and are noted to be published by G. G. & J. Robinson, Pater-noster Row. They are sized 17 x 22 inches. Each is noted as being "fine original impression, proof before the title."

Plans, Sections and Elevations (Drawings and prints) and Photographs (including Negative Films) for the Leonard Hotel and Ocean Terrace Apartments

The collection is devoted to the National Catholic Welfare Conference of Miami. The bulk of materials consist of 35 photographs. The materials also include some plaques and diplomas, as well as, a photocopy of Leonardo Fernández-Marcané's article "Visión Poética del novelista Reinaldo Arenas,"published in Cuadernos del Lazarillo, no. 25 (July-December 2003), pp.97-103.

This collection contains an array of photographs, artwork, prints, fliers, newsletters, and promotional materials either collected or created by artist, photographer, and radio host Lex Nover and dating from the 1980s to 2020s.

The Lillian Frow Peacock & Eunice Peacock Photograph Collection primarily depicts the earliest settlers of Coconut Grove and Miami. The collection includes portraits of the Peacocks, the Frows, and other families, as well as historically notable places such as the Peacock Inn and the Coconut Grove School. Box 2 includes a handcrafted menu from the first Biscayne Bay Yacht Club dinner at the Peacock Inn in 1891. The photograph album in box 4 includes portraits of the Peacock's English relations as well as a few of their Coconut Grove and Miami neighbors.

The Lincoln Díaz-Balart Papers document the professional and personal activities of Lincoln Díaz-Balart in his capacity as U.S. Representative for Florida's 21st congressional district and as a member of the Florida House of Representatives and the Florida Senate. Materials in the collection include personal and legislative correspondence on issues such as education, the environment, federal and state budgets, human rights in Cuba, and immigration; and official documents on issues of immigration, international trade, Latin America and Cuba. The collection also contains press releases, audiovisual materials, photographs and clippings collected by Díaz-Balart.

Original order was retained, with papers arranged in two series: Florida House and Senate and United States Congress.

The Louinès Louinis Haitian Dance Theatre collection contains photographs, pamphlets, programs, ephemera, audio-visual materials (VHS and DVDs), clippings, correspondence, and other archival materials documenting the history of the theater and its founder, Louinès Louinis.

The slides show the exterior and interior of a house. The photo shows the living room of the house. The sketches are of furniture including chairs and drawers. The letters are not very legible. The magazine cut outs show living rooms. The receipt is from the Gables Blueprint Company.

The collection contains scrapbook pages related to the Cuban Telephone Company, including a document, clipping and photographs; one document titled "Resolución No. 105" by the Empresa Nacional Telefónica "13 de Marzo," signed by Carlos Tejera Paz, 1964; and one issue of Unidad, the bulletin from Federación de Trabajadores Telefónicos de Cuba en el Exilio, Año XXXV, Nos. 419/423, Agosto/Diciembre 1997.

The papers document professional activities of Luisa María Güell in capacity of an actress, singer and composer.

The bulk of material consists of clippings.  The materials also include photographs from concerts and films, covers of Guell's musical disks, Theatre programs, scrapbooks with photographs and clippings, awards, videotapes with "Homage to Edith Piaf" and "Papa Porque no Vuelves" and correspondence.

The Lydia Cabrera papers document the life and career of writer and ethnographer Lydia Cabrera, one of the 20th century’s leading writers on Cuban folklore and an internationally known chronicler of Afro-Cuban culture and religion. The materials include correspondence, manuscripts of her works, field notes, interviews, photographs, illustrations, and memorabilia. This collection also contains documentation about the restoration of several colonial buildings in Cuba.

A highlight of the collection are the libretas, or notebooks, collected by Cabrera from Santeria priests and priestesses that document rituals and religious practices of the Afro-Cuban faith. These are found in Series 3 along with her manuscripts and field notes.

Part of this collection has been digitized and is available in the University of Miami Digital Collections online repository.

The Maggie Steber Photography Collection contains thirty-three signed and dated 11x14 inch color prints on art paper and eleven large framed (33 1/4" x 43 3/4") prints. The collection documents photojournalist Maggie Steber's work in Haiti from 1986 to 2010.

The papers document professional activities of Manuel Ochoa, Cuban exile musician and choral and orchestra conductor who founded the Miami Symphony Orchestra.  The materials consist of correspondence, published and unpublished musical scores, photographs, concert programs and pamphlets, clippings, writings about classical music, minutes of the meetings, concert papers, memorabilia, diplomas, magazines, scrapbooks and working papers of Miami Symphony Orchestra.

The collection consists of photographs of Camagüey, Cienfuegos, and Havana, Cuba taken by Manuel Ruiz Barrera, a professional photographer and part-owner of Imageland Photography in Miami.

This collection consists of photographs of race car driver Marcelino Amador, many at Oriental Park Racetrack in Marianao, Cuba.

The papers consist primarily of facsimilies and copies of documents relating to colonial Cuba.