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The records document activities of Asociación Cubana de Mujeres Universitarias.  The materials include minutes, financial reports, by-laws, correspondence, election advertisements, newspaper clippings, invitations and photographs.

The Asela Torres Photography Collection contains digitized photographs and published materials featuring the photographs of Cuban-born theater photographer, Asela Torres.

This collection is divided into two series. Series I contains digitized photographs taken by Asela Torres at various theater events and performances. These digitized photographs are accesible through the University of Miami Digital Collections website. Series II contains original theater programs, pamphlets, and ephemera featuring photography by Torres.

The ASCE (Association for the Study of the Cuban Economy) Collection consists of twenty-two papers presented by panelists at the VI Annual Meeting of ASCE, held at the University of Miami from August 8th-10th, 1996.

These papers, as well as proceedings from the conference, have been published in a series of Cuba in Transition. Paper topics cover a wide range of subjects, from overviews of the general economic problems of  a transition to a market economy in Cuba to studies of specific economic sectors such as tourism, trade policy, banking, energy, agriculture and the sugar industry.

The Arva Moore Parks photograph collection consists of images of Cuban exile owned restaurants, stores and other businesses in Miami in the 1960s and 1970s.

The Arturo Artalejo Collection contains audio recording materials of Cuban radio personality Arturo Artalejo. These include tapes, reels, and a vinyl record of radio shows and recorded performances featuring Artalejo and other Cuban personalities.

The Artist files contain materials related to the professional and artistic work of visual artists from Cuba and of Cuban descent. The files in this colletion contain exhibit catalogs, clippings, and ephemera related to visual artists and their work. The collection also contains files on art galleries that show the work of visual artists in group shows.

Series 1 contains files on individual visual artists, including show catalogs, promotional materials, postcards and programs for galleries, and other ephemera relating to the work of individuals  Materials are organized alphabetically by last name in each box. Series two contains exhibit catalogs, announcments, and other ephemera related to group shows at art galleries featuring multiple Cuban artists or of galleries that support and regularly exhibit Cuban art. Materials are organized alphebetically by gallery or venue name.

The Arnaldo Ravelo de Avellaneda papers contain correspondence, ephemera, clippings, diaries, writings, and photographs and slides of artworks related to the Cuban visual artist and writer, Arnaldo Ravelo de Avellaneda (1929-1979).

The collection of ephemera includes announcements, brochures and promotional materials for Ravelo’s work in galleries in Cuba and the United States. The photographs and slides in this collection visually catalog individual pieces of Ravelo’s painting and sculpture. Clippings from art magazines and newspapers document Ravelo’s work and career as an artist and writer.

Correspondence chronicles Ravelo’s time in Cuba during the late 1950s as well as his studies in Madrid, Spain and stay in Brussels, Belgium. Letters from the 1960s and 1970s document the period that Ravelo lived, studied, and worked in the United States, mainly in New York City and Miami. Correspondents include fellow artists and writers, especially those of René Cordero and Alba Venicia Marlene Zunzunegui, who became the executrix of Ravelo’s estate upon his death in 1979.

A collection of diaries dating from the period 1966 to 1978 contain short entries in date books on daily activities, along with some sketches and poetry. Ravelo also wrote essays, criticism and poetry, and a small group of manuscripts are contained in his papers.

The papers include letters from various prominent Cuban figures; among them Tomás Estrada Palma, Salvador Cisneros, Lola R. de Tió, Armando Menocal, Mario Menocal and others.  The materials also consist of newspaper clippings about sugar industry and some photographs.

The Armando Couto Collection contains photographs, correspondence, and typewritten scripts of radio programs written by Armando Couto (1918-1995) broadcast in Miami, Venezuela, Mexico, Puerto Rico and Nicaragua.

The collection also contains "Revistas Semanales," illustrated reproductions of Couto's radio programs published by Editorial América in Venezuela.

The papers document the professional activities of Armando Álvarez Bravo in his capacity as an art critic for El Nuevo Herald, and as a poet, writer and professor of journalism at the Koubek Memorial Center. Bulk of material consists of typescripts of his articles for El Nuevo Herald and newspaper clippings of his articles. The material also includes typescripts of interviews conducted by Álvarez Bravo with writers and painters, correspondence, typescripts of complete collection of poems by Álvarez Bravo both published and unpublished, a conference paper and photographs from his birthday celebration. In his interviews Álvarez Bravo discusses both the artistic vision of writers and painters and their personal lives.

The Armando Alejandre, Jr. Collection consists of 2 original 35mm film reel canisters with original film for the 2006 documentary Shootdown. The documentary tells the story of the organization Brothers to the Rescue. It focuses on the incident in 1996 when the Cuban Air Force shot down two planes, killing four pilots including Alejandre.

The Ariel Remos Papers contain the personal papers of Cuban journalist Ariel Remos (d. 2013). They include extensive newspaper and online publication clippings, as well as essays, official reports, periodicals and pamphlets for which Remos wrote, correspondence with other writers and intellectuals in exile, photographs, and audiovisual material. The majority of the materials relate to Remos' time as a Cuban exile journalist and intellectual in Miami, Florida.

The Ariel Hidalgo Collection contains the writings of Cuban political prisoner Ariel Hidalgo that were secretly smuggled out of prison by the author. It includes articles, manuscripts, correspondence, and a curriculum vitae, as well as a copy of the 'Disidente' pamphlet and a detailed list of fellow political prisoners.

This collection is comprised of a scrapbook titled "Juicios, Críticas, Elógios, Artículos" 1889-1936. It also contains clippings collected by Zamora, a resident of Havana, Cuba.

The collection contains digital recordings of Antonio Rubio, PhD, singing pregones from turn of the century Havana; photos of original discs from 1941, 1947 and 1954; a photo of Antonio Rubio in the DePaul University yearbook, with other department chairmen; and an obituary for Antonio Rubio.

The Antonio Orlando Rodríguez Papers consist of original manuscripts, notes, and literary annotations related to Rodríguez's works; editorial contracts; prizes and awards; videos of interviews; publicity materials for the novels Aprendices de brujo (2005) and Chiquita (2007); and press releases.

This collection provides insight into the writing process of Rodríguez, giving the researcher access to the manuscripts, research materials and notes he compiled while writing four of his books: Abuelita Milagro(1977), Romerillo en la cabeza (2006), Aprendices de brujo(2005) and Chiquita (2008). Rodríguez also collected playbills, photographs and catalogs for theater and art exhibitions in the United States and Cuba.

The Antonio Molina Collection contains historical materials, pamphlets, photographs, manuscripts, correspondence, published materials, and ephemera from across the Cuban diaspora, as collected by the UNESCO cultural center in San Juan, Puerto Rico.

The Antonio Maceo y Mackle papers contain papers related to Cuban medical doctor and political activist Antonio Maceo y Mackle (b. 1920). Contents include personal correspondence; materials relating to the Consejo Revolucionario Cubano; items relating to Cuban exile radio programs in the 1960s; and a group of topical files collected by Dr. Maceo y Mackle.

The collection is divided into four series: Series 1 contains personal correspondence (1965-1967) and correspondence related to the Consejo Revolucionario Cubano (1960-1963), Cuban Refugee Emergency Center (1961-1963) and the YMCA (1967). Series 2 includes materials relating to the members and operations of the Consejo Revolucionario Cubano. Series 3 contains manuscripts, press releases and other program materials for the radio program, El Medico y Usted. Series 4 contains topical files on organizations of interest to Dr. Maceo y Mackle, including Brigada 2506, Colegio de Abogados de la Habana, Comandos Delta, Commision Interamericana de Paz, Confederación de Trabajadores en el exilio, Operación Alpha, Solidaridad Cubano Americano, Union Nacional Demócrata, and the YMCA. The files also contain papers on sugar legislation, Manita Castro, the United States State Department, and Dr. Manuel Antonio de Varona Laredo.

The papers document activities of Antonio Hernández Travieso in capacity of a writer and a biographer of Father Félix Varela.  The materials include newspaper clippings of articles written by Hernández Travieso, as well as, articles by other authors about Hernández Travieso, pamphlets, typescripts, journals, parts of books and correspondence.

The Antonio Fernández Reboiro collection contains materials and artwork collected and created by Cuban artist Antonio Fernández Reboiro. A large part of the collection consists of art books and periodicals, books on the Orquestra Nacional de España, and materials on Hispanic theater, all predominantly dating from the 1970s to 1980s. The other large part of the collection is made up of posters with original artwork by Reboiro for various film and theater productions, many  of which were for Cuban productions.