This collection contains periodicals, memorabilia, correspondence, ephemera, promotional materials, event programs, booklets, reports, photographs, scrapbooks, music sheets, realia, vinyl records, and other materials documenting South Florida history. Most of the materials pertain in particular to Miami Beach and notable figures to its history, such as Hy Gardner, Paul M. Bruun, Albert Pick, and former Miami Beach mayors Kenneth Oka and Herbert Frink. The collection also features photographs and materials from past beauty pageants held in Miami Beach.
This collection features an array of scrapbooks, many of which are homemade, from the 19th and 20th centuries. Subjects covered in these scrapbooks include fashion, advertising, history, Robert Louis Stevenson, Pat Cannon's congressional run, garden clubs, cruises, and more. These scrapbooks are comprised of portraits, photographs, postcards, newspaper clippings, programs, brochures, maps, drawings, telegrams, and more. Some of the creators are unknowns or names without renown, but these scrapbooks highlight their personal tastes and interests, offering some unique insight into their lives.
The Band of the Hour collection contains photograph albums, photographs, programs, certificates, sheet music, cards, newspaper clippings, memorabilia, plaque, posters, and other ephemera pertaining to University of Miami Frost School of Music's Band of the Hour.
The American Association of University Women records contains the records of the Florida Division from the years 1928 to 1991, in the form of minutes, reports, correspondence, press releases, charters, scrapbooks, and other documentation.
The Julian Corrington Papers contain teaching and academic files concerning the University of Miami in addition to materials on scientific research and literature. Class records and course materials, dated 1944-63, include syllabi, memos, lecture notes, book lists, lists of research topics, correspondence with students and student recommendations. Other correspondence and memos, relating to the Biology Department discuss such topics as the curriculum, course requirements, faculty meetings and building plans. University of Miami "faculty notices," and "university memoranda" cover announcements of library news, information on education, and the Science Department. The records also contain publications such as "Self Portrait of a University," and a program from the 1962 dedication of the Otto G. Richter Library. Correspondence with faculty of other universities discusses the merits of general introductory science courses versus more specialized instruction.
Several files contain manuscripts and correspondence dealing with publications. Other files include materials on the electron microscope and include photographs taken through the microscope, reprints of articles and news clippings relating to the microscope. "Field Check Lists," dated 1917-21, and field trip reports record observations on the sea coast at Georgetown University. Photographs document trips led by Corrington. Reprints and publications on various scientific topics as well as and bulletins, newsletters, and programs from various scientific and scholarly organizations are included in files. Additional files of particular interest contain newspaper clippings and literature from various organizations on eugenics, genetics and the teaching of evolution. Corrington collected these materials, dated 1920-44, for inclusion in class lectures.
Photographs, negatives, sides, sketches, drawings, etchings, watercolor and oil works, correspondence, clippings, exhibition programs and catalogs, and other related materials created and collected by artist Richard Merrick (1903-1986) and the Merrick family.
Originally conceived and organized in 1925, the Coral Gables Garden Club has served the local city of Coral Gables in its planning by helping create and nurture its many gardens and beautiful landscapes. The club was founded by Eunice Peacock Merrick and Althea Merrick out of a shared love of horticulture and has grown considerably since then and maintained their commitment to civic improvement through gardening. Today, the club is composed of 150 community members who actively contribute to Coral Gables' local institutions and businesses, including providing scholarships and educational programs, as well as assisting youth-oriented gardening clubs.
Their records contain scrapbooks, meeting minutes, president papers, yearbooks, guestbooks, photographs, programs, pamphlets, news clippings, awards, ephemera, administrative documents, and other archival materials, all pertaining to the club and its various events and initiatives over the years.
Diaspora Vibe Cultural Arts Incubator was created to promote, nurture, and cultivate the visions and diverse talents of emerging artists from the Caribbean and the Latin American Diaspora through exhibitions, artists in residence programs, international exchanges, and education and outreach activities that celebrate Miami-Dade's rich cultural and social fabric. The Diaspora Vibe Cultural Arts Incubator records include the gallery's organizational records, administrative documents, artists' information, resumes, artists' profiles, programs, invitations, slides, catalogs, photographs, audio-visual materials (VHS tapes, CD-ROMs, CDs, audiocassettes), notes, and event ephemera.
This collection currently contains several exhibit catalogs, mainly from the Sofía Ímber Contemporary Art Museum of Caracas (Museo de Arte Contemporáneo de Caracas Sofía Ímber), DVDs featuring interviews with Sofía Ímber and covering famous Venezuelan and international artists, politicians, and writers, CD-Rs, a collection of fliers from local photography exhibitions in Coral Gables, newspaper clippings of articles either about or by Sofía Ímber or Guillermo Meneses, oversized exhibit posters, and digital correspondence and photographs stored in external hard-drives.
There will be further ongoing accruals to this collection.
The North-South Center records contains administrative documents on committees related to international affairs and the international studies discipline, the Center's various events and consortia, as well as programs, publications, notes, drafts, and other archival material pertaining to the Center and its initiatives from 1976 to 1992.
This collection consists of invitations and dedication programs for various buildings in the Coral Gables, Medical, and Marine campuses of the University.
This collection consists of one of the historical records of the University of Miami Beta Upsilon Circle of the Omicron Delta Kappa National Leadership Honor Society. It includes photographs, rosters, nomination forms and related materials collected by former advisor Dr. Ivan Hoy.
This collection contains photographs, video recordings, university publications, and press clippings of University of Miami's schools, departments, programs, and events, created by the University Communications during the 1980s through the 2000s.
This collection largely contains materials and personal items from noted Eastern Airlines pilot, Arthur W. Dunlop, and his family members, Patricia H. Dunlop and Lorraine F. Dunlop. Contained within are Eastern Airlines documents, photographs, manuals, flight records, flight instruments; ephemera, VHS, vinyl records, pilot's wives' yearbooks, and news clippings; University of Miami pins, tags, ephemera, and Bachelor's certificate; family photographs, photograph albums, and drawings.
The Louinès Louinis Haitian Dance Theatre collection contains photographs, pamphlets, programs, ephemera, audio-visual materials (VHS and DVDs), clippings, correspondence, and other archival materials documenting the history of the theater and its founder, Louinès Louinis.
This collection contains archival material pertaining to the University Presbyterian Church, which includes correspondence, meeting minutes, programs, committee proceedings, financial information, guest records, and other church reports.
The School of Music, Lucas Drew collection contains a varied selection of programs, news clippings, schedules, brochures, newsletters, and other miscellaneous papers, mainly from the University of Miami's Frost School of Music.
This collection contains administrative records, programs, pamphlets, and other archival materials pertaining to the University of Miami's School of Music.
This collection contains performance programs, brochures, graphics, ephemera, slides, press releases, news clippings, photographs, negatives, and other assorted records and reports from the University of Miami's Ring Theatre.
This collection contains various campaign and donor reports, programs, publications, membership directories, and newsletters from the Division of Development Affairs between 1925 and 1999.
This collection provides records of the commencement ceremonies held by all the schools and departments of the University of Miami since 1927. It consists of UM Commencement Programs in print (1927-2014), UM Commencement Recordings (2003-2014), UM Commencement Photographs (2002-2009), UM Commencement Hard Drives, and UM Commencement Scripts (2003-2009) transferred from the University of Miami's Office of Commencement.
This collection contains administrative records for the University of Miami College of Arts, including annual reports, other general academic reports, programs, budget and finance records, speeches, grant files, and meeting minutes.
This collection contains materials from the University of Miami's 75th Anniversary celebration. The materials in this collection include news clippings, memorabilia, posters, t-shirts, correspondence, general ephemera, reports, photographs, pamphlets, programs, invitations, announcements, and other materials related to the event planning among the different schools, colleges, and divisions.
Una Austin Week, whose maiden name was Una Austin, was a professional concert mezzo-soprano singer performed in London, England in the 1910s. The collection contains professional portrait photographs, concert programs, and press clippings of her performance appeared in newspapers and telegraphs.
This collection contains materials regarding University of Miami Women's Equity initiatives. Materials housed within the collection include the following: news articles, correspondence, bibliographies, curriculums, reports, evaluations, brochures, guides, newsletters, programs, inventories, surveys, publications, and audio-visual materials (audiocassettes, beta max tapes, reel-to-reel tapes).
This collection includes administrative documents, news clippings, tapes (betacam and VHS), correspondence, photo albums, programs, ephemera, certificates of membership, meeting minutes, bulletins, scrapbooks, and other archival material prepared by the University of Miami chapter of the Phi Beta Kappa Academic Honor Society.
This collection contains speeches, interviews, scrapbooks, programs, writings, newspaper clippings, and other items from the office of Jay F. W. Pearson, second president of the University of Miami.
The Carlos Surinach collection contains a bound, autographed photocopy of the score to Symphonic Melismas by composer Carlos Surinach. Symphonic Melismas had its world premiere at the Festival Miami of 1993, sponsored by the University of Miami School of Music. Also included is a photograph of Surinach, two copies of the 1993 program, and a photocopy of a biography of Surinach.
Dr. Melanie Rosborough was a language professor and administrator for the University of Miami from the time she joined the faculty as Professor of German in 1927. The Melanie Rosborough Papers document her academic career, activities with professional academic organizations, and University of Miami religious organizations and activities.
Dr. José Agustín Balseiro (1900-1991) was an award-winning author, poet, and scholar of Latin American Studies and Hispanic literature. He was also a professor of Hispanic Literature at the University of Miami from 1946 to 1967.
Throughout his career, Dr. Balseiro exhibited a strong interest in Latin American and Hispanic-American studies, Latin American and Spanish literature, and Puerto Rican history and literature. His papers, donated to the University of Miami, reflect all of these interests and range in date from his earliest activities as a writer in Spain to his final days working as a consultant to the University of Miami Libraries starting in 1974. Much of the content consists of correspondence, clippings, typescripts, and periodicals in which Balseiro’s writings were featured. Also included is sheet music belonging to his father, Rafael Balseiro, who was a Puerto Rican composer.
Of special note are three bronze medallions: (1) from the Instituto de Cultura Puertorriquena, commemorating el primer Centenario del Natalicio de Luiz Muñoz Rivera (the centennial of the birth of Luiz Muñoz Rivera); (2) from the Instituto de Cultura Puertorriquena, commemorating el Centenario de la Abolición de la Esclavidud in Puerto Rico (the centennial of the abolition of slavery in Puerto Rico); and (3) from the University of Panama commemorating the first 25 years of the University’s existence.
This collection contains materials donated by members of the University of Miami Black Alumni Society. Contained within are photographs, event announcements, calendars, certificates, memorabilia, programs, plaques, and publications.
This collection consists of the technical files and papers of John G. Borger (1913-2011), who served as Pan American World Airways, Inc.'s Vice President and Chief Engineer. His materials document the development and acquisition of: Boeing aircrafts, including the 377 Stratocruiser, B-707 and B-747; the Douglas DC-6B, DC-7B, and DC-7C, the DC-8 jet; the Lockheed Constellation and the L-1011; the Convair CV-240; the Dassault Falcon 20, 10, and 50; the Pratt and Whitney and Rolls Royce engines, including the JT9D; and the Supersonic Transport (SST) aircraft.
Types of materials retained in the collection include: pamphlets, programs, engineering information, studies, evaluation reports, manuals, personal notes taken by John G. Borger, lectures, typescripts, correspondence, diagrams, flight path drawings, periodicals, research, articles, ephemera, newsclippings, and 3D material objects.
The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.
Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.
A large part of the collection consists of photocopies of news articles.
Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."
Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."
Dr. Charles A. Bicking was an award-winning mechanical engineer active in the fields of Industrial Engineering, Industrial Statistics, Engineering Statistics, Operations Research, and Quality Control. A graduate of the Massachusetts Institute of Techology, Bicking has held numerous posts as an engineer, consultant, and lecturer in a number of countries. Bicking also published and presented dozens papers in the above fields. Bicking was an official U.S.A. delegate for the 1953 session of the International Statistical Institute in Rome. He won the ASTM Award of Merit in 1962. Some of the organizations, corporations, and associations that Bicking worked with include the American Society for Quality Control, the American Statistical Assocation, A.S.Q.C., Technical Association of the Pulp and Paper Industry, White Sands Missile Range, Carborundum Company, Hercules Powder Company, NASA, Nashua Corporation, Tracor Jitco, the American Society for Testing and Materials, and the Control Data Corporation.
The Charles Bicking Papers contains documents spanning across the entirety of Dr. Bicking's career, as described above.
Samuel Hirsch was a theater professor, producer, and theorist who produced a number of plays in the Miami area. The collection consists of many photographs, clippings, programs, and correspondence of various plays that Hirsch produced from the 1940s to 1960s. The collection also contains a scrapbook with clippings, cards, and programs regarding the Musicomedy Series of theater productions directed by Hirsch, which was held in Miami in 1957. Included is an issue of the English Leaflet, Winter 1964, Vol. LXIII, No. 4 which contains an article by Samuel Hirsch titled "The Theatre of the Absurd," and an audiotape titled "Prof Samuel Hirsch, 'Some Thoughts on the Theatre of the Absurd,' the English Lunch Club, 3/14/1964."
Paul Nagel was a professor at the School of Communication at the University of Miami, as well as a writer, producer, director, and actor in non-theatrical "sponsored films."
The collection includes University of Miami radio tapes and video cassettes, scripts, and publications including Tempo, UM Bulletin, UM School of Music, UM Ballet, UM School of Communication; a series of historical photographs depicting students at work in the Radio, Television and Motion Pictures department of the School of Communication; and clippings, scripts, playbills and programs from the Coconut Grove Playhouse, Parker Playhouse, the Ring Theatre, Players State Theatre, the Cannes Film Festival, Mayfair Theatre, and the Carillon Hotel.
Dr. Josephine Johnson is Professor Emeritus of the University of Miami School of Communication, former Chair of the Department of Communications, and alumna of the University. Her scholarship extends from W. B. Yeats to post-modern British poets. She is a recognized solo performer throughout the country.
Josephine Johnson's papers contains documents pertaining to her work in organizing a number of poetry events in the Miami area, including the Richter Library Poetry Series and poetry recitals in Beaumont Hall presented by the University of Miami Chamber Theatre, as well as personal research materials.
The collection contains videocassettes, DVDs, film reels, clippings, letters, reports, certificates, sheet music, photos, programs, manuscripts.
The papers document activities of Hortensia Montero (1909-1998), Cuban mezzosoprano and composer. Materials include photographs, autographed notes, programs, diplomas, clippings and music scores.
The Miami Woman’s Club Records document the club’s history, as well as its civic, community, and social activities from 1903-2004.The records include minutes from 1903-1914, 1921-1929, 1936-1939, and 1959-1967. The collection also includes yearbooks from 1907-2004, as well as correspondence (correspondents include: Judge Edith M. Atkinson, Louise Austin, Alice Johnston, Anne Stevenson Brown, Katherine B. Trippetts, Katherine S. Fitts, and Eva J. Lewis), financial reports, programs, photographs, and other documentation. Also included are over 50 scrapbooks documenting club activities, membership, and events dating from 1919-1979.
The Aviation ephemera collection contains posters, reports, postcards, brochures, programs, pamphlets, and other ephemera from all parts of the globe relating to the subject of aviation and its vast history.
The Fidelia Righi papers contains a notebook of poetry, a series of handwritten pages on architecture with accompanying architectural sketches, six photographs from the Intercollegiate Cosmopolitan Club of the City of New York, a 1922 address by Harry E. Edmonds to the club called "The Ideals of International House," and a 1922 program for "European Night" held at the club.
The papers document professional activities of Blanca Varela in capacity of a soprano. Her vocal range from mezzosoprano to soprano coloratura allowed her to sing parts for various operas, operettas and zarzuelas Cubanas. The materials consist of theatre programs from her performances in operas, operettas and zarzuelas mostly in the Dade County Auditorium. The collection also includes copies of photographs representing theatre performances with Blanca Varela singing in operas, operettas and zarzuelas for Teatro Nacional in Havana and for Cuban TV. Moreover, the collection includes published scores with Varela's notes on them, manuscripts of musical scores, manuscripts of poems, L'Elisir D'Amore with annotations, newspaper clippings, a list of her recordings , a booklet describing her biography, and one letter.
The Laura Zarrabeitia Papers consist of four scrapbooks documenting her career as an actress in Cuba in the 1960s and 1970s. The scrapbooks include photographs, theater programs, contracts, scripts, and clippings.
The papers of Cuban actress Yolanda Arenas include primarily photographs, clippings, and programs of theater productions in which Arenas performed. Folders for a few productions include scripts with annotations by Arenas. The collection also contains headshots and other portraits and audio and video recordings.
The Atlanta Cuban Club collection documents activities of Atlanta Cuban Club, an exile community organization. The mandate of Atlanta Cuban Club is to preserve Cuban traditions and culture. The materials consist of invitations, programs, correspondence and other publications from Atlanta Cuban Club.
The papers document activities of Sina Sutter as a scenic artist, miniaturist, product designer, gallery owner, and fine artist. The materials include reproductions of her works, Sutter's Curriculum Vitae, programs, pamphlets, and exhibition catalog.
The papers document the activities of two Cuban organizations in Boston: Agrupación Abdala and Bandera Cubana. Regla González held leadership positions in these groups and was also active in the Boston Chapter of LULAC (League of United Latin American Citizens). The bulk of the collection consists of clippings and photographs with a small number of newsletters, event programs, and related material.
The Reynaldo Rey collection consists of programs, a poster and a music album of a Cuban singer, Reynaldo Rey, who has received several awards for his performances in Cuba, Latin America and in Miami.
Collection includes circular letters, promotional material, programs etc. of the International Congress of Cuban Youth held in Eden Rock Hotel, Miami Beach, from August 31, 1990 to September 2, 1990. The materials also consist of typescripts, clippings and posters.
