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Gordon Gilbert Collection of Architecture and Experimental Drawings

  • ARC6800
  • Colección
  • 1984 - 2025

Built works, unbuilt/schematic works, experimental architecture work, and reference materials created by, and about, Gordon Gilbert including preliminary sketches, construction drawings, construction photos, final photos, models, presentations, and publications.

Sin título

Zine Collection

  • ASM0333
  • Colección
  • 1939-2024

An ongoing collection of zines added to the holdings of the University of Miami Libraries Special Collections. Zines are typically independent and self published booklets popular in underground subcultures. The first zines were fanzines, started in the early 20th century by science fiction fans documenting the genre. The format truly took off with the punk rock movement of the 1970s, as a do-it-yourself spirit inspired legions of underground punk fans to start raw but vibrant journals documenting the nascent music scenes in their communities. Zine topics would broaden throughout the 1980s and 1990s to cover a variety of subject areas, from comics to anarchist politics to women’s rights, to more mundane subjects like dumpster diving, alternative fashions, tattoo art, and much more. Despite the expansion of topics, the format usually remained the same—self-published booklets printed in limited editions and typically produced with a photocopy machine.

Funding Arts Network records

  • ASM0271
  • Colección
  • 1996 - 2024

The Funding Arts Network is a non-profit organization dedicated to supporting the arts in Miami-Dade County through publicly funding grants for various art-related institutions, events, projects, and educational initiatives. The organization originally formed in 1996 under the name of Fifty over Fifty, Inc. with the initial goal of recruiting 50 members who would each contribute $1,000 a year to form a pool of $50,000 that would be endowed to the arts. Both the award pool and membership grew considerably over time, and by 2018, they had funded over 108 art organizations and had awarded $4,822,600 in grants. Their records contain past grant applications, newsletters, correspondence, contracts, awards, audio-visual materials, press clippings, bylaws, reports, minutes, membership lists, and other administrative documents for the organization.

Sin título

Michael Hettich papers

  • ASM0749
  • Colección
  • 1979-2024

This collection contains manuscripts, poems, journals, printouts from online chapbooks and collaborations, reviews, clippings, promotional posters and fliers, audiovisual materials, and other writings by the well-renowned and award-winning poet and writer Michael Hettich (1953-).

Sin título

Dan Rose art collection

  • ASM0746
  • Colección
  • 1998-2023

The Dan Rose art collection contains 32 original acrylic paintings (5 x 7 in.) by Dan Rose and three of his self-published booklets on his works.

Sin título

Juan L. Riera Collection

  • CHC5472
  • Colección
  • 1885, 1920s-1940s, 2000s

The collection contains a letter, envelopes and a medallion relating to Cuban senator, mayor, and historian Manuel Martínez-Moles (1863-1951). The collection also includes a copy of "Manuel Martínez-Moles" written by Dr. Juan L. Riera for The Cuban Philatelist. Subsequent donations have included photographs of Cuban monuments in Miami, taken in 2020; restaurant and culinary ephemera; clippings and articles related to philately and Cuban historical figures such as José María Heredia, Félix Varela, León Primelles, and José Martí, authored by Dr. Riera; exhibition ephemera; political flyers; documents related to the Cuban communities in Ybor City and Key West; conference materials related to the InterAmerican Institute for Democracy, held in August 2022; and tourism ephemera. The collection also contains memorabilia such as matchbooks and cigarette ration coupons.

Sin título

David Unger papers

  • ASM0752
  • Colección
  • circa 1960s-2023

This collection contains manuscripts, drafts, notes, poems, short stories, translations, and unpublished works by the award-winning Guatemalan author and translator, David Unger (1950-). Also featured within the collection are his correspondence (both personal and work-related), photographs, his education files from elementary school to university, book contracts, book reviews, article clippings, and artwork and prints by the artist, Walter Mosley.

Sin título

Karen Rifas papers

  • ASM0753
  • Colección
  • 1970-2023

This collection contains exhibit promotional materials, correspondence, periodicals, news clippings, sketchbooks, art work, photographs, audio-visual materials (VHS, CD-Rs, floppy disks, Hi8 videocassette tapes), administrative files, and other related archival materials from the local Miami artist, Karen Rifas.

Sin título

Thane Rosenbaum papers

  • ASM0711
  • Colección
  • 1979-2023 October 17

Thane Rosenbaum is a novelist, essayist, law professor, and legal analyst, the author of numerous books of fiction and nonfiction, including the novels How Sweet It Is! and Second Hand Smoke; the works of nonfiction The Myth of Moral Justice: Why Our Legal System Fails to Do What's Right and Payback: The Case for Revenge; and the forthcoming Crossing the Line: The High Cost of Weaponized Speech.

His writings and commentary on matters of justice, human rights, antisemitism, the Middle East, global terrorism, the Holocaust, and art and culture appear frequently in The New York Times, The Washington Post, the Wall Street Journal, L.A. times, CNN.com, Slate, Salon, ABA Journal, The Daily Beast, and Jewish Week, Jewish journal, Algemeiner, Haaretz, and Times of Israel, among other publications.

Thane is the Legal Analyst for CBS News Radio and hosts "The Talk Show" at the 92nd Street Young Men's and Young Women's Hebrew Association. He is also a Distinguished Fellow at New York University School of Law, where he directs the Forum on Law, Culture, & Society.

The Thane Rosenbaum papers include drafts, manuscripts, typescripts, book contracts, and reviews of books he authored such as: Myth of Moral Justice, Second Hand Smoke, Golems of Gotham, Stranger Within, Elijah Visible, Myth of Moral Justice, Pay Back and How Sweet It Is!. There are also speeches, essays, letters and legal writings by Mr. Rosenbaum. Finally, the collection also includes materials pertaining to the Forum on Law, Culture and Society (FOLCS) which he moderates at New York University, large posters of various public events he participated in and a box of audio-visual materials that relate to the above mentioned categories.

Sin título

Norman Van Aken papers

  • ASM0272
  • Colección
  • 1957-2023 July, bulk 1985-2022

“In his adopted home of South Florida he imaged a cuisine that would wed the raw and rustic powers of the diverse immigrant cultures that comprise the population there to the classic techniques of gastronomy that have survived the test of time and trends. The revolution for a new style of cooking was born and Norman christened it a 'New World Cuisine.'” - Norman Van Aken, Correspondence, 1993 December 2.

A 2016 MenuMasters Hall of Fame Inductee, noted restauranteur, and the first chef to use the term "fusion cuisine" in its modern definition, Norman Van Aken (1951- ) is a celebrity chef primarily known for his "New World" fusion cuisine. Drawing from the flavors and culinary traditions of Latin America, the Caribbean, North America, Asia, and Africa, his impact on the culinary arts has been internationally recognized since the start of his career. His culinary influences on Florida's own local cuisine and restaurant culture are still observable to this day, especially to those who dine nightly at his Orlando restaurant.

This collection serves as a meaningful look into his career as a chef and culinary expert, and his personal life as a man with a deep interest in his family's past and present. The Norman Van Aken papers include documents, correspondence, photographs, manuscript drafts, menus, ephemera, recipes, and more, which showcase the personal life and professional career of one of South Florida's most celebrated chefs. Researchers with an interest in gastronomy, the history of South Florida's restaurant and food culture during the 1990s-2000s, or interpersonal relationships between celebrity chefs, may find this collection useful in their studies.

Sin título

Florida culinary history collection

  • ASM0179
  • Colección
  • 1885 October 20-2023 Spring

The Florida culinary history collection contains a wide range of materials related to Florida's rich history of food, its unique restaurants and dishes, and its domestic food production. Items within the collection include pamphlets, flyers, ephemera, periodicals, and other memorabilia originating from Florida.

O, Miami collection

  • ASM0266
  • Colección
  • 2009-2022

The O, Miami collection holds memorabilia associated with the literary organization and their events and publications. The materials document many of the inventive techniques used to promote poetry during their annual O, Miami Poetry Festival, including poetry parking tickets and poems in the form of lottery scratch off tickets. Other events documented include the organization's visiting writers series, and their collaborations with Pages and Spreads, another local literary organization. The collection also includes chapbooks/zines that collect poems and writings from local Miami writers.

Sin título

World Wings International, Inc. Records

  • ASM0452
  • Colección
  • 1946-2022

Formed in 1959, World Wings International is an association of former Pan Am flight attendants that now dedicates itself to charitable activities. This collection includes the administrative records of the organization as well as scrapbooks, photographs, membership and annual meetings files, correspondence and financial records.

Sin título

Lawson Corbett Little photography collection

  • ASM0757
  • Colección
  • 1968-2022

A collection of photographs, negatives, prints, CD-Rs, and external hard-drives full of images taken by photographer, Lawson Corbett Little (1945-2023). Also included are some copies of Western Beat Entertainment newsletter, for which Little regularly provided photographs.

Sin título

David L. Powell papers

  • CHC5583
  • Colección
  • 2016-2022

The David L. Powell papers contain research files created for the production of the book "Ninety Miles and a Lifetime Away: Memories of Early Cuban Exiles." The collection contains audio recordings of interviews, physical and digital transcripts, manuscripts, and digital images of photographs and memorabilia, as well as permission documents collected during the interview process.

Sin título

Movimiento San Isidro Oral History Project

  • CHC5607
  • Colección
  • 2021-2022

The Movimiento San Isidro Oral History Project documents the Movimiento San Isidro, a social and political movement created by a group of Cuban dissident artists protesting the country's Decree 349 that requires artists to obtain prior approval from the Ministry of Culture to perform in public and private spaces. The group protests police violence, with some members using non-violent methods of resistance such as hunger strikes to bring attention to their cause.

Sin título

Caribbean and Latin American zine collection

  • ASM0520
  • Colección
  • 1985-2022

An ongoing collection of comics and zines added to the holdings of the University of Miami Libraries Special Collections, with a focus on zines produced in and/or about the Caribbean and Latin America, including diaspora communities. Zines are typically independent and self published booklets popular in underground subcultures. The first zines were fanzines, started in the early 20th century by science fiction fans documenting the genre. The format truly took off with the punk rock movement of the 1970s, as a do-it-yourself spirit inspired legions of underground punk fans to start raw but vibrant journals documenting the nascent music scenes in their communities. Zine topics would broaden throughout the 1980s and 1990s to cover a variety of subject areas, from comics to anarchist politics to women’s rights, to more mundane subjects like dumpster diving, alternative fashions, tattoo art, and much more. Despite the expansion of topics, the format usually remained the same—self-published booklets printed in limited editions and typically produced with a photocopy machine.

Tom Austin papers

  • ASM0735
  • Colección
  • 1975-2022

The Tom Austin papers include the published articles, research notes, manuscripts, drafts, correspondence, photographs, ephemera, clippings, and other materials collected and produced by the prolific Miami/South Beach writer, editor, and columnist, Tom Austin (1955-2022).

Sin título

Sofía Ímber collection

  • ASM0719
  • Colección
  • circa 1940s-2022

This collection currently contains several exhibit catalogs, mainly from the Sofía Ímber Contemporary Art Museum of Caracas (Museo de Arte Contemporáneo de Caracas Sofía Ímber), DVDs featuring interviews with Sofía Ímber and covering famous Venezuelan and international artists, politicians, and writers, CD-Rs, a collection of fliers from local photography exhibitions in Coral Gables, newspaper clippings of articles either about or by Sofía Ímber or Guillermo Meneses, oversized exhibit posters, and digital correspondence and photographs stored in external hard-drives.

There will be further ongoing accruals to this collection.

Sin título

Tamayo Family Papers

  • CHC5665
  • Colección
  • undated, 1931-2022

The collection contains genealogical information related to the Tamayo family, which played a prominent role in Cuba's independence from Spain.

Sin título

Anthropology of Food student cookbooks collection

  • ASM0732
  • Colección
  • 2019-2021

This collection contains several cookbooks created by University of Miami students as part of their final project for the APY 360 Anthropology of Food class during the 2019 and 2021 fall semesters.

Cutler Ridge Woman's Club records

  • ASM0045
  • Colección
  • 1955-2021

The Cutler Ridge Woman’s Club records document the club’s founding and history, in addition to its civic, community, and social activities from 1956-2010. The records include minutes for 1956-2008; annual reports for 1956-2005; club histories for 1956-2010;  financial records for 1956-2009; charter and by-laws; newsletters; yearbooks; and guest books, as well as clippings, certificates, letters, and other documentation relating to club activities. Also included is one folder of materials relating to the club’s predecessor, the Welcome Wagon Club. Oversize materials include proclamations and a map of Cutler Ridge used for a street light campaign in 1970.

Sin título

Ambassador Sue McCourt Cobb collection

  • ASM0740
  • Colección
  • circa 1980s-2021

This collection contains photo albums, interviews, the McCourt family tree, clippings, notes, correspondence, manuscripts, photo albums, resumes/CVs, legal documents, and other archival documents about Sue McCourt Cobb’s career as an American Ambassador to Jamaica (2001-2005) and the former Secretary of State of Florida (2005-2007) and her climb on Mt. Everest.

Sin título

Documenting diversity and democracy in Brazil collection

  • ASM0724
  • Colección
  • April 12-13, 2021

The Documenting Diversity and Democracy in Brazil collection consists video recordings from sessions at the Documenting Diversity and Democracy in Brazil symposium, held virtually at University of Miami from April 12-13, 2021.

This symposium was created thanks to a grant sponsored by University of Miami Libraries as part of the CREATE Grant Fall 2019 grant Cycle Awards. The symposium was established to highlight the unique and richly-textured Leila Míccolis Brazilian Alternative Press collection. The event featured keynote presentations by João Silvério Trevisan (Brazilian LGBT activist, journalist, and novelist), Dr. Leila Míccolis (Lawyer, activist, and writer) and Sonia Guajajara (Brazilian environmental and indigenous activist and politician), alongside invited papers of scholars who had worked with the Collection to showcase intersectionalities and (dis)connections between burgeoning social and political movements in Brazil from the military dictatorship (1964–1985) to the present day, as well as works focusing on human rights, social justice, and cross-fertilization of historical and sociopolitical trajectories that shed more light on recovering the voices of marginalized Brazilians.

Sin título

Race, housing, and displacement oral history collection

  • ASM0717
  • Colección
  • April 2020

Thanks to a grant sponsored by UM Libraries as part of the CREATE Grant Fall 2019 grant Cycle Awards, students under the supervision of Professor Robin Bachin (Associate Professor/Assistant Provost for Civic and Community Engagement) conducted interviews with Miami community members in neighborhoods that have undergone significant transformations over the last several decades.

The Race, housing, and displacement oral history collection documents the complicated and significant interconnections among race, housing, and displacement in Miami during the twentieth century. The 6 interviewees are from various neighborhoods including Overtown, Liberty City, and Little Haiti. The interviews were conducted over Zoom during April 2020.

The following individuals were interviewed as part of this collection:

  1. Adrian Madriz: Executive Director of the Struggle for Miami’s Affordable and Sustainable Housing (SMASH)
  2. Alana Greer: Co-founder of the Community Justice Project
  3. Mileyka Burgos: Executive Director of The Allapattah Collaborative, CDC
  4. Nancy Metayer: Candidate for Coral Springs Commissioner; member on the Steering Committee of the Miami Climate Alliance; former member of the Broward County Soil and Water Conservation District; Co-Founder of the Florida Disaster Preparedness Plan; environmental scientist; community organizer
  5. Shirley Plantin, Chief Executive Consultant for U-Turn Youth Consulting Firm and the author of The Backstory of a New Reality
  6. Yanick Landess, Director of Homeownership Programs at Neighborhood Housing Services of South Florida

Sin título

Maricel Mayor Marsán Collection

  • CHC5023
  • Colección
  • 1959-2020

The Maricel Mayor Marsán Collection includes correspondence, event flyers and programs, photographs, books, booklets, posters, and articles written by and about Cuban academic Maricel Mayor Marsán (b.1952). It also includes audiovisual materials.

Sin título

Bascom Palmer Eye Institute archives

  • ASU0656
  • Colección
  • circa 1880s-2020s

This collection contains records from the Bascom Palmer Eye Institute Department of Ophthalmology, administrative documents, development documents, materials from the Eye bank, Allied papers, Edward W. D. Norton's papers, general files, architectural designs and planning documents, papers from other notable faculty and administrators, newsletters, promotional materials, photographs, awards, plaques, ephemera, and audio-visual materials.

Sin título

Cubans and COVID-19 Twitter Archive

  • CHC5566
  • Colección
  • 2020

The collection contains a data set of tweets collected from the Twitter microblogging and social networking service regarding the spread of COVID-19 in Cuba and the country's response to the coronavirus pandemic, including its involvement in global medical relief efforts.

Beginning in March 2020 and throughout the duration of the pandemic, the Cuban Heritage Collection is collecting tweets relating to the following phrases and hashtags: Cuba and COVID-19, Cuba and coronavirus, #CubaSalvaVidas, #SomosCuba, and #SomosContinuidad.

The tweets collected by the Cuban Heritage Collection for this data archive do not represent an exhaustive or complete record of all tweets relating to the targeted hashtags due to restrictions on tweet volume accessed via the Twitter API.

Sin título

Cubans and the 2020 US Presidential Election Twitter Archive

  • CHC5567
  • Colección
  • 2020

The collection contains a data set of tweets collected from the Twitter microblogging and social networking service documenting Cuban and Cuban diaspora responses to the 2020 US presidential election.

From October 23 to November 9, 2020, the Cuban Heritage Collection collected tweets relating to the following phrases and hashtags: Cuban and Trump, Cuban and Biden, Otaola and Trump, Otaola and Biden, #TodosConBiden, #CubanosConBiden, #CubansforBiden, #CubanosConTrump, #CubansforTrump, and #LatinosforTrump.

The tweets collected by the Cuban Heritage Collection for this data archive do not represent an exhaustive or complete record of all tweets relating to the targeted hashtags due to restritions on tweet volume accessed via the Twitter API.

Sin título

Virgil Suárez papers

  • CHC5581
  • Colección
  • 1980-2020

Materials document the life and career of Cuban poet, Virgil Suárez, Materials include manuscripts, drafts, notes, teaching materials, correspondence, and submission to literary journals.

Sin título

Finlay B. Matheson collection

  • ASM0216
  • Colección
  • circa 1830s-2020s

The Finlay B. Matheson collection includes more than 2,411 photographs; 112 maps, surveys, and architectural plans; and 13 books related to William John Matheson and his immediate family. Estate documents and other documents containing historical and biographical information pertaining to the Matheson family and their various business ventures can also be found within this collection, as well as drawings, postcards, and some of the first aerial view photographs of Key Biscayne, Coconut Grove, the Miami River, and the Florida Keys. Florida's landscape during the early 20th century is captured throughout the various albums and scrapbooks and attests to a more leisurely lifestyle before the advent of skyscrapers and multi-lane highways. Furthermore, the collection provides an in-depth glimpse into the burgeoning social life of early inhabitants who gathered at the Biscayne Bay Yacht Club.

Sin título

Black Feminist Archive Project Zine collection

  • ASM0725
  • Colección
  • 2020

This collection contains zines created by University of Miami graduate students for Professor Marina Magloire's ENG655 "Find Your Mother: An Introduction to Black Feminism" class held in the fall semester of 2020.

Sin título

Art in Miami collection

  • ASM0535
  • Colección
  • 1996-2019

The Art in Miami collection contains brochures, flyers, exhibit catalogs, pamphlets, handouts, and other ephemera documenting art and art-related activities in Miami, with material going as far back as 1996. Included are items from galleries, such as the Alejandra von Hartz Gallery, the Miami International Airport Gallery, and Lowe Art Museum Gallery, as well as various other local museums, art fairs, shows, and the Wynwood Arts District. The collection also includes brochures, programs, maps, handouts, and ephemera from the Art Basel show in Miami Beach, beginning with Art Basel 2009.

2019 Helms-Burton Act Twitter Archive

  • CHC5535
  • Colección
  • 2019

The 2019 Helms-Burton Act Twitter Archive collection contains a dataset of tweets collected from Twitter microblogging platform in response to the Trump administration's announcement that the suspension of the extension of Title III of the Helms-Burton Act would not be continued. Title III of the Cuban Liberty and Democratic Solidarity (Libertad) Act of 1996 (known as the “Helms-Burton Act”) provides a cause of action under U.S. federal law through which U.S. nationals may sue any person who “traffics” in property that was expropriated from a U.S. national by the Cuban Government on or after January 1,1959. On April 17, 2019, the Trump administration announced that the cause of action made available under Title III, which has been suspended since 1996, would become fully effective as a basis to initiate litigation before the United States courts as of May 2, 2019.

During the announcement, the Cuban Heritage Collection collected tweets relating to the following phrases and hashtags: #HelmsBurton, #BayofPigs, and #CubaPolicy between April 18 and April 25.

The tweets collected by the Cuban Heritage Collection for this data archive do not represent an exhaustive or complete record of all tweets relating to the targeted hashtags due to restrictions on tweet volume accessed via the Twitter API.

The data archive is available for download to the University of Miami community via the University of Miami scholarly repository. The data is presented in JSON structured text files. For information on accessing the archive, see the “conditions governing access” section of this finding aid.

Sin título

University of Miami Giving Day Memorabilia collection

  • ASU0610
  • Colección
  • 2019

The University of Miami celebrated its first annual Giving Day on April 8, 2019, which was a 24-hour online and social media extravaganza that brought together students, faculty, staff, alumni, and the UM community in an effort to support, celebrate, and give back to the University. This particular day was chosen because the University of Miami was officially incorporated on April 8, 1925.

The collection contains a cardboard "giving box," filled with promotional posters, flyers, postcards, and other memorabilia, such as a luggage tag, balloons, an acrylic standee, and a t-shirt.

Leonor Ferreira collection

  • CHC5671
  • Colección
  • 1932 - 2019

The Leonor Ferreira Collection documents professional and political activities. It contains photographs, documents, correspondence, and periodicals related to various medical endeavors and community and political organizations. These include but are not limited to the American Red Cross, Junta Patriótica Cubana, Partido Revolucionario Cubano, and Leones Cubanos en el Exilio, as well as community and familial events.

Sin título

Architecture Faculty Oral Histories

  • ARC6700
  • Colección
  • 2016 - 2019

The Architecture Faculty Oral History Project is a series of interviews with faculty from the University of Miami School of Architecture. These oral histories serve a fundamental purpose in capturing and preserving the individual memories of the faculty. The project began with informal conversations to assess how the library could best address their scholarly support needs. The interview process revealed critical yet untold stories about the history and pedagogical evolution of the School of Architecture. An ongoing project, the faculty oral histories documented here provide the scaffolding for narrating the school's pedagogical trajectories from the mid-century to the present.

Sin título

University of Miami Women's Commission records

  • ASU0090
  • Colección
  • 1970-2019

The University of Miami Women’s Commission records document the social activities of the University of Miami Women’s Commission and include audio-visual materials, awards, event programs and flyers, publications, and photographs. It also contains reports and documents chronicling the history and development of the organization.

Sin título

Kevin Arrow Miami Music, Art, and Culture collection

  • ASM0336
  • Colección
  • 1964 - 2019

The Kevin Arrow Miami, Music, Art, and Culture collection contains zines, periodicals, ephemera, flyers, photographs, art work, posters, audio-visual material (CDs, CD-ROMs, and vinyl records), and other related archival materials.

Sin título

2019 Cuba Travel Ban Twitter Archive

  • CHC5539
  • Colección
  • 2019

The collection contains a data set of tweets collected from the Twitter microblogging and social networking service regarding the June 2019 changes to travel policy toward Cuba imposed by the Trump administration.

From June 4 to 13, 2019, the Cuban Heritage Collection collected tweets relating to the following hashtags and phrases: Cuba cruises, Cuba travel ban, Cuba travel restrictions, Cuba sanctions, Cuba policy, #SomosContinuidad, #CubavsHelmsBurton, #HelmsBurton, and #SomosCuba.

The tweets collected by the Cuban Heritage Collection for this data archive do not represent an exhaustive or complete record of all tweets relating to the targeted hashtags due to restritions on tweet volume accessed via the Twitter API.

Sin título

Andreyaa Hora artist sketchbooks collection

  • ASM0716
  • Colección
  • 2008-2019

The Andreyaa Hora artist sketchbooks collection consists of Hora's complete works in sketchbooks from the period 2008 to 2019.

Collection description, provided by Martin Tsang, Curator of Latin American Collections:

The fifteen sketchbooks that represent a significant portion of the artist’s work, to date, include an incredible variety of media - drawings, prints, quotes, gathered materials such as clippings and test pieces. The themes present in the pages of the books refer to and draw upon numerous Afro-Atlantic traditions, including Haitian Vodou, Brazilian Candomblé, Cuban Lucumí, as well as Yoruba, Fon, and Kongo ethnic and spiritual African sources. There is inspiration, for example, from specific orishas such as Oyá, the transformative goddess of the Harmattan winds, the marketplace, and owner of the cemetery gates, as well as more elusive traditions including Santa Muerte. In Andreyaa Hora's sketchbooks, Caribbean and Latinx artists are present and referenced as wellsprings of inspiration, as are European, Asian, and Indigenous connections. The sheer variety of media shows how the artist works out her ideas on paper and devises approaches to best convey matters of the spirit, the mind, and the body. The sketchbooks offer a tantalizing and inspirational glimpse into the creative processes of making the abstract concrete and beautifully demonstrate and bring to life the many deities who travel between and beyond Africa, the Americas, and the entire world. The books reflect a deep spiritual connection to the divine as captured by the hand and heart of someone who is careful and concerned with safeguarding ritual knowledge while utilizing a wealth of techniques that help bring art to life.

Artist's statement:

"My interest in art began early for me. From the age of eleven, I began taking art lessons in school in my hometown of Ilheus, in the state of Bahia, Brazil. My father, an architect, was a tremendous influence on my style and his work blueprints helped me understand and define spaces through lines, shapes, and forms. Through watching my father work and under his tutelage, I gained an appreciation of geometry and scale and working on paper to create pieces that could be developed into larger pieces, and also the importance of playing with materials and experimenting with forms. This early start in and out of school led me to further my abilities by taking private lessons with local artists that helped challenge my abilities and ways of seeing. Ultimately, these artists fostered inside me an abiding fascination with art that continues to this day.

I continued my studies at the University of La Rochelle, France and continued my practice under the guidance of local artists engaging with painters across the Niort region. In 2008 I became deeply interested in printmaking, inspired by the work of David Jones and Eric Gil whose work I saw in Wales in the UK. This period was a pivotal moment for me as this medium became my anchor in my mode of artistic expression. From this time, I also explored and embraced digital media and developing artistic technologies to further my methods. Viewing the work of James Jean was my inspiration to venture and experiment in new realms.

It was while studying and working on art in Europe that I began to appreciate the history and migrations that created the Lusophone Atlantic movements over the centuries. Through my art I started to explore and express facets of my Brazilian culture and my work is heavily inspired by deities of the African descent actively worshiped in Brazil and many countries of the Americas through the project of Trans-Atlantic slavery. The orishas - the pantheon of gods and goddesses are greatly present in my art and I explore ideas of contact and strategy of religious expression with references to deities in other African derived religions, indigenous beliefs, and the inclusion or transformation of European deities and philosophies by practitioners. I am particularly interested in exploring ideas, effects, and the presence of LGBTQ practitioners and how these are reflected in images of the divine in these Afro-Atlantic religions. I became fascinated by cordel - woodcut printed literature production of artists who I worked with in northeast Brazil. As an orisha priest and practitioner, I have devoted a considerable amount of my artistic output to creating works that reflect these deities in different methods drawn from these methodologies and my work is often commissioned by practitioners and my art now represents a movement of signifying worship in private and public ways.

I use a variety of printmaking techniques. I use manual techniques such as woodcut and linoleum which give my art a homely, rustic feel reminiscent of the art of Northeast Brazil which is close to my roots. I also use digital painting techniques that are rich in texture and colours. Whichever method I use, I start by sketching out my ideas in my notebooks which record my thought processes and studies much in the same way as a filmmaker would create a storyboard. From the outset, sketchbooks are key to my art process as they are a place to gather information: quotes, photos taken from a variety of places, works from the myriad of artists who inspire me, old and new. My sketchbooks have been shared with very few people as I am a perfectionist I would rather show a finished piece. My books represent the unfinished and undone, even messy work that includes my sketches and some are uncomfortable or dark visual thoughts, things that I feel I need to have an outlet for however I know will probably not make it into my exhibited works.

I create art because it is an intrinsic part of who I am and what I do. I couldn’t put into words what compels me to do it – I cannot imagine doing anything else. I take inspiration from folklore, music and the world around me and the world inside of me with all its contradictions, queerness, and search for the divine."

Sin título

Carlota Caulfield papers

  • CHC5658
  • Colección
  • 1976-2019

The Carlota Caulfield papers consist of personal and professional correspondence, literary materials including typescripts, manuscripts, poetry, video cassettes, DVDs, cassette tapes, and floppy discs, and various ephemera like clippings, pamphlets, flyers, postcards, photographs, and publications that document Caulfield's career as a poet, scholar, and cultural figure.

Sin título

James Merrick Smith and Hal F. B. Birchfield collection

  • ASM0280
  • Colección
  • 1948-2019

The James Merrick Smith and Hal F. B. Birchfield collection contains images, letters, news articles, DVDs and a CDs highlighting the stellar lives, careers and involvement of James Merrick Smith and Hal Birchfield in their personal, professional and civic activities.

With his vision of design becoming much more than the up-market selling of merchandise, James Merrick Smith set about the machinery of change that would make interior design a legitimate and accredited profession.   This progression would require the development of education, testing, administration and implementation and then onward to governmental accreditation. James Merrick Smith was the person that not only had the vision but the guts and the charisma and good fortune to find others to help fulfill this dream of professionalization of the field of interior design. Life partner Hal Birchfield would also be a part of this much involved process. And among other facets of their lives was the matter of the highly respected professional work the office of James Merrick Smith and Hal Birchfield achieved, setting high professional standards for interior design excellence.

Sin título

Miami Craft Brewery collection

  • ASM0335
  • Colección
  • circa 2010s-2019

This collection was developed during the 2018-2019 academic school year as part of a project by University of Miami Library Research Scholar and then senior, David Lanster, who was carrying out research on yeast genetics and metabolism for UM's Department of Biochemistry & Molecular Biology. His goal was to contribute to studies on the cultural and social impact of food history in South Florida by examining food through the lens of various local craft breweries in Miami, which have been perfecting their own craft beer recipes for years. His collection contains advertisements, posters, flyers, beer caps, bottle openers, bottles, glasses, beer taps, and other ephemera and clothing items related to Miami's local craft brewery scene.

Sin título

2019 LGBTQ Conga Twitter Archive

  • CHC5538
  • Colección
  • 2019

The collection contains a data set of tweets collected from the Twitter microblogging and social networking service regarding the May 2019 LGBTQ Pride march in Havana, Cuba, known as "conga."

From May 15 to 22, 2019, the Cuban Heritage Collection collected tweets relating to the following phrases and hashtags: conga, conga against homophobia, conga contra la homofobia, IDAHOT, LGBTIQ, marcha alternativa, Cenesex, Cuba and LGBT, la marcha va, Cuba and transfobia, and Cuba and homofobia.

The tweets collected by the Cuban Heritage Collection for this data archive do not represent an exhaustive or complete record of all tweets relating to the targeted hashtags due to restritions on tweet volume accessed via the Twitter API.

Sin título

Alma Flor Ada papers

  • CHC5629
  • Colección
  • Undated, 1896-2018

The Alma Flor Ada papers contain correspondence, photographs, negatives, manuscripts, typescripts, as well as some of Ada's teaching materials.

Sin título

Gazy Andraus zine collection

  • ASM0349
  • Colección
  • 1992 - 2018

Born in Ituiuitaba, Brazil, Gazy Andraus is a comics researcher and author. He studied Visual Arts at the Art Institute of the Federal University of Goiás (1986-1987) and graduated from the Faculty of Plastic Arts of the Armando Álvares Penteado Foundation in São Paulo in 1992. He then became a Master of Visual Arts from the Institute of Arts of UNESP in São Paulo in 1999, and a Doctor in Communication Sciences. His collection includes Brazilian zines he created and collected over his lifetime.

Sin título

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