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Thane Rosenbaum is a novelist, essayist, law professor, and legal analyst, the author of numerous books of fiction and nonfiction, including the novels How Sweet It Is! and Second Hand Smoke; the works of nonfiction The Myth of Moral Justice: Why Our Legal System Fails to Do What's Right and Payback: The Case for Revenge; and the forthcoming Crossing the Line: The High Cost of Weaponized Speech.

His writings and commentary on matters of justice, human rights, antisemitism, the Middle East, global terrorism, the Holocaust, and art and culture appear frequently in The New York Times, The Washington Post, the Wall Street Journal, L.A. times, CNN.com, Slate, Salon, ABA Journal, The Daily Beast, and Jewish Week, Jewish journal, Algemeiner, Haaretz, and Times of Israel, among other publications.

Thane is the Legal Analyst for CBS News Radio and hosts "The Talk Show" at the 92nd Street Young Men's and Young Women's Hebrew Association. He is also a Distinguished Fellow at New York University School of Law, where he directs the Forum on Law, Culture, & Society.

The Thane Rosenbaum papers include drafts, manuscripts, typescripts, book contracts, and reviews of books he authored such as: Myth of Moral Justice, Second Hand Smoke, Golems of Gotham, Stranger Within, Elijah Visible, Myth of Moral Justice, Pay Back and How Sweet It Is!. There are also speeches, essays, letters and legal writings by Mr. Rosenbaum. Finally, the collection also includes materials pertaining to the Forum on Law, Culture and Society (FOLCS) which he moderates at New York University, large posters of various public events he participated in and a box of audio-visual materials that relate to the above mentioned categories.

“In his adopted home of South Florida he imaged a cuisine that would wed the raw and rustic powers of the diverse immigrant cultures that comprise the population there to the classic techniques of gastronomy that have survived the test of time and trends. The revolution for a new style of cooking was born and Norman christened it a 'New World Cuisine.'” - Norman Van Aken, Correspondence, 1993 December 2.

A 2016 MenuMasters Hall of Fame Inductee, noted restauranteur, and the first chef to use the term "fusion cuisine" in its modern definition, Norman Van Aken (1951- ) is a celebrity chef primarily known for his "New World" fusion cuisine. Drawing from the flavors and culinary traditions of Latin America, the Caribbean, North America, Asia, and Africa, his impact on the culinary arts has been internationally recognized since the start of his career. His culinary influences on Florida's own local cuisine and restaurant culture are still observable to this day, especially to those who dine nightly at his Orlando restaurant.

This collection serves as a meaningful look into his career as a chef and culinary expert, and his personal life as a man with a deep interest in his family's past and present. The Norman Van Aken papers include documents, correspondence, photographs, manuscript drafts, menus, ephemera, recipes, and more, which showcase the personal life and professional career of one of South Florida's most celebrated chefs. Researchers with an interest in gastronomy, the history of South Florida's restaurant and food culture during the 1990s-2000s, or interpersonal relationships between celebrity chefs, may find this collection useful in their studies.

A collection of photographs, negatives, prints, CD-Rs, and external hard-drives full of images taken by photographer, Lawson Corbett Little (1945-2023). Also included are some copies of Western Beat Entertainment newsletter, for which Little regularly provided photographs.

This collection currently contains several exhibit catalogs, mainly from the Sofía Ímber Contemporary Art Museum of Caracas (Museo de Arte Contemporáneo de Caracas Sofía Ímber), DVDs featuring interviews with Sofía Ímber and covering famous Venezuelan and international artists, politicians, and writers, CD-Rs, a collection of fliers from local photography exhibitions in Coral Gables, newspaper clippings of articles either about or by Sofía Ímber or Guillermo Meneses, oversized exhibit posters, and digital correspondence and photographs stored in external hard-drives.

There will be further ongoing accruals to this collection.

Diaspora Vibe Cultural Arts Incubator was created to promote, nurture, and cultivate the visions and diverse talents of emerging artists from the Caribbean and the Latin American Diaspora through exhibitions, artists in residence programs, international exchanges, and education and outreach activities that celebrate Miami-Dade's rich cultural and social fabric. The Diaspora Vibe Cultural Arts Incubator records include the gallery's organizational records, administrative documents, artists' information, resumes, artists' profiles, programs, invitations, slides, catalogs, photographs, audio-visual materials (VHS tapes, CD-ROMs, CDs, audiocassettes), notes, and event ephemera.

The Alpha 66 Records document the political, propaganda, paramilitary, and administrative activities of the organization as collected by Andrés Nazario Sargén, one of it's founders and longtime leaders.  The Records include correspondence, circular letters, financial records, clippings, maps, photographs, press releases, proclamations, programs, propaganda, and reports.

The José Miró Cardona Papers consist of 21 boxes the administrative records of the Cuban Revolutionary Council (Consejo Revolucionario Cubano) under Miró Cardona’s presidency in the 1960s.  Central to this group of documents are those that relate to the Brigade 2506 and the Bay of Pigs Invasion.  The Papers also include 36 boxes of Miró Cardona’s personal and professional correspondence, his writings and speeches, clippings, photographs, memorabilia and materials related to his career as a law professor.

The collection contains the personal papers of Louis J. Hector, in the form of clippings, invitations, letters, memorandum, notebooks, photographs, and reports. Prominently represented are files pertaining to the University of Miami, the Southeast Banking Corporation, Pan American World Airways, Inc., the Civil Aeronautics Board, the National Endowment for the Humanities, the National Gallery, the National Humanities Center, and the Academy of Arts and Sciences.

The Polita Grau de Agüero Papers document two aspects of Polita Grau’s life and family. The correspondence, writings, and memorabilia primarily document Polita’s time as a political prisoner in Cuba as well as her activities in exile on behalf of political prisoners. There are many clippings related to Polita’s experiences in prison, her life in exile, and Operation Pedro Pan. The photographs in this collection document Polita’s family from her parents to her own grandchildren, as well as the life of her uncle, Cuban president Ramón Grau San Martín.

Of special note in this collection is Series II where can be found biographies of Cuban women political prisoners. These biographies detail the experiences of these women in Cuban prisons. Series IV contains handicrafts created by Polita Grau and other political prisoners while serving their sentences.

Originally conceived and organized in 1925, the Coral Gables Garden Club has served the local city of Coral Gables in its planning by helping create and nurture its many gardens and beautiful landscapes. The club was founded by Eunice Peacock Merrick and Althea Merrick out of a shared love of horticulture and has grown considerably since then and maintained their commitment to civic improvement through gardening. Today, the club is composed of 150 community members who actively contribute to Coral Gables' local institutions and businesses, including providing scholarships and educational programs, as well as assisting youth-oriented gardening clubs.

Their records contain scrapbooks, meeting minutes, president papers, yearbooks, guestbooks, photographs, programs, pamphlets, news clippings, awards, ephemera, administrative documents, and other archival materials, all pertaining to the club and its various events and initiatives over the years.

George A. Smathers (1913–2007) was an American lawyer and member of the Democratic Party who represented Florida in the United States Senate from 1951 until 1969. The collection contains original photographs of Senator Smathers with friends, family, and colleagues.

The Cuban Refugee Center Records include correspondence, reports, publications, photographs, and clippings created and collected by the Cuban Refugee Center (CRC), in Miami in 1960 as part of a federal program to assist Cubans arriving at the United States as political refugees.

Hy Gardner was a longtime Broadway and gossip columnist who worked for the New York Tribune, hosted a television show Glad You Asked That, and appeared as a panelist on To Tell the Truth. The collection consists of various documents from his work in the above ventures, correspondence, interview transcripts and cassettes, photographs, publicity, articles, memorabilia, and other archival materials.

Orestes Ferrara (1876-1972) was Cuba's Ambassador to the United States and Secretary of State under the administration of Gerardo Machado.  Materials in this collection include correspondence, manuscripts, photographs, newspaper clippings, drawing of Ferrara coat of arms, Curriculum Vitae and a photocopy of Ferrara's diplomatic passport.

Drawings, watercolors, sketchbooks, photographs, personal papers, scrapbooks

The papers of the ALA (Agencia Latinoamericana) are divided in 3 major categories: the articles written by the contributors to the ALA (collected during almost 40 years), their correspondence, and the newspaper clippings of those articles.

The writers are mainly from Latin American countries and Spain, but with a few American and British writers also included, such as Waldo Frank and Hugh Thomas. The articles provide information on literature, journalism, sociology, economics and political history of the major powers of the world of that period, and in many cases relating to the Latin American countries.

The bulk of the collection is comprised of contributions from Víctor Alba, Marco A. Almazán, Luis Araquistain, Paul Andrade, Germán Arciniegas, Carlos Alberto Montaner, Ramón Gómez de la Serna, Julian Marias, Cristina Martin, Alberto Luis Sanchez, Salvador de Madariaga, Ramón Sender and Arturo Uslar Pietri. There are also articles by other distinguished authors, such as Miguel Angel Asturias, Alberto Baeza Flores, Alejandro Casona, Pablo Neruda and Alfonso Reyes.

Included among the ALA papers are articles written by Joaquín Maurín, who used the pen names of W.K. Mayo and Félix R. Anderson. He also wrote under the pen names of John Andersen and Julio A. Roy, but these articles ore not included in this collection. When signing correspondence, he used his own name, Joaquín Maurín, as well as J.M. Juliá and Ray Campbell. Joaquín Maurín's son, Mario, wrote some articles under the same pen name as his father, John Andersen.

The Virginia Spencer Carr Collection contains correspondence, research notes, interviews (transcripts and audio tapes), photographs, manuscript drafts of publications and other materials compiled and created by Virginia Spencer Carr in the course of her research and writing of John Dos Passos: A Life. John Dos Passos, a noted American literary figure of the "lost generation," published a number of important works, including the trilogy U.S.A.

Among important materials in the collection are the personal reminisces of family members, colleagues and contemporary figures of Dos Passos (notably, letters by Simone de Beauvoir, William F. Buckley, William Slater Brown, Frances Scott Fitzgerald, and family members of both Ernest Hemingway and John Steinbeck are included). The collection also includes extensive research files on the life and publications of Dos Passos and family members.

The A. Curtis Wilgus Papers document the pioneering efforts by historian and author A. Curtis Wilgus (1898-1981) in the area of Latin American studies and the emergence of "Pan Americanism." The correspondence, writings, research files, photographs and other materials also document the evolution of a trend in higher education during the 1920's and the 1970's, an increase in global awareness reflected in the introduction of "area studies" programs at many universities.

The F. Charles Ruegg Papers consists primarily of correspondence, photographs, and notes from Ruegg’s employment with Pan American World Airways from 1940 to 1951. These materials primarily document his experience with Pan Am in Africa (PAA Africa) during World War II.

The papers document activities of Rufino E. González as a professional golf player and a golf instructor of the Country Club of Havana during the Republican era.  The bulk of the materials consist of photographs of Rufino González playing golf in the Country Club of Havana, and of pamphlets from the Country Club of Havana featuring pro-amateur golf tournaments with photographs of golf players.  The materials also include some correspondence regarding golf, golf score sheets, golf balls and biography of González.