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The Edward Spalding Papers document the commercial and personal activities of Edward Spalding, a shipping agent who worked in Cuba during the early nineteenth century.  The Papers include correspondence, receipts, bills and other documents.  Correspondence, arranged chronologically, documents Spalding's efforts on behalf of New England merchants and ship owners.

Annual Reports issued by the Institute of Marine Science / Rosenstiel School of Marine and Atmospheric Science at the University of Miami. These reports summarize the Board of Trustees, the Administration, the Faculty , Staff, and Students, the financial outlook, fund raising efforts, improvements and changes, as well as research initiatives, outreach, and goals.

The Gerardo Machado y Morales Papers consist primarily of the correspondence, business and legal documents, and photographs of Machado and his family in their years of exile after 1933. The bulk of the materials in this collection make up Series I: Correspondence, 1923-1940 and Series IV: Financial Records, 1913-1939. Most of the correspondence in Series I is between Machado and his son-in-law Baldomero Grau, who was married to Machado’s daughter Laudelina (Nena), and deals with Machado’s business concerns in Cuba as well as matters pertaining to his family’s life in exile.

Of note is Series VIII: Photographs, n.d., ca. 1895-1994, which include several photographs of Machado throughout his life, photographs of his family in Cuba and in exile, as well as photographs of the Machado sugar estate, the Central Carmita. Also included in this collection is a manuscript of Machado’s autobiographical work, Ocho Años de Lucha, in Series II: Works, n.d., 1933 as well as research materials related to Gerardo Machado gathered from the US National Archives and Records Administration by the collection donor, Francisco X. Santeiro (Series V: Extradition and Amnesty, 1925-1938 and Series IX: Funeral, n.d., 1939-1952).

Series X contains materials pertaining to Machado’s son-in-law José Emilio Obregón, who was married to Angela Elvira Machado.

The historical blueprints and the drawings of UM buildings are important components of the University Archives.  The items in the collection are identified by building name, architect, location, types of materials, and date.  Materials range in date from the earliest days of the University in the 1920s to current day materials.

The personal papers of Frederick H. Koch, dramatist and educator, were donated to the University of Miami Archives by his son Fred H. Koch Jr., a Professor in Drama here at the University of Miami from 1939 to 1977.  The collection was received in the early 1950's.  Frederick H. Koch was a famous dramatist and gained fame from the founding of two major college theatre troupes as well as through his involvement in the production of native American folk drama.

The Frederick H. Koch Collection contains the personal papers of Frederick H. Koch and material he collected throughout his lifetime.  The material extends from 1823 to 1947, with the bulk of the material concentrated in the period of time between 1905 and 1944.  The bulk of the collection is composed of theatre programs collected by Koch.  These come mainly from New York but there is a good selection of theatre programs from other parts of the United States.  Many of these programs date prior to Koch's birth.

The personal papers are composed mainly of material from Koch's work as an English and drama professor at the University of North Dakota (1905-1918) and the University of North Carolina (1918-1944), including a large number of folk plays written by his students.

The correspondence in the collection is mainly correspondence within the Koch family, including many letters between Koch and his four sons: Robert, Fred Jr., Bill, and George.

Of special interest to the University of Miami is a folder containing material related to the University and the University of Miami Playmakers founded by Fred H. Koch Jr. in the 1940's.

The Cuba: Capitania General Collection contains the “bandos” (edicts), “Reales Ordenes” and official forms from the governments of Valeriano Weyler and Ramón Blanco.

The Theodore Spicer-Simson Collection contains the Spicer-Simson medallions as well as photographs, correspondence, typescripts and other related material.

The bulk of the collection consists of the Spicer-Simson medallions. These are portrait medallions cast in bronze of major world and literary figures from Spicer-Simson's lifetime. All of these were sculpted from life. Notable among these are David Fairchild, Padraic Colum, Henry Ford, Sir Ernest Rutherford, Sherwood Anderson, Theodore Dreiser, Franklin Delano Roosevelt, and other important figures in addition to person friends and family members of Spicer-Simson.

The collection contains many other examples of Spicer-Simson medals in the form of medals, awards, and sculptings that Spicer-Simson created. Included in these are medals sculpted for the National Academy of Sciences, Princeton University, the Guggenheim Foundation, and the U.S. Congress. The collection also contains clay and plaster molds of medallions, including some small pieces of sculpture. In addition to all his sculpture and medallions, the collection contains examples of Spicer-Simson's other artwork in the form of sketches, drawings, and bookplates.

Spicer-Simson's autobiography, A Collector of Characters is held in the collection, along with the typescripts of the book. The collection's correspondence includes correspondence from Hervey Allen, Padraic Colum, H.L. Mencken, Eleanor Roosevelt, Sir Ernest Rutherford, and Marjory Stoneman Douglas. The photographs include mostly photographs of medallions and sculpture, including some not in the collection, but also contain many photos of Spicer-Simson's subjects, some of these mounted and autographed.

The Charles Lewis Morgan papers consist of one box of materials and total one-half cubic foot of files. The papers contain copies of several poems, as well as "In Memorium," and correspondence dated 1969 to 1970. "In Memorium" includes addresses given by faculty during a memorial service for Morgan in addition to a selection of Morgan's poems. Correspondence discusses the possible publication of Morgan's works and contributions to the memorial service.

26° N 80° W, newsletter of the University of Miami's Dorothy H. and Lewis Rosenstiel School of Marine and Atmospheric Science.  The first issue of this newsletter was published in January 1970.  Final issue published in 1980s.

The name of this newsletter, 26° N 80° W gives the position of Virginia Key, Florida and the campus of the University of Miami's Rosenstiel School of Marine and Atmospheric Science is located.

The Directorio Revolucionario Estudiantil en el Exilio (DRE) Records include administrative files, correspondence, clippings, propaganda, subject files, and photographs created, collected, or published by the DRE in exile.

The Leila Míccolis Brazilian Alternative Press Collection consists primarily of political and countercultural pamphlets and periodicals, concrete poetry, neo-concrete poetry and other vanguard/avant-garde artistic experimentation, fanzines, film reviews, university publications, theater, and musical pieces.

As opposed to the commercial and widely-circulated press of "official" Brazilian governmental venues, the publications contained in the collection especially treat stigmatized or marginalized groups, such as Afro-Brazilians, women, sexual minorities. It accomplishes this goal by utilizing various mediums including literary pieces, editorial cartoons, political comics, sociopolitical critiques of "Brazilianness," humor, and the promotion of ecological and environmental awareness. The collection also contains a large variety of materials from the 1970s Marginália movement, a term used to describe a series of underground publications which circulated during the military dictatorship.

The collection was painstakingly accumulated over the course of forty-five years by Míccolis who decided to place the archive in a North American university so as to assure the preservation of the collection, as well as to prevent its censorship.

This collection consists of the works of Cuban poet, playwright, and critic José Corrales (1937-2002), including published and unpublished scripts, poems, essays, stories, criticism, editorials, and articles. It also includes programs for performances of his plays and personal papers such as personal and business correspondence, financial records, and research notes.

Born in Cifuentes, Cuba in 1861, Julio A. Domínguez was a member of the Cuban rebel army better known as Mambises o Ejército Libertador. After the Spanish American War, he held many positions in the Cuban government under American jurisdiction and later when Cuba became a republic. The collection is comprised of documents related to his activities during the Cuban Independence War against Spain. Letters signed by General José J. Monteagudo, documents from "Ejército Libertador de Cuba" from the late 1890s, and photographs are some of the materials gathered in this collection.

The Cuban Refugee Center Records include correspondence, reports, publications, photographs, and clippings created and collected by the Cuban Refugee Center (CRC), in Miami in 1960 as part of a federal program to assist Cubans arriving at the United States as political refugees.

The Cordovés & Bolaños Families Collection contains letters, clippings, documents, and photographs from Cuba's Wars of Independence and the Bay of Pigs Invasion.

The collection contains materials from the Cuban Wars of Independence, including signed letters from famous Cuban statesmen of the period. A separate series contains articles and photographs relating to the Bay of Pigs invasion, as well as photos of Fidel Castro in a meeting with Pedro Tinoco, then-president of the Central Bank of Venezuela. The third series contains genealogical materials, namely photographs, family trees, and investigative research for the Bolaños, Cordovés and Mestre families.

The Cuban Postcard Collection consists of postcards of Cuba and the Cuban exile experience produced from the turn of the 20th century to the present. It includes real photo, printed photo, and artist drawn postcards and provides views of many parts of the island as well as various aspects of Cuban communities in the United States and abroad. This collection is divided into six series in eight boxes, described below.

The María Luisa Guerrero Collection contains reports, clippings, and articles about Cuba and Cuban exiles during the 1930s to the 1980s, material on the Lyceum and Lawn Tennis Club, and the feminist movement in Cuban society. The collection also contains extensive accounts about Elena Mederos, human rights issues, and the plight of Cuban political prisoners.

The Eduardo Áviles Ramírez Collection consists of newspaper and magazine articles which pertain to his personal experiences with various cultures and with the lifestyles of many prominent individuals, such as Francis de Miomandre and Ruben Darío.

Articles date from the early 1920s to the late 1980s. The bulk of the collection consists of periodicals and clippings written for Latin American publications in Cuba, Mexico, Nicaragua, and Venezuela.

The collection also contains numerous articles written about Ruben Darío, a notable Nicaraguan literary figure, for newspapers such as Información, Diario de la Marina, and El Universal. Many articles relating to Spain also appear in Latin American publications such as Puerto Rico Ilustrado and Diario de Yucatán. The collection also includes a substantial number of articles illustrated by Ricardo Marin, a famous Cuban illustrator. Marin illustrated articles for publications such as Información and Diario de la Marina from 1938 to 1940.

The American Play Company collection includes approximately two thousand and five hundred (2,500) play scripts from the American Play Company of New York City. The files include published and unpublished plays from the nineteenth century through the 1950s. The collection is a donation of Sheldon Abend, President of the American Play Company. Playwrights represented in this gift include sir James M. Barrie, David Belasco, Clare Boothe, George M. Cohan, John Colton, Clyde Fitch, John Galsworthy, Ruth Gordon, Oscar Hammerstein, Moss Hart, Ben Hecht, George S. Kaufman and many others.

The play scripts include original typescripts, carbon copies of typescripts, and printed texts of plays. Many scripts contain handwritten annotations such as dialogue insertions, corrections, and deletions. The play scripts includes productions of all genre and type, for a period of approximately one hundred and fifty years. Scripts contain production annotations for stage, lighting, sound, and casting purposes. The collection offers scholars and students the opportunity to examine play scripts with the personal annotations of production personnel, facts that provide unique information on the original production of plays. Notations for costumes, sets, and stage props offer insights to production styles and techniques, information not generally available in many published versions of plays.

The María Mendoza Kranz Collection contains family photographs and clippings as well as clippings about Mendoza Kranz's work at an aircraft factory in Miami during World War II. The collection also contains a program with her involvement in the celebration of the International Women’s History presented by the Community Action Center in Hialeah, Florida.