The Truth About Cuba Committee, Inc. Records consist of the official organizational records of the Truth About Cuba Committee, Inc. (TACC) from 1961 to 1975, its years of operation, including publications, membership records, radio program transcripts and audio recordings, and photographs. The bulk of the materials consist of correspondence to and from Luis V. Manrara, TACC president, membership records, and TACC publications. Folder headings retain the original titles assigned by TACC to their materials.
Of special interest are 233 audiotapes, transcriptions, films, and slides, the majority of which are of debates and interviews of Luis V. Manrara with prominent international political figures as well as exiled Cuban political figures. These materials are described in Appendix I of the original finding aid. Also of note is Series IV. Reports and Publications – TACC, 1961-1973, which contains the various publications of the Committee, from single sheet circulars to brochures and pamphlets.
The original finding aid is accompanied by a personal names index and a corporate name index. Finding aid appendices and indexes are not published online.
The Martha Frayde Barraqué Papers consist of letters from the Cuban painter Wifredo Lam (1902-1982) to Frayde dating between 1962 and 1966. The collection also includes a group photograph of Lam and Frayde in Mexico in 1957.
The Arva Moore Parks photograph collection consists of images of Cuban exile owned restaurants, stores and other businesses in Miami in the 1960s and 1970s.
The Leandro Soto Papers consist primarily of original drawings of set and costume designs, audiovisual materials, posters, and photographs of productions and exhibitions documenting the work of visual and performance artist Leandro Soto. While the collection also includes correspondence, clippings, press releases, manuscripts, and theater and exhibitions programs, the bulk of materials relate to Soto’s artistic production in the United States since 1992.
The Laura Zarrabeitia Papers consist of four scrapbooks documenting her career as an actress in Cuba in the 1960s and 1970s. The scrapbooks include photographs, theater programs, contracts, scripts, and clippings.
The papers document professional activities of Carlos Felipe in a capacity of a playwright and of Rosa Felipe in a capacity of an actress. The materials consist of manuscripts of Carlos Felipe's plays, in which he deals with human passions, giving his characters essential Cuban elements. Some of the plays were published in Spain, while others were published in Cuba. The manuscripts of the following plays are included in the papers: "Esta noche en el bosque," for which he received Premio Nacional de Teatro in 1939, "Tambores," and "De pelicula." A copy of "El Chino," published by Repertorio Teatral Cubano and a published miniature of "Capricho en rojo" are also included in this collection. The collection also contains academic essays by other authors about Carlos Felipe's plays, especially about "Réquiem por Yarini" in which Carlos Felipe utilizes structure of Greek tragedy. Materials include clippings with interviews with Carlos Felipe, theatre programs, especially the programs of the several productions of "Réquiem por Yarini" and theatrical reviews.
The materials also document acting career of Rosa Felipe who worked in Cuba, Madrid, Latin America and Miami. Rosa Felipe worked with other Cuban actors in exile in Miami for the theatre group Repertorio Español. The bulk of the material documenting Rosa Felipe's career consists of photographs from Cuban TV, theatre and award receiving events. Moreover, the collection contains Certificates of Recognition, membership cards, slides and theatre programs of productions featuring Rosa Felipe.
The papers document professional activities of Blanca Varela in capacity of a soprano. Her vocal range from mezzosoprano to soprano coloratura allowed her to sing parts for various operas, operettas and zarzuelas Cubanas. The materials consist of theatre programs from her performances in operas, operettas and zarzuelas mostly in the Dade County Auditorium. The collection also includes copies of photographs representing theatre performances with Blanca Varela singing in operas, operettas and zarzuelas for Teatro Nacional in Havana and for Cuban TV. Moreover, the collection includes published scores with Varela's notes on them, manuscripts of musical scores, manuscripts of poems, L'Elisir D'Amore with annotations, newspaper clippings, a list of her recordings , a booklet describing her biography, and one letter.
The papers document activities of Delfín Rodríguez Silva as a reporter. The bulk of materials includes two scrapbooks with articles published by newspapers, mostly in New York and in other North-Eastern cities in the United States, about various Cuban organizations during the early years of exile. The materials also include a report written by Rodríguez Silva and clippings about Cuban birds.
The records consists of copies of the Notes taken by Francisco Xavier de Santa Cruz and his associates from Revista Registers and other sources. The notes consist of alphabetically arranged indexes from the provinces of Las Villas, Matanzas, Camaguey, Habana, Oriente and Pinar del Río of marriages. There are also genealogical notes on many surnames.
The Rosario Rexach papers document professional activities of Rosario Rexach, a deceased Cuban exile author of books and essays on Spanish and Latin-American literature and art with focus on Cuba's history and literature. Materials include manuscripts, correspondence, clippings, typescripts from conferences, programs, certificates, articles and photographs.
The Lincoln Díaz-Balart Papers document the professional and personal activities of Lincoln Díaz-Balart in his capacity as U.S. Representative for Florida's 21st congressional district and as a member of the Florida House of Representatives and the Florida Senate. Materials in the collection include personal and legislative correspondence on issues such as education, the environment, federal and state budgets, human rights in Cuba, and immigration; and official documents on issues of immigration, international trade, Latin America and Cuba. The collection also contains press releases, audiovisual materials, photographs and clippings collected by Díaz-Balart.
Original order was retained, with papers arranged in two series: Florida House and Senate and United States Congress.
The papers of Norma Niurka (1942-2009), journalist, writer, and theater critic, include manuscripts, photographs, correspondence, clippings, video recordings, memorabilia, daybooks, and theater programs. It also contains materials of Norma Niurka's aunt, the actress Miriam Acevedo.
The Guillermo Rosales Papers contain writings and personal effects of Guillermo Rosales (1946-1993), late 20th century Cuban writer and journalist.
The collection contains manuscripts for various novels written by Rosales, including Júralo por Stalin, El Bunker Fantasmaand El juego de la viola(1968), as well as articles and clippings written by and about him, respectively. The collection also contains correspondence; certificates and awards, including Rosales' first prize honor in the University of Miami's Letras de Oro literary competition; and an accompanying scrapbook with photographs of the event.
The Rafael F. Risco papers are comprised of documents regarding Risco's involvement with the Rescate Revolucionario Democrático counter-revolutionary organization in exile. These materials include biographical materials, photographs, and correspondence between members of the organization.
The Herminio Portell Vilá Papers (1901-1992) include research writings, bibliographic notes, and clippings about events in Cuba and Latin America during his exile time in the United States (1960-1992) . Materials also consist of radio transcripts, audio materials of radio programs, memorabilia and correspondence of the Cuban historian and scholar Herminio Portell Vilá. His primary research interests focused on early U.S.-Cuban relations, but his papers also include materials about those relations in the 20th century and revolutionary Cuba.
This collection contains records relating to the Teatro 8 theater company in Miami, Florida, run by the Hispanic Theater Guild organization. Items include theater ephemera and posters, audiovisual materials of performances, awards and certificates, financial records, clippings, scripts, scrapbooks, and promotional materials.
The Rogelio González Corzo Scrapbook collection contains a scrapbook with various clippings, photographs, and documents relating to the 1961 execution and observed rememberances of Cuban dissident Rogelio González Corzo.
The Asela Torres Photography Collection contains digitized photographs and published materials featuring the photographs of Cuban-born theater photographer, Asela Torres.
This collection is divided into two series. Series I contains digitized photographs taken by Asela Torres at various theater events and performances. These digitized photographs are accesible through the University of Miami Digital Collections website. Series II contains original theater programs, pamphlets, and ephemera featuring photography by Torres.
The Jorge Castellanos Papers contain personal papers from the exiled Cuban professor and author Jorge Castellanos (1915-2011). The collection contains research notes, book manuscripts and copies of published works authored by Jorge Castellanos related to his research and writings.
The abolition of enslavement in Cuba took place gradually over the course of several years. In 1880, the Spanish colonial government instituted a system called patronato, loosely translated as "apprenticeship." Most of the workings of the enslavement system were preserved, but patrocinados, as former enslaved people came to be known, received a minimal set of legal rights and were to be paid a token wage. The transition to the patronato system was overseen by a provincial network of government agencies called Juntas de Patronato. The Junta Provincial de Patronato de Matanzas was created in 1880 when the Law of Patronato was passed. As a central body, it processed claims and cases from a series of local juntas throughout the province of Matanzas. The records in this collection contain official documents, correspondence between local juntas and the main junta, and tables reporting names or numbers of patrocinados. The collection also documents the cases of individual patrocinados who were trying to obtain their freedom through the provisions of the new law.
All of the materials in this collection have been digitized and are available through the University of Miami Digital Collections.
Matanzas (Cuba : Province). Junta Provincial de Patronato
