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Research material from noted author and historian, Arva Moore Parks McCabe (1939-2020). Born in Miami, Florida, Arva had written countless books on Florida's eclectic history, including The Forgotten Frontier: Florida through the Lens of Ralph Middleton Munroe, Miami, the Magic City, and George Merrick, Son of the South Wind: Visionary Creator of Coral Gables. She also served as chief curator, interim director, and chair of the Coral Gables Museum.

This collection focuses heavily on George E. Merrick, Coral Gables, and other research topics used in her writings. It also features a large assortment of archival material: booklets, books, magazines, posters, photographs, negatives, pamphlets, postcards, maps, ephemera, newspapers, and guides about Miami and other notable cities and famous people related to South Florida.

This collection contains scrapbooks, postcards, brochures, travel itineraries, and other promotional materials related to the cruising industry operating out of Miami, Florida as collected and compiled by Russell F. Nansen, a travel executive and consultant who worked for Royal Caribbean Cruises for 21 years.

Marsha Matson is a council member of the city of Palmetto Bay and a former professor of the University of Miami who retired after teaching American government, local government, and public administration for 22 years. This collection consists of reports, correspondence, audio-visual materials, newsclippings, financial records and other documents pertaining to district and municipal zoning in Miami-Dade County and the incorporation of Doral.

Born in Puerto Rico, Arnaldo J. López serves as the Development Officer at Pregones/Puerto Rican Traveling Theater (PRTT). He holds a Ph.D. in Latin American Literatures and Cultures from New York University and is an avid advocate of the arts. This collection features an array of zines, ephemera, comic books, and other archival material he collected in his lifetime.

The Michael L. Carlebach photography collection consists primarily of black and white photographic prints taken and personally hand developed by Professor Michael L. Carlebach.  In general, the images are thematically grouped around journalistic pieces published in newspapers, or artistic topics such as portraits and landscapes. The collection also includes pieces shown in various exhibits as well as photographs made for special assignments like the George McGovern 1972 presidential campaign and the exclusive insider’s look at the Krome Avenue Detention Center for refugees in South Florida. Another highlight of the collection includes photographs dealing with the medical profession, especially children in hospital settings. In addition to photographing using 35mm black and white film, Carlebach shot color slides, vividly portraying the flora and fauna of the Everglades, historic structures such as Vizcaya Museum and Gardens, and news stories dealing with the environment. The entire collection consists of over 5,000 silver prints, color slides, and publications. Currently over 2,000 items are digitized and made available online.

An ongoing collection of zines added to the holdings of the University of Miami Libraries Special Collections. Zines are typically independent and self published booklets popular in underground subcultures. The first zines were fanzines, started in the early 20th century by science fiction fans documenting the genre. The format truly took off with the punk rock movement of the 1970s, as a do-it-yourself spirit inspired legions of underground punk fans to start raw but vibrant journals documenting the nascent music scenes in their communities. Zine topics would broaden throughout the 1980s and 1990s to cover a variety of subject areas, from comics to anarchist politics to women’s rights, to more mundane subjects like dumpster diving, alternative fashions, tattoo art, and much more. Despite the expansion of topics, the format usually remained the same—self-published booklets printed in limited editions and typically produced with a photocopy machine.

This collection contains articles, research, periodicals, book reviews, and other documents and archival materials pertaining to the University of Miami European Union Center.

This collection contains exhibit promotional materials, correspondence, periodicals, news clippings, sketchbooks, art work, photographs, audio-visual materials (VHS, CD-Rs, floppy disks, Hi8 videocassette tapes), administrative files, and other related archival materials from the local Miami artist, Karen Rifas.

The Frost Museum of Science had originally opened in 1950 under the name the Junior Museum of Miami and has since underwent several renovations and relocations. It had also been renamed in 1952 as the Museum of Science and Natural History and once again renamed in 2011 after Phillip and Patricia, two wealthy and influential Miami philanthropists who have donated and supported various educational institutes and museums throughout South Florida, including the University of Miami. In its current inception, the Frost Museum of Science is located in Downtown Miami's waterfront Museum Park and offers a variety of STEM (Science Technology Engineering and Math)-based exhibits, lectures, and shows. It is particularly well-known for hosting the show Star Gazers with Jack Horheimer (formerly Jack Horheimer: Star Hustlers and Jack Horheimer: Star Gazer).

This collection includes typescripts for the Star Gazers (Star Hustler) planetarium show, research files, exhibit files, exhibit prints, convention proceedings, pamphlets, historical news clippings, ephemera, periodicals, scrapbooks, photographs, event files, administrative records, and other archival documents pertaining to the Frost Museum of Science's day-to-day operations.

Joaquín Roy is Jean Monnet Professor of European Integration at the University of Miami and Co-Director of the European Union Center of Excellence, Miami. The collection consists of personal materials and documents from organizations or programs in which Dr. Roy was personally involved.

Series I contains typescripts, books, and publications from the Letras de Oro program organized by the North-South Center at the University of Miami. This program awarded prizes and published novels, poetry, theater plays, essays, and literary criticism in the Spanish language.

Series II contains newspapers, periodicals, brochures, pamphlets, publications, reports, letters, clippings from the Florida Catalan Society.

Series III contains personal materials from Dr. Joaquín Roy, including typescripts and manuscripts, lecture notes, periodicals, letters, clippings, bibliographies, and other materials. Included among the typescripts are ones for Julio Cortázar Ante Su Sociedad, ALA : Periodismo y Literatura, and Lecturas De Prensa.

A collection of books, photographs, scrapbooks, audio-visual and printed materials about the American novelist Carson McCullers. The research files were compiled by McCullers biographer and literary critic Virginia Spencer Carr.

The Florida Philharmonic, Inc. Records contain financial records, administrative files, and scrapbooks pertaining to the Greater Miami Philharmonic, which later became known as the Florida Philharmonic under conductor Brian Priestman.

The Theodore Bolton Papers contains materials that span from across the entirety of Bolton's life. Bolton was active as a book illustrator and as an art historian, and so there are typescripts, manuscripts, reprints, and periodicals, as well as sketches, prints, drawings, engravings, and sketchbooks.

Bolton's sketches are primarily illustrations for books or Christmas Card designs. Also among the sketches are several done by other illustrators. These include an original illustration by Timothy Cole, as well as a number of original sketches by James Daugherty. Many of these sketches are on Christmas cards sent to Theodore Bolton and Helen, his wife.

Beside his manuscripts and illustrations, of special notice are travel journals by Bolton spanning across several decades, each of which contain illustrations of the places that he visited, and 20 Confederate States of America Banknotes.

Conceived in 1932 by the original Orange Bowl Committee, the Orange Bowl was created as a popular tourism attraction for the New Year's Festival in Miami that would attract national publicity and bring more businesses and money to South Florida. This venture proved successful as the Orange Bowl celebration grew in both size and popularity, becoming a national extravaganza with their lavish parades, annual football games, and beauty pageants, all in an effort to create the "world's greatest half-time spectacle."

The first football game ever put on by the committee was in 1932 between the University of Miami Hurricanes and Manhattan College from New York City in what was then called the Festival of Palms Bowl. In 1935, the festival was renamed as the Orange Bowl and started featuring college football teams to participate based on their national rankings rather than offering a guaranteed position, and it was recognized by the NCAA as the first "official" Orange Bowl. The Orange Bowl stadium was created in 1937 to accommodate the game as well as the Miami Dolphins home games and several Super Bowls up until it was demolished in 2008, but it gained a prolific reputation as a local attraction during its lifespan in south Florida.

The Orange Bowl Records contains documents, financial and administrative files, scrapbooks, photographs, ephemera, pamphlets, newsclippings, audiovisual material, and 3D objects pertaining to the Orange Bowl Committee and their archives.

Joseph L. Herndon (1948-2021) was a historical preservationist who aided in several global restoration projects, including the Old Spanish Fort (1730) in Pascagoula, Mississippi; Qasr Ibrihim (1600's) in Hoffuf, Saudi Arabia; the Old Post Office (1897) in Washington, D.C.; The Rugby Colony (1880's) in Rugby, Tennessee; Union Station (1900) in Nashville, Tennessee; The Germantown neighborhood revitalization (1840's) in Nashville, Tennessee; The Biltmore Hotel (1926) in Miami, Florida. His papers include a large breadth of information and research pertaining to the Biltmore Hotel, the Panama Canal, Turkey, the Deering Estate, resorts, and other areas of interest to Joseph Herndon. Material types represented within include audio-visual materials (CD-ROMS, VHS, photographs, slides), print-outs, administrative files, financial files, travel brochures, ephemera, architectural plans, interior design samples, research files, reports, proposals, periodicals, and 3D objects.