A comprehensive and eclectic collection of contortionist images. Subjects include contortionists performing before audiences; child contortionists; twin contortionists; families of contortionists; contortionists posing privately in apparent studio settings; in costume; in various states of undress; indoors and outdoors; etc.
The Finlay B. Matheson collection includes more than 2,411 photographs; 112 maps, surveys, and architectural plans; and 13 books related to William John Matheson and his immediate family. Estate documents and other documents containing historical and biographical information pertaining to the Matheson family and their various business ventures can also be found within this collection, as well as drawings, postcards, and some of the first aerial view photographs of Key Biscayne, Coconut Grove, the Miami River, and the Florida Keys. Florida's landscape during the early 20th century is captured throughout the various albums and scrapbooks and attests to a more leisurely lifestyle before the advent of skyscrapers and multi-lane highways. Furthermore, the collection provides an in-depth glimpse into the burgeoning social life of early inhabitants who gathered at the Biscayne Bay Yacht Club.
Richard A. Kahn was a lawyer and economist who taught economics and business law courses, published numerous articles and held a variety of positions in the United States government. The Richard A. Kahn Papers, arranged in three series, contain correspondence, newspaper clippings, book manuscripts, copies of published articles, and marketing research. Much of the content of this collection concerns his work with various fishery institutions, such as the U.S. Branch of Commercial Fisheries and the Gulf and Caribbean Fisheries Institute.
Author Laura Kalpakian, described by some critics as one of the "most unheralded, brightest talents" in the country, has published several novels and short story collections, novellas, short stories, essays and interviews for magazines and newspapers including Cosmopolitan, Good Housekeeping, McCall's, Los Angeles Times, Miami Herald, and Hawaii Review.
The Laura Kalpakian Papers contain manuscripts and drafts of stories, novels, and speeches. Correspondence relates to the creation and publication of several works. Writings are arranged in chronological order within three series: Novels, Short Stories and Other Writings, and Short Story Collections.
This collection contains applications, reports, memos, and other information regarding grants made to the Richter Library by the IMLS (Institute of Museum and Library Services).
This collection contains official records, administrative documents, statistics, minutes, contracts, correspondence, ephemera, and reports compiled and created by the University of Miami School of Engineering from 1952 to 1988.
Ephemera, exhibition catalogs, newsletters, and books related to Miami's contemporary art scene. Items featured in the collection document much of César Trasobares' personal life work as a local Cuban-American artist whose pieces often illustrate ties to his heritage as well as touching upon various topics, such as poverty, homosexuality, religion, social issues, and personal expression.
The Firefly Zine collection is a collection of zines donated to the University of Miami Libraries by former residents of the Firefly, a local Miami collective house and important part of Miami's punk rock and activist subcultures. There are over 2,000 zines held in the collection.
Zines are typically independent and self published booklets popular in underground subcultures. The first zines were fanzines, started in the early 20th century by science fiction fans documenting the genre. The format truly took off with the punk rock movement of the 1970s, as a do-it-yourself spirit inspired legions of underground punk fans to start raw but vibrant journals documenting the nascent music scenes in their communities. Zine topics would broaden throughout the 1980s and 1990s to cover a variety of subject areas, from comics to anarchist politics to women’s rights, to more mundane subjects like dumpster diving, alternative fashions, tattoo art, and much more. Despite the expansion of topics, the format usually remained the same—self-published booklets printed in limited editions and typically produced with a photocopy machine.
The Firefly Zine collection in particular is significant for its materials documenting political beliefs and causes such as anarchism, direct action, women's rights, lesbian/gay/bisexual/transgender (LGBT) rights and environmentalism. There are also many zines about the punk rock music scene and subculture, the rights of indigenous peoples, and alternative forms of transportation such as bicycles. As with many zine libraries, there is also a strong collection of zines that are of a more personal nature. Zines about South Florida, Latin America and the Caribbean regions—important collection areas of University of Miami Special Collections—are also significant in number.
This collection contains the administrative files created and compiled by the Office of the University Librarian during William Walker's tenure as the University of Miami University Librarian and Dean of Libraries.
The Jean P. Lesperance Papers consist of correspondence, articles, book manuscripts, and newspaper clippings relating to the merging field of management studies. Lesperance joined the University of Miami faculty in 1947and taught management courses. He later served as the director of the Time and Motion Study Laboratory.
The Sergio Rodríguez Papers contain booklets, pamphlets, and maps; periodicals; state and university reports; audiovisual materals and correspondence from Rodríguez's tenure at the University of Miami.
FAULTY PRODUCTS 1978-80. Small archive of official records from the Independent Label, "Faulty Products." Various concert fliers, correspondence between owners of the record company, and newspaper articles from different sources on the bands signed by the label. This label was established by Miles Copeland initially to distribute a welter of new musical talent that emerged in 1977, in the period of "punk rock," via its three in-house record labels, Illegal Records, Step Forward Records, and Deptford Fun City Records.
The Hartwell Hunter scrapbook contains black and white photographs, clippings, and memorabilia following his experiences as a student at Swarthmore Preparatory School (1926-1927) and the University of Miami (1928-1932).
The Lyceum and Lawn Tennis Club Collection is comprised of administrative files, publications, events and exhibitions programs, and photographs of this Cuban women’s club. The materials in this collection primarily document the Lyceum’s services and activities, e.g. art exhibitions, children’s programs, and its famous flower arrangement classes and shows, from its inception until its closing by Castro’s government in 1968.
The George Gershwin Festival was sponsored and presented by the University of Miami's School of Music on October 27, 28, and 29, 1970. The scrapbooks contain concert programs, promotional materials, press articles, correspondence, and photographs of the event.