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The Charles Creighton Collection contains an illuminated manuscript on parchment, signed by Charles VI, last of the house of Habsburg, Holy Roman Emperor and King of Bohemia and Hungary-Croatia. It was the property of Prince Max of Baden until the end of the first World War.

The 33-page manuscript measures 8 by 11 inches, with illuminated borders in red, blue, and gold, and an artistically designed title in black and gold of royal insignia surrounded by implements of war and the crown of the king. The manuscript is bound in a gilded hand-embroidered binding of decorative design with ornamental ribbon ties and tinsel fringes. It is attached with a gold braided cord is the Royal Seal of Charles VI, measuring 4 1/4 inches in diameter with the inscription "Carolus VI Romanorum Imperator S. A. Hispaniarum et utriusque Siciliae Rex." The seal is enclosed in a decorated silver case which is intended to rest in a circular compartment in the center of a tooled Viennese leather binding in which the manuscript reposes. The manuscript is written entirely in Latin and confers the title of Marquis on Honuphrium Ianno Ernandes Arias for "Militiaque multa suae Fides, Constantia Sapienta, ac Fortitudinis Specima edidissent..." (translation: In long military service he displayed Faith, Constancy, Prudence, and Courage...) To legalize the document, it is signed in the autograph of King Charles VI "Yo el Rey," below which are the signatures of noblemen and dignitaries of state.

Included also are 15 separate pages of manuscript written in Latin. These pages also refer to the Marquis and are dated in May of 1731. An unsigned manuscript by one of the Ianno family consists of 5 lines and is written in French.

The Charles Creighton Collection also contains high quality facsimiles of several historical predominantly French documents from the 17th and 18th century. These are: a letter pleading for a 3 day postponement of Louis XIV's execution by Louis XIV dated January 20, 1793; two letters informing French generals of the Waterloo victory by the Duke of Wellington, dated June 14 and June 20, 1815; Vice Admiral Horatio Nelson's unfinished letter to Lady Hamilton, dated October 19, 1805; Napoleon's appeal to England for protection after his defeat at Waterloo, dated July 13, 1815; a note written by Marie Antoinette written just before her execution in 1793; and the last letter written by Robespierre, unfinished due to his being shot, with bloodstains at the bottom of the letter, dated July 27, 1794.

Partially handwritten, partially typewritten, hand colored illustrated manuscript. Contains 24 watercolor illustrations. The manuscript contains two epistolary short stories written by Kate Whiting Patch. Both stories "A Garden Idyl" and "The Blue Bird's Return" were originally published in Harper's Magazine. Illustrator is unknown.

This collection brings together a variety of historical documents that are topically related to Latin America, including manuscripts, correspondence, and illustrations. The documents range from 1420 to 1994 in date, and originate from Mexico, New Granada, Panama, Peru, Colombia, Ecuador, and other parts of Latin America.

Manuscripts, typescripts, galley proofs, research files, books, and correspondence related to the literary career of Les Standiford.

The Theodore Bolton Papers contains materials that span from across the entirety of Bolton's life. Bolton was active as a book illustrator and as an art historian, and so there are typescripts, manuscripts, reprints, and periodicals, as well as sketches, prints, drawings, engravings, and sketchbooks.

Bolton's sketches are primarily illustrations for books or Christmas Card designs. Also among the sketches are several done by other illustrators. These include an original illustration by Timothy Cole, as well as a number of original sketches by James Daugherty. Many of these sketches are on Christmas cards sent to Theodore Bolton and Helen, his wife.

Beside his manuscripts and illustrations, of special notice are travel journals by Bolton spanning across several decades, each of which contain illustrations of the places that he visited, and 20 Confederate States of America Banknotes.

Manuscripts, clippings, pamphlets, and correspondence of author and University of Miami Press editor Malcolm Ross.

This collection contains manuscripts, drafts, notes, poems, short stories, translations, and unpublished works by the award-winning Guatemalan author and translator, David Unger (1950-). Also featured within the collection are his correspondence (both personal and work-related), photographs, his education files from elementary school to university, book contracts, book reviews, article clippings, and artwork and prints by the artist, Walter Mosley.

This collection contains manuscripts, poems, journals, printouts from online chapbooks and collaborations, reviews, clippings, promotional posters and fliers, audiovisual materials, and other writings by the well-renowned and award-winning poet and writer Michael Hettich (1953-).

A local poet who grew up in Manhattan and resided in Miami Beach, Florida for the latter years of her life, Judith Anne Berke (Sep 9, 1931 - Jul 24, 2013) wrote and published several works that embody the spirit of Florida, its unique history and its people. She attended Smith College in her youth and began writing when she was 49 years of age then published her first book in 1989. Outside of writing, she studied painting at l'Academie de la Grande Chaumiere in Paris and was a skilled sculptor. She also studied acting, designed puppets, and sang in the Opera Guild of Greater Miami, demonstrating a huge breadth of talent that spanned many disciplines.

Her papers include her manuscripts, drafts, and poems either in notebooks or in typescripts. Also included are some of her scrapbooks and a sculpted bust.

Born in New York City, Evan H. Rhodes (1929-2010) is a noted Key West-based author who penned many novels over the course of his lifetime, including the novel, The Prince of Central Park, which had been adapted into both a feature-length film and a musical. He graduated from New York University with a Master of Arts degree and then worked as a screen reader for Columbia Pictures and Universal International before settling down in Key West to write novels. He was also a member of the Author's League of America, the NYU Alumni Federation, and the Library of the British Museum and had exhibited his own sculptures at the Washington Square Gallery in New York City.

His papers contain a wide arrange of material documenting his noteworthy literary career, including manuscripts, playscripts, drafts, notes, research files, promotional materials, news clippings, reviews, correspondence, poetry, audio-visual materials, photographs, and ephemera.

This collection contains typed manuscripts, drafts, poems, periodicals, publications, correspondence, news clippings, photographs, slides, negatives, VHS tapes, audiocassette tapes, CDs and other archival materials from the local South Floridian poet, Jeffrey Knapp (1949-2011). Also included in the collection are photographs and research materials on the South Floridian artist, Betti Bernay (also known as Betty Godlfarb; 1926-2010).

The journal of Aaron Thomas is a 374 page leather-bound volume containing approximately 367 pages of handwritten material. The journal begins on June 15, 1798 and concludes on October 26, 1799, and chronicles the experiences and adventures of a British seaman serving in the Royal Navy aboard HMS Lapwing in the West Indies during the French Revolutionary wars. The journal contains insightful, first-hand accounts of naval operations, customs of the day, and humorous, detailed anecdotes involving shipmates and superiors. Thomas, who joined the navy in 1793, includes entries regarding the health and punishment of the men aboard ship, as well as his personal views on slavery, religion, and morality. With the exception of the final three pages, all entries are written in Thomas's hand.

31 page typed manuscript dated 05/04/2005, "Traditional Architecture and Sustainabilty" by Jose Baganha.

A growing collection of documents, photographs, and correspondence pertaining to the capture, purchase, bargaining, and freedom of enslaved people in Europe, Africa, and the Americas from the 18th to the 20th century. The collection contains a variety of petitions, contracts, estate settlements, and ephemera that record the activities of enslaved people during that era and illustrate the relationship between enslaved people and the people who enslaved them, as well as local government policy regarding enslavement and ownership in various parts of the Americas. Also included the collection are images and ephemera that feature racial caricatures, which were prevalent during their time of printing.

The Nathalie Marshall Papers consists of selections of personal writings, dream journals, notebooks, poetry and correspondence by the artist reflecting thirty years of her creative process.

This collection contains a collection of writings and research from local historian, playwright, director, and teacher, Sandra Riley, and poet, teacher, and musician, Peggy C. Hall. The materials currently include manuscripts, research notes, journals, interviews, drafts, playscripts, ephemera, poetry, and other materials pertaining to their life's work and writings.

This collection contains correspondence, manuscript drafts, notebooks, drawings, sketchbooks, photographs, planners, journals, college notebooks, and other ephemera from Gloria Grasmuck's notable life and career as an artist, writer, and translator.

1 typed draft dated May 17, 1993. "The Neighborhood, the District, and the Corridor" by Andres Duany and Elizabeth Plater-Zyberk.

The collection includes a substantial body of writings by George Merrick, known primarily as the founder of the city of Coral Gables in South Florida. In 1916, he married Eunice Peacock, granddaughter of Coconut Grove pioneers, Charles and Isabella Peacock. The correspondence, short stories, essays, manuscripts, poems, speeches, clippings, proposals and plans from the collection document the literary aspirations, as well as the real estate career of George Merrick.  His papers also include correspondence, clippings, photographs, scrapbooks, and ephemera from Eunice Peacock Merrick and other members of the Peacock and Merrick families. George Merrick’s close ties with the University of Miami and his contributions to the institution’s expansion are documented through correspondence, newspapers clippings, and ephemera. Finally, the collection includes extensive literature (newsletters and books) from the Rosicrucian and Christian Science communities. Please refer to the bibliography for a listing of the books.

This collection contains speeches, interviews, scrapbooks, programs, writings, newspaper clippings, and other items from the office of Jay F. W. Pearson, second president of the University of Miami.

This collection contains records from the University of Miami Press, including book reviews, correspondence, authored works, bibliographies, proofs, manuscripts, catalogs, and promotional files.

The papers document professional activities of Carlos Felipe in a capacity of a playwright and of Rosa Felipe in a capacity of an actress.  The materials consist of manuscripts of Carlos Felipe's plays, in which he deals with human passions, giving his characters essential Cuban elements.  Some of the plays were published in Spain, while others were published in Cuba.  The manuscripts of the following plays are included in the papers: "Esta noche en el bosque," for which he received Premio Nacional de Teatro in 1939, "Tambores," and "De pelicula."  A copy of "El Chino," published by Repertorio Teatral Cubano and a published miniature of "Capricho en rojo" are also included in this collection.  The collection also contains academic essays by other authors about Carlos Felipe's plays, especially about "Réquiem por Yarini" in which Carlos Felipe utilizes structure of Greek tragedy.  Materials include clippings with interviews with Carlos Felipe, theatre programs, especially the programs of the several productions of "Réquiem por Yarini" and theatrical reviews.

The materials also document acting career of Rosa Felipe who worked in Cuba, Madrid, Latin America and Miami.  Rosa Felipe worked with other Cuban actors in exile in Miami for the theatre group Repertorio Español.  The bulk of the material documenting Rosa Felipe's career consists of photographs from Cuban TV, theatre and award receiving events.  Moreover, the collection contains Certificates of Recognition, membership cards, slides and theatre programs of productions featuring Rosa Felipe.

The Jamaica Manuscripts Collection contains 20 documents, most of which concern Jamaica in a variety of ways (others are regarding the British West Indies at large). Included, among other things, are plantation records, correspondence, journals, official documents such as power of attorney documents and affidavits, notes on the climate of Jamaica, and Spanish reports on English possessions.  Some of these are originals, where others are later 20th century documents about Jamaica or typescripts of letters.

The abolition of enslavement in Cuba took place gradually over the course of several years. In 1880, the Spanish colonial government instituted a system called patronato, loosely translated as "apprenticeship." Most of the workings of the enslavement system were preserved, but patrocinados, as former enslaved people came to be known, received a minimal set of legal rights and were to be paid a token wage. The transition to the patronato system was overseen by a provincial network of government agencies called Juntas de Patronato. The Junta Provincial de Patronato de Matanzas was created in 1880 when the Law of Patronato was passed. As a central body, it processed claims and cases from a series of local juntas throughout the province of Matanzas. The records in this collection contain official documents, correspondence between local juntas and the main junta, and tables reporting names or numbers of patrocinados. The collection also documents the cases of individual patrocinados who were trying to obtain their freedom through the provisions of the new law.

All of the materials in this collection have been digitized and are available through the University of Miami Digital Collections.

The Daniel O. Graham papers contains a variety of materials from Graham's military career and his work in United States intelligence and defense. Included are Westmoreland vs. CBS trial papers, documents on Arlington politics, a series of drafts about Project High Frontier, materials on Soviet-American relations, materials on the Strategic Defense Initiative and the CIA, personal and official correspondence, press clippings and newspapers, manuscripts, articles, essays, awards, and other materials.

Dr. José Agustín Balseiro (1900-1991) was an award-winning author, poet, and scholar of Latin American Studies and Hispanic literature. He was also a professor of Hispanic Literature at the University of Miami from 1946 to 1967.

Throughout his career, Dr. Balseiro exhibited a strong interest in Latin American and Hispanic-American studies, Latin American and Spanish literature, and Puerto Rican history and literature. His papers, donated to the University of Miami, reflect all of these interests and range in date from his earliest activities as a writer in Spain to his final days working as a consultant to the University of Miami Libraries starting in 1974. Much of the content consists of correspondence, clippings, typescripts, and periodicals in which Balseiro’s writings were featured. Also included is sheet music belonging to his father, Rafael Balseiro, who was a Puerto Rican composer.

Of special note are three bronze medallions: (1) from the Instituto de Cultura Puertorriquena, commemorating el primer Centenario del Natalicio de Luiz Muñoz Rivera (the centennial of the birth of Luiz Muñoz Rivera); (2) from the Instituto de Cultura Puertorriquena, commemorating el Centenario de la Abolición de la Esclavidud in Puerto Rico (the centennial of the abolition of slavery in Puerto Rico); and (3) from the University of Panama commemorating the first 25 years of the University’s existence.

Book proof draft with handwritten notes and taped additions for a small part of the 2000 edition of the book "Charter of the New Urbanism" by Congress of the New Urbanism

The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.

Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.

A large part of the collection consists of photocopies of news articles.

Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."

Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."

Dr. Josephine Johnson is Professor Emeritus of the University of Miami School of Communication, former Chair of the Department of Communications, and alumna of the University. Her scholarship extends from W. B. Yeats to post-modern British poets. She is a recognized solo performer throughout the country.

Josephine Johnson's papers contains documents pertaining to her work in organizing a number of poetry events in the Miami area, including the Richter Library Poetry Series and poetry recitals in Beaumont Hall presented by the University of Miami Chamber Theatre, as well as personal research materials.

The collection contains videocassettes, DVDs, film reels, clippings, letters, reports, certificates, sheet music, photos, programs, manuscripts.

George Augustus Moore (1852–1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist.

The George Moore Collection contains correspondence, an undated manuscript titled "Scenario," the galley proofs with corrections for his 1885 novel Mummer's Wife, and a typescript for his 1894 novel Esther Waters.

The correspondence consists of a series of letters and telegraphs between Moore and New York playwright and writer Edward Knoblauch (1874-1945), a letter from Moore to a "Nachey," several letters without a recipient name, two letters from D. M. Beth at Riverside Press Unlimited, a book printer from Edinburgh, discussing corrections on Moore's 1921 novel Heloise and Abelard.

The papers consist of popular musical selections from Dominican Republic, including Fantasia by Manuel Emilio Garcia G. This score was based on works by various Dominican composers, and the principal theme came from the song "Maiba" by Diogenes Silva. The materials include four tapes, a manuscript of a score "Selecciones Populares Dominicanas" in 26 parts, Quartet for various instruments, a manuscript of a score titled "Marcha Triunfal" in 22 parts, and a manuscript of a score of Giselle Marie Vals.

The Laurence Donovan Papers include correspondence, poetry, artwork, book reviews, writings, subject files, and other documents concerning the life and career of Laurence Donovan, an English professor at the University of Miami.

The correspondence dates from 1945-2001, and includes letters from Donovan’s family, friends, and professional associates. It provides insight into Donovan’s personal life, in addition to documenting his writing, artwork, and teaching. Most of the letters are incoming, but the series does contain some outgoing letters.

The collection also contains poetry, artwork, and writings by Donovan. The poetry includes typescripts and published poems. The typescripts are undated, and some have handwritten revisions. The artwork includes a small selection of Donovan’s published illustrations. The writings include typescripts and photocopies of book reviews that Donovan wrote for the Miami Herald, as well as papers and other materials.

The subject files include materials related to Donovan’s teaching and work at the University of Miami, as well as his poetry and artwork. Also included are articles and other materials about literary figures and works; programs and flyers for exhibitions, readings, shows, and other events; and writings and other materials by and about his friends and colleagues.

The Fidelia Righi papers contains a notebook of poetry, a series of handwritten pages on architecture with accompanying architectural sketches, six photographs from the Intercollegiate Cosmopolitan Club of the City of New York, a 1922 address by Harry E. Edmonds to the club called "The Ideals of International House," and a 1922 program for "European Night" held at the club.

The papers consist of the manuscripts of Cuban songs written by Juan Valdés Terán in Cuban prison where he was held as a political prisoner for many years, correspondence, clippings, memorabilia and photographs.