Mostrar 217 resultados

This collection contains scrapbooks, postcards, brochures, travel itineraries, and other promotional materials related to the cruising industry operating out of Miami, Florida as collected and compiled by Russell F. Nansen, a travel executive and consultant who worked for Royal Caribbean Cruises for 21 years.

Ofelia González was an actress performing in theatre, mostly in Havana's Palacio de Bellas Artes and New York's Repertorio Español.  She also acted in film and TV. The materials document her acting career especially her portrayals of Bernarda in The House of Bernarda Alba in New York, Nurse in Romeo and Juliet in New York, Serafina in The Rose Tattoo in Havana, Medea in Medea in New York, Amanda in The Glass Menagerie in New York, Celestina in Celestina in New York, Clara in The Visit in New York and Mother in The Guns of Mother Carrar in Havana. 

The bulk of the material consists of photographs from performances and newspaper clippings with reviews of performances.  The papers also include correspondence and memorabilia.

This collection documents the activities of Teresa María Rojas in her capacity as a theater actress, theater professor at Miami-Dade College (MDC, also formerly known as Miami-Dade Community College) for more than 30 years and the founder of the Prometeo Student Theater Group.

The majority of the materials document Rojas' role as artistic director of the Prometeo Theater and the success of the students who performed in it.  Portfolios and reviews contain information regarding her teaching at MDC, in the capacity of the director of the Prometeo Theater and an instructor.  The papers contain scrapbooks chronicling her work as the director of the Prometeo Theater from 1985.  The collection also documents her professsional work as an actress in Miami, Cuba and other Latin American countries. Her performances in various acclaimed productions are documented by clippings and photographs.  Rojas measured her own success as a professor and artistic director of Prometeo by the success of her students.  She played the engaging and lighthearted role of Ofelia in "Ana in the Tropics".  As Ofelia, Rojas took on a similar matronly role as the one she had among her students at MDC.

Selected photographs, playbills, programs, letters, and clippings from the collection are available on the University of Miami Digital Collections portal under the CHC Theater Collections tab.

The Walter Etling Papers include documents, clippings, and photographs related to Etling’s student years at the University of Miami, as well as his professional and community activities in Miami from the 1950s through the 1970s.

The bulk of the collection consists of photographs, clippings, documents, letters, programs, advertisements, brochures, and ephemera that Etling compiled into albums documenting his student years, professional activities, community service, and personal life.  The collection also contains loose personal papers, photographs, clippings, and other materials related to Etling’s student, business, community, and alumni activities, and personal life.

Business related materials, such as advertisements, brochures, statistics, and other papers, document Etling’s work as a real estate agent for the Allen Morris Company, the Keyes Company, and Walter Etling Company. Examples include brochures for the Keys Company and the Walter Etling Company, as well as the sale of the Flamingo Hotel. The collection also contains photographs and ephemera related to Etling’s involvement in establishing a Kentucky Fried Chicken franchise in Spain, and letters and documents regarding his service on the board of Key Biscayne Bank.

Community service related materials include letters, certificates, clippings, photographs, and other materials primarily related to Etling’s service to the Miami Science Museum, and also his involvement with Kiwanis International and the Dade County Grand Jury.

The collection also contains materials related to Etling’s extensive involvement with the University of Miami. Class assignments, notes, photographs, clippings, and other materials document his student years. Also included are letters, programs, photographs, clippings, and ephemera regarding his service for the Alumni Association and the Board of Trustees. In addition, the collection contains materials relating to class reunions and university athletics, as well as artistic studies Etling prepared when creating the painting that is on the cover of the University of Miami’s 75th anniversary book, Rendezvous with Greatness. 

Personal materials document family vacations, such as photographs of a trip to the 1976 Winter Olympics. Also included are materials related to his hobby of selling memorabilia, and programs and clippings that document the activities of his children while attending the University of Miami.

Haitian Women of Miami-Fanm Ayisyen Nan Miyami (FANM) was founded in 1991 to work for the "social and political empowerment" of Haitian women and their families. FANM is an advocacy and social service agency in Little Haiti and serves the needs of low income women and their families as well as victims of abuse, neglect, violence, discrimination and racism.

The records include correspondence, flyers, posters and educational publications as well as photographs of rallies and events from the Haitian Women of Miami.  Scrapbooks and newspapers from Haiti and the diaspora- such as "Le Floridien" and "The Haitian Times"- document political events and ongoing activism of women organizations, immigrant activists as well as local community happenings. The collection also includes substantial documentation of the activism of one of the organization's most notable activists, Marleine Bastien.

In October, 1963, Charles Cinnamon, public relations director of the Coconut Grove Playhouse, organized a “Left Bank” art show to publicize the opening of Irma La Douce at the Playhouse. The art show was a success and shortly thereafter the Coconut Grove Association was formed to put on an annual art festival.

In the early days, the whole community got involved, and Festival activities included an antique car parade, coconut smashing contest, concerts, and a children’s art exhibit. The Chamber of Commerce and Grove House artists helped in putting on the festival.

This juried arts festival has repeatedly been selected as the top outdoor fine arts festival in the United States, displaying the work of artists from around the world and attracting families and connoisseurs alike.

The collection contains a variety of material including correspondence, newspaper clippings, publications, press releases, administrative files, photographs, ephemera and posters from the Coconut Grove Art Festival 1963 to 2012.

This collection contains promotional materials, club guidelines, news clippings relating to Students Toward a New Democracy, and newspapers with articles relevant to Overtown and labor campaigns.

The School of Music, Lucas Drew collection contains a varied selection of programs, news clippings, schedules, brochures, newsletters, and other miscellaneous papers, mainly from the University of Miami's Frost School of Music.

This collection consists of the papers of Althea “Gerry” Lister from 1935 to 1997. It contains: biographical information pertaining to Lister’s 45 year career at Pan American World Airways; “Along Air Avenues,” an unpublished manuscript that provides a detailed account of Pan Am’s maintenance and safety operations; a list of survey and inaugural flights created by Lister; a list of McCoy print purchasers and prices created by Lister; and a chronology of Pan Am’s aircraft fleet created by Lister. The papers include certificates, correspondence, photographs, and press clippings.

"An archive containing material around the 1980s all-girl "punk-polka" band, Das Furlines, from New York. The lineup included Wendy Wild, Liz Luv, Holly Hemlock, Deb O'Nair (also of the Fuzztones), and Rachel Amodeo. Dubbed as an 'all-female quintet from N.Y.C. that derives their sound from a frothy blend of polka, bohemia, psychedelia, and dementia.' They released their debut album, Das Furlines Go Hog Wild, in 1985 on their own label, Palooka Records. During this time, they were also featured on Entertainment tonight and Andy Warhol's 15 Minutes.

Das Furlines garnered a reputation for sexually charged shows and their second album, The Angry Years, released in 1988 was 'an erotic concept album inspired by the self-help book Women Who Love Too Much.' They claimed to be 'healthier than slam dancing, sexier than a surf party, quicker than Schopenhauer.' The archive features professional photo shoot contact sheet and four 8"x10"  prints showing the women of the band posed presumably for cover art and publicity images. One of these photos has women posing with Frank Zappa. A smaller 5"x7" photo shows a close up of an androgynous woman in sunglasses singing. Also included is a zine entitiled "Das Furlines Cookbook" and includes "Das Furlines Data Sheers" with information about each member as well as recipes for the food and drink that each woman liked. One of the flyers advertises a Das Furlines show at the legendart punk venue, CBGBs, where they played alongside Vernon Reid's Living Colour, Rod & Cones, and the Wild Stares. In an article featured on a flyer maquette Wild says 'most of the time we wear these elaborate headdresses that we made with Viking horns on them, of a bunch of snakes like a Medusa crown, so we have our arts and crafts side to the band. And we wear a lot of fur and frilly Alpine beerhall maid type of things, like braids in our hair and that.' She continues, 'it's a real yuk 'em up kind of show, you know, like drinking down steins of beer and polkaing onstage. It's really flipped-out garage polka music... the grandparents will love it, the kids will scream, and the teens will go berserk.' The band disbanded in 1988 but reunited in 1996 as a benefit for Wendy Wild's medical bills during her battle with breast cancer which she ultimately lost later that year." -Between the Covers Rare Books

This collection documents the works of noted Haitian Vodou priest, healer, educator, and performance artist of “electro-Vodou music,” Erol Josué. He has spent much of his career passionately practicing the Vodou religion and advocating to keep it alive through his performance art and by lobbying against government restrictions on religious practice. Items in the collection specifically focus on Josué's work as a healer and performance artist. It includes newsclippings and ephemera related to his performances, which feature Vodou and his Haitian cultural heritage as prevailing themes.

His full oral history, as part of the Haitian diaspora oral history collection, can be accessed from this page (see: Related archival materials note).

The papers document activities of Dr. Ricardo Bofill Pagés in capacity of the President of Cuban Committee for Human Rights.  The materials include papers written about Bofill's work, clippings of Bofill's writings about human rights and reports.

This collection features an array of scrapbooks, many of which are homemade, from the 19th and 20th centuries. Subjects covered in these scrapbooks include fashion, advertising, history, Robert Louis Stevenson, Pat Cannon's congressional run, garden clubs, cruises, and more. These scrapbooks are comprised of portraits, photographs, postcards, newspaper clippings, programs, brochures, maps, drawings, telegrams, and more. Some of the creators are unknowns or names without renown, but these scrapbooks highlight their personal tastes and interests, offering some unique insight into their lives.

The Humberto Piñera Llera papers contains the personal papers of Humberto Piñera Llera, Cuban philosopher, essayist, literary critic and educator. Documents in the collection include correspondence, manuscripts of articles written by Piñera for Diario de las Américasand other periodicals, along with newspaper and magazine clippings of articles on literature, philosophy and Cuba. The collection also contains manuscripts of his conference speeches, class lectures and syllabi and outlines of courses taught by him from 1961 to 1986. The working papers for two of his major works, Idea, sentimiento y sendibilidad de José Martíand Sastre y su idea de la libertad, can be found in the collection, along with original manuscripts of books authored by others. A section of the collection houses papers relating to Piñera’s brother, playright Virgilio Piñera Llera (1912-1979). A series of diplomas, commendations and certificates of merit awarded to Humberto Piñera round out the collection.

The papers document activities of Cuban president Fulgencio Batista Zaldivar and his son Fulgencio Rubén Batista. The papers include records and rosters of Batista Zaldivar's army, speeches given by president Batista, and letters from Batista Zaldivar to his son and to other correspondents. Batista Zaldivar founded the Institutos Cívico-Militares in Cuba and the collection includes many accounts of rural military school teachers and their experiences.

The records also include speeches, programs, invitations, and photographs from the "10 de marzo" and the "4 de septiembre" annual celebrations. Included are also articles, poems, clippings, and publications about Batista Zaldivar's resignation, exile, death, and funeral. The materials also include Fulgencio Rubén Batista's funeral memorial programs and clippings and articles and letters of interest to F. Rubén Batista.