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The Joseph Spencer Kennard Papers includes correspondence, a scrapbook, and the manuscript of A Literary History of the Italian People (1940) by Joseph Spencer Kennard (1859-1944), author of several books about Italian literature and theater.

The papers of Erl Roman, well known sport fisherman and skilled writer and publicist, provide information about the sport of angling and about the University of Miami's early years. The records, dated 1935-64, are divided into four series. SERIES I: CORRESPONDENCE and SERIES IV: SCRAP BOOKS, document Roman's fishing career as well as laws and events influencing the sport. SERIES II: TOPICAL FILES relate to fishing and to Roman's involvement with the University of Miami. SERIES III: PRESS RELEASES contains the press releases issued by Roman for the University of Miami Office of Public Information.

Drawings, watercolors, sketchbooks, photographs, personal papers, scrapbooks

The American Association of University Women records contains the records of the Florida Division from the years 1928 to 1991, in the form of minutes, reports, correspondence, press releases, charters, scrapbooks, and other documentation.

The Theodore Spicer-Simson Collection contains the Spicer-Simson medallions as well as photographs, correspondence, typescripts and other related material.

The bulk of the collection consists of the Spicer-Simson medallions. These are portrait medallions cast in bronze of major world and literary figures from Spicer-Simson's lifetime. All of these were sculpted from life. Notable among these are David Fairchild, Padraic Colum, Henry Ford, Sir Ernest Rutherford, Sherwood Anderson, Theodore Dreiser, Franklin Delano Roosevelt, and other important figures in addition to person friends and family members of Spicer-Simson.

The collection contains many other examples of Spicer-Simson medals in the form of medals, awards, and sculptings that Spicer-Simson created. Included in these are medals sculpted for the National Academy of Sciences, Princeton University, the Guggenheim Foundation, and the U.S. Congress. The collection also contains clay and plaster molds of medallions, including some small pieces of sculpture. In addition to all his sculpture and medallions, the collection contains examples of Spicer-Simson's other artwork in the form of sketches, drawings, and bookplates.

Spicer-Simson's autobiography, A Collector of Characters is held in the collection, along with the typescripts of the book. The collection's correspondence includes correspondence from Hervey Allen, Padraic Colum, H.L. Mencken, Eleanor Roosevelt, Sir Ernest Rutherford, and Marjory Stoneman Douglas. The photographs include mostly photographs of medallions and sculpture, including some not in the collection, but also contain many photos of Spicer-Simson's subjects, some of these mounted and autographed.

The Leila Míccolis Brazilian Alternative Press Collection consists primarily of political and countercultural pamphlets and periodicals, concrete poetry, neo-concrete poetry and other vanguard/avant-garde artistic experimentation, fanzines, film reviews, university publications, theater, and musical pieces.

As opposed to the commercial and widely-circulated press of "official" Brazilian governmental venues, the publications contained in the collection especially treat stigmatized or marginalized groups, such as Afro-Brazilians, women, sexual minorities. It accomplishes this goal by utilizing various mediums including literary pieces, editorial cartoons, political comics, sociopolitical critiques of "Brazilianness," humor, and the promotion of ecological and environmental awareness. The collection also contains a large variety of materials from the 1970s Marginália movement, a term used to describe a series of underground publications which circulated during the military dictatorship.

The collection was painstakingly accumulated over the course of forty-five years by Míccolis who decided to place the archive in a North American university so as to assure the preservation of the collection, as well as to prevent its censorship.

This collection contains periodicals, memorabilia, correspondence, ephemera, promotional materials, event programs, booklets, reports, photographs, scrapbooks, music sheets, realia, vinyl records, and other materials documenting South Florida history. Most of the materials pertain in particular to Miami Beach and notable figures to its history, such as Hy Gardner, Paul M. Bruun, Albert Pick, and former Miami Beach mayors Kenneth Oka and Herbert Frink. The collection also features photographs and materials from past beauty pageants held in Miami Beach.

Collection consists of incoming and outgoing handwritten and typed correspondence (original and copies) with artists and other personalities, as well as, a scrapbook with newspaper clippings about Elio Beltran's artistic career, and a CD with a selection of oil paintings by Elio Beltran.

“In his adopted home of South Florida he imaged a cuisine that would wed the raw and rustic powers of the diverse immigrant cultures that comprise the population there to the classic techniques of gastronomy that have survived the test of time and trends. The revolution for a new style of cooking was born and Norman christened it a 'New World Cuisine.'” - Norman Van Aken, Correspondence, 1993 December 2.

A 2016 MenuMasters Hall of Fame Inductee, noted restauranteur, and the first chef to use the term "fusion cuisine" in its modern definition, Norman Van Aken (1951- ) is a celebrity chef primarily known for his "New World" fusion cuisine. Drawing from the flavors and culinary traditions of Latin America, the Caribbean, North America, Asia, and Africa, his impact on the culinary arts has been internationally recognized since the start of his career. His culinary influences on Florida's own local cuisine and restaurant culture are still observable to this day, especially to those who dine nightly at his Orlando restaurant.

This collection serves as a meaningful look into his career as a chef and culinary expert, and his personal life as a man with a deep interest in his family's past and present. The Norman Van Aken papers include documents, correspondence, photographs, manuscript drafts, menus, ephemera, recipes, and more, which showcase the personal life and professional career of one of South Florida's most celebrated chefs. Researchers with an interest in gastronomy, the history of South Florida's restaurant and food culture during the 1990s-2000s, or interpersonal relationships between celebrity chefs, may find this collection useful in their studies.

Originally conceived and organized in 1925, the Coral Gables Garden Club has served the local city of Coral Gables in its planning by helping create and nurture its many gardens and beautiful landscapes. The club was founded by Eunice Peacock Merrick and Althea Merrick out of a shared love of horticulture and has grown considerably since then and maintained their commitment to civic improvement through gardening. Today, the club is composed of 150 community members who actively contribute to Coral Gables' local institutions and businesses, including providing scholarships and educational programs, as well as assisting youth-oriented gardening clubs.

Their records contain scrapbooks, meeting minutes, president papers, yearbooks, guestbooks, photographs, programs, pamphlets, news clippings, awards, ephemera, administrative documents, and other archival materials, all pertaining to the club and its various events and initiatives over the years.

The Edgar Hay Papers contain articles, short stories and other writings, correspondence, photographs and scrapbooks with clippings of the column "Show Folks" which he wrote for the Miami Herald.

This collection currently contains several exhibit catalogs, mainly from the Sofía Ímber Contemporary Art Museum of Caracas (Museo de Arte Contemporáneo de Caracas Sofía Ímber), DVDs featuring interviews with Sofía Ímber and covering famous Venezuelan and international artists, politicians, and writers, CD-Rs, a collection of fliers from local photography exhibitions in Coral Gables, newspaper clippings of articles either about or by Sofía Ímber or Guillermo Meneses, oversized exhibit posters, and digital correspondence and photographs stored in external hard-drives.

There will be further ongoing accruals to this collection.