Contains one phonograph of Eisenhower presidential campaign spots and newspaper clippings regarding World War II.

The Daughters of the American Revolution (D.A.R.) Coral Gables Chapter Records consists of scrapbooks, correspondence, photographs, clippings, awards, certificates, yearbooks, periodicals, and other documents pertaining to the chapter, ranging from 1926 to 2000. The scrapbooks document the affairs and activities of the chapter primarily by means of photographs and clippings, but often a contextual or historical narrative is added as well. A few materials, largely yearbooks of other chapters or conference proceedings, not specifically from the Coral Gables chapter are also included.

The Dorothy E. Mills Flight Attendant papers contains materials related to her tenure as a stewardess of the Latin American Division and later chief stewardess of the Atlantic Division for the Pan American World Airways in the 1940s. Held in the collection are the following items:

Four letters by Mills to William Brown, Head of Special Collections in 1997, discussing the materials donated to the collection and her history with the Pan American World Airways.

An acceptance letter, an award letter (written and signed by founder Juan Trippe), and a resignation letter from Pan American World Airways.

23 8" x 10" photographs of Pan American World Airways flight attendants, with accompanying descriptions.

A scrapbook of clippings, photographs, and other materials by Mills about her life as a Pan American World Airways flight attendant

Two issues (including two duplicates) of Clipper Magazine, both containing articles about Mills.

Six newspaper clippings about Pan American World Airways.

The Michael L. Carlebach photography collection consists primarily of black and white photographic prints taken and personally hand developed by Professor Michael L. Carlebach.  In general, the images are thematically grouped around journalistic pieces published in newspapers, or artistic topics such as portraits and landscapes. The collection also includes pieces shown in various exhibits as well as photographs made for special assignments like the George McGovern 1972 presidential campaign and the exclusive insider’s look at the Krome Avenue Detention Center for refugees in South Florida. Another highlight of the collection includes photographs dealing with the medical profession, especially children in hospital settings. In addition to photographing using 35mm black and white film, Carlebach shot color slides, vividly portraying the flora and fauna of the Everglades, historic structures such as Vizcaya Museum and Gardens, and news stories dealing with the environment. The entire collection consists of over 5,000 silver prints, color slides, and publications. Currently over 2,000 items are digitized and made available online.

Ofelia González was an actress performing in theatre, mostly in Havana's Palacio de Bellas Artes and New York's Repertorio Español.  She also acted in film and TV. The materials document her acting career especially her portrayals of Bernarda in The House of Bernarda Alba in New York, Nurse in Romeo and Juliet in New York, Serafina in The Rose Tattoo in Havana, Medea in Medea in New York, Amanda in The Glass Menagerie in New York, Celestina in Celestina in New York, Clara in The Visit in New York and Mother in The Guns of Mother Carrar in Havana. 

The bulk of the material consists of photographs from performances and newspaper clippings with reviews of performances.  The papers also include correspondence and memorabilia.

The Helen S. Sternfels Papers contains the following items:

A number of turn of the century programs and playbills from New York playhouses such as 14th Street Theatre, Academy of Music, American Theatre, Broadway Theatre, Criterion Theatre, Grand Opera House, Harlem Opera House, Manhattan Opera House, Manhattan Theatre, and others.

A series of issues from the Puck and Judge humor and satire magazines, from the late 19th century.

Several souvenir books and song books.

An issue of the New York Times Jubilee Number, September 18, 1901, an issue of the New York Daily Times, September 18, 1851, a souvenir issue of The World Paper, 1903, celebrating the construction of the Williamsburg Bridge, and an issue of Harper's Weekly Journal of Civilization, April 2, 1864, an April Fool's issue on the Civil War with cartoons by Thomas Nast .

Joaquín Roy is Jean Monnet Professor of European Integration at the University of Miami and Co-Director of the European Union Center of Excellence, Miami. The collection consists of personal materials and documents from organizations or programs in which Dr. Roy was personally involved.

Series I contains typescripts, books, and publications from the Letras de Oro program organized by the North-South Center at the University of Miami. This program awarded prizes and published novels, poetry, theater plays, essays, and literary criticism in the Spanish language.

Series II contains newspapers, periodicals, brochures, pamphlets, publications, reports, letters, clippings from the Florida Catalan Society.

Series III contains personal materials from Dr. Joaquín Roy, including typescripts and manuscripts, lecture notes, periodicals, letters, clippings, bibliographies, and other materials. Included among the typescripts are ones for Julio Cortázar Ante Su Sociedad, ALA : Periodismo y Literatura, and Lecturas De Prensa.

The Thomas G. Ennis collection contains 41 letters written to George Thompson from 1834 to 1838, largely concerned with business matters pertaining to iron forges; a 1929 Pennsylvania court record for John Kiner, sentenced for horse theft; a 1828 copy of appropriation for state penitentiary, Philadephia; several 19th century almanacs; and a number of 19th century newspapers, including one replica of the Saturday April 15, 1865 issue of the New York Herald, the day Abraham Lincoln's assassination was announced.

This collection contains materials either created by or related to the University of Miami Student Publications Board. Materials include memos, minutes, training documents, newspapers, and policies and procedures manuals.

FAULTY PRODUCTS 1978-80. Small archive of official records from the Independent Label, "Faulty Products." Various concert fliers, correspondence between owners of the record company, and newspaper articles from different sources on the bands signed by the label. This label was established by Miles Copeland initially to distribute a welter of new musical talent that emerged in 1977, in the period of "punk rock," via its three in-house record labels, Illegal Records, Step Forward Records, and Deptford Fun City Records.

Conceived in 1932 by the original Orange Bowl Committee, the Orange Bowl was created as a popular tourism attraction for the New Year's Festival in Miami that would attract national publicity and bring more businesses and money to South Florida. This venture proved successful as the Orange Bowl celebration grew in both size and popularity, becoming a national extravaganza with their lavish parades, annual football games, and beauty pageants, all in an effort to create the "world's greatest half-time spectacle."

The first football game ever put on by the committee was in 1932 between the University of Miami Hurricanes and Manhattan College from New York City in what was then called the Festival of Palms Bowl. In 1935, the festival was renamed as the Orange Bowl and started featuring college football teams to participate based on their national rankings rather than offering a guaranteed position, and it was recognized by the NCAA as the first "official" Orange Bowl. The Orange Bowl stadium was created in 1937 to accommodate the game as well as the Miami Dolphins home games and several Super Bowls up until it was demolished in 2008, but it gained a prolific reputation as a local attraction during its lifespan in south Florida.

The Orange Bowl Records contains documents, financial and administrative files, scrapbooks, photographs, ephemera, pamphlets, newsclippings, audiovisual material, and 3D objects pertaining to the Orange Bowl Committee and their archives.

The William Calhoun “Bill” Baggs Papers includes thirty-one boxes of correspondence, memoranda, clippings, photographs, diaries and other materials relating to the professional career of Baggs, a newspaper journalist, editor, and political commentator from the 1940s until his death in 1969. As a columnist and editor for the Miami Daily News, Baggs developed relationships with many prominent figures. The Baggs Papers, arranged in six series, totals thirteen cubic feet of materials. In addition to incoming correspondence, the files include hundreds of carbon copies of outgoing correspondence from Baggs to a variety of local, regional, state, national, and international politicians, journalists, and others.

The Thomas de Valcourt and Michael Lerner collection contains materials concerning 19th century New England poets and authors, most prominently Henry Wadsworth Longfellow, but also Henry David Thoreau, Washington Irving, Oliver Wendell Holmes, Ralph Waldo Emerson, Nathaniel Hawthorne, Walt Whitman, and minor figures. Much of the materials - which predominantly consists of prints, photographs, clippings, photocopies, newspapers, periodicals, postcards, reprints, poetry, and other formats - concerns their famous New England homes and their families' homes, and other literary landmarks in the vicinity. Most of the materials date from the late 19th and early 20th century.

Also included are a scrapbook of clippings of poetry, a 1962 plaster cast bust of Henry David Thoreau by Melvina Hoffman, an 1864 ceramic bust of Henry Wadsworth Longfellow by M. Milmore, two paperweights with depictions of the Longfellow house, a brick noted as "being used by Thoreau when adding to the family house on Virginia Road in Concord," and one copper ashtray.

The Cesare Emiliani Papers contains Dr. Emiliani's documents from his time spent at the University of Miami Rosenstiel School of Marine and Atmospheric Sciences, from 1957 until his retirement in 1993. The documents consists of correspondence, memorandums, reports, proposals, typescripts, periodicals, photocopies, minutes, newspapers, and a scrapbook of photographs.

Dr. Granville Fisher was the head of the Psychology department at the University of Miami, and an independent artist. He founded the Granville Galleries on Ponce de Leon and Bird Road in 1959. The Granville Fisher Collection contains materials documenting his work as a psychologist and as an artist. The collection holds two scrapbooks as well as periodicals, pamphlets, programs, certificates, awards, letters, postcards, photographs, negatives, clippings, and one illustration with poetry dedicated to his son.