Affichage de 82 résultats

This collection contains manuscripts, poems, journals, printouts from online chapbooks and collaborations, reviews, clippings, promotional posters and fliers, audiovisual materials, and other writings by the well-renowned and award-winning poet and writer Michael Hettich (1953-).

This collection contains manuscripts, drafts, notes, poems, short stories, translations, and unpublished works by the award-winning Guatemalan author and translator, David Unger (1950-). Also featured within the collection are his correspondence (both personal and work-related), photographs, his education files from elementary school to university, book contracts, book reviews, article clippings, and artwork and prints by the artist, Walter Mosley.

The Aldemaro Romero Archive is comprised of the artistic and intellectual production of the Venezuelan composer from 1945 to his death in 2007. His collection is divided in two sections: concert and popular music. Aldemaro Romero's concert collection is made of one hundred original manuscripts and copies of scores with works for symphonic orchestra, chorus and orchestra, solo concerts for wind and string instruments with orchestra, and chamber music. The popular music collection contains 126 songs and 31 instrumental works (vol. 1 and vol. 20), manuscripts and copies of the lead sheets and/or lyrics and recordings.

This collection contains typed manuscripts, drafts, poems, periodicals, publications, correspondence, news clippings, photographs, slides, negatives, VHS tapes, audiocassette tapes, CDs and other archival materials from the local South Floridian poet, Jeffrey Knapp (1949-2011). Also included in the collection are photographs and research materials on the South Floridian artist, Betti Bernay (also known as Betty Godlfarb; 1926-2010).

This collection contains a collection of writings and research from local historian, playwright, director, and teacher, Sandra Riley, and poet, teacher, and musician, Peggy C. Hall. The materials currently include manuscripts, research notes, journals, interviews, drafts, playscripts, ephemera, poetry, and other materials pertaining to their life's work and writings.

A local poet who grew up in Manhattan and resided in Miami Beach, Florida for the latter years of her life, Judith Anne Berke (Sep 9, 1931 - Jul 24, 2013) wrote and published several works that embody the spirit of Florida, its unique history and its people. She attended Smith College in her youth and began writing when she was 49 years of age then published her first book in 1989. Outside of writing, she studied painting at l'Academie de la Grande Chaumiere in Paris and was a skilled sculptor. She also studied acting, designed puppets, and sang in the Opera Guild of Greater Miami, demonstrating a huge breadth of talent that spanned many disciplines.

Her papers include her manuscripts, drafts, and poems either in notebooks or in typescripts. Also included are some of her scrapbooks and a sculpted bust.

Dr. Josephine Johnson is Professor Emeritus of the University of Miami School of Communication, former Chair of the Department of Communications, and alumna of the University. Her scholarship extends from W. B. Yeats to post-modern British poets. She is a recognized solo performer throughout the country.

Josephine Johnson's papers contains documents pertaining to her work in organizing a number of poetry events in the Miami area, including the Richter Library Poetry Series and poetry recitals in Beaumont Hall presented by the University of Miami Chamber Theatre, as well as personal research materials.

The collection contains videocassettes, DVDs, film reels, clippings, letters, reports, certificates, sheet music, photos, programs, manuscripts.

The Laurence Donovan Papers include correspondence, poetry, artwork, book reviews, writings, subject files, and other documents concerning the life and career of Laurence Donovan, an English professor at the University of Miami.

The correspondence dates from 1945-2001, and includes letters from Donovan’s family, friends, and professional associates. It provides insight into Donovan’s personal life, in addition to documenting his writing, artwork, and teaching. Most of the letters are incoming, but the series does contain some outgoing letters.

The collection also contains poetry, artwork, and writings by Donovan. The poetry includes typescripts and published poems. The typescripts are undated, and some have handwritten revisions. The artwork includes a small selection of Donovan’s published illustrations. The writings include typescripts and photocopies of book reviews that Donovan wrote for the Miami Herald, as well as papers and other materials.

The subject files include materials related to Donovan’s teaching and work at the University of Miami, as well as his poetry and artwork. Also included are articles and other materials about literary figures and works; programs and flyers for exhibitions, readings, shows, and other events; and writings and other materials by and about his friends and colleagues.

The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.

Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.

A large part of the collection consists of photocopies of news articles.

Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."

Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."

The Hurricane Andrew collection contains two different series of materials regarding the 1992 hurricane.

Series I consists of photographs, writings, and artwork made by children representing their Hurricane Andrew experience. The majority of the materials are photographs, negatives, prints, photographic slides, writings about those photographs, and administrative documents from a project done at Southwood Middle School titled "The Eye of the Storm through the Eye of the Child." Administered and organized by Colette Stemple, a photography teacher at the school, the photographs depict damage done to their homes and their neighborhoods, and have accompanying text written by the children as well. The project was eventually on display in the Miami Art Museum one year after the landfall of Andrew, under the same name. Also included are drawings, poems, a bound volume titled "Hands On: The Day the Winds Came... Migrant Children Write About the Effects of Hurricane Andrew," reflections written by Caribbean Elementary School students, and a folder scrapbook on Hurricane Andrew's effects titled "In the Wake of Andrew."

Series II contains historic Miami Herald newspapers chronicling the Hurricane's impending landfall in South Florida, the actual landfall, and several weeks of the aftermath.

This collection contains correspondence, manuscript drafts, notebooks, drawings, sketchbooks, photographs, planners, journals, college notebooks, and other ephemera from Gloria Grasmuck's notable life and career as an artist, writer, and translator.

Manuscripts, typescripts, galley proofs, research files, books, and correspondence related to the literary career of Les Standiford.

The James F. O'Boyle Papers contains two manuscripts, one titled "The Coke Twins" and dated 1985, and other titled "Black Night, Black Dawn" and dated 1995.

This collection brings together a variety of historical documents that are topically related to Latin America, including manuscripts, correspondence, and illustrations. The documents range from 1420 to 1994 in date, and originate from Mexico, New Granada, Panama, Peru, Colombia, Ecuador, and other parts of Latin America.

Jesse Wooley was a professional photographer from New York who visited Florida in 1896. Wooley used his trip to create a stereopticon or lantern-slide lecture about Florida. Several of these lantern slides were colored.

The Eugene Provenzo Collection contains a manuscript by Provenzo and William E. Brown titled "From Ice to Snow to Flowers and Fruit: Jesse Wooley's 1896 Tour of Florida." The manuscript by Provenzo and Brown aimed to reproduce this lantern-slide lecture with the original lecture notes, as well as to provide a historical analysis of lantern slide lectures and a biographical essay on Jesse Wooley. The collection also contains correspondence regarding the manuscript, duplicate pages of the manuscript, research documents and notebooks, photographs and photographic slides taken of the surviving lantern slides, clippings, articles, and other documents.

The Isaac Bashevis Singer Collection consists predominantly of correspondence written to Singer during the years 1978 to 1982. The correspondence is divided topically into the following categories: agent correspondence, autograph and photograph requests, fan mail, financial papers, Hebrew and Yiddish correspondence, legal affairs, miscellaneous, "new writer" requests (letters from authors asking Singer to read their work), personal, protocol, publicity, publisher and producer correspondence, requests for information, requests for money, and requests for interviews or speaking engagements.

Also included are manuscripts by Singer, periodicals, brochures, photocopies, and clippings with content from or about Singer, and writings by other authors.

The Daniel O. Graham papers contains a variety of materials from Graham's military career and his work in United States intelligence and defense. Included are Westmoreland vs. CBS trial papers, documents on Arlington politics, a series of drafts about Project High Frontier, materials on Soviet-American relations, materials on the Strategic Defense Initiative and the CIA, personal and official correspondence, press clippings and newspapers, manuscripts, articles, essays, awards, and other materials.