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The 2013 Miami Beach election collection contains ephemera relating to the many candidates who ran for mayor or city commissioner in the 2013 Miami Beach election. Major issues of the campaigns included the proposed redevelopment of the Miami Beach Convention Center, ongoing flooding issues on the island, as well as more general issues such as corruption and traffic. The collection also includes ephemera relating to a bond referendum for the Jackson Health System, a charter amendment regarding the redevelopment of the Miami Beach Convention Center, sample ballots, and newspaper articles.

The journal of Aaron Thomas is a 374 page leather-bound volume containing approximately 367 pages of handwritten material. The journal begins on June 15, 1798 and concludes on October 26, 1799, and chronicles the experiences and adventures of a British seaman serving in the Royal Navy aboard HMS Lapwing in the West Indies during the French Revolutionary wars. The journal contains insightful, first-hand accounts of naval operations, customs of the day, and humorous, detailed anecdotes involving shipmates and superiors. Thomas, who joined the navy in 1793, includes entries regarding the health and punishment of the men aboard ship, as well as his personal views on slavery, religion, and morality. With the exception of the final three pages, all entries are written in Thomas's hand.

Abraham H. Goodman was the Chief Designer at W.S. Tyler Co., and specialized in ornamental bronze work, which was featured in several buildings all around the United States, including Cleveland's Terminal Tower. He was noted for his unique and lavish elevator fronts, many of the designs of which are included in this collection. Also included are photographs, correspondence, memos, records, illustrations, and other graphic materials and 3D objects, created and collected by both him and his granddaughter, Amy Goodhart.

The Abraham Schwaczkin collection consists primarily of Jewish cantorial sheet music and lyrics.

Also included are a birth certificate and marriage certificates of Schwaczkin, a 1953 copy of the B'nai B'rith messenger newspaper, a catalog, several yearbooks from Jewish congregations, a photograph, and a series of letters between Schwaczkin and a Mrs. Morrison from 1940.

This collection contains several pamphlets that address socio-political issues among the Africana communities and focus on a range of topics that have affected the community, such as desegregation, discrimination, poor education, social and political injustice, the concepts of black nationalism and black socialism, Marxism, and the Civil Rights Movement. Notable pamphlet authors include George Bretiman, Kelly Miller, Margaret Price, Carey McWilliams, Tony Bogues, C.L.R. James, George Novack, and Langston Hughes.

The Alan Crockwell Collection contains a variety of materials from different sources that document the history of Miami, Coconut Grove, Coral Gables, and greater Miami-Dade County. Much of the content is related to Ralph Middleton Munroe and his family. Topically, the papers also address criminal history in Miami-Dade County, historic buildings in Coconut Grove including the Barnacle and the Coconut Grove Library, the history of the University of Miami, and the early settling of Miami-Dade County. The dates of items range from 1873 into the 1970s.

Albert R. Veri was a Florida environmental planner and designer, and associate director of the Division of Applied Ecology of the Center for Urban Studies at the University of Miami. The Albert Veri papers consists of documents pertaining to these affairs and others, in the form of correspondence, memorandums, minutes, bibliographies, essays, maps, notebooks, notes, periodicals, photocopies, and typescripts.

A collection of 47 black and white prints (17 x 11 in.) of Alberto Sisso's photography. Notable prints include scenes around Venezuela, and prints from the following photo projects, "Metamorphosis," "Being There," and "Nuevos Espacios." Descriptions by Alberto Sisso for each photo project represented in this collection can be found below:

"Metamorphosis"

"The pictures on this series depict a group of artists getting ready for a play about the legacy of Florence Foster Jenkins. Ms. Jenkins was many things, but overall, she represents the freedom to be who you are. Although, she was the recipient of some of the silliest music criticism of all time; she became an icon for standing your ground regardless of what others might think.

These images take this message a step further by challenging traditional gender roles and emphasizing the universal themes of Jenkins' story. By casting men in the role of Jenkins, the images showcase the power of individual expression and the freedom to be oneself, regardless of gender identity or societal expectations. Men dressing as women in Latin America in the 1970s was not visible or accepted. These scenes were linked to an underground movement that supported the LGBTQ+ communities, and that often met with stigma and discrimination.

In Metamorphosis, I thrived to expose the deep melancholy of the moment, as well as the enduring love for the magnificent theatrical gesture. I looked for images that capture the bond between the artist and the person's essence. The looser frame allowed me to create compositions that transcended the image from its ordinary status into something unique. With each take I was hoping to deliver a particular emotion, kind of a blend of something classic with an everlasting experience. A way in which we can all see ourselves echoed in, not as a cliché nostalgic approach, but more in a reflective manner.

Depicted in these photographs are:

• Manuel Carvajal: stylist and make-up artist.
• Isabel Palacios: well-known mezzosoprano and director of several choruses.
• Francisco “Pancho” Salazar: director, musician.
• Alfredo Silva: poet.
• Jose “Cheo” Vaisman: pianist, director of Teatro Teresa Carreño."

"Nuevos Espacios"

"In the 1980s, the art scene in Caracas was booming, and the Contemporary Art Museum was at the forefront of the movement. Led by her director, Sofia Imber, the museum embarked on a much-needed expansion project, named Los Nuevos Espacios, which would go on to become an iconic institution in the city.

Imber was a trailblazer in the art world of Venezuela, and her dedication to promoting and supporting Venezuelan artists was evident throughout her career. Under her leadership, the Contemporary Art Museum became a hub for the country's avant-garde art scene, showcasing the works of both established and up-and-coming artists.

I had the privilege to document the night of the inauguration of Los Nuevos Espacios. It was a momentous occasion, and one that would go down in history. The walls of the museum were filled with the work of some of the most prominent artists of the time, including Alejandro Otero, Jesús Soto, and Carlos Cruz-Diez; and its corridors where packed with the best of the Venezuelan society. Representatives from the artistic milieu, politicians, entrepreneurs, and mainly art supporters and art lovers were present to bear witness of the making of the country’s modern history (the captions on each image list the names of some of the personalities in attendance).

Imber, beaming with pride, took the podium to give a speech, expressing her gratitude to everyone who had made the project a reality. For her, the expansion of the museum was more than just a physical transformation. It was a symbol of the evolution of Venezuelan society and the country's commitment to promoting and celebrating its cultural heritage. The museum was a testament to Imber's lifelong dedication to the arts and her unwavering belief in the power of creativity to transform communities. Imber's legacy continues to inspire and influence the arts in Venezuela, it lives on through the museum and the countless artists whose careers she helped launch. Sofía Imber was a visionary and true champion of the arts.

This series stand tall as a testament of the cultural memory of Venezuela, reminding future generations of the impact that Nuevos Espacios and Imber had on the art world."

"Being There"

"Jerzy Kosiński was a Polish-American writer who was known for his novels, including "Being There" and "The Painted Bird." In the 1980s, he was invited to Venezuela by the Diego Cisneros organization to participate in a cultural exchange program. As part of this program, Kosiński visited the Museo de Arte Contemporáneo in Caracas, which is one of the most important museums of contemporary art in Latin America, a must see stop and a city pride for all Venezuelans.

Kosiński's visit to Venezuela was part of a larger effort by the Diego Cisneros organization to promote cultural exchange between Venezuela and the United States. His visit to the Museo de Arte Contemporáneo was a significant cultural event, and it helped to strengthen the ties between the two countries in the realm of the arts. This series documents that visit."

The Aldemaro Romero Archive is comprised of the artistic and intellectual production of the Venezuelan composer from 1945 to his death in 2007. His collection is divided in two sections: concert and popular music. Aldemaro Romero's concert collection is made of one hundred original manuscripts and copies of scores with works for symphonic orchestra, chorus and orchestra, solo concerts for wind and string instruments with orchestra, and chamber music. The popular music collection contains 126 songs and 31 instrumental works (vol. 1 and vol. 20), manuscripts and copies of the lead sheets and/or lyrics and recordings.

Alfred Reed was a composer and conductor who later became a professor and music director at the University of Miami. The Alfred Reed Papers contains condensed scores, full scores, conductor and scores of J. S. Bach's music, all by Alfred Reed. Also included is an autographed score by Brazilian composer Hector Villa-Lobos.

Allison B. Curry, Jr. served as Director of Public Service for Coral Gables from 1934 to 1939. Between 1939 to 1942 he was promoted to city manager. In 1942 he left to hold this same post for the city of Miami. From 1946 to the end of his career he was Director of the Dade County Port Authority as well as of the Miami International Airport.

The Allison B. Curry collection contains diplomas, photographs, a brochure on the metric system, two metric rulers (one in a leather sleeve with his name in ink), metric converters, a lighter with his initials engraved and a case, and a cartoon of Curry signed by city employees.

This collection consists of the papers of Althea “Gerry” Lister from 1935 to 1997. It contains: biographical information pertaining to Lister’s 45 year career at Pan American World Airways; “Along Air Avenues,” an unpublished manuscript that provides a detailed account of Pan Am’s maintenance and safety operations; a list of survey and inaugural flights created by Lister; a list of McCoy print purchasers and prices created by Lister; and a chronology of Pan Am’s aircraft fleet created by Lister. The papers include certificates, correspondence, photographs, and press clippings.

The Alvan Stewart diary contains approximately 200 handwritten pages of a diary by New York lawyer and abolitionist Alvan Stewart (1790-1849). The diary chronicles Stewart's travels from May to September 1831, including a sea voyage from New York to Liverpool, his travels through England and France, and the return voyage.

This collection contains photo albums, interviews, the McCourt family tree, clippings, notes, correspondence, manuscripts, photo albums, resumes/CVs, legal documents, and other archival documents about Sue McCourt Cobb’s career as an American Ambassador to Jamaica (2001-2005) and the former Secretary of State of Florida (2005-2007) and her climb on Mt. Everest.

Correspondence, broadsides, fact sheets, notices and publications pertaining to the advocacy work of the American Committee for the Protection of Foreign Born from 1964 to 1992. The documents reflect a concern for the rights of immigrants through letters of appeal and thanks, narratives of individual cases of deportation, invitations to rallies and educational conference on the “Bill of Rights” and the status of immigrants, permanent residents and naturalized citizens living in the United States. The organization’s literature also includes information on pertinent legislation such as the Walter-McCarran Act (no time limits on deportation and denaturalization), the Internal Security Act, the Kennedy-Feighan Bills (a time limit on deportation and denaturalization), the Nixon-Rodino Bill and the legal implications of “dragnet raids” of Latin Americans. Finally, the records from the 1970s also document the status of Mexican farm workers, issues of political refugees, and asylum rights of Haitians.