Gareth and Janet Dunleavy were historians of Irish literature and culture. The Gareth and Janet Dunleavy Collection was donated by Gareth and Janet Dunleavy in memory of Bernard Benstock, a colleague who served the University of Miami in many capacities.
The collection contains typescripts and articles by Gareth and Janet Dunleavy, as well as research materials for projects by both authors. Prominently featured are research materials on Mary Lavin, an Irish short story and novella writer who died in 1996. Of special interest among these research materials are copies of Lavin's working manuscripts, obtained by Professor Janet Dunleavy in the 1970s with the permission of Mary Lavin. Janet Dunleavy had planned a critical study of Lavin's work based on these materials, but had abandoned the idea. The collection also contains notes, letters, and other documents assembled during Gareth and Janet Dunleavy's preparation of their Douglas Hyde: A Maker of Modern Ireland (1991) and O'Connor Papers (1977).
This collection features an array of scrapbooks, many of which are homemade, from the 19th and 20th centuries. Subjects covered in these scrapbooks include fashion, advertising, history, Robert Louis Stevenson, Pat Cannon's congressional run, garden clubs, cruises, and more. These scrapbooks are comprised of portraits, photographs, postcards, newspaper clippings, programs, brochures, maps, drawings, telegrams, and more. Some of the creators are unknowns or names without renown, but these scrapbooks highlight their personal tastes and interests, offering some unique insight into their lives.
The A. Curtis Wilgus Papers document the pioneering efforts by historian and author A. Curtis Wilgus (1898-1981) in the area of Latin American studies and the emergence of "Pan Americanism." The correspondence, writings, research files, photographs and other materials also document the evolution of a trend in higher education during the 1920's and the 1970's, an increase in global awareness reflected in the introduction of "area studies" programs at many universities.
The historical blueprints and the drawings of UM buildings are important components of the University Archives. The items in the collection are identified by building name, architect, location, types of materials, and date. Materials range in date from the earliest days of the University in the 1920s to current day materials.
The Finlay B. Matheson collection includes more than 2,411 photographs; 112 maps, surveys, and architectural plans; and 13 books related to William John Matheson and his immediate family. Estate documents and other documents containing historical and biographical information pertaining to the Matheson family and their various business ventures can also be found within this collection, as well as drawings, postcards, and some of the first aerial view photographs of Key Biscayne, Coconut Grove, the Miami River, and the Florida Keys. Florida's landscape during the early 20th century is captured throughout the various albums and scrapbooks and attests to a more leisurely lifestyle before the advent of skyscrapers and multi-lane highways. Furthermore, the collection provides an in-depth glimpse into the burgeoning social life of early inhabitants who gathered at the Biscayne Bay Yacht Club.
The Louinès Louinis Haitian Dance Theatre collection contains photographs, pamphlets, programs, ephemera, audio-visual materials (VHS and DVDs), clippings, correspondence, and other archival materials documenting the history of the theater and its founder, Louinès Louinis.
This collection contains fragmentary texts and images documenting cultural expressions from the Caribbean and South America. Many of the transitory materials grouped under ephemera include posters, postcards, leaflets, tracts, special editions, programs and menus published in countries such as the Bahamas, Brazil, Cuba, Curaçao Grenada, the Dominican Republic, Haiti, Puerto Rico, and Trinidad and Tobago.
The Mildred Merrick collection consists of administrative documents, organization reports, ephemera, correspondence, postcards, travel photos, audio tapes, and other items collected by Mrs. Merrick, who was a former reference and acquisition librarian at the University of Miami Libraries.
The University of Miami celebrated its first annual Giving Day on April 8, 2019, which was a 24-hour online and social media extravaganza that brought together students, faculty, staff, alumni, and the UM community in an effort to support, celebrate, and give back to the University. This particular day was chosen because the University of Miami was officially incorporated on April 8, 1925.
The collection contains a cardboard "giving box," filled with promotional posters, flyers, postcards, and other memorabilia, such as a luggage tag, balloons, an acrylic standee, and a t-shirt.
The E. G. Barnhill Collection contains negatives of Florida homes and birds, as well as glass plate negatives of Florida scenes. The collection also contains hand-colored postcards by Barnhill depicting Florida scenes (ca. 1910s-1930s), early Florida ephemera, several biographical pages and scrapbooks put together by Barnhill with many resourceful historical clippings from the early half of the 20th century on pirates, Native Americans, archaeological exploits, early technology, and treasure hunting.
The Robert Huff collection contains exhibit catalogs, postcards, flyers, gallery guides, other ephemera documenting South Florida artists and art-related events in Miami, and materials from the Gloria Luria Gallery, the National Gallery of Sciences, the Gallery of 24, and the Miami Book Fair. The collection also includes materials documenting South Florida sculpture and sculptors, along with many items relating to the work of South-Florida artist Robert Huff and an oversized Rauschenberg Tropic cover, signed "Bob."
Dr. José Agustín Balseiro (1900-1991) was an award-winning author, poet, and scholar of Latin American Studies and Hispanic literature. He was also a professor of Hispanic Literature at the University of Miami from 1946 to 1967.
Throughout his career, Dr. Balseiro exhibited a strong interest in Latin American and Hispanic-American studies, Latin American and Spanish literature, and Puerto Rican history and literature. His papers, donated to the University of Miami, reflect all of these interests and range in date from his earliest activities as a writer in Spain to his final days working as a consultant to the University of Miami Libraries starting in 1974. Much of the content consists of correspondence, clippings, typescripts, and periodicals in which Balseiro’s writings were featured. Also included is sheet music belonging to his father, Rafael Balseiro, who was a Puerto Rican composer.
Of special note are three bronze medallions: (1) from the Instituto de Cultura Puertorriquena, commemorating el primer Centenario del Natalicio de Luiz Muñoz Rivera (the centennial of the birth of Luiz Muñoz Rivera); (2) from the Instituto de Cultura Puertorriquena, commemorating el Centenario de la Abolición de la Esclavidud in Puerto Rico (the centennial of the abolition of slavery in Puerto Rico); and (3) from the University of Panama commemorating the first 25 years of the University’s existence.
Michael J. Maxwell was an architectural consultant whose firm, Michael Maxwell Associates, Inc., consulted the city of Opa-locka in the mid-80s on appraisal and restoration matters. This culminated in a Master Plan for the Restoration of Historic Opa-Locka City Hall, and a Nomination Proposal of several historical sites in Opa-Locka to the National Register of Historic Places. These two documents, as well as the planning materials, are held in the Michael J. Maxwell collection.
The collection also contains other Opa-locka related materials. Included are 1926-1927 Opa-locka price lists, a 1953 charter, copies of the Opa-locka Times from 1926 and 1927, letters including a 1926 letter petitioning for the establishment of a Post Office at Opa-locka, a history of Opa-locka brochure and preparation materials for the brochure, and other items.
The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.
Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.
A large part of the collection consists of photocopies of news articles.
Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."
Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."
The Theodore Spicer-Simson Collection contains the Spicer-Simson medallions as well as photographs, correspondence, typescripts and other related material.
The bulk of the collection consists of the Spicer-Simson medallions. These are portrait medallions cast in bronze of major world and literary figures from Spicer-Simson's lifetime. All of these were sculpted from life. Notable among these are David Fairchild, Padraic Colum, Henry Ford, Sir Ernest Rutherford, Sherwood Anderson, Theodore Dreiser, Franklin Delano Roosevelt, and other important figures in addition to person friends and family members of Spicer-Simson.
The collection contains many other examples of Spicer-Simson medals in the form of medals, awards, and sculptings that Spicer-Simson created. Included in these are medals sculpted for the National Academy of Sciences, Princeton University, the Guggenheim Foundation, and the U.S. Congress. The collection also contains clay and plaster molds of medallions, including some small pieces of sculpture. In addition to all his sculpture and medallions, the collection contains examples of Spicer-Simson's other artwork in the form of sketches, drawings, and bookplates.
Spicer-Simson's autobiography, A Collector of Characters is held in the collection, along with the typescripts of the book. The collection's correspondence includes correspondence from Hervey Allen, Padraic Colum, H.L. Mencken, Eleanor Roosevelt, Sir Ernest Rutherford, and Marjory Stoneman Douglas. The photographs include mostly photographs of medallions and sculpture, including some not in the collection, but also contain many photos of Spicer-Simson's subjects, some of these mounted and autographed.
Samuel Hirsch was a theater professor, producer, and theorist who produced a number of plays in the Miami area. The collection consists of many photographs, clippings, programs, and correspondence of various plays that Hirsch produced from the 1940s to 1960s. The collection also contains a scrapbook with clippings, cards, and programs regarding the Musicomedy Series of theater productions directed by Hirsch, which was held in Miami in 1957. Included is an issue of the English Leaflet, Winter 1964, Vol. LXIII, No. 4 which contains an article by Samuel Hirsch titled "The Theatre of the Absurd," and an audiotape titled "Prof Samuel Hirsch, 'Some Thoughts on the Theatre of the Absurd,' the English Lunch Club, 3/14/1964."
The Aviation ephemera collection contains posters, reports, postcards, brochures, programs, pamphlets, and other ephemera from all parts of the globe relating to the subject of aviation and its vast history.
Florida has long been a prime tourist destination, with its tropical environment, natural beauty, and numerous attractions. Postcards are a colorful way to advertise the wonders of Florida and promote tourism. The Florida Postcard Collection includes postcards from throughout the state, capturing both the natural landscape and the built environment.
The Herminio Portell Vilá Papers (1901-1992) include research writings, bibliographic notes, and clippings about events in Cuba and Latin America during his exile time in the United States (1960-1992) . Materials also consist of radio transcripts, audio materials of radio programs, memorabilia and correspondence of the Cuban historian and scholar Herminio Portell Vilá. His primary research interests focused on early U.S.-Cuban relations, but his papers also include materials about those relations in the 20th century and revolutionary Cuba.
