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The journal of Aaron Thomas is a 374 page leather-bound volume containing approximately 367 pages of handwritten material. The journal begins on June 15, 1798 and concludes on October 26, 1799, and chronicles the experiences and adventures of a British seaman serving in the Royal Navy aboard HMS Lapwing in the West Indies during the French Revolutionary wars. The journal contains insightful, first-hand accounts of naval operations, customs of the day, and humorous, detailed anecdotes involving shipmates and superiors. Thomas, who joined the navy in 1793, includes entries regarding the health and punishment of the men aboard ship, as well as his personal views on slavery, religion, and morality. With the exception of the final three pages, all entries are written in Thomas's hand.

The Aldemaro Romero Archive is comprised of the artistic and intellectual production of the Venezuelan composer from 1945 to his death in 2007. His collection is divided in two sections: concert and popular music. Aldemaro Romero's concert collection is made of one hundred original manuscripts and copies of scores with works for symphonic orchestra, chorus and orchestra, solo concerts for wind and string instruments with orchestra, and chamber music. The popular music collection contains 126 songs and 31 instrumental works (vol. 1 and vol. 20), manuscripts and copies of the lead sheets and/or lyrics and recordings.

A 12 page manuscript entitled: The Bahama Island" by Capt. Basil Hall (1788-1844) of the Royal Navy.

This collection contains a manuscript written by Benito Gaudier entitled "Manual de la Pronunciación Inglesa," or Manual for English Pronunciation.

The Bertha Aldrich collection contains 2 letters and a manuscript of a book entitled " Florida Sea Shells," published by Norman S. Berg in 1936. The text offers scientific information and practical advice for the study of marine life, the identification of seashells along Florida beaches, and caring for shell collections.

An autobiographical manuscript by Burton E. Eaton regarding his experience in the Korean War entitled: "A Survivor's Guide to War."

This collection contains 26 bound and paginated 16th-century manuscripts describing contemporary conditions and military operations in the Canary Islands. It consists of a series of letters (15 items) and an assortment of other official documents (11 items). Twelve letters bear the imprimatur of King Philip II of Spain.

Primarily, the collection documents the administration of Lázaro Moreno de León, who served as governor of the islands of Tenerife and La Palma for two years (1582-1584). The last two items in the collection mark the end of Moreno de León's tenure and reference his successor, Juan Núñez de la Fuente, who served until 1589. Moreno de León appears in 18 of the items in the collection, either as subject or recipient (in the case of correspondence). However, the collection includes only one item bearing his signature: Item 18, authored by Diego de Ayala y Rojas, conde de la Gomera, and signed by Moreno de León as a witness.

During Moreno de León's tenure, an epidemic broke out on the island of Tenerife, causing considerable loss of life (documented at length in Item 22). The collection also reflects historical events following Spain's conquest of Portugal. During the dynastic crisis that followed the death of Portugal's King Sebastian in 1578, the throne was claimed by António, Prior of Crato, who was defeated by Philip II in 1580. By 1582, António had relocated to the Azores, where he attempted to establish a government in exile with the support of France. Item 3 provides a set of instructions for a dispatch boat that was sent to the Canary Islands that same year, after word of a possible attack by António. In early 1583, ships loyal to António did attempt an attack on the island of Gomera, but were repelled by local forces under the command of Ayala y Rojas and Moreno de León (documented in Items 18 and 19).

The Charles Creighton Collection contains an illuminated manuscript on parchment, signed by Charles VI, last of the house of Habsburg, Holy Roman Emperor and King of Bohemia and Hungary-Croatia. It was the property of Prince Max of Baden until the end of the first World War.

The 33-page manuscript measures 8 by 11 inches, with illuminated borders in red, blue, and gold, and an artistically designed title in black and gold of royal insignia surrounded by implements of war and the crown of the king. The manuscript is bound in a gilded hand-embroidered binding of decorative design with ornamental ribbon ties and tinsel fringes. It is attached with a gold braided cord is the Royal Seal of Charles VI, measuring 4 1/4 inches in diameter with the inscription "Carolus VI Romanorum Imperator S. A. Hispaniarum et utriusque Siciliae Rex." The seal is enclosed in a decorated silver case which is intended to rest in a circular compartment in the center of a tooled Viennese leather binding in which the manuscript reposes. The manuscript is written entirely in Latin and confers the title of Marquis on Honuphrium Ianno Ernandes Arias for "Militiaque multa suae Fides, Constantia Sapienta, ac Fortitudinis Specima edidissent..." (translation: In long military service he displayed Faith, Constancy, Prudence, and Courage...) To legalize the document, it is signed in the autograph of King Charles VI "Yo el Rey," below which are the signatures of noblemen and dignitaries of state.

Included also are 15 separate pages of manuscript written in Latin. These pages also refer to the Marquis and are dated in May of 1731. An unsigned manuscript by one of the Ianno family consists of 5 lines and is written in French.

The Charles Creighton Collection also contains high quality facsimiles of several historical predominantly French documents from the 17th and 18th century. These are: a letter pleading for a 3 day postponement of Louis XIV's execution by Louis XIV dated January 20, 1793; two letters informing French generals of the Waterloo victory by the Duke of Wellington, dated June 14 and June 20, 1815; Vice Admiral Horatio Nelson's unfinished letter to Lady Hamilton, dated October 19, 1805; Napoleon's appeal to England for protection after his defeat at Waterloo, dated July 13, 1815; a note written by Marie Antoinette written just before her execution in 1793; and the last letter written by Robespierre, unfinished due to his being shot, with bloodstains at the bottom of the letter, dated July 27, 1794.

The Charles T. Simpson collection contains photographs, account statements, letters, minutes, contracts, typescripts, articles, certificates, membership cards, manuscripts, notes, photocopies, and a plant specimen, which document the lengthy botanical and zoological career of the early 20th century naturalist.

The Clark Mixon Emery papers consists of materials regarding the 20th century modernist expatriate American poet Ezra Pound (1885-1972).

A total of 53 letters and postcards by Ezra Pound addressed mostly to Emery written from September 4th, 1951 to August 1st, 1959 are held in this collection, predominantly written during Pound's stay in the St. Elizabeth Hospital where he was treated for mental illness until 1958. Some letters by his wife Dorothy are included as well. Most of the letters are typed, and about half are signed. Many of the letters concern Emery's work on his 1958 monograph Ideas Into Action; A Study of Pound's Cantos. In others Pound writes about his complacency in the hospital and his eagerness to depart, and discusses the work of Emery's student Ronald Perry. In addition to the letters the envelopes are preserved as well. Photocopies of the letters and envelopes are included in the collection.

Other correspondence held in the collection concerns Ezra Pound and his Cantos. These include letters from Pound's daughter, Mary de Rachewitz, to Emery; letters from Sheri Martinelli and Ronald Perry, also 20th century American poets, to Emery; a letter from Walton Brooks McDaniel, former teacher and friend of Pound, to Archie McNeal, former university librarian of the University of Miami Libraries, regarding Emery's work on Pound; and photocopies of other letters by Pound not addressed to Emery. Some of Ronald Perry's poetry, and two photographs of Sherri Martinelli's paintings of Ezra Pound, are included as well.

The other materials in the collection are as follows: essays by and about Pound from the 1950s; transcripts of broadcasts by Pound from December 7, 1941 to June 28, 1942; The Analyst, "A Guide to Ezra's Cantos"; a January 1948 issue of "Four Pages," regarding Pound's poetry; an "Ezra Pound for President" pamphlet; The Pound newsletter #1-10 from January 1954 to April 1956; Strike periodical #1-3, #5-6, #8-10 from June 1955 to June 1956; Amagogic & Paideuminic Review #5-6 and an October 1959 issue; a 1952 typescript titled "Die Pisaner Gesänge" by Rainer M. Gerhardt; and other periodicals, newspapers, and clippings.

The Cronin papers consists primarily of Spanish poetry in manuscript form. However, there is also a notebook with personal reflections, a catalogue of "Teatro del Siglo XVI" (or 16th century theater), a list of authors and poems, cards with authors and poems, and a piece of sheet music.

The Daniel O. Graham papers contains a variety of materials from Graham's military career and his work in United States intelligence and defense. Included are Westmoreland vs. CBS trial papers, documents on Arlington politics, a series of drafts about Project High Frontier, materials on Soviet-American relations, materials on the Strategic Defense Initiative and the CIA, personal and official correspondence, press clippings and newspapers, manuscripts, articles, essays, awards, and other materials.

This collection contains manuscripts, drafts, notes, poems, short stories, translations, and unpublished works by the award-winning Guatemalan author and translator, David Unger (1950-). Also featured within the collection are his correspondence (both personal and work-related), photographs, his education files from elementary school to university, book contracts, book reviews, article clippings, and artwork and prints by the artist, Walter Mosley.

The English Manuscript Collection contains 19th century official documents on vellum parchment. Included are 21 indentures, 7 last will and testaments, and 7 documents granting privileges to women in name of the 1833 "Act for the Abolition of Fines and Recoveries, and for the Substitution of more simple Modes of Assurance."

A growing collection of documents, photographs, and correspondence pertaining to the capture, purchase, bargaining, and freedom of enslaved people in Europe, Africa, and the Americas from the 18th to the 20th century. The collection contains a variety of petitions, contracts, estate settlements, and ephemera that record the activities of enslaved people during that era and illustrate the relationship between enslaved people and the people who enslaved them, as well as local government policy regarding enslavement and ownership in various parts of the Americas. Also included the collection are images and ephemera that feature racial caricatures, which were prevalent during their time of printing.