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Born in Puerto Rico, Arnaldo J. López serves as the Development Officer at Pregones/Puerto Rican Traveling Theater (PRTT). He holds a Ph.D. in Latin American Literatures and Cultures from New York University and is an avid advocate of the arts. This collection features an array of zines, ephemera, comic books, and other archival material he collected in his lifetime.

The papers include letters from various prominent Cuban figures; among them Tomás Estrada Palma, Salvador Cisneros, Lola R. de Tió, Armando Menocal, Mario Menocal and others.  The materials also consist of newspaper clippings about sugar industry and some photographs.

The Armando Couto Collection contains photographs, correspondence, and typewritten scripts of radio programs written by Armando Couto (1918-1995) broadcast in Miami, Venezuela, Mexico, Puerto Rico and Nicaragua.

The collection also contains "Revistas Semanales," illustrated reproductions of Couto's radio programs published by Editorial América in Venezuela.

The papers document the professional activities of Armando Álvarez Bravo in his capacity as an art critic for El Nuevo Herald, and as a poet, writer and professor of journalism at the Koubek Memorial Center. Bulk of material consists of typescripts of his articles for El Nuevo Herald and newspaper clippings of his articles. The material also includes typescripts of interviews conducted by Álvarez Bravo with writers and painters, correspondence, typescripts of complete collection of poems by Álvarez Bravo both published and unpublished, a conference paper and photographs from his birthday celebration. In his interviews Álvarez Bravo discusses both the artistic vision of writers and painters and their personal lives.

The Armando Alejandre, Jr. Collection consists of 2 original 35mm film reel canisters with original film for the 2006 documentary Shootdown. The documentary tells the story of the organization Brothers to the Rescue. It focuses on the incident in 1996 when the Cuban Air Force shot down two planes, killing four pilots including Alejandre.

Personal papers, manuscripts, photographs, 35 mm slides, postcards, ephemera, books, journals

The Ariel Remos Papers contain the personal papers of Cuban journalist Ariel Remos (d. 2013). They include extensive newspaper and online publication clippings, as well as essays, official reports, periodicals and pamphlets for which Remos wrote, correspondence with other writers and intellectuals in exile, photographs, and audiovisual material. The majority of the materials relate to Remos' time as a Cuban exile journalist and intellectual in Miami, Florida.

The Ariel Hidalgo Collection contains the writings of Cuban political prisoner Ariel Hidalgo that were secretly smuggled out of prison by the author. It includes articles, manuscripts, correspondence, and a curriculum vitae, as well as a copy of the 'Disidente' pamphlet and a detailed list of fellow political prisoners.

This collection contains guest books that visitors used to sign when visiting the Special Collections and University Archives departments on the Otto G. Richter Library's 8th floor prior to their relocation to the Kislak Center.

In October, 1963, Charles Cinnamon, public relations director of the Coconut Grove Playhouse, organized a “Left Bank” art show to publicize the opening of Irma La Douce at the Playhouse. The art show was a success and shortly thereafter the Coconut Grove Association was formed to put on an annual art festival.

In the early days, the whole community got involved, and Festival activities included an antique car parade, coconut smashing contest, concerts, and a children’s art exhibit. The Chamber of Commerce and Grove House artists helped in putting on the festival.

This juried arts festival has repeatedly been selected as the top outdoor fine arts festival in the United States, displaying the work of artists from around the world and attracting families and connoisseurs alike.

The collection contains a variety of material including correspondence, newspaper clippings, publications, press releases, administrative files, photographs, ephemera and posters from the Coconut Grove Art Festival 1963 to 2012.

The New Urbanism is the only distinctly American architectural movement of the 20th Century that systemically critiqued the conventional urban planning patterns of the post-war period. The University of Miami Libraries Architecture Research Center Archives is the sole repository for collecting and housing materials documenting this movement that impacted the discourse on urbanization theories and town planning. The principles of the movement were articulated in 1994 in the Charter of the Congress for The New Urbanism. The Congress for the New Urbanism, an organization that promotes walkable, mixed-use neighborhood development and sustainable communities was recognized by the New York Times as "…the most important phenomenon to emerge in American Architecture in the post-Cold-War era."
The New Urbanism movement, which signaled a turning point from the segregated planning and architecture of post-war America to a return to historic principles of traditional town planning, became the focus of a series of contested dialogues not just among architects, planners and developers, but among historians, environmentalists and policy makers as well. The movement continues to influence the principles of town planning and design, and spark debate among its advocates and critics as evidenced in the public fora thirty years following its inception.
This collection includes drawings, project folios, books and manuscripts, periodicals, article clippings, correspondence, videos, CDs, DVDs, audio cassettes and other materials related to New Urbanism theory, writing, and design.

The Architecture Faculty Oral History Project is a series of interviews with faculty from the University of Miami School of Architecture. These oral histories serve a fundamental purpose in capturing and preserving the individual memories of the faculty. The project began with informal conversations to assess how the library could best address their scholarly support needs. The interview process revealed critical yet untold stories about the history and pedagogical evolution of the School of Architecture. An ongoing project, the faculty oral histories documented here provide the scaffolding for narrating the school's pedagogical trajectories from the mid-century to the present.

This collection includes regional and historic maps, original drawings, plans, elevations, photographs, and blueprints of residential and commercial architecture, community project plans, city/town plans, historic restoration plans and aerial photographs.  The bulk of the materials are focused on, but, not limited to the areas of Miami-Dade, Coral Gables, and Miami Beach.

This collection is comprised of a scrapbook titled "Juicios, Críticas, Elógios, Artículos" 1889-1936. It also contains clippings collected by Zamora, a resident of Havana, Cuba.

The collection contains digital recordings of Antonio Rubio, PhD, singing pregones from turn of the century Havana; photos of original discs from 1941, 1947 and 1954; a photo of Antonio Rubio in the DePaul University yearbook, with other department chairmen; and an obituary for Antonio Rubio.

The Antonio Orlando Rodríguez Papers consist of original manuscripts, notes, and literary annotations related to Rodríguez's works; editorial contracts; prizes and awards; videos of interviews; publicity materials for the novels Aprendices de brujo (2005) and Chiquita (2007); and press releases.

This collection provides insight into the writing process of Rodríguez, giving the researcher access to the manuscripts, research materials and notes he compiled while writing four of his books: Abuelita Milagro(1977), Romerillo en la cabeza (2006), Aprendices de brujo(2005) and Chiquita (2008). Rodríguez also collected playbills, photographs and catalogs for theater and art exhibitions in the United States and Cuba.

The Antonio Molina Collection contains historical materials, pamphlets, photographs, manuscripts, correspondence, published materials, and ephemera from across the Cuban diaspora, as collected by the UNESCO cultural center in San Juan, Puerto Rico.

The Antonio Maceo y Mackle papers contain papers related to Cuban medical doctor and political activist Antonio Maceo y Mackle (b. 1920). Contents include personal correspondence; materials relating to the Consejo Revolucionario Cubano; items relating to Cuban exile radio programs in the 1960s; and a group of topical files collected by Dr. Maceo y Mackle.

The collection is divided into four series: Series 1 contains personal correspondence (1965-1967) and correspondence related to the Consejo Revolucionario Cubano (1960-1963), Cuban Refugee Emergency Center (1961-1963) and the YMCA (1967). Series 2 includes materials relating to the members and operations of the Consejo Revolucionario Cubano. Series 3 contains manuscripts, press releases and other program materials for the radio program, El Medico y Usted. Series 4 contains topical files on organizations of interest to Dr. Maceo y Mackle, including Brigada 2506, Colegio de Abogados de la Habana, Comandos Delta, Commision Interamericana de Paz, Confederación de Trabajadores en el exilio, Operación Alpha, Solidaridad Cubano Americano, Union Nacional Demócrata, and the YMCA. The files also contain papers on sugar legislation, Manita Castro, the United States State Department, and Dr. Manuel Antonio de Varona Laredo.

The papers document activities of Antonio Hernández Travieso in capacity of a writer and a biographer of Father Félix Varela.  The materials include newspaper clippings of articles written by Hernández Travieso, as well as, articles by other authors about Hernández Travieso, pamphlets, typescripts, journals, parts of books and correspondence.