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This collection contains the records of the Charles Ives Centennial Festival that took place in Miami in 1974, celebrating the composer's 100th birthday. The collection includes correspondence that documents the planning process, programs for events celebrating Ives in Miami and elsewhere, articles and reviews, photographs, and official documentation.

The Charles T. Simpson collection contains photographs, account statements, letters, minutes, contracts, typescripts, articles, certificates, membership cards, manuscripts, notes, photocopies, and a plant specimen, which document the lengthy botanical and zoological career of the early 20th century naturalist.

The Civil Theatre of Greater Miami Records contains materials regarding the now defunct Miami Civic Theatre and the performances that were held there.

The collection contains manuscripts and correspondence by poet Clara Niggemann.

The Clark Mixon Emery papers consists of materials regarding the 20th century modernist expatriate American poet Ezra Pound (1885-1972).

A total of 53 letters and postcards by Ezra Pound addressed mostly to Emery written from September 4th, 1951 to August 1st, 1959 are held in this collection, predominantly written during Pound's stay in the St. Elizabeth Hospital where he was treated for mental illness until 1958. Some letters by his wife Dorothy are included as well. Most of the letters are typed, and about half are signed. Many of the letters concern Emery's work on his 1958 monograph Ideas Into Action; A Study of Pound's Cantos. In others Pound writes about his complacency in the hospital and his eagerness to depart, and discusses the work of Emery's student Ronald Perry. In addition to the letters the envelopes are preserved as well. Photocopies of the letters and envelopes are included in the collection.

Other correspondence held in the collection concerns Ezra Pound and his Cantos. These include letters from Pound's daughter, Mary de Rachewitz, to Emery; letters from Sheri Martinelli and Ronald Perry, also 20th century American poets, to Emery; a letter from Walton Brooks McDaniel, former teacher and friend of Pound, to Archie McNeal, former university librarian of the University of Miami Libraries, regarding Emery's work on Pound; and photocopies of other letters by Pound not addressed to Emery. Some of Ronald Perry's poetry, and two photographs of Sherri Martinelli's paintings of Ezra Pound, are included as well.

The other materials in the collection are as follows: essays by and about Pound from the 1950s; transcripts of broadcasts by Pound from December 7, 1941 to June 28, 1942; The Analyst, "A Guide to Ezra's Cantos"; a January 1948 issue of "Four Pages," regarding Pound's poetry; an "Ezra Pound for President" pamphlet; The Pound newsletter #1-10 from January 1954 to April 1956; Strike periodical #1-3, #5-6, #8-10 from June 1955 to June 1956; Amagogic & Paideuminic Review #5-6 and an October 1959 issue; a 1952 typescript titled "Die Pisaner Gesänge" by Rainer M. Gerhardt; and other periodicals, newspapers, and clippings.

The records contain legal cases, research files, correspondence, audio-visual materials (VHS, CD-ROM, audiocassettes, microcassettes), and trial notes from the Miami Community Justice Project. Topics covered include development for low income housing, gentrification, public housing, and privately run detention centers. In particular, the materials discuss the Scott Homes/Hope VI housing revitalization plan and the Reese v. Miami-Dade County court case; the Sawyer's Walk (Overtown) and Crosswinds (Overtown) redevelopment projects; the Manuel et al. v. city of Lake Worth court case; and the Miami Workers Centers Transit HUB. Other organizations mentioned in the files include Power U Center for Social Change and Florida Immigrant Coalition (FLIC).

Collection includes circular letters, promotional material, programs etc. of the International Congress of Cuban Youth held in Eden Rock Hotel, Miami Beach, from August 31, 1990 to September 2, 1990. The materials also consist of typescripts, clippings and posters.

Contains typescripts and photocopies of open letters to the governors and representatives of the sovereign states from early to mid 1960s (letter numbers 2-40, 60, 63). All letters are penned by Mary Davison. Topics range from race relations to right-wing views on American history.

Records document official activities of Count of Gálvez Historical Society established in Miami in 1988 by Cuban exiles and Spanish personalities living in Miami. Its purpose is to make people of the United States and Florida know the role of Spain and Spanish speaking countries, their peoples, culture and civilization, as well as to provide information on discovery and settlement of Florida. In addition, its purpose is promoting Spanish traditions, history and culture. The materials consist of official correspondence, Public Acts, information about Spanish and Cuban History presented on various conferences, clippings and folders discussing Spanish castles, museums, cities and achievements of King Carlos III, as well as clippings about historical research of Dr. Carlos Fernandes-Shaw, the information about conferences, which took place at Koubek Center, Articles of Incorporation, by-laws, corporate and tax documents, financial records including budgets, minutes of meetings of directors, treasury correspondence, membership forms and materials with historical research for speeches.

The records document official activities of Cuban Committee for Democracy (CCD), which is association of Cubans committed to promotion of democratic dialogue in the US and to non-violent transition to democracy in Cuba. CCD is based in Miami. The materials include clippings, memorandums, official correspondence, invitations, pamphlets, financial reports, documents, Articles of Incorporation and meeting agendas.

The records document official activities of Cuban Federation of the Midwest. The materials include financial records, correspondence, newspaper clippings, constitution and by-laws, meeting minutes and programs, as well as, documents reflecting activities of Cuban Association of Dayton, which is a branch of Cuban Federation of the Midwest.

The Cuban Historical and Literary Manuscript Collection is comprised of original manuscripts from the 17th to the 20th centuries. Acquired as individual pieces or in small groups, this collection includes literary manuscripts, slavery sales and property documents, wills, and correspondence.

The Cuban Museum of Arts and Culture Records contains institutional records and historial materials produced and/or collected by the Cuban Museum of Arts in Culture during its operation in the late 20th century in Miami.

The institutional records series consists of the operational records of the business activities of the Cuban Museum of Arts and Culture. Materials include financial records, official correspondence, board of directors meetings minutes, policies and procedures, exhibition planning documents, project proposals, artists' files, and resumes.

The historical materials series include paintings, lithographs, photographs, drawings by Cuban artists, original musical scores and songs, slides of art work, programs, clippings with reviews of exhibits, correspondence, posters, objects. The series also includes personal papers and photographs of Emilio Bacardí and other family members, which have been digitized on the University of Miami Digital Collections website. Other personal papers of note that have been arranged together include the personal papers of Carlos Hevia, Don Azpiazu, and Natalio Galán. Azpiazu's and Galán's papers include significant music holdings.

This collection is still in processing and updated container lists will be added as they are made available.

The Daniel O. Graham papers contains a variety of materials from Graham's military career and his work in United States intelligence and defense. Included are Westmoreland vs. CBS trial papers, documents on Arlington politics, a series of drafts about Project High Frontier, materials on Soviet-American relations, materials on the Strategic Defense Initiative and the CIA, personal and official correspondence, press clippings and newspapers, manuscripts, articles, essays, awards, and other materials.

Daniella Levine Cava was elected as the Miami-Dade County Commissioner in 2014 and 2018, representing District 8. Her collection contains materials from her successful 2014 campaign, including correspondence, interviews, and periodicals documenting her initiatives on the campaign trail.

The Darío Espina Pérez papers document professional activities of Darío Espina Pérez in capacity of founder and president of Academia Poética de Miami, writer of books on history and literature, poet, lawyer and agricultural engineer.  Bulk of the material consists of correspondence, and many letters relate to operations of Academia Poética de Miami.  The material also includes bulletin of the College of Agricultural Engineers, invitations, typescripts of essays about poetry, a typescript of an essay by Espina Pérez titled "En torno a la Illiada," which is a literary analysis of Homer's Illiad, biographies of various  participants in Forum of Miami, typescripts of poems by Espina Pérez and clippings.

The Daughters of the American Revolution (D.A.R.) Coral Gables Chapter Records consists of scrapbooks, correspondence, photographs, clippings, awards, certificates, yearbooks, periodicals, and other documents pertaining to the chapter, ranging from 1926 to 2000. The scrapbooks document the affairs and activities of the chapter primarily by means of photographs and clippings, but often a contextual or historical narrative is added as well. A few materials, largely yearbooks of other chapters or conference proceedings, not specifically from the Coral Gables chapter are also included.

The David Ewen Collection consists of materials which pertain to several aspects of music, ranging from composers to opera houses and festivals, as well as his personal life and work. The papers follow the original order established by David Ewen.

The bulk of the collection contains information and some correspondence pertaining to American and foreign composers and serious and popular performers such as George Gershwin, Charles Ives, Igor Stravinsky, Gustav Mahler, Maria Callas, Bing Crosby, and other notable 20th century composers and performers.