FAULTY PRODUCTS 1978-80. Small archive of official records from the Independent Label, "Faulty Products." Various concert fliers, correspondence between owners of the record company, and newspaper articles from different sources on the bands signed by the label. This label was established by Miles Copeland initially to distribute a welter of new musical talent that emerged in 1977, in the period of "punk rock," via its three in-house record labels, Illegal Records, Step Forward Records, and Deptford Fun City Records.
Fashion Project is a curatorial initiative situated in Bal Harbour, Florida, dedicated to creating exhibits where fashion is displayed as art pieces for spectators to appreciate the varied elements of design from modern couture to historical gowns and costumes. This collection currently contains pamphlets, flyers, programs, and catalogs created by Fashion Project for their events and exhibits.
This collection houses archival materials pertaining to the history of fashion on a global level and currently features 65 issues of the popular French publication, Art-Goût-Beauté, from the years 1921 to 1932 and assorted French clippings and pamphlets.
"The Fanny Kemble Playbill Collection is a collection of 28 playbills from 1829-1832, comprising of her years on the English stage and including her first performance on any stage. Fanny Kemble (Frances Ann Kemble, 1809-1893), the daughter of the actors Charles and Marie Kemble, was born in London on November 27, 1809. She made her first appearance on the stage when she appeared as Juliet in her father's production of "Romeo and Juliet" on October 5, 1829. Fanny was a great success, and this role was followed by several others in her father's Covent-Garden Theatre. She played all the principal women's parts, notably Portia, Beatrice, and Lady Teazle. Most of the performances were at Theatre Royal Covent-Garden with a few few performances at Theatre Royal Edinburgh where she performed with her brother on a tour in June of 1830." -Golden Legend, Inc.
The F. Charles Ruegg Papers consists primarily of correspondence, photographs, and notes from Ruegg’s employment with Pan American World Airways from 1940 to 1951. These materials primarily document his experience with Pan Am in Africa (PAA Africa) during World War II.
This collection contains several contemporary exhibit catalogs from other universities around the United States with concentrations in their libraries and Special Collections departments.
The Evelyn Frink Scrapbook documents the activities of the Miami Beach garden clubs that led to the construction of the Miami Beach Garden Center and Conservatory. The clippings, photographs, reports, speeches and correspondence capture Mrs. Frink’s work as chairman of the Garden Center Committee from its inception to the inauguration of the garden center and conservatory.
The Eugene Dynner collection contains photograph albums, photographs, slides, negatives, and prints depicting historical Mayan sites such as the Altun Ha ruins in Belize, the Copán ruins in Honduras, the Quiriguá archeological site in Guatemala, various sites in the Yucatan peninsula in Mexico. The focus is on the sculpture and architecture found at these sites. Also depicted are the landscape, cities, and people of those countries in general.
Along with the photographic materials are a typescript by Eugene Dynner titled "Chinese Elements in Maya Art," and two issues of a periodical titled Muse News containing essays by Dynner.
A rich collection of graphic design prints, transparencies, sketches, mock-ups, and maquettes, as well as promotional materials (pamphlets, flyers, leaflets, brochures, advertisements) created by Erwin G. Harris and his design firm. Included within are commercial advertising materials for hotels, restaurants, and tourist attractions in Florida, other parts of the United States, Latin America, and the Caribbean; wines and spirits; and other companies, such as IGENE Biotechnology, Scopitone, and Mastro Plastics.
The collection also includes correspondence to and from Erwin G. Harris, photographs, advertisement proposals, resumes, biographies, portfolios and other documents pertaining to Harris and Company Advertising, and Inc. and Erwin G. Harris’ other businesses, along with legal documents, correspondence, and news clipping detailing Harris' feud with the Cuban government under Fidel Castro during the early 1960s.
This collection documents the works of noted Haitian Vodou priest, healer, educator, and performance artist of “electro-Vodou music,” Erol Josué. He has spent much of his career passionately practicing the Vodou religion and advocating to keep it alive through his performance art and by lobbying against government restrictions on religious practice. Items in the collection specifically focus on Josué's work as a healer and performance artist. It includes newsclippings and ephemera related to his performances, which feature Vodou and his Haitian cultural heritage as prevailing themes.
His full oral history, as part of the Haitian diaspora oral history collection, can be accessed from this page (see: Related archival materials note).
The papers of Erl Roman, well known sport fisherman and skilled writer and publicist, provide information about the sport of angling and about the University of Miami's early years. The records, dated 1935-64, are divided into four series. SERIES I: CORRESPONDENCE and SERIES IV: SCRAP BOOKS, document Roman's fishing career as well as laws and events influencing the sport. SERIES II: TOPICAL FILES relate to fishing and to Roman's involvement with the University of Miami. SERIES III: PRESS RELEASES contains the press releases issued by Roman for the University of Miami Office of Public Information.
The Erica Dawn Lyle papers offer a rich history of Miami’s countercultural art and music scenes and grassroots political activity from the 1990’s to the present. Writing under the name Iggy Scam, Lyle has produced a series of classic underground fanzines, called SCAM, that are known internationally in the punk rock scene. Lyle’s writing and archive also provides a fascinating back story to some of the political activity Miami is now known for. With the current wave of home foreclosures that has spread across South Florida, has come a resurgent wave of housing activism. The most well-known activist group in Miami today is Take Back The Land, a group that has gained national media attention for their tactics in helping homeless families move into and squat homes that have been foreclosed across Miami. The Lyle papers show a pre-history of an equally militant though far less organized and coherent group of South Florida squatters and anti-gentrification activists who were attempting similar tactics a generation ago. The papers also document the formation of the city’s first Food Not Bombs, a group that is still active today. The collection of zines, journals, sketchbooks, ephemera and original art work depict contemporary social history as well as Greater Miami’s issues of urban planning, property and housing rights and the responsibility and role of art. Also well documented are Lyle's travels through unconventional methods such as hitchhiking and train hopping.
A growing collection of documents, photographs, and correspondence pertaining to the capture, purchase, bargaining, and freedom of enslaved people in Europe, Africa, and the Americas from the 18th to the 20th century. The collection contains a variety of petitions, contracts, estate settlements, and ephemera that record the activities of enslaved people during that era and illustrate the relationship between enslaved people and the people who enslaved them, as well as local government policy regarding enslavement and ownership in various parts of the Americas. Also included the collection are images and ephemera that feature racial caricatures, which were prevalent during their time of printing.
University of Miami Library - Collaborative Archives from the African Diaspora (CAAD)
The English Manuscript Collection contains 19th century official documents on vellum parchment. Included are 21 indentures, 7 last will and testaments, and 7 documents granting privileges to women in name of the 1833 "Act for the Abolition of Fines and Recoveries, and for the Substitution of more simple Modes of Assurance."
The Elizabeth Wright collection predominantly contains materials relating to Richard Wagner and family members. The materials cover a wide range, including memorabilia, such as a Wagner-themed card game and a ceramic plaque of Richard Wagner, an original note by Siegfried Wagner and facsimiles of letters by Wagner, original photographs of Wagner family members as well as facsimiles and prints of Richard Wagner and others, original advertisements and programs of Wagner's operas, a radio transcript and a typescript about Wagner's composition and staging, and a series of prints depicting scenes from Wagner's operas.
There are also several items not related to Wagner. These are a letter from W. Somerset Maugham, an autographed print of mezzo-soprano Mariana Paunova, and prints of other composers such as Beethoven, Mozart, Liszt, and Richter.
This collection contains 1949-1950 case records for the "Before the Indian Claims Commission, Docket No. 73, Seminole Indians of Florida Versus the United States." Also included is a pamphlet containing the lyrics for a song by William D. Knowles titled "You'll Never Know."
This collection consists of around 1000 letters, pamphlets, and documents pertaining to 1950's conservative activism. Garfield and Welti lived in South Florida and corresponded via letter, newspaper clippings, and self-produced pamphlets to conservative extremists around the country. The collection reflects anti-Communist, anti-African American, anti-mental health, and anti-semitic sentiment and activism.
The combination of personal letters, newsletters, newspaper clippings and magazine articles in the collection presents an incredibly well-rounded representation of the day to day lives the Americans who resisted the Civil Rights Movement and lived in fear of Communism and the U.S.S.R. The many newsletters and political tracts within the collection are invaluable research materials, while the personal letters create an intimate, nuanced picture of the lives of the writers in 1950s America.
Edward C. Dougherty was a Government Administrator and United Nations Expert in taxation for Latin America, as well as a private practitioner of law in the Miami area, specializing in Latin American matters. His papers consists predominantly of materials concerning real estate in Brazil, in the form of letters, maps, notes, photocopies, clippings, photographs, pamphlets, and reports.
Edison Marshall was an American adventure and fiction writer active during the 1920s to the 1960s.
The Edison Marshall collection contains six typescripts and an undated photograph inscribed to Dr. Archie McNeal, former dean of the University of Miami Libraries. The typescripts are as follows: A publisher's copy of The Conqueror (1962), a publisher's copy of Cortez and Marina (1963), an original and corrected copy of Cortez and Marina which is titled "The Serpent and the Sword," a publisher's copy of The Heart and the Hunter (1956), a publisher's copy of The Inevitable Hour (1957), and a publisher's copy of Princess Sophia (1958).
