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The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.

Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.

A large part of the collection consists of photocopies of news articles.

Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."

Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."

The papers document professional activities of Carlos Felipe in a capacity of a playwright and of Rosa Felipe in a capacity of an actress.  The materials consist of manuscripts of Carlos Felipe's plays, in which he deals with human passions, giving his characters essential Cuban elements.  Some of the plays were published in Spain, while others were published in Cuba.  The manuscripts of the following plays are included in the papers: "Esta noche en el bosque," for which he received Premio Nacional de Teatro in 1939, "Tambores," and "De pelicula."  A copy of "El Chino," published by Repertorio Teatral Cubano and a published miniature of "Capricho en rojo" are also included in this collection.  The collection also contains academic essays by other authors about Carlos Felipe's plays, especially about "Réquiem por Yarini" in which Carlos Felipe utilizes structure of Greek tragedy.  Materials include clippings with interviews with Carlos Felipe, theatre programs, especially the programs of the several productions of "Réquiem por Yarini" and theatrical reviews.

The materials also document acting career of Rosa Felipe who worked in Cuba, Madrid, Latin America and Miami.  Rosa Felipe worked with other Cuban actors in exile in Miami for the theatre group Repertorio Español.  The bulk of the material documenting Rosa Felipe's career consists of photographs from Cuban TV, theatre and award receiving events.  Moreover, the collection contains Certificates of Recognition, membership cards, slides and theatre programs of productions featuring Rosa Felipe.

The Rafael F. Risco papers are comprised of documents regarding Risco's involvement with the Rescate Revolucionario Democrático counter-revolutionary organization in exile. These materials include biographical materials, photographs, and correspondence between members of the organization.

The Herminio Portell Vilá Papers (1901-1992) include research writings, bibliographic notes, and clippings about events in Cuba and Latin America during his exile time in the United States (1960-1992) . Materials also consist of radio transcripts, audio materials of radio programs, memorabilia and correspondence of the Cuban historian and scholar Herminio Portell Vilá.  His primary research interests focused on early U.S.-Cuban relations, but his papers also include materials about those relations in the 20th century and revolutionary Cuba.

The Jorge Castellanos Papers contain personal papers from the exiled Cuban professor and author Jorge Castellanos (1915-2011). The collection contains research notes, book manuscripts and copies of published works authored by Jorge Castellanos related to his research and writings.

The abolition of enslavement in Cuba took place gradually over the course of several years. In 1880, the Spanish colonial government instituted a system called patronato, loosely translated as "apprenticeship." Most of the workings of the enslavement system were preserved, but patrocinados, as former enslaved people came to be known, received a minimal set of legal rights and were to be paid a token wage. The transition to the patronato system was overseen by a provincial network of government agencies called Juntas de Patronato. The Junta Provincial de Patronato de Matanzas was created in 1880 when the Law of Patronato was passed. As a central body, it processed claims and cases from a series of local juntas throughout the province of Matanzas. The records in this collection contain official documents, correspondence between local juntas and the main junta, and tables reporting names or numbers of patrocinados. The collection also documents the cases of individual patrocinados who were trying to obtain their freedom through the provisions of the new law.

All of the materials in this collection have been digitized and are available through the University of Miami Digital Collections.

The papers consist of published and unpublished works by and about Varela Zequeira, noted Cuban physician and literary author of the late 19th and early 20th centuries. The collection also includes some materials of his granddaughter Beatriz Varela’s, primarily pertaining to her research for the biography she authored about Varela Zequeira.

The papers document activities of Gustavo Gutiérrez y Sánchez, a prominent Cuban exile.  In Cuba (before Castro) he was Secretary of Economy.  He left Cuba in 1959, when Fidel Castro seized power, and went to Argentina, Mexico and finally to Miami where he died in August 1959.  The materials include a typescript of "Exile" with original letters, photographs and documents compiled by Montalvo, a typescript of "Gromyko No Recibio Saludo" ( Un Error de la Associated Press) also compiled by Montalvo,  Official Records of the Third Session of the General Assembly of the United Nations, Part II from 1949, and a pamphlet authored by Montalvo.

The papers consist of popular musical selections from Dominican Republic, including Fantasia by Manuel Emilio Garcia G. This score was based on works by various Dominican composers, and the principal theme came from the song "Maiba" by Diogenes Silva. The materials include four tapes, a manuscript of a score "Selecciones Populares Dominicanas" in 26 parts, Quartet for various instruments, a manuscript of a score titled "Marcha Triunfal" in 22 parts, and a manuscript of a score of Giselle Marie Vals.

The Angel Gaztelu Papers contain poetry collected by Father Angel Gaztelu and articles written by him.

The Ralph Rewes papers consist of unpublished manuscripts of books written by Ralph Rewes, Cuban exile living in Hialeah, Florida. The manuscripts include "'America' Misunderstood", "The Opinionated Memoirs of a Cuban Youth" and "El Diario de Frank Rodríguez - Mi Primer Día.

The materials consist of research papers and tapes used by Marta Pérez to write her Ph.D. thesis: "The Varela Centers: An Immigrant Education Entry Program."  Pérez uses for her dissertation documents found in two Varela Centers in Miami, which offered education to the students coming from Guantánamo Base.  The documents include correspondence, financial records, research notes, reports, students' school work and photographs.

Two fragile codices. One is written in English and the other in Latin. The English codex is labled "MS Codex 47" and is missing the front cover. The Latin codex is labeled "MS Codex 48" and "MS Codex 40" with "Bernard Lourner" inscribed on the inside front cover.