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Born Linnea Eleanor Yeager in March 13, 1929, in Wilkinsburg, Pennsylvania, "Bunny" gained international fame as both a model and a photographer. She moved to Miami at a young age and first attracted local interest as a model, winning several pageants and gracing the pages of popular magazines. While she was modeling, she developed a knack for designing and sewing together her own bikinis, and her style became rather prolific in the fashion circuit for many years after.

Since creating portfolios was rather expensive while Bunny was trying to break out into the modeling industry, she was motivated to learn photography and took several night classes to hone her abilities and create her own portfolios. She eventually developed her signature method of photography that allowed her to take pictures of models using natural light through the "fill flash" method. Her style helped to reinvent the genre of nude and pin-up photography, taking it from its roots of overt raunchiness and elevating it into an art form that centered around playful sensuality and provocativeness. Her photos have been featured in Playboy, Redbook, Cosmopolitan, Esquire and many other big-name magazines, and she was also credited in helping to make Bettie Page into a household name as well as other famous pin-up models such as Lisa Winters. Her career also includes several self-penned books, including such titles as How I Photograph Myself, How to take Figure Photos, Photographing the Female Figure, and How I Photograph Nudes.

Bunny Yeager eventually passed away in May 25, 2014 in North Miami, but her legacy as one of the leading pioneers of pin-up photography remains. Her collection captures her eclectic history with an array of scrapbooks, correspondence, ephemera, photographs and clippings, all which illustrate her passion for her work.

This collection features an array of scrapbooks, many of which are homemade, from the 19th and 20th centuries. Subjects covered in these scrapbooks include fashion, advertising, history, Robert Louis Stevenson, Pat Cannon's congressional run, garden clubs, cruises, and more. These scrapbooks are comprised of portraits, photographs, postcards, newspaper clippings, programs, brochures, maps, drawings, telegrams, and more. Some of the creators are unknowns or names without renown, but these scrapbooks highlight their personal tastes and interests, offering some unique insight into their lives.

The collection documents activities of Atalá Carranza Duarte in capacity of a teacher.  The materials consist of predominantly photographs of Atalá Carranza Duarte during her school years in Cuba, her professional career as a teacher in Distrito Escolar de Guanabacoa in the Provincia de la Habana, as well as, of her friends and family.

Collection consists of 34 photographic reproductions of images of Cuban hospitals and portraits of important figures in Cuban medicine such as Carlos J. Finlay.

The Valentín Rivas photograph collection includes photographs of streets, fortifications and other Havana sites, ca. 1900.

The photographs in this collection are of buildings and late-19th century graduating classes of the University of Havana.

Two photographs of the interior of artist Amelia Pélaez's residence in Havana, Cuba.

The Georgia Portuondo photograph collection consists of photographs of the construction and dedication of the Memorial bust of José Martí in Port Chester, New York.

The papers include correspondence mostly regarding homage to Lydia Cabrera, photographs of Giulio Blanc with Lydia Cabrera and a typescript of a poem by Virgilio Piñera.

The papers document professional activities of Manuel Ochoa, Cuban exile musician and choral and orchestra conductor who founded the Miami Symphony Orchestra.  The materials consist of correspondence, published and unpublished musical scores, photographs, concert programs and pamphlets, clippings, writings about classical music, minutes of the meetings, concert papers, memorabilia, diplomas, magazines, scrapbooks and working papers of Miami Symphony Orchestra.

This photograph collection contains views of Havana and Marianao, Cuba taken in 1988.

The Cuban Museum of Arts and Culture Records contains institutional records and historial materials produced and/or collected by the Cuban Museum of Arts in Culture during its operation in the late 20th century in Miami.

The institutional records series consists of the operational records of the business activities of the Cuban Museum of Arts and Culture. Materials include financial records, official correspondence, board of directors meetings minutes, policies and procedures, exhibition planning documents, project proposals, artists' files, and resumes.

The historical materials series include paintings, lithographs, photographs, drawings by Cuban artists, original musical scores and songs, slides of art work, programs, clippings with reviews of exhibits, correspondence, posters, objects. The series also includes personal papers and photographs of Emilio Bacardí and other family members, which have been digitized on the University of Miami Digital Collections website. Other personal papers of note that have been arranged together include the personal papers of Carlos Hevia, Don Azpiazu, and Natalio Galán. Azpiazu's and Galán's papers include significant music holdings.

This collection is still in processing and updated container lists will be added as they are made available.

The collection is devoted to the National Catholic Welfare Conference of Miami. The bulk of materials consist of 35 photographs. The materials also include some plaques and diplomas, as well as, a photocopy of Leonardo Fernández-Marcané's article "Visión Poética del novelista Reinaldo Arenas,"published in Cuadernos del Lazarillo, no. 25 (July-December 2003), pp.97-103.

The papers document activities of Hortensia Montero (1909-1998), Cuban mezzosoprano and composer. Materials include photographs, autographed notes, programs, diplomas, clippings and music scores.

This collection contains typescripts, photocopies and photographs regarding the history of the confederate submarine H. L. Hunley.

Evelyn Wilde Mayerson was an associate professor of English at the University of Miami and the director of its English composition program. She was also a published novelist and playwright. Her papers consists primarily of typescripts, galleys and research files.

Dr. Murray Sanders was a physician and medical researcher with the University of Miami and Variety Children's Hospital. He was the former chairman of the Department of Medical Research of the University of Miami. His papers consist of correspondence, periodicals, essays, photocopies of articles and essays, and newspaper clippings regarding medical research. Also included are photographs and prints of Dr. Sanders, as well as a biography and a curriculum vitae.