The papers document professional activities of Luisa María Güell in capacity of an actress, singer and composer.
The bulk of material consists of clippings. The materials also include photographs from concerts and films, covers of Guell's musical disks, Theatre programs, scrapbooks with photographs and clippings, awards, videotapes with "Homage to Edith Piaf" and "Papa Porque no Vuelves" and correspondence.
The Lydia Cabrera papers document the life and career of writer and ethnographer Lydia Cabrera, one of the 20th century’s leading writers on Cuban folklore and an internationally known chronicler of Afro-Cuban culture and religion. The materials include correspondence, manuscripts of her works, field notes, interviews, photographs, illustrations, and memorabilia. This collection also contains documentation about the restoration of several colonial buildings in Cuba.
A highlight of the collection are the libretas, or notebooks, collected by Cabrera from Santeria priests and priestesses that document rituals and religious practices of the Afro-Cuban faith. These are found in Series 3 along with her manuscripts and field notes.
Part of this collection has been digitized and is available in the University of Miami Digital Collections online repository.
The Maggie Steber Photography Collection contains thirty-three signed and dated 11x14 inch color prints on art paper and eleven large framed (33 1/4" x 43 3/4") prints. The collection documents photojournalist Maggie Steber's work in Haiti from 1986 to 2010.
The papers document professional activities of Manuel Ochoa, Cuban exile musician and choral and orchestra conductor who founded the Miami Symphony Orchestra. The materials consist of correspondence, published and unpublished musical scores, photographs, concert programs and pamphlets, clippings, writings about classical music, minutes of the meetings, concert papers, memorabilia, diplomas, magazines, scrapbooks and working papers of Miami Symphony Orchestra.
The collection consists of photographs of Camagüey, Cienfuegos, and Havana, Cuba taken by Manuel Ruiz Barrera, a professional photographer and part-owner of Imageland Photography in Miami.
The María Martínez-Cañas collection includes 1 portfolio of Páginas del Viaje, including : Chine CollePhotogravures, 20 x 20 inches, in 1 complete portfolio of the Páginas del Viaje 1996 edition of 14 prints with 2 artists proofs, 2 printer proofs, 1 studio proof, 1 plate maker proof, and 1 BAT set. Each one of the 5 photogravures copper plates were mounted to aluminum, cancelled and presented in handmade portfolio cases with the first 5 edition sets.
The papers consist of manuscripts of musical scores, photographs of Avilés family, scrapbooks, drawings and memorabilia of Avilés family. The drawings, in particular, exhibit artistic aptitudes of John and Mariana Avilés. Of note, is the collection of daguerreotypes and photographs from 19th and early 20th century of Avilés family.
Collection consists of correspondence, various iterations of Gottlieb-Roberts' art work (from drafts to finals), photographs (including slides and Polaroids), promotional materials, video cassettes (VHS, U-Matic, L-750) of performances, press, and more, from the 1970s through the 1990s.
The Papers consist primarily of typescripts, correspondence, photographs, diaries, scrapbooks, clippings and other primary source materials documenting the life and career of Marjory Stoneman Douglas.
The Mark F. Boyd Collection contains materials relating to Florida and United States history as well as to natural history and medicine. The collection, arranged in six series, includes maps, newspapers, prints, photographs, pamphlets, original documents, copies of historical documents, reprints of articles and other materials.
This collection contains yearbooks, photographs, and notebooks pertaining to Florida history and Marmaduke N. Dickson, II (1845-1912), his wife Mary Gammon (Dickson), who had settled in Marianna, Florida in the 19th century, and their families. Dickson was a soldier from the 4th Infantry Regiment in Florida who fought for the Confederate States in the American Civil War until 1865 when they surrendered.
The Martha Frayde Barraqué Papers consist of letters from the Cuban painter Wifredo Lam (1902-1982) to Frayde dating between 1962 and 1966. The collection also includes a group photograph of Lam and Frayde in Mexico in 1957.
Evelyn Wilde Mayerson was an associate professor of English at the University of Miami and the director of its English composition program. She was also a published novelist and playwright. Her papers consists primarily of typescripts, galleys and research files.
The Miami Beach Jaycees is a Florida chapter of the United States Junior Chamber of Commerce (Jaycees for short). The not-for profit organization was founded in 1920 and has provided opportunities for men and women between the ages of 18 to 40 to develop leadership skills through community service. The Junior Chamber of Commerce International Headquarters was moved to Miami Beach in 1955.
The Miami Beach Jaycees Scrapbook documents the civic activities of the Miami Beach Junior Chamber of Commerce form 1952-1954. The collection consists primarily of photographs of conventions and social activities of the organization as well as newspaper clippings, documents, and a 1952-1953 yearbook of Miami Beach Jaycee.
This collection contains various materials documenting the history of LGBTQ+ people and culture in Miami Beach, Florida. Included within are periodicals, ephemera, general documents, photographs, and audiovisual materials documenting Miami Beach's queer history through the lives, activism, and historical contributions of spouses Dennis Leyva and Clark Reynolds, the donors of this collection.
This collection intersects with the history of the Winter Party Festival, one of the biggest annual LGBTQ+ celebrations for the Greater Miami and Miami Beach areas, as Dennis Leyva and Clark Reynolds are among the co-founders of the event. This collection also compliments the Safeguarding American Values for Everyone (SAVE) records, as they both have worked closely with the organization for decades.
The Miami Woman’s Club Records document the club’s history, as well as its civic, community, and social activities from 1903-2004.The records include minutes from 1903-1914, 1921-1929, 1936-1939, and 1959-1967. The collection also includes yearbooks from 1907-2004, as well as correspondence (correspondents include: Judge Edith M. Atkinson, Louise Austin, Alice Johnston, Anne Stevenson Brown, Katherine B. Trippetts, Katherine S. Fitts, and Eva J. Lewis), financial reports, programs, photographs, and other documentation. Also included are over 50 scrapbooks documenting club activities, membership, and events dating from 1919-1979.
Michael J. Maxwell was an architectural consultant whose firm, Michael Maxwell Associates, Inc., consulted the city of Opa-locka in the mid-80s on appraisal and restoration matters. This culminated in a Master Plan for the Restoration of Historic Opa-Locka City Hall, and a Nomination Proposal of several historical sites in Opa-Locka to the National Register of Historic Places. These two documents, as well as the planning materials, are held in the Michael J. Maxwell collection.
The collection also contains other Opa-locka related materials. Included are 1926-1927 Opa-locka price lists, a 1953 charter, copies of the Opa-locka Times from 1926 and 1927, letters including a 1926 letter petitioning for the establishment of a Post Office at Opa-locka, a history of Opa-locka brochure and preparation materials for the brochure, and other items.