Originally born in West Virginia, Jefferson attended Washington & Jefferson College in Washington, Pennsylvania and studied architecture and industrial design at the University of Michigan. Afterwards, he worked with the Army Corps where he taught aerial photography then supported himself by working as a laborer on various construction sites. He eventually came to Miami in 1954 where he apprenticed under architects, Thomas Madden and Alfred Browning Parker. He ended up establishing his own private architecture firm in Miami in 1959 and dedicated himself to creating plans for residential, commercial, and public buildings. Later, he moved his firm to Stuart, Florida in 1968 and continued to provide the same services.
He also served as a Fellow in the American Institute of Architects and was certified by the National Council of Architectural Registration Boards and was registered with the National Trust for Historic Preservation. His accolades include several architecture awards and international exhibits as well as having his works featured in magazines, such as Architectural Record, House Beautiful, Better Homes and Gardens, Southern Living, Sports Illustrated, Palm Beach Life, American Homes, and L'Architecture d'Aujourd'hui.
This collection contains approximately 191 large format architectural plans and renderings from noted Florida architect, Peter Jefferson. The first 34 plans of his collection have been flattened and placed into map cases while the others remain in their original rolled up state.
The University of Puerto Rico Student Movement collection (2010-2011) documents through digital photographs and ephemera (30,061 KB) the student led strike to protest austerity and tuition measures announced by University of Puerto Rico administrators.
This collection features an array of scrapbooks, many of which are homemade, from the 19th and 20th centuries. Subjects covered in these scrapbooks include fashion, advertising, history, Robert Louis Stevenson, Pat Cannon's congressional run, garden clubs, cruises, and more. These scrapbooks are comprised of portraits, photographs, postcards, newspaper clippings, programs, brochures, maps, drawings, telegrams, and more. Some of the creators are unknowns or names without renown, but these scrapbooks highlight their personal tastes and interests, offering some unique insight into their lives.
The collection documents activities of Atalá Carranza Duarte in capacity of a teacher. The materials consist of predominantly photographs of Atalá Carranza Duarte during her school years in Cuba, her professional career as a teacher in Distrito Escolar de Guanabacoa in the Provincia de la Habana, as well as, of her friends and family.
Collection consists of 34 photographic reproductions of images of Cuban hospitals and portraits of important figures in Cuban medicine such as Carlos J. Finlay.
The Georgia Portuondo photograph collection consists of photographs of the construction and dedication of the Memorial bust of José Martí in Port Chester, New York.
The papers include correspondence mostly regarding homage to Lydia Cabrera, photographs of Giulio Blanc with Lydia Cabrera and a typescript of a poem by Virgilio Piñera.
The papers document professional activities of Manuel Ochoa, Cuban exile musician and choral and orchestra conductor who founded the Miami Symphony Orchestra. The materials consist of correspondence, published and unpublished musical scores, photographs, concert programs and pamphlets, clippings, writings about classical music, minutes of the meetings, concert papers, memorabilia, diplomas, magazines, scrapbooks and working papers of Miami Symphony Orchestra.
The Cuban Museum of Arts and Culture Records contains institutional records and historial materials produced and/or collected by the Cuban Museum of Arts in Culture during its operation in the late 20th century in Miami.
The institutional records series consists of the operational records of the business activities of the Cuban Museum of Arts and Culture. Materials include financial records, official correspondence, board of directors meetings minutes, policies and procedures, exhibition planning documents, project proposals, artists' files, and resumes.
The historical materials series include paintings, lithographs, photographs, drawings by Cuban artists, original musical scores and songs, slides of art work, programs, clippings with reviews of exhibits, correspondence, posters, objects. The series also includes personal papers and photographs of Emilio Bacardí and other family members, which have been digitized on the University of Miami Digital Collections website. Other personal papers of note that have been arranged together include the personal papers of Carlos Hevia, Don Azpiazu, and Natalio Galán. Azpiazu's and Galán's papers include significant music holdings.
This collection is still in processing and updated container lists will be added as they are made available.
The José Miró Cardona Papers consist of 21 boxes the administrative records of the Cuban Revolutionary Council (Consejo Revolucionario Cubano) under Miró Cardona’s presidency in the 1960s. Central to this group of documents are those that relate to the Brigade 2506 and the Bay of Pigs Invasion. The Papers also include 36 boxes of Miró Cardona’s personal and professional correspondence, his writings and speeches, clippings, photographs, memorabilia and materials related to his career as a law professor.
The collection is devoted to the National Catholic Welfare Conference of Miami. The bulk of materials consist of 35 photographs. The materials also include some plaques and diplomas, as well as, a photocopy of Leonardo Fernández-Marcané's article "Visión Poética del novelista Reinaldo Arenas,"published in Cuadernos del Lazarillo, no. 25 (July-December 2003), pp.97-103.
The papers document activities of Hortensia Montero (1909-1998), Cuban mezzosoprano and composer. Materials include photographs, autographed notes, programs, diplomas, clippings and music scores.
The Bob Simms collection documents the life and activities of Robert H. Simms in the black communities in Coconut Grove and Miami and reflects his work with the Community Relations Board and the Defense Race Relations Institute. The collection also contains campaign materials from Leah Simms, the first African American female judge in the state of Florida, and the "Glory in the Grove" photographs of people and events at the George Washington Carver elementary and high schools in Coconut Grove before desegregation. A final component of the collection includes photographs, correspondence and clippings of General "Chappie" James and his family. General James was the first four star African American General and married Dorothy Watkins.
The U.M. Historical Photograph Collection holds over 500,000 photographs, negatives, and slides that document the University’s growth from the 1920s through the presidency of Henry King Stanford in the 1970s. The collection is especially rich in images showcasing UM sports, the expansion of each campus, student life, and special events such as commencement ceremonies.
The papers of the ALA (Agencia Latinoamericana) are divided in 3 major categories: the articles written by the contributors to the ALA (collected during almost 40 years), their correspondence, and the newspaper clippings of those articles.
The writers are mainly from Latin American countries and Spain, but with a few American and British writers also included, such as Waldo Frank and Hugh Thomas. The articles provide information on literature, journalism, sociology, economics and political history of the major powers of the world of that period, and in many cases relating to the Latin American countries.
The bulk of the collection is comprised of contributions from Víctor Alba, Marco A. Almazán, Luis Araquistain, Paul Andrade, Germán Arciniegas, Carlos Alberto Montaner, Ramón Gómez de la Serna, Julian Marias, Cristina Martin, Alberto Luis Sanchez, Salvador de Madariaga, Ramón Sender and Arturo Uslar Pietri. There are also articles by other distinguished authors, such as Miguel Angel Asturias, Alberto Baeza Flores, Alejandro Casona, Pablo Neruda and Alfonso Reyes.
Included among the ALA papers are articles written by Joaquín Maurín, who used the pen names of W.K. Mayo and Félix R. Anderson. He also wrote under the pen names of John Andersen and Julio A. Roy, but these articles ore not included in this collection. When signing correspondence, he used his own name, Joaquín Maurín, as well as J.M. Juliá and Ray Campbell. Joaquín Maurín's son, Mario, wrote some articles under the same pen name as his father, John Andersen.
