Harrington & Company, Inc. was a major shipping, trade, and commerce business operating out of the old Miami ports in the 1960s and 1970s. The former president, Neal Harrington, was elected as the president of the Miami Propeller Club in 1968 and headlined the cruise liner conglomerate for much of the company's history. This collection documents Harrington & Company through newspaper clippings, scrapbook, photographs, and other historical materials.
This collection contains brochures, pamphlets, periodicals, and other assorted Latin American publications regarding social issues, such as diversity, labor rights, discrimination, poverty, and sexual identity.
Marsha Matson is a council member of the city of Palmetto Bay and a former professor of the University of Miami who retired after teaching American government, local government, and public administration for 22 years. This collection consists of reports, correspondence, audio-visual materials, newsclippings, financial records and other documents pertaining to district and municipal zoning in Miami-Dade County and the incorporation of Doral.
The contents of this collection, made possible by an endowment by philanthropist Joseph Handleman, were selected and arranged by Dr. Helen Fagin, director of the Judaic Studies program at the university. The collection includes assorted materials pertaining to the Third Reich, the Holocaust, and the history of anti-Semitism in general, including among others: the original transcript of the trial of Adolf Eichmann; a set of reports, letters, minutes, and other official documents concerning Third Reich occupation and war crimes in the Baltic states of Latvia, Estonia, and Lithuania; documents by Heinrich Himmler; an original yellow star; as well as several pieces of anti-Semitic literature.
Contains ten issues of Mexican, Honduran, and Argentinian newspapers from the 19th century, and one cache of Mexican letters from the 19th century, including one signed by Porfirio Díaz, the President of Mexico from 1876 to 1880 and from 1884 to 1911.
The Frost Museum of Science had originally opened in 1950 under the name the Junior Museum of Miami and has since underwent several renovations and relocations. It had also been renamed in 1952 as the Museum of Science and Natural History and once again renamed in 2011 after Phillip and Patricia, two wealthy and influential Miami philanthropists who have donated and supported various educational institutes and museums throughout South Florida, including the University of Miami. In its current inception, the Frost Museum of Science is located in Downtown Miami's waterfront Museum Park and offers a variety of STEM (Science Technology Engineering and Math)-based exhibits, lectures, and shows. It is particularly well-known for hosting the show Star Gazers with Jack Horheimer (formerly Jack Horheimer: Star Hustlers and Jack Horheimer: Star Gazer).
This collection includes typescripts for the Star Gazers (Star Hustler) planetarium show, research files, exhibit files, exhibit prints, convention proceedings, pamphlets, historical news clippings, ephemera, periodicals, scrapbooks, photographs, event files, administrative records, and other archival documents pertaining to the Frost Museum of Science's day-to-day operations.
"An archive of ephemera detailing the short-lived Miami punk band, Screaming Sneakers, compiled by their drummer Mark Evans. The collection includes artwork, flyers, 28 letters, 12 photographs, maquettes, newspaper clippings, promotional material, and other items collected between 1981 and 1983 by Evans.
These items show the early days of the band in 1979 and their do-it-yourself rise to their only recordings in 1982. Featured throughout are various letters from fans and inquiring music writers including Mick Mercer of the English zines, ZigZag Mag and Panache Fanzine. In his letter he writes to frontwoman, Lisa, asking for an interview and saying, 'you seem to be a special sort of band.' Another letter is a retained copy of a note written by Mark to Blondie guitarist, Chris Stein, asking if his new record label, Animal Records, would be interested in the band. A group of 12 black and white band photos showing them posed around New York is featured here. A promotional poster for the band features a piece from the Miami News on Lisa which reads, 'she is more interesting simply sitting at her table than any of the bands cavorting on stage.'
Formed in 1979, the Screaming Sneakers were a punk, New Wave band based in Miami, Florida. The band consisted of then 17 year-old front woman Lisa Nash, Mark Evans (drums), Bud Gangemi (bass), and Gary Sunshine (guitar). Part of South Florida’s fleeting punk and new wave scene, the band was active mostly throughout Dade and Broward County. In 1982 they cut a four-song EP titled Marching Orders, which prompted new management, a move to New York, and a brief glimmer of fame, but despite their best efforts the band slowly faded into obscurity. Little enough is written on them, though they were recently featured in Gary McLaughlin’s 2012 documentary Invisible Bands, which covers the South Florida music scene between 1979 through the mid-1980’s.
An interesting collection of ephemera following a female fronted Miami punk Band’s short-lived time in the 1980s punk scene." -Between the Covers Rare Books
Jeanne Perkins Harmans was a journalist and writer residing in the Virgin Islands of the United States. The collection consists of materials from and regarding the Virgin Islands on a wide range of issues in the late 1950s and early 1960s, including political conditions and controversies, tourism, description of the islands, and race and sexuality concerns on the islands. Many of the items consist of correspondence with and type-written notes by Harmans, or clippings from newspaper articles by Harmans and others; but there are also reports, periodicals, brochures, bibliographies, and maps. Some of the correspondence concerns Harmans's publishing activities, including that of a 1691 book titled "The Virgins: Magic Islands." A signed copy of this book was contained in the collection, but later separated out and housed with the Special Collections monographs.
Simón Daro Dawidowicz was a businessman and art collector who resided in Miami, Florida. A long-time resident of Colombia, Dawidowicz had a strong interest in Latin American liberator Simón Bolívar and his lasting influence on Latin America. Dawidowicz was a member of several Bolivarian societies, president of the Bolavarian Review, and founded the non-profit organization Darien Action Committee, which sought to promote the completion of the Panamerican Highway from Panama to Colombia. Dawidowicz had strong connections with several prominent Latin American artists including Leopoldo Richter and David Manzur. He was a curator as well as a collector of their and others' work, and donated a number of their pieces to museums and institutions including the University of Miami. A mural titled "Bolívar and Humboldt" by Leopoldo Richter was donated by Dawidowicz to the University, and currently stands in front of the Otto G. Richter Library.
The Simón Daro Dawidowicz Bolivarian collection contains items pertaining to all of the above pursuits and interests. Much of it is correspondence and official records, or newspapers clippings and photographs that document his activities. There are a number of audiocassettes and film reels, and a single videocassette as well.
Of particular interest are a bust of Simón Bolívar that Dawidowicz had commissioned as a gift for former President Lyndon Johnson, as well as a box containing photographs, photographic prints, brochures, periodicals, and other forms of material depicting the works of a number of Latin American artists. These include David Manzur, Leopoldo Richter, German Tessarolo, Marlene Hoffman, Enrique Grau, Edgar Silva, Armando Villegas, Patricia Tavera, Ràmon Carulla, and Miguel Rojas Niño. Some of these items are signed by the artists.
Two family members of Dawidowicz, Miriam and Sylvia, were curators and donors of Latin American art as well, and several documents detailing their efforts are held within the collection.
Finally, the collection contains assorted personal photographs and several short stories written by Dawidowicz.
This collection contains news clippings, periodicals, reports, memos, correspondence, minutes, notes, research, and transcriptions pertaining to the Miami Snowplow Company.
The Hurricane Andrew collection contains two different series of materials regarding the 1992 hurricane.
Series I consists of photographs, writings, and artwork made by children representing their Hurricane Andrew experience. The majority of the materials are photographs, negatives, prints, photographic slides, writings about those photographs, and administrative documents from a project done at Southwood Middle School titled "The Eye of the Storm through the Eye of the Child." Administered and organized by Colette Stemple, a photography teacher at the school, the photographs depict damage done to their homes and their neighborhoods, and have accompanying text written by the children as well. The project was eventually on display in the Miami Art Museum one year after the landfall of Andrew, under the same name. Also included are drawings, poems, a bound volume titled "Hands On: The Day the Winds Came... Migrant Children Write About the Effects of Hurricane Andrew," reflections written by Caribbean Elementary School students, and a folder scrapbook on Hurricane Andrew's effects titled "In the Wake of Andrew."
Series II contains historic Miami Herald newspapers chronicling the Hurricane's impending landfall in South Florida, the actual landfall, and several weeks of the aftermath.
Ione Wright, a Professor Emeritus at the University of Miami, researched the development of Pan American Airlines' Transpacific service. The Ione Wright papers contain documents, oral histories, photographs, operations manuals, maps, and other materials related to the history of Pan American Airlines, including materials related to Victor Wright and materials documenting the establishment of routes in the Pacific.
The topical files document a variety of subjects related to Pan American Airlines, dating from 1920-1986. Ione Wright compiled many of the files during her research on the airline’s activities in the Pacific, including correspondence with former Pan Am employees and oral history transcripts. Also included are photographs, files related to the China Clipper, and a variety of Pan Am publications.
The collection also contains navigation manuals and operations manuals for Pan Am airplanes, including the B-727, the DC-4, the DC-6, and the DC-7, as well as operations manuals for Pan American Airlines’ Latin American Division.
Also included a variety of maps and aviation charts for parts of the United States, South America, and the Caribbean, as well as route maps for Pan American Airlines, and a map of the United States by John Melish from 1816.
Lastly, the collection contains oral histories from various Pan American World Airways, Inc. employees, stored on audiocassette tapes. Please see the attached .pdf for more information.
The Leila Míccolis Brazilian Alternative Press Collection consists primarily of political and countercultural pamphlets and periodicals, concrete poetry, neo-concrete poetry and other vanguard/avant-garde artistic experimentation, fanzines, film reviews, university publications, theater, and musical pieces.
As opposed to the commercial and widely-circulated press of "official" Brazilian governmental venues, the publications contained in the collection especially treat stigmatized or marginalized groups, such as Afro-Brazilians, women, sexual minorities. It accomplishes this goal by utilizing various mediums including literary pieces, editorial cartoons, political comics, sociopolitical critiques of "Brazilianness," humor, and the promotion of ecological and environmental awareness. The collection also contains a large variety of materials from the 1970s Marginália movement, a term used to describe a series of underground publications which circulated during the military dictatorship.
The collection was painstakingly accumulated over the course of forty-five years by Míccolis who decided to place the archive in a North American university so as to assure the preservation of the collection, as well as to prevent its censorship.
The Atlanta Cuban Club collection documents activities of Atlanta Cuban Club, an exile community organization. The mandate of Atlanta Cuban Club is to preserve Cuban traditions and culture. The materials consist of invitations, programs, correspondence and other publications from Atlanta Cuban Club.
The Cuban Refugee Center Records include correspondence, reports, publications, photographs, and clippings created and collected by the Cuban Refugee Center (CRC), in Miami in 1960 as part of a federal program to assist Cubans arriving at the United States as political refugees.
Dr. José Agustín Balseiro (1900-1991) was an award-winning author, poet, and scholar of Latin American Studies and Hispanic literature. He was also a professor of Hispanic Literature at the University of Miami from 1946 to 1967.
Throughout his career, Dr. Balseiro exhibited a strong interest in Latin American and Hispanic-American studies, Latin American and Spanish literature, and Puerto Rican history and literature. His papers, donated to the University of Miami, reflect all of these interests and range in date from his earliest activities as a writer in Spain to his final days working as a consultant to the University of Miami Libraries starting in 1974. Much of the content consists of correspondence, clippings, typescripts, and periodicals in which Balseiro’s writings were featured. Also included is sheet music belonging to his father, Rafael Balseiro, who was a Puerto Rican composer.
Of special note are three bronze medallions: (1) from the Instituto de Cultura Puertorriquena, commemorating el primer Centenario del Natalicio de Luiz Muñoz Rivera (the centennial of the birth of Luiz Muñoz Rivera); (2) from the Instituto de Cultura Puertorriquena, commemorating el Centenario de la Abolición de la Esclavidud in Puerto Rico (the centennial of the abolition of slavery in Puerto Rico); and (3) from the University of Panama commemorating the first 25 years of the University’s existence.
An ongoing collection of zines added to the holdings of the University of Miami Libraries Special Collections. Zines are typically independent and self published booklets popular in underground subcultures. The first zines were fanzines, started in the early 20th century by science fiction fans documenting the genre. The format truly took off with the punk rock movement of the 1970s, as a do-it-yourself spirit inspired legions of underground punk fans to start raw but vibrant journals documenting the nascent music scenes in their communities. Zine topics would broaden throughout the 1980s and 1990s to cover a variety of subject areas, from comics to anarchist politics to women’s rights, to more mundane subjects like dumpster diving, alternative fashions, tattoo art, and much more. Despite the expansion of topics, the format usually remained the same—self-published booklets printed in limited editions and typically produced with a photocopy machine.
The Beaux Arts collection consists of scrapbooks, newspaper clippings, brochures, photographs, and magazines related to the Beaux Arts Organization and the annual Beaux Arts Festival that takes place in South Florida, which is usually co-hosted by University of Miami.
The personal papers of Frederick H. Koch, dramatist and educator, were donated to the University of Miami Archives by his son Fred H. Koch Jr., a Professor in Drama here at the University of Miami from 1939 to 1977. The collection was received in the early 1950's. Frederick H. Koch was a famous dramatist and gained fame from the founding of two major college theatre troupes as well as through his involvement in the production of native American folk drama.
The Frederick H. Koch Collection contains the personal papers of Frederick H. Koch and material he collected throughout his lifetime. The material extends from 1823 to 1947, with the bulk of the material concentrated in the period of time between 1905 and 1944. The bulk of the collection is composed of theatre programs collected by Koch. These come mainly from New York but there is a good selection of theatre programs from other parts of the United States. Many of these programs date prior to Koch's birth.
The personal papers are composed mainly of material from Koch's work as an English and drama professor at the University of North Dakota (1905-1918) and the University of North Carolina (1918-1944), including a large number of folk plays written by his students.
The correspondence in the collection is mainly correspondence within the Koch family, including many letters between Koch and his four sons: Robert, Fred Jr., Bill, and George.
Of special interest to the University of Miami is a folder containing material related to the University and the University of Miami Playmakers founded by Fred H. Koch Jr. in the 1940's.
