The Elián González Collection consists of copies of newspaper clippings and court orders documenting the case of the Cuban refugee child Elián González.  In 1999 when he was five years old, González was rescued at sea off the Florida coast. His mother had drowned during their passage from Cuba on a raft.  Relatives in Miami took custody of him and fought to keep him in the United States instead of being returned to Cuba with his father. In addition to clippings, the collection also includes memorabilia and photographs.  Clippings have been added to the collection following up on González, who returned to Cuba with his father in April 2000 after a months of court cases and protests in Miami's Cuban-American community.

The Elena Zayas Collection contains the personal papers of Elena and Mario Zayas, including historical documents, articles and news clippings, correspondence, data on Cuban names, sayings, and music, documents from Club Leones Cubanos in New York City, teaching materials, and Elena's term papers from Columbia University.

Contains one phonograph of Eisenhower presidential campaign spots and newspaper clippings regarding World War II.

Edward C. Dougherty was a Government Administrator and United Nations Expert in taxation for Latin America, as well as a private practitioner of law in the Miami area, specializing in Latin American matters. His papers consists predominantly of materials concerning real estate in Brazil, in the form of letters, maps, notes, photocopies, clippings, photographs, pamphlets, and reports.

This collection contains materials related to University of Miami's 1970 celebration of Earth Day. Materials contained with include filmed coverage of the event for both radio and TV, correspondence, clippings, and press releases.

The papers consists primarily of photographs, including an album, of various University of Miami field classes in botany, zoology and marine biology. The collection also includes newspaper clippings featuring Dr. E.M. Miller, Head of the zoology department at the University of Miami.

Dr. Murray Sanders was a physician and medical researcher with the University of Miami and Variety Children's Hospital. He was the former chairman of the Department of Medical Research of the University of Miami. His papers consist of correspondence, periodicals, essays, photocopies of articles and essays, and newspaper clippings regarding medical research. Also included are photographs and prints of Dr. Sanders, as well as a biography and a curriculum vitae.

The papers consists of correspondence, photographs, clippings, publications, awards, certificates and medals, speeches and various other materials documenting the life and work of Dr. John O. Brown, first African American Ophthalmologist in Florida and the first African American President of the American Medical  Association. The collection also includes clippings, sermons, speeches and photos of African American folklorist, Rev. William Faulkner.

The Dorothy E. Mills Flight Attendant papers contains materials related to her tenure as a stewardess of the Latin American Division and later chief stewardess of the Atlantic Division for the Pan American World Airways in the 1940s. Held in the collection are the following items:

Four letters by Mills to William Brown, Head of Special Collections in 1997, discussing the materials donated to the collection and her history with the Pan American World Airways.

An acceptance letter, an award letter (written and signed by founder Juan Trippe), and a resignation letter from Pan American World Airways.

23 8" x 10" photographs of Pan American World Airways flight attendants, with accompanying descriptions.

A scrapbook of clippings, photographs, and other materials by Mills about her life as a Pan American World Airways flight attendant

Two issues (including two duplicates) of Clipper Magazine, both containing articles about Mills.

Six newspaper clippings about Pan American World Airways.

The papers document activities of Delfín Rodríguez Silva as a reporter. The bulk of materials includes two scrapbooks with articles published by newspapers, mostly in New York and in other North-Eastern cities in the United States, about various Cuban organizations during the early years of exile.  The materials also include a report written by Rodríguez Silva and clippings about Cuban birds.

This collection contains manuscripts, drafts, notes, poems, short stories, translations, and unpublished works by the award-winning Guatemalan author and translator, David Unger (1950-). Also featured within the collection are his correspondence (both personal and work-related), photographs, his education files from elementary school to university, book contracts, book reviews, article clippings, and artwork and prints by the artist, Walter Mosley.

The Daughters of the American Revolution (D.A.R.) Coral Gables Chapter Records consists of scrapbooks, correspondence, photographs, clippings, awards, certificates, yearbooks, periodicals, and other documents pertaining to the chapter, ranging from 1926 to 2000. The scrapbooks document the affairs and activities of the chapter primarily by means of photographs and clippings, but often a contextual or historical narrative is added as well. A few materials, largely yearbooks of other chapters or conference proceedings, not specifically from the Coral Gables chapter are also included.

"An archive containing material around the 1980s all-girl "punk-polka" band, Das Furlines, from New York. The lineup included Wendy Wild, Liz Luv, Holly Hemlock, Deb O'Nair (also of the Fuzztones), and Rachel Amodeo. Dubbed as an 'all-female quintet from N.Y.C. that derives their sound from a frothy blend of polka, bohemia, psychedelia, and dementia.' They released their debut album, Das Furlines Go Hog Wild, in 1985 on their own label, Palooka Records. During this time, they were also featured on Entertainment tonight and Andy Warhol's 15 Minutes.

Das Furlines garnered a reputation for sexually charged shows and their second album, The Angry Years, released in 1988 was 'an erotic concept album inspired by the self-help book Women Who Love Too Much.' They claimed to be 'healthier than slam dancing, sexier than a surf party, quicker than Schopenhauer.' The archive features professional photo shoot contact sheet and four 8"x10"  prints showing the women of the band posed presumably for cover art and publicity images. One of these photos has women posing with Frank Zappa. A smaller 5"x7" photo shows a close up of an androgynous woman in sunglasses singing. Also included is a zine entitiled "Das Furlines Cookbook" and includes "Das Furlines Data Sheers" with information about each member as well as recipes for the food and drink that each woman liked. One of the flyers advertises a Das Furlines show at the legendart punk venue, CBGBs, where they played alongside Vernon Reid's Living Colour, Rod & Cones, and the Wild Stares. In an article featured on a flyer maquette Wild says 'most of the time we wear these elaborate headdresses that we made with Viking horns on them, of a bunch of snakes like a Medusa crown, so we have our arts and crafts side to the band. And we wear a lot of fur and frilly Alpine beerhall maid type of things, like braids in our hair and that.' She continues, 'it's a real yuk 'em up kind of show, you know, like drinking down steins of beer and polkaing onstage. It's really flipped-out garage polka music... the grandparents will love it, the kids will scream, and the teens will go berserk.' The band disbanded in 1988 but reunited in 1996 as a benefit for Wendy Wild's medical bills during her battle with breast cancer which she ultimately lost later that year." -Between the Covers Rare Books

The Daniel O. Graham papers contains a variety of materials from Graham's military career and his work in United States intelligence and defense. Included are Westmoreland vs. CBS trial papers, documents on Arlington politics, a series of drafts about Project High Frontier, materials on Soviet-American relations, materials on the Strategic Defense Initiative and the CIA, personal and official correspondence, press clippings and newspapers, manuscripts, articles, essays, awards, and other materials.

The Cuban Museum of Arts and Culture Records contains institutional records and historial materials produced and/or collected by the Cuban Museum of Arts in Culture during its operation in the late 20th century in Miami.

The institutional records series consists of the operational records of the business activities of the Cuban Museum of Arts and Culture. Materials include financial records, official correspondence, board of directors meetings minutes, policies and procedures, exhibition planning documents, project proposals, artists' files, and resumes.

The historical materials series include paintings, lithographs, photographs, drawings by Cuban artists, original musical scores and songs, slides of art work, programs, clippings with reviews of exhibits, correspondence, posters, objects. The series also includes personal papers and photographs of Emilio Bacardí and other family members, which have been digitized on the University of Miami Digital Collections website. Other personal papers of note that have been arranged together include the personal papers of Carlos Hevia, Don Azpiazu, and Natalio Galán. Azpiazu's and Galán's papers include significant music holdings.

This collection is still in processing and updated container lists will be added as they are made available.