Coleção CHC0339 - Lydia Cabrera Papers

Elementos de identidade

Código de referência


Nome e localização da entidade custodiadora

Nível de descrição



Lydia Cabrera Papers


  • 1910-1991 (Produção)


76 Boxes

Nome do produtor

História biográfica

Lydia Cabrera was born in Havana, Cuba on May 20, 1899. Her father, Raimundo Cabrera, was a lawyer. He was a member of the pro-independence intellectuals known as the “generation of 1868” and founder of the literary and political magazine Cuba y America. Lydia, an avid reader, was taught at home. She was strongly influenced by her father’s nationalist feelings and cultural background, her sister Emma’s love of art, and her nannies’ African and Afro Cuban stories, language and traditions.

Lydia completed her secondary school without ever attending classes and started auditing college courses. Although she published her first articles in the Diario de la Marina at age eighteen, her first love was painting, and she attended the San Alejandro Academy of Arts for a brief period.

In 1927, Cabrera moved to Paris to study painting and remained in France for eleven years. Graduating from L'Ecole du Louvre in 1930, she subsequently studied with Russian exile artist Alexandra Exter. During this time, Lydia began to study Asian cultures and religions, and her research in this area lead to a renewed interest in Afro Cuban culture. Later in her life, Cabrera stated that she “discovered Cuba in the banks of the Seine”.

During short trips to her native country while living in Paris, Cabrera began to make preliminary contacts with the future informants of her ethnology research. Back in Paris, she wrote her first Cuentos Negros. The stories were read at literary gatherings and later published in several reviews such as Cahiers du Sud, Revue de Paris, and Les Nouvelles Littéraires. A French translation by literary critic Francis de Miomandre was published by Gallimard in 1936 as a collection entitled Contes Nègres de Cuba.

Cabrera returned to Cuba in 1938 with the purpose of doing research on the subject of folklore, conscious of the need to preserve this vital element of Cuban culture for posterity. The first Spanish edition of Cuentos negros de Cubawas published in1940 in Havana; a second work of fiction, ¿Por Qué? Cuentos Negros de Cuba, Colección del Chicherekú, was published in 1948.

Cabrera distinguished her work by writing with a new voice and style and positioned herself at the forefront by conducting field research, which required her to spend years gaining the trust of her informants. She traveled within the island conducting interviews, collecting oral histories, recording stories and music, documenting rituals and practices, and cataloging “Africanisms” of Cuban Spanish. The result was El Monte (The Forest or The Wilderness), published in 1954, a formative work on Afro Cuban religions and liturgy.

Cabrera left Cuba as an exile in 1960 and she did not produce any writing for ten years. In 1970, Cabrera published Otán Iyebiyé, Las Piedras Preciosasand in 1971 the third volume of “cuentos negros” Ayapá: Cuentos de Jicotea, followed by other publications. She published one of her most well known works, Anaforuana, about the secret Abakuá society, in 1975. Her writings in exile are considered by some critics to be among her best because of the intellectual and emotional maturity she had achieved. She had become internationally recognized and honored for her contributions to literature, ethnology and anthropology.

She died in Miami on September 19th, 1991. During her long and prolific career Cabrera produced what is considered the most complete and important body of research on Afro Caribbean religions and folklore. She was one of the first to recognize the richness of African culture and its vital contributions to Cuban identity. Her work remains a leading authority of Afro Cuban culture.

Elementos de conteúdo e estrutura

Âmbito e conteúdo

The Lydia Cabrera papers document the life and career of writer and ethnographer Lydia Cabrera, one of the 20th century’s leading writers on Cuban folklore and an internationally known chronicler of Afro-Cuban culture and religion. The materials include correspondence, manuscripts of her works, field notes,interviews, photographs, illustrations, and memorabilia. This collection also contains documentation about the restoration of several colonial buildings in Cuba.

A highlight of the collection are the libretas, or notebooks, collected by Cabrera from Santeria priests and priestesses that document rituals and religious practices of the Afro-Cuban faith. These are found in Series 3 along with her manuscripts and field notes.

Part of this collection has been digitized and is available in the University of Miami Digital Collections online repository.

Sistema de organização

This collection is arranged into eight series: Series 1: Correspondence, circa 1910-1991 Series 2: Personal Papers, 1916-1992 Series 3: Works and Research Files, 1930-1987 Series 4: Photographs, 1901-1991 Series 5: Colonial Cuba, undated, 1559-1940s Series 6: Writings by Others, 1885-1991 Series 7: Memorabilia and Art Work, 1865-1986 Series 8: Teresa María Rojas Papers, 1959-1978

Condições de acesso e uso dos elementos

Condições de acesso

This collection is open for research. Box 27A is restricted due to the fragile nature of the originals. Facsimile copies of the materials in that box are available for research use.

Acesso físico

Acesso técnico

Condiçoes de reprodução

Since 2017, literary rights to the works authored by Lydia Cabrera, both published and unpublished, are held by the Cuban Heritage Collection. Requests to publish or display materials from this collection require written permission from the rights owner. Please contact for more information.

Idiomas do material

  • espanhol

Escrita do material

Notas ao idioma e script

Instrumentos de descrição

Instrumento de pesquisa gerado

Aquisição e avaliação de elementos

História custodial

This collection was to an extent reprocessed in Spring 2012 to update the container list to correspond with physical holdings.

Fonte imediata de aquisição

Gift of Lydia Cabrera, 1991.  Additional materials were donated in 2006 by Jose de Armas and in 2007 by Isabel Castellanos.

Informações de avaliação, seleção e eliminação

Ingressos adicionais

Elementos de materiais relacionados

Existência e localização de originais

Existência e localização de cópias

Selected materials from Series 1: Correspondence and Series 2: Photographs of this collection have been digitized.

Material arquivístico relacionado

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Regras ou convenções

Fontes utilizadas

Nota do arquivista

Finding aid updated by Amanda Moreno, January 2019.

Pontos de acesso

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