VHS

Référentiel

Code

Note(s) sur la portée et contenu

  • Standard size and format for consumer-level analog recording on videotape cassettes. Describes a videotape one-half inches in width (12.7mm); this videotape format, known primarily as VHS (Video Home System), was developed in the 1970s for use with home videocassette recorders. It contains 240 lines of horizontal resolution.

Note(s) sur la source

  • AAT

Note(s) d'affichage

Termes hiérarchiques

VHS

Terme générique Videocassettes

VHS

Termes équivalents

VHS

Termes associés

VHS

110 Description archivistique résultats pour VHS

110 résultats directement liés Exclure les termes spécifiques

University of Miami Service Employee International Union (SEIU) and Unicco records

  • ASU0338
  • Collection
  • 2005-2006

This collection documents the nine-week worker's strike and protest by University of Miami's janitors who were a part of the Service Employee International Union (SEIU) in 2006. The collection contains audio-visual materials (CDs and DVDs), correspondence, newspaper clippings, pamphlets, newsletters, posters, memos, and contracts.

Sans titre

Evan H. Rhodes papers

  • ASM0728
  • Collection
  • circa 1940s-2000s

Born in New York City, Evan H. Rhodes (1929-2010) is a noted Key West-based author who penned many novels over the course of his lifetime, including the novel, The Prince of Central Park, which had been adapted into both a feature-length film and a musical. He graduated from New York University with a Master of Arts degree and then worked as a screen reader for Columbia Pictures and Universal International before settling down in Key West to write novels. He was also a member of the Author's League of America, the NYU Alumni Federation, and the Library of the British Museum and had exhibited his own sculptures at the Washington Square Gallery in New York City.

His papers contain a wide arrange of material documenting his noteworthy literary career, including manuscripts, playscripts, drafts, notes, research files, promotional materials, news clippings, reviews, correspondence, poetry, audio-visual materials, photographs, and ephemera.

Sans titre

Joseph L. Herndon papers

  • ASM0709
  • Collection
  • circa 1920s-2017

Joseph L. Herndon (1948-2021) was a historical preservationist who aided in several global restoration projects, including the Old Spanish Fort (1730) in Pascagoula, Mississippi; Qasr Ibrihim (1600's) in Hoffuf, Saudi Arabia; the Old Post Office (1897) in Washington, D.C.; The Rugby Colony (1880's) in Rugby, Tennessee; Union Station (1900) in Nashville, Tennessee; The Germantown neighborhood revitalization (1840's) in Nashville, Tennessee; The Biltmore Hotel (1926) in Miami, Florida. His papers include a large breadth of information and research pertaining to the Biltmore Hotel, the Panama Canal, Turkey, the Deering Estate, resorts, and other areas of interest to Joseph Herndon. Material types represented within include audio-visual materials (CD-ROMS, VHS, photographs, slides), print-outs, administrative files, financial files, travel brochures, ephemera, architectural plans, interior design samples, research files, reports, proposals, periodicals, and 3D objects.

Sans titre

Bustillo Family collection

  • CHC5550
  • Collection
  • 1855-2000

The collection contains Cuban stamps from 1855-2000; materials related to José Lezama Lima, including a LP of his poems, a photocopy of "Coloquio con Juan Ramón Jiménez," and genealogical information; a typescript of "El mar que me circunda" by Juana Rosa Pita, and an invitation to the exhibition "Pablo Cano: The Toy Box" (2004). The collection also contains a VHS tape with footage of the donation of letters from José Lezama Lima to the Cuban Heritage Collection.

Sans titre

Karen Rifas papers

  • ASM0753
  • Collection
  • 1970-2023

This collection contains exhibit promotional materials, correspondence, periodicals, news clippings, sketchbooks, art work, photographs, audio-visual materials (VHS, CD-Rs, floppy disks, Hi8 videocassette tapes), administrative files, and other related archival materials from the local Miami artist, Karen Rifas.

Sans titre

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