The Nicaragua collection documents the Nicaraguan diaspora living in Miami during the 1980s and the political and social conditions in Nicaragua from the 1979 Sandinista revolution onward until their loss of power in 1990.

Many of the materials falling into the latter category are from the United States in origin, such as anti-Soviet propaganda endorsing the anti-Sandinista "Contra" Freedom Fighters, pamphlets that describe the Sandinista government and Central America in general from an American perspective, and periodicals and reports about Nicaragua written to an American audience. The materials that document the Nicaraguan diaspora are mostly fliers, menus, calendars, brochures, and other genres that were from local Nicaraguan businesses, restaurants, clubs, and other organizations. Some of the materials transcend these two categories, as many that concern the political conditions are addressed to or produced by Nicaraguan exiles.

A large part of the collection consists of photocopies of news articles.

Writers that are especially represented by the collection include Ruben Dario, Esteban Duque-Estrada, and Luis Mejia Gonzalez. Associations and organizations that are especially represented include Alanzia Revolucionaria Democrática (ARDE), American Defense Foundation, American Defense Lobby. Asociación Nicaragüenses en el Exilio, Asociación Nicaragüense pro Derechos Humanos, Bloque Opositor del Sur (B.O.S.), Council for Interamerican Security, Fundación Ruben Dario, Nicaraguan American Solidarity (NICAS), Nicaraguan Freedom Fighters, Partido Conservador de Nicaragua, Partido Socialcristiano de Nicaragua en el Exilio, Resistencia Nicaragüense, and Unidad Nicaragüense Opositora (UNO). Materials from some of these were grouped together in a series titled "Associations."

Also of notice are brochures advertising tourism to Nicaragua during the Sandinista regime, and memorabilia such as a handmade Nicaraguan crest, Nicaraguan paper money from the Sandinista era, and a pin that says "If you like Cuba you'll love Nicaragua."

The Art in Miami collection contains brochures, flyers, exhibit catalogs, pamphlets, handouts, and other ephemera documenting art and art-related activities in Miami, with material going as far back as 1996. Included are items from galleries, such as the Alejandra von Hartz Gallery, the Miami International Airport Gallery, and Lowe Art Museum Gallery, as well as various other local museums, art fairs, shows, and the Wynwood Arts District. The collection also includes brochures, programs, maps, handouts, and ephemera from the Art Basel show in Miami Beach, beginning with Art Basel 2009.

Malaika, a handbook published in the 1970s and 1980s, lists resources and organizations by and for the Black students and faculty of the University of Miami.  Malaika is an African term,  of Swahili origin, which means togetherness.

Earlier editions are subtitle "United Black Students' Handbook," and later editions are subtitled "Chronicle of Black Affairs."

A 1969 brochure of Black Culture Week was also found with the booklets.

Photocopy of 6 pages from Florida Architecture with text and pictures about Coral Harbour Club designed by Robert Fitch Smith

The collection consists of the CDs donated by various donors.  The topics on the CDs include Martí, poems by Lourdes Simón, Cuban music, afro-Cuban music recorded by Lydia Cabrera and Josefina Tarafa, the Legacy of Lydia Cabrera exhibit, 16 issues of Revista Hispano Cubana published in Madrid, performances of Bodas de Sangre and Fresa y Chocolate, photos of Havana and Vinales Cienfuegos, 169 photographs of Cuba from 2000-2006 taken by L. Edward Tillett, III, four books by Waldo Leyva, copies of one book and several periodicals from the Batista government, including: "El libro de la victoria, 1933-1935; Circulo Militar y Naval: Revista, 1956-1958; Anuario Sin estribos, 1935/1936, 1942; Memorias and Escuela de Cadetes, 1937-1954.

This collection consists of the technical files and papers of John G. Borger (1913-2011), who served as Pan American World Airways, Inc.'s Vice President and Chief Engineer. His materials document the development and acquisition of: Boeing aircrafts, including the 377 Stratocruiser, B-707 and B-747; the Douglas DC-6B, DC-7B, and DC-7C, the DC-8 jet; the Lockheed Constellation and the L-1011; the Convair CV-240; the Dassault Falcon 20, 10, and 50; the Pratt and Whitney and Rolls Royce engines, including the JT9D; and the Supersonic Transport (SST) aircraft.

Types of materials retained in the collection include: pamphlets, programs, engineering information, studies, evaluation reports, manuals, personal notes taken by John G. Borger, lectures, typescripts, correspondence, diagrams, flight path drawings, periodicals, research, articles, ephemera, newsclippings, and 3D material objects.

Simón Daro Dawidowicz was a businessman and art collector who resided in Miami, Florida. A long-time resident of Colombia, Dawidowicz had a strong interest in Latin American liberator Simón Bolívar and his lasting influence on Latin America. Dawidowicz was a member of several Bolivarian societies, president of the Bolavarian Review, and founded the non-profit organization Darien Action Committee, which sought to promote the completion of the Panamerican Highway from Panama to Colombia. Dawidowicz had strong connections with several prominent Latin American artists including Leopoldo Richter and David Manzur. He was a curator as well as a collector of their and others' work, and donated a number of their pieces to museums and institutions including the University of Miami. A mural titled "Bolívar and Humboldt" by Leopoldo Richter was donated by Dawidowicz to the University, and currently stands in front of the Otto G. Richter Library.

The Simón Daro Dawidowicz Bolivarian collection contains items pertaining to all of the above pursuits and interests. Much of it is correspondence and official records, or newspapers clippings and photographs that document his activities. There are a number of audiocassettes and film reels, and a single videocassette as well.

Of particular interest are a bust of Simón Bolívar that Dawidowicz had commissioned as a gift for former President Lyndon Johnson, as well as a box containing photographs, photographic prints, brochures, periodicals, and other forms of material depicting the works of a number of Latin American artists. These include David Manzur, Leopoldo Richter, German Tessarolo, Marlene Hoffman, Enrique Grau, Edgar Silva, Armando Villegas, Patricia Tavera, Ràmon Carulla, and Miguel Rojas Niño. Some of these items are signed by the artists.

Two family members of Dawidowicz, Miriam and Sylvia, were curators and donors of Latin American art as well, and several documents detailing their efforts are held within the collection.

Finally, the collection contains assorted personal photographs and several short stories written by Dawidowicz.

Hervey Allen was a literature professor, poet, World War I veteran, and Trustee of the University of Miami from 1936 until 1949, the year that he died. Allen had a formative influence on the "Friends of the University" organization, as well as on Latin American studies at the University.

The collection consists of letters both by Allen and about Allen after his passing away, clippings about Allen and his writings, photographs, photocopies and typescripts of Allen's writings, and obituaries including an official University of Miami memorial.

The Florida Philharmonic, Inc. Records contain financial records, administrative files, and scrapbooks pertaining to the Greater Miami Philharmonic, which later became known as the Florida Philharmonic under conductor Brian Priestman.

The James Baxter collection contains Florida related materials. Included are a deed of sale and title of a house in Flagler; theater publications from the Coconut Grove Playhouse, the Miami Summer Star Theater, and the Dade County Auditorium Playgoer; postcards from Key West, Ft. Lauderdale, Port Everglades, Fort Myers, Palm Beach, and Miami Beach; a series of photographs of historic sites in Florida, largely lighthouses; a 1903 periodical titled "Liberty Boys of '76: The Liberty Boys in Florida, 1903"; an 1883 Vol XIX issue of Dime Beadle's New York Library, subtitled "Alligator Ike; or The Secret of the Everglade. A Tale of the Outlaws of the Okeechobee"; and a photocopy of the latter periodical.

Jeanne Perkins Harmans was a journalist and writer residing in the Virgin Islands of the United States. The collection consists of materials from and regarding the Virgin Islands on a wide range of issues in the late 1950s and early 1960s, including political conditions and controversies, tourism, description of the islands, and race and sexuality concerns on the islands. Many of the items consist of correspondence with and type-written notes by Harmans, or clippings from newspaper articles by Harmans and others; but there are also reports, periodicals, brochures, bibliographies, and maps. Some of the correspondence concerns Harmans's publishing activities, including that of a 1691 book titled "The Virgins: Magic Islands." A signed copy of this book was contained in the collection, but later separated out and housed with the Special Collections monographs.

The Minnie Moore Willson Papers document the life and career of a noted Florida writer and advocate for the Seminole Indians of Florida. The Papers also include materials related to her husband James Mallory Willson, a prominent Kissimmee businessman and a defender of Seminole Indian rights. The Papers were purchased by the University of Miami in the late 1940s from the Elizabeth Aultman Cantrell Historical Museum in Kissimmee, Florida. Selected materials from the Papers, including books, maps, pamphlets and some periodicals were removed from the collection and sent to the appropriate areas in the Library.

The collection includes material from Minnie Moore Willson as well as material from her husband James Mallory Willson. The Minnie Moore Willson Collection consists of correspondence with individuals including Florida Senator Duncan Fletcher and Florida Representative Ruth Bryan Owen.  Correspondence files also include letters with Seminole Indians such as Billy Bowlegs, Tony Tommie and other prominent Seminole Indian chiefs. The collection contains a number of manuscripts by M.M. Willson related to the Seminole Indians and such issues as the equality of blacks and Southern politics. Additional material relates to the creation of a bird sanctuary in Kissimmee, Florida.

James M. Willson's papers contain business records including correspondence, abstract of titles (original and copies) scrapbooks, and financial records from the 1880's to the 1930's (in the latter years Minnie Moore Willson handled the business correspondence due to illness). Correspondence deals with Mr. Willson's real estate and insurance business in the Kissimmee area. The files also contain manuscripts, correspondence and material collected or written by Elizabeth Cantrell, niece of James Mallory Willson. Correspondence to and from S.B. Aultman (Elizabeth Cantrell's father and brother-in-law of J.M. Willson)and letters with Dr. Howard Kelly, a family friend and widely known surgeon are also organized in these files.

The collection also includes several newspaper clippings from the late 1800's through the 1930's. The majority of these clippings are from Florida-based newspapers. Several maps of Florida have been removed from the collection and placed with Map Collection.

Also included are photographs of the Willsons, Seminole Indians, plants, and animals. The collection also includes postcards depicting scenes from Florida and the United States.

The Spencer Family papers contains a number of personal items pertaining to various members of the Spencer family, in the form of books, clippings, journals, manuscripts, memorandums, news bulletins,  newspapers, notebooks, pamphlets, periodicals, photographs, poetry, postcards, reports, and scrapbooks.

The Billy Matthews collection documents the work of Terry Miller and Terry Helbing co-founders in the 1980's of the Meridian Gay Theater Production Company in New York. The archives include typescripts, clippings, articles, contact lists, reviews, and research files on various plays, theatrical history, and playwrights. The correspondence reflects the administrative history of the Meridian Gay Theater.

The Hurricane Andrew collection contains two different series of materials regarding the 1992 hurricane.

Series I consists of photographs, writings, and artwork made by children representing their Hurricane Andrew experience. The majority of the materials are photographs, negatives, prints, photographic slides, writings about those photographs, and administrative documents from a project done at Southwood Middle School titled "The Eye of the Storm through the Eye of the Child." Administered and organized by Colette Stemple, a photography teacher at the school, the photographs depict damage done to their homes and their neighborhoods, and have accompanying text written by the children as well. The project was eventually on display in the Miami Art Museum one year after the landfall of Andrew, under the same name. Also included are drawings, poems, a bound volume titled "Hands On: The Day the Winds Came... Migrant Children Write About the Effects of Hurricane Andrew," reflections written by Caribbean Elementary School students, and a folder scrapbook on Hurricane Andrew's effects titled "In the Wake of Andrew."

Series II contains historic Miami Herald newspapers chronicling the Hurricane's impending landfall in South Florida, the actual landfall, and several weeks of the aftermath.

The Frost Museum of Science had originally opened in 1950 under the name the Junior Museum of Miami and has since underwent several renovations and relocations. It had also been renamed in 1952 as the Museum of Science and Natural History and once again renamed in 2011 after Phillip and Patricia, two wealthy and influential Miami philanthropists who have donated and supported various educational institutes and museums throughout South Florida, including the University of Miami. In its current inception, the Frost Museum of Science is located in Downtown Miami's waterfront Museum Park and offers a variety of STEM (Science Technology Engineering and Math)-based exhibits, lectures, and shows. It is particularly well-known for hosting the show Star Gazers with Jack Horheimer (formerly Jack Horheimer: Star Hustlers and Jack Horheimer: Star Gazer).

This collection includes typescripts for the Star Gazers (Star Hustler) planetarium show, research files, exhibit files, exhibit prints, convention proceedings, pamphlets, historical news clippings, ephemera, periodicals, scrapbooks, photographs, event files, administrative records, and other archival documents pertaining to the Frost Museum of Science's day-to-day operations.

"An archive of ephemera detailing the short-lived Miami punk band, Screaming Sneakers, compiled by their drummer Mark Evans. The collection includes artwork, flyers, 28 letters, 12 photographs, maquettes, newspaper clippings, promotional material, and other items collected between 1981 and 1983 by Evans.

These items show the early days of the band in 1979 and their do-it-yourself rise to their only recordings in 1982. Featured throughout are various letters from fans and inquiring music writers including Mick Mercer of the English zines, ZigZag Mag and Panache Fanzine. In his letter he writes to frontwoman, Lisa, asking for an interview and saying, 'you seem to be a special sort of band.' Another letter is a retained copy of a note written by Mark to Blondie guitarist, Chris Stein, asking if his new record label, Animal Records, would be interested in the band. A group of 12 black and white band photos showing them posed around New York is featured here. A promotional poster for the band features a piece from the Miami News on Lisa which reads, 'she is more interesting simply sitting at her table than any of the bands cavorting on stage.'

Formed in 1979, the Screaming Sneakers were a punk, New Wave band based in Miami, Florida. The band consisted of then 17 year-old front woman Lisa Nash, Mark Evans (drums), Bud Gangemi (bass), and Gary Sunshine (guitar). Part of South Florida’s fleeting punk and new wave scene, the band was active mostly throughout Dade and Broward County. In 1982 they cut a four-song EP titled Marching Orders, which prompted new management, a move to New York, and a brief glimmer of fame, but despite their best efforts the band slowly faded into obscurity. Little enough is written on them, though they were recently featured in Gary McLaughlin’s 2012 documentary Invisible Bands, which covers the South Florida music scene between 1979 through the mid-1980’s.

An interesting collection of ephemera following a female fronted Miami punk Band’s short-lived time in the 1980s punk scene." -Between the Covers Rare Books