Natalia Aróstegui Bolognini

Zona de identificação

tipo de entidade

Pessoa singular

Forma autorizada do nome

Natalia Aróstegui Bolognini

Forma(s) paralela(s) de nome

Forma normalizada do nome de acordo com outras regras

Outra(s) forma(s) de nome

identificadores para entidades coletivas

área de descrição

Datas de existência

Histórico

Natalia Aróstegui Bolognini was born in Camagüey, Cuba. She was known for her cultivation of the fine arts in Cuba and New York. She worked with the "Pro Arte Musical" Society of Havana, starting in the early 1930s, first as librarian for the Society and then as dean of music and singing courses, being a performer herself. On June 30th, 1931, she facilitated the opening of the Society’s School of Ballet. It was the first ballet school to be founded in Cuba and likely the first in Latin America. The opening of the school was a first step towards the development of classical ballet in Cuba, which has since played a central role in society and is a highlight of Cuba’s cultural position in the world. Later she would go on to sponsor musicians and artists in New York, including Alicia Alonso, Rita Montaner, the composer Ernesto Lecuona, and more. Natalia was married to the famous violinist and concertmaster Remo E. Bolognini from Buenos Aires, Argentina.

Aróstegui was named vice consul of Cuba in New York and served for almost thirty years before 1959. In 1938, she was distinguished by Las Asociaciones Femeninas (The Women’s Association of Cuba) as one of the first women to hold a foreign service consular position.

Aróstegui hailed from an Aristocratic Camagüen family that originally immigrated to Cuba from Spain in the late 17th and early 18th centuries. Natalia’s work was influenced by her father, Gonzalo Aróstegui y del Castillo, a famous Cuban surgeon who also served as Secretary of Education in the 1920s. He was appointed Secretary of Public Instruction and Fine Arts in 1919, subsequently taking charge of founding the Institutes of Camagüey and Matanzas. Aróstegui’s niece, Natalia Bolívar, was deeply influenced by her aunt’s (her mother’s sister’s) cultural values and education and went on to become a well-known artist, writer and researcher of Afro-Cuban culture and religion in Cuba under Lydia Cabrera. In her interviews she mentions the influence that her family, including aunt Natalia and the time spent with her in New York before 1959, impacted her life and work.

Locais

Estado Legal

funções, ocupações e atividades

Mandatos/Fontes de autoridade

Estruturas internas/genealogia

Contexto geral

Área de relacionamento

Área de pontos de acesso

Pontos de acesso - Assuntos

Pontos de acesso - Locais

Zona do controlo

Identificador de autoridade arquivística de documentos

Identificador da instituição

Regras ou convenções utilizadas

Estatuto

Final

Nível de detalhe

Máximo

Datas de criação, revisão ou eliminação

Línguas e escritas

  • inglês

Script(s)

Fontes

Volver a la fuente - https://www.cubanet.org/htdocs/CNews/y08/mar08/19cronica4.html

Socarrás, Prio. Homenaie Nacional De Las Asociaciones Femeninas Al Honorable Presidente De La República Dr. Carlos Prio Socarrás. 2 June 1949. MS Feminism in Cuba: Women's Movement in Cuba, 1898-1958: The Stoner Collection on Cuban Feminism. Unknown. Archives Unbound, https://link.gale.com/apps/doc/SC5100587626/GDSC?u=miami_richter&sid=GDSC&xid=a5924505

Gonzalo Aróstegui del Castillo - https://www.ecured.cu/Gonzalo_Ar%C3%B3stegui_del_Castillo

Natalia Bolívar - https://www.ecured.cu/Natalia_Bol%C3%ADvar

Natalia Bolivar - http://afrocubaweb.com/bolivar.htm#bibliography

Notas de manutenção

Biographical note written by Kate Villa, 2020-2021 UGrow Fellow for Manuscripts and Archives Management, and edited by Amanda Moreno, March 2021.

  • Área de transferência

  • Exportar

  • EAC

Assuntos relacionados

Locais relacionados