Interview Victor Deupi, 17 October 2016

Gilda Santana joined the faculty of the University of Miami Libraries in 2007 as Head of Architecture Information and Resources to direct the Paul Buisson Architecture Library. She led the expansion and redesign of the library now called the Architecture Research Center (ARC) in 2018. Her research interests include facilitating the culture of design research through studio embedded-librarianship and the evolution of digital humanities in architecture and the arts. In 2013 she became the Librarian for Art & Art History. Santana has a Master of Science in Architecture from the School of Architecture, University of Miami, a Master’s in Library and Information Science from Rutgers, The State University of New Jersey, and a Bachelor of Art from Bard College where she majored in Art History. She actively serves in the Association of Architecture School Librarians (AASL) and the Art Libraries Association of North America (ARLIS).

Victor Deupi is a Cuban American teacher of architectural history and theory, design, and representation at the University of Miami School of Architecture in Coral Gables. He received a Bachelor of Science in architecture from the University of Virginia, a Master of Architecture from Yale University, and a Ph.D. in architecture from the University of Pennsylvania. He has taught previously at Fairfield University, the New York Institute of Technology, the University of Notre Dame, the Prince of Wales’s Institute of Architecture in London, and has been a “Visiting Critic” at the College of Architecture at Georgia Tech. The principal focus of his research is on the art and architecture of the Early Modern Ibero-American world, and mid-20th-century Cuba. His books include Architectural Temperance: Spain and Rome, 1700-1759 (Routledge 2015), Transformations in Classical Architecture: New Directions in Research and Practice (Oscar Riera Ojeda Publishers, 2018), Emilio Sanchez in New York and Latin America (Routledge, 2020), Cuban Modernism: Mid-Century Architecture 1940-1970, with Jean-Francois Lejeune (Birkhäuser Verlag, 2020), and The Modern Stable and The Modern Winery, both with Oscar Riera Ojeda (Rizzoli, 2021). He has curated exhibitions on Cuban Architects at Home and in Exile: The Modernist Generation (with Jean-François Lejeune) at the Coral Gables Museum (Nov. 2016-Feb. 2017), and Emilio Sanchez in South Florida Collections (with Nathan Timpano) at the Lowe Art Museum at the University of Miami (Feb.-May 2017). Dr. Deupi was also the President of the CINTAS Foundation which gives annual fellowships in Architecture and Design, the Visual Arts, Creative Writing, and Music Composition to Cubans and people of Cuban descent from 2016-2018.