The Mark F. Boyd Collection contains materials relating to Florida and United States history as well as to natural history and medicine. The collection, arranged in six series, includes maps, newspapers, prints, photographs, pamphlets, original documents, copies of historical documents, reprints of articles and other materials.
This collection includes various types of documents pertaining to the historical and cultural production taking place in the Caribbean. Materials include correspondence, diaries, ledgers, property transactions including slave registers, reports, typescripts, from the various islands of the Caribbean such as Antigua, the Dominican Republic, Haiti, Jamaica, Puerto Rico, St. Kitts, St. Christopher, Trinidad and Tobago from the 16th to the present. The collection is further enhanced by the acquisition of antique maps from cartographers such as Linschoten and Sanson.
The Walter Tennyson Swingle Collection contains research material and correspondence of Walter T. Swingle as well as translations and correspondence of Michael J. Hagerty. The Swingle portion of the collection is comprised of his articles, manuscripts, diaries, and most of Swingle's correspondence between 1885 and 1951.
The correspondence gives an overview of his botanical and plant introduction work as well as his personal life and travels. The bulk of the correspondence are letters from distinguished colleagues such as Herbert J. Webber, Dr. Beverly T. Galloway, W.A. Kellerman and others from the U.S. Department of Agriculture.
Also included in this group are correspondence between Swingle and David G. Fairchild, noted Florida naturalist and one of the men who conceived of a sub-tropical garden in Florida and for who Fairchild Tropical Garden in Miami, Florida is named. Their correspondence details an account of their collaborative work and friendship.
Swingle's research material includes notes, notebooks, and large number of first accounts of citrus in the Original Citrus Literature, containing a number of articles by Carolus Linnaeus.
Of special interest to the University of Miami is material dealing with Swingle's tenure as Consultant in Tropical Botany at the University, as well as some interesting material dealing with his U.S.D.A. work in Brazil in the 1930's.
The Hagerty portion of the collection consists most importantly of translations made by Hagerty of Chinese accounts on botany for the Swingle's work in the Department of Agriculture. It includes a very large translation of the Chinese accounts of citrus from the Chinese Imperial Encyclopedia which is over 500 pages long and very important to Swingle's study of citrus. Also in this portion are found a very large amount of correspondence between Hagerty and Swingle which details most of their work together for the U.S.D.A.
N.B.T. Roney moved to Miami Beach in 1918 and went on to become one of the largest builders in Beach history. Two of his most important developments are the Roney Plaza Hotel and Española Way. His map collection consists of 28 pre-20th century maps of the West Indies or Florida, and include works by famous cartographers such as Blaeu, Sanson, Popple, and Homanno.
The Phanor James Eder collection consists mainly of correspondence. The letters are from the mid 1800's to the early 1900's. The bulk of the correspondence is addressed to Santiago M. Eder, Dr. Eder's father. These letters are divided into local and foreign correspondence and are addressed to Santiago M. Eder by businessmen who bought or sold some sort of merchandise to him. Most of the letters deal with the sugar mills and other farm plantations owned by Santiago Eder. Although most of the correspondence belongs to Santiago M. Eder, there is some correspondence belonging to James Eder, Phanor's son and Charles (Chaz) and Henry J. Eder, Phanor's brothers. They all had a part in the Cauca Valley Agricultural Company. In this collection we also find correspondence dealing with the Cauca Valley Agricultural Company, a sugar mill owned by the Eder family. Just a small portion of the correspondence deals with the Eder family's personal matters.
Two microfilms, manuscripts and ledgers are included in the collection. The film and manuscripts are agriculturally related, dealing with the land of Colombia. The ledgers are records of businesses owned by the Eders.
The Eder Collection is primarily business related, but also has material which deals with the government of Colombia and some which deals with court cases in which Santiago M. Eder was one of the lawyers involved. The collection includes brochures and pamphlets about Colombia, which describe the land and the people. They seem to be commercially oriented. There are photocopies of material belonging to the United States National Archives which deal with legal matters. Most of these photocopies belong to group 59 of the National Archives in Washington, D.C.
The collection also includes a substantial number of maps, mainly of Colombia and the Caribbean/West Indies including one from a 16th Century atlas. The maps are housed separately from the rest of the collection.
The pamphlets, published in the 17th, 18th and 19th centuries, consist of political essays, economic commentaries, treatises on the poor, religious sermons, speeches on current events of the time, reports to government, notes on history, almanacs, plays, music and literature.
The Karpinski Map Collection contains maps from the Caribbean, the Southeast of the United States, the Mediterranean, Central America, and South America.
The Florence Brigham Papers consist of four boxes of material totalling two cubic feet of files. The Papers include research materials Brigham compiled from numerous primary and secondary sources including articles and books, diaries, notes and other materials. Brigham also conducted interviews with early Keys residents, including many employees of the Federal East Coast Railroad Company. Newspaper clippings dated 1935-69 detail local history, "pioneers," hurricanes and other topics. In addition to these records, the files include correspondence with a number ofarchives and libraries, and photostats of original documents and maps. Brigham also collected prints of Marathon dated 1906-1960.
The Papers include notes on Keys deer, birds, reptiles and other animals, as well as clippings and notes on schools, churches, fishing, libraries and other institutions and activities in the Keys. Historical material includes copies of early maps, records tracing the title of Keys lands, and materials documenting the construction of the "Overseas Railroad" and the development of Marathon.
The Edward Spalding Papers document the commercial and personal activities of Edward Spalding, a shipping agent who worked in Cuba during the early nineteenth century. The Papers include correspondence, receipts, bills and other documents. Correspondence, arranged chronologically, documents Spalding's efforts on behalf of New England merchants and ship owners.
The American Play Company collection includes approximately two thousand and five hundred (2,500) play scripts from the American Play Company of New York City. The files include published and unpublished plays from the nineteenth century through the 1950s. The collection is a donation of Sheldon Abend, President of the American Play Company. Playwrights represented in this gift include sir James M. Barrie, David Belasco, Clare Boothe, George M. Cohan, John Colton, Clyde Fitch, John Galsworthy, Ruth Gordon, Oscar Hammerstein, Moss Hart, Ben Hecht, George S. Kaufman and many others.
The play scripts include original typescripts, carbon copies of typescripts, and printed texts of plays. Many scripts contain handwritten annotations such as dialogue insertions, corrections, and deletions. The play scripts includes productions of all genre and type, for a period of approximately one hundred and fifty years. Scripts contain production annotations for stage, lighting, sound, and casting purposes. The collection offers scholars and students the opportunity to examine play scripts with the personal annotations of production personnel, facts that provide unique information on the original production of plays. Notations for costumes, sets, and stage props offer insights to production styles and techniques, information not generally available in many published versions of plays.