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"An archive of ephemera detailing the short-lived Miami punk band, Screaming Sneakers, compiled by their drummer Mark Evans. The collection includes artwork, flyers, 28 letters, 12 photographs, maquettes, newspaper clippings, promotional material, and other items collected between 1981 and 1983 by Evans.

These items show the early days of the band in 1979 and their do-it-yourself rise to their only recordings in 1982. Featured throughout are various letters from fans and inquiring music writers including Mick Mercer of the English zines, ZigZag Mag and Panache Fanzine. In his letter he writes to frontwoman, Lisa, asking for an interview and saying, 'you seem to be a special sort of band.' Another letter is a retained copy of a note written by Mark to Blondie guitarist, Chris Stein, asking if his new record label, Animal Records, would be interested in the band. A group of 12 black and white band photos showing them posed around New York is featured here. A promotional poster for the band features a piece from the Miami News on Lisa which reads, 'she is more interesting simply sitting at her table than any of the bands cavorting on stage.'

Formed in 1979, the Screaming Sneakers were a punk, New Wave band based in Miami, Florida. The band consisted of then 17 year-old front woman Lisa Nash, Mark Evans (drums), Bud Gangemi (bass), and Gary Sunshine (guitar). Part of South Florida’s fleeting punk and new wave scene, the band was active mostly throughout Dade and Broward County. In 1982 they cut a four-song EP titled Marching Orders, which prompted new management, a move to New York, and a brief glimmer of fame, but despite their best efforts the band slowly faded into obscurity. Little enough is written on them, though they were recently featured in Gary McLaughlin’s 2012 documentary Invisible Bands, which covers the South Florida music scene between 1979 through the mid-1980’s.

An interesting collection of ephemera following a female fronted Miami punk Band’s short-lived time in the 1980s punk scene." -Between the Covers Rare Books

Born in New York City, Evan H. Rhodes (1929-2010) is a noted Key West-based author who penned many novels over the course of his lifetime, including the novel, The Prince of Central Park, which had been adapted into both a feature-length film and a musical. He graduated from New York University with a Master of Arts degree and then worked as a screen reader for Columbia Pictures and Universal International before settling down in Key West to write novels. He was also a member of the Author's League of America, the NYU Alumni Federation, and the Library of the British Museum and had exhibited his own sculptures at the Washington Square Gallery in New York City.

His papers contain a wide arrange of material documenting his noteworthy literary career, including manuscripts, playscripts, drafts, notes, research files, promotional materials, news clippings, reviews, correspondence, poetry, audio-visual materials, photographs, and ephemera.

The Tom Austin papers include the published articles, research notes, manuscripts, drafts, correspondence, photographs, ephemera, clippings, and other materials collected and produced by the prolific Miami/South Beach writer, editor, and columnist, Tom Austin (1955-2022).

The Congress for the New Urbanism (CNU) Records Collection includes annual conference programs, promotional materials, attendance lists, correspondence, audio visual recordings, research project materials, publications, award submission packets, award programs, and administrative files relating to the CNU’s annual congress meeting, annual Charter Awards, board meetings, research projects, and CNU publications. The records cover the organization's activities between 1991 and 2017.

This collection consists of the technical files and papers of John G. Borger (1913-2011), who served as Pan American World Airways, Inc.'s Vice President and Chief Engineer. His materials document the development and acquisition of: Boeing aircrafts, including the 377 Stratocruiser, B-707 and B-747; the Douglas DC-6B, DC-7B, and DC-7C, the DC-8 jet; the Lockheed Constellation and the L-1011; the Convair CV-240; the Dassault Falcon 20, 10, and 50; the Pratt and Whitney and Rolls Royce engines, including the JT9D; and the Supersonic Transport (SST) aircraft.

Types of materials retained in the collection include: pamphlets, programs, engineering information, studies, evaluation reports, manuals, personal notes taken by John G. Borger, lectures, typescripts, correspondence, diagrams, flight path drawings, periodicals, research, articles, ephemera, newsclippings, and 3D material objects.

Hervey Allen was a literature professor, poet, World War I veteran, and Trustee of the University of Miami from 1936 until 1949, the year that he died. Allen had a formative influence on the "Friends of the University" organization, as well as on Latin American studies at the University.

The collection consists of letters both by Allen and about Allen after his passing away, clippings about Allen and his writings, photographs, photocopies and typescripts of Allen's writings, and obituaries including an official University of Miami memorial.

This collection contains the papers of Dr. Roger W. and Frances S. Arnold. Dr. Roger W. Arnold was a doctor who practiced Naprapathy and massage, an active member of the First Presbyterian Church of Miami, and a World War II air warden. Frances S. Arnold was a soprano soloist in churches, programs, and music clubs, an editor of the Florida Teacher Magazine, member of the Florida Historical Society, and 1948 president of the Mothers of Sigma Chi Coral Gables Chapter. She was active in the research and development program of the University of Miami, and in local music clubs. The papers document their activity in all of the above, and also contain materials (i.e. brochures, directories, pamphlets, photographs) on the University of Miami, Coral Gables, Coconut Grove, and Miami at large.

Ralph Middleton Munroe (1851-1933) settled in Florida in 1891, drawn by its lush tropical landscapes and beautiful seashores. An avid yachtsman and photographer, the Commodore traveled the South Florida coast capturing images of its pristine wilderness and the early inhabitants. Munroe’s photographs provide a unique visual record of South Florida history before its rapid urbanization. The Ralph M. Munroe Family Papers contain a rich assortment of photographs, albums, postcards, correspondence, clippings and manuscripts that document the frontier life in Coconut Grove.

The papers consists of correspondence, photographs, clippings, publications, awards, certificates and medals, speeches and various other materials documenting the life and work of Dr. John O. Brown, first African American Ophthalmologist in Florida and the first African American President of the American Medical  Association. The collection also includes clippings, sermons, speeches and photos of African American folklorist, Rev. William Faulkner.

Dr. José Agustín Balseiro (1900-1991) was an award-winning author, poet, and scholar of Latin American Studies and Hispanic literature. He was also a professor of Hispanic Literature at the University of Miami from 1946 to 1967.

Throughout his career, Dr. Balseiro exhibited a strong interest in Latin American and Hispanic-American studies, Latin American and Spanish literature, and Puerto Rican history and literature. His papers, donated to the University of Miami, reflect all of these interests and range in date from his earliest activities as a writer in Spain to his final days working as a consultant to the University of Miami Libraries starting in 1974. Much of the content consists of correspondence, clippings, typescripts, and periodicals in which Balseiro’s writings were featured. Also included is sheet music belonging to his father, Rafael Balseiro, who was a Puerto Rican composer.

Of special note are three bronze medallions: (1) from the Instituto de Cultura Puertorriquena, commemorating el primer Centenario del Natalicio de Luiz Muñoz Rivera (the centennial of the birth of Luiz Muñoz Rivera); (2) from the Instituto de Cultura Puertorriquena, commemorating el Centenario de la Abolición de la Esclavidud in Puerto Rico (the centennial of the abolition of slavery in Puerto Rico); and (3) from the University of Panama commemorating the first 25 years of the University’s existence.

The Walter Etling Papers include documents, clippings, and photographs related to Etling’s student years at the University of Miami, as well as his professional and community activities in Miami from the 1950s through the 1970s.

The bulk of the collection consists of photographs, clippings, documents, letters, programs, advertisements, brochures, and ephemera that Etling compiled into albums documenting his student years, professional activities, community service, and personal life.  The collection also contains loose personal papers, photographs, clippings, and other materials related to Etling’s student, business, community, and alumni activities, and personal life.

Business related materials, such as advertisements, brochures, statistics, and other papers, document Etling’s work as a real estate agent for the Allen Morris Company, the Keyes Company, and Walter Etling Company. Examples include brochures for the Keys Company and the Walter Etling Company, as well as the sale of the Flamingo Hotel. The collection also contains photographs and ephemera related to Etling’s involvement in establishing a Kentucky Fried Chicken franchise in Spain, and letters and documents regarding his service on the board of Key Biscayne Bank.

Community service related materials include letters, certificates, clippings, photographs, and other materials primarily related to Etling’s service to the Miami Science Museum, and also his involvement with Kiwanis International and the Dade County Grand Jury.

The collection also contains materials related to Etling’s extensive involvement with the University of Miami. Class assignments, notes, photographs, clippings, and other materials document his student years. Also included are letters, programs, photographs, clippings, and ephemera regarding his service for the Alumni Association and the Board of Trustees. In addition, the collection contains materials relating to class reunions and university athletics, as well as artistic studies Etling prepared when creating the painting that is on the cover of the University of Miami’s 75th anniversary book, Rendezvous with Greatness. 

Personal materials document family vacations, such as photographs of a trip to the 1976 Winter Olympics. Also included are materials related to his hobby of selling memorabilia, and programs and clippings that document the activities of his children while attending the University of Miami.

Simón Daro Dawidowicz was a businessman and art collector who resided in Miami, Florida. A long-time resident of Colombia, Dawidowicz had a strong interest in Latin American liberator Simón Bolívar and his lasting influence on Latin America. Dawidowicz was a member of several Bolivarian societies, president of the Bolavarian Review, and founded the non-profit organization Darien Action Committee, which sought to promote the completion of the Panamerican Highway from Panama to Colombia. Dawidowicz had strong connections with several prominent Latin American artists including Leopoldo Richter and David Manzur. He was a curator as well as a collector of their and others' work, and donated a number of their pieces to museums and institutions including the University of Miami. A mural titled "Bolívar and Humboldt" by Leopoldo Richter was donated by Dawidowicz to the University, and currently stands in front of the Otto G. Richter Library.

The Simón Daro Dawidowicz Bolivarian collection contains items pertaining to all of the above pursuits and interests. Much of it is correspondence and official records, or newspapers clippings and photographs that document his activities. There are a number of audiocassettes and film reels, and a single videocassette as well.

Of particular interest are a bust of Simón Bolívar that Dawidowicz had commissioned as a gift for former President Lyndon Johnson, as well as a box containing photographs, photographic prints, brochures, periodicals, and other forms of material depicting the works of a number of Latin American artists. These include David Manzur, Leopoldo Richter, German Tessarolo, Marlene Hoffman, Enrique Grau, Edgar Silva, Armando Villegas, Patricia Tavera, Ràmon Carulla, and Miguel Rojas Niño. Some of these items are signed by the artists.

Two family members of Dawidowicz, Miriam and Sylvia, were curators and donors of Latin American art as well, and several documents detailing their efforts are held within the collection.

Finally, the collection contains assorted personal photographs and several short stories written by Dawidowicz.

The Thomas de Valcourt and Michael Lerner collection contains materials concerning 19th century New England poets and authors, most prominently Henry Wadsworth Longfellow, but also Henry David Thoreau, Washington Irving, Oliver Wendell Holmes, Ralph Waldo Emerson, Nathaniel Hawthorne, Walt Whitman, and minor figures. Much of the materials - which predominantly consists of prints, photographs, clippings, photocopies, newspapers, periodicals, postcards, reprints, poetry, and other formats - concerns their famous New England homes and their families' homes, and other literary landmarks in the vicinity. Most of the materials date from the late 19th and early 20th century.

Also included are a scrapbook of clippings of poetry, a 1962 plaster cast bust of Henry David Thoreau by Melvina Hoffman, an 1864 ceramic bust of Henry Wadsworth Longfellow by M. Milmore, two paperweights with depictions of the Longfellow house, a brick noted as "being used by Thoreau when adding to the family house on Virginia Road in Concord," and one copper ashtray.

Edward C. Dougherty was a Government Administrator and United Nations Expert in taxation for Latin America, as well as a private practitioner of law in the Miami area, specializing in Latin American matters. His papers consists predominantly of materials concerning real estate in Brazil, in the form of letters, maps, notes, photocopies, clippings, photographs, pamphlets, and reports.