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This collection contains fragmentary texts and images documenting cultural expressions from the Caribbean and South America. Many of the transitory materials grouped under ephemera include posters, postcards, leaflets, tracts, special editions, programs and menus published in countries such as the Bahamas, Brazil, Cuba, Curaçao Grenada, the Dominican Republic, Haiti, Puerto Rico, and Trinidad and Tobago.

This collection consists of the technical files and papers of John G. Borger (1913-2011), who served as Pan American World Airways, Inc.'s Vice President and Chief Engineer. His materials document the development and acquisition of: Boeing aircrafts, including the 377 Stratocruiser, B-707 and B-747; the Douglas DC-6B, DC-7B, and DC-7C, the DC-8 jet; the Lockheed Constellation and the L-1011; the Convair CV-240; the Dassault Falcon 20, 10, and 50; the Pratt and Whitney and Rolls Royce engines, including the JT9D; and the Supersonic Transport (SST) aircraft.

Types of materials retained in the collection include: pamphlets, programs, engineering information, studies, evaluation reports, manuals, personal notes taken by John G. Borger, lectures, typescripts, correspondence, diagrams, flight path drawings, periodicals, research, articles, ephemera, newsclippings, and 3D material objects.

Dr. José Agustín Balseiro (1900-1991) was an award-winning author, poet, and scholar of Latin American Studies and Hispanic literature. He was also a professor of Hispanic Literature at the University of Miami from 1946 to 1967.

Throughout his career, Dr. Balseiro exhibited a strong interest in Latin American and Hispanic-American studies, Latin American and Spanish literature, and Puerto Rican history and literature. His papers, donated to the University of Miami, reflect all of these interests and range in date from his earliest activities as a writer in Spain to his final days working as a consultant to the University of Miami Libraries starting in 1974. Much of the content consists of correspondence, clippings, typescripts, and periodicals in which Balseiro’s writings were featured. Also included is sheet music belonging to his father, Rafael Balseiro, who was a Puerto Rican composer.

Of special note are three bronze medallions: (1) from the Instituto de Cultura Puertorriquena, commemorating el primer Centenario del Natalicio de Luiz Muñoz Rivera (the centennial of the birth of Luiz Muñoz Rivera); (2) from the Instituto de Cultura Puertorriquena, commemorating el Centenario de la Abolición de la Esclavidud in Puerto Rico (the centennial of the abolition of slavery in Puerto Rico); and (3) from the University of Panama commemorating the first 25 years of the University’s existence.

The R. A. Cushman Papers contain the following items: (1) a U.S. flag, and letters from Arthur R. De Reyes, from the American Expeditionary Forces, to his mother written in 1917 and 1918; (2) three photographic prints from the U.S. Signal Corps; (3) 46 folders of reports, essays, transcripts, bibliographies, and pamphlets largely concerned with American foreign policy, touching on topics such as foreign trade, foreign concessions, foreign aid, U.S. exports, foreign banking, and immigration.

Simón Daro Dawidowicz was a businessman and art collector who resided in Miami, Florida. A long-time resident of Colombia, Dawidowicz had a strong interest in Latin American liberator Simón Bolívar and his lasting influence on Latin America. Dawidowicz was a member of several Bolivarian societies, president of the Bolavarian Review, and founded the non-profit organization Darien Action Committee, which sought to promote the completion of the Panamerican Highway from Panama to Colombia. Dawidowicz had strong connections with several prominent Latin American artists including Leopoldo Richter and David Manzur. He was a curator as well as a collector of their and others' work, and donated a number of their pieces to museums and institutions including the University of Miami. A mural titled "Bolívar and Humboldt" by Leopoldo Richter was donated by Dawidowicz to the University, and currently stands in front of the Otto G. Richter Library.

The Simón Daro Dawidowicz Bolivarian collection contains items pertaining to all of the above pursuits and interests. Much of it is correspondence and official records, or newspapers clippings and photographs that document his activities. There are a number of audiocassettes and film reels, and a single videocassette as well.

Of particular interest are a bust of Simón Bolívar that Dawidowicz had commissioned as a gift for former President Lyndon Johnson, as well as a box containing photographs, photographic prints, brochures, periodicals, and other forms of material depicting the works of a number of Latin American artists. These include David Manzur, Leopoldo Richter, German Tessarolo, Marlene Hoffman, Enrique Grau, Edgar Silva, Armando Villegas, Patricia Tavera, Ràmon Carulla, and Miguel Rojas Niño. Some of these items are signed by the artists.

Two family members of Dawidowicz, Miriam and Sylvia, were curators and donors of Latin American art as well, and several documents detailing their efforts are held within the collection.

Finally, the collection contains assorted personal photographs and several short stories written by Dawidowicz.

The Thomas de Valcourt and Michael Lerner collection contains materials concerning 19th century New England poets and authors, most prominently Henry Wadsworth Longfellow, but also Henry David Thoreau, Washington Irving, Oliver Wendell Holmes, Ralph Waldo Emerson, Nathaniel Hawthorne, Walt Whitman, and minor figures. Much of the materials - which predominantly consists of prints, photographs, clippings, photocopies, newspapers, periodicals, postcards, reprints, poetry, and other formats - concerns their famous New England homes and their families' homes, and other literary landmarks in the vicinity. Most of the materials date from the late 19th and early 20th century.

Also included are a scrapbook of clippings of poetry, a 1962 plaster cast bust of Henry David Thoreau by Melvina Hoffman, an 1864 ceramic bust of Henry Wadsworth Longfellow by M. Milmore, two paperweights with depictions of the Longfellow house, a brick noted as "being used by Thoreau when adding to the family house on Virginia Road in Concord," and one copper ashtray.

Edward C. Dougherty was a Government Administrator and United Nations Expert in taxation for Latin America, as well as a private practitioner of law in the Miami area, specializing in Latin American matters. His papers consists predominantly of materials concerning real estate in Brazil, in the form of letters, maps, notes, photocopies, clippings, photographs, pamphlets, and reports.

The Clark Mixon Emery papers consists of materials regarding the 20th century modernist expatriate American poet Ezra Pound (1885-1972).

A total of 53 letters and postcards by Ezra Pound addressed mostly to Emery written from September 4th, 1951 to August 1st, 1959 are held in this collection, predominantly written during Pound's stay in the St. Elizabeth Hospital where he was treated for mental illness until 1958. Some letters by his wife Dorothy are included as well. Most of the letters are typed, and about half are signed. Many of the letters concern Emery's work on his 1958 monograph Ideas Into Action; A Study of Pound's Cantos. In others Pound writes about his complacency in the hospital and his eagerness to depart, and discusses the work of Emery's student Ronald Perry. In addition to the letters the envelopes are preserved as well. Photocopies of the letters and envelopes are included in the collection.

Other correspondence held in the collection concerns Ezra Pound and his Cantos. These include letters from Pound's daughter, Mary de Rachewitz, to Emery; letters from Sheri Martinelli and Ronald Perry, also 20th century American poets, to Emery; a letter from Walton Brooks McDaniel, former teacher and friend of Pound, to Archie McNeal, former university librarian of the University of Miami Libraries, regarding Emery's work on Pound; and photocopies of other letters by Pound not addressed to Emery. Some of Ronald Perry's poetry, and two photographs of Sherri Martinelli's paintings of Ezra Pound, are included as well.

The other materials in the collection are as follows: essays by and about Pound from the 1950s; transcripts of broadcasts by Pound from December 7, 1941 to June 28, 1942; The Analyst, "A Guide to Ezra's Cantos"; a January 1948 issue of "Four Pages," regarding Pound's poetry; an "Ezra Pound for President" pamphlet; The Pound newsletter #1-10 from January 1954 to April 1956; Strike periodical #1-3, #5-6, #8-10 from June 1955 to June 1956; Amagogic & Paideuminic Review #5-6 and an October 1959 issue; a 1952 typescript titled "Die Pisaner Gesänge" by Rainer M. Gerhardt; and other periodicals, newspapers, and clippings.

Charles E. Feinberg was an editor Emeritus of the Walt Whitman Quarterly Review. The collection consists of Walt Whitman related materials; predominantly framed and unframed prints, but also leaves from periodicals and leaves advertising Whitman reissues, a Whitman poetry broadside, a Romanian Institute of Cultural Relations with Foreign Countries catalog for a Walt Whitman Exhibit, and other Whitman memorabilia.

The Florida Audubon Society records contains photocopies of minutes from 1900 to 1910, as well as original leaflets published by the society from the same time period.

The Richard Forbes Papers contains research documents for Richard Forbes's 1984 University of Miami dissertation titled Arya Samaj in Trinidad: An Historical Study of Hindu Organizational Process in Acculturative Conditions. The description of the dissertation is as follows: "Arya Samaj is a democratic Hindu reform movement founded in 1875. Though reflecting Western and Christian methods, it aims to revive ancient Vedic ideals. Brought to Trinidad after 1910 by Indian Missionaries, the Samaj spearheaded a Hindu renaissance and socio-religious reforms while also provoking an orthodox counter-reformation in the 1930s. While retarding assimilation of Hindus into the dominant Trinidad culture, the Samaj promoted inter-communal dialogue and was an effective and unified pressure group. Yet, despite emphasis on constitutional rule, the "Aryas" eventually suffered the same factionalism as other Hindus. Differential acculturation between competing groups within the movement was found to be the immediate source of conflict. Opposing factions differed significantly in their members' average educational level, exposure to Christianity, proximity to urban centers and acceptance of secular values."

Contained in the collection are a number of audio cassettes (and corresponding transcripts) of interviews with members of the Arya-Samaj, articles, typescripts, manuscripts, notebooks, reports, bibliographies, pamphlets, and photocopies.

Jerome Greene was a commissioner and later vice-chairman of the board of the Urban Renewal Agency for Dade County, Florida, as well as the chairman of the Save Urban Renewal Committee of 1964. His papers concern his involvement with the above.

Willard Hubbell was a South Florida architect and playwright. His collection contains several plays, clippings regarding and programs of the plays, architectural documents and correspondence, a blueprint titled "Cloth House No. 1," four issues of The American Eagle newspaper, a typescript titled "F. W. Munson - (Questionaire about Merritt Island)," a document titled "History of the Koreshan Unity" by A. H. Andrews, and other items.