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This collection contains pamphlets, political tracts, brochures, assorted publications, newsletters, and audio-visual material pertaining to corruption and political and social destabilization in Latin America.

The Omar J. Cuan Collection contains working papers for Omar J. Cuan's Master's thesis on Fulgencio Batista, including Cuban periodicals from the 1940s to the 1960s and photocopies of CIA reports and United States' State Department documents that aided in his research.

The Omar Valliant Papers contain audiovisual materials, including recordings of the programs Mientra el Mundo Gira and Viendo a Biondi​.

The Operation Pedro Pan Group, Inc. Collection comprises materials in relation to Operation Pedro Pan gathered by its members from 1971 to 2013.

The collection consists of the Historical Structure Form Florida Master Site Plan for the Florida City Camp which includes site plans, an extensive Pedro Pan bibliography and addendums. Also in the collection are memorabilia of Operation Pedro Pan Group, Inc. events, including its 50th anniversary events; multimedia such as interviews, documentaries and musical recordings; newspaper clippings of the Pedro Pan experience and people; and academic materials.

Conceived in 1932 by the original Orange Bowl Committee, the Orange Bowl was created as a popular tourism attraction for the New Year's Festival in Miami that would attract national publicity and bring more businesses and money to South Florida. This venture proved successful as the Orange Bowl celebration grew in both size and popularity, becoming a national extravaganza with their lavish parades, annual football games, and beauty pageants, all in an effort to create the "world's greatest half-time spectacle."

The first football game ever put on by the committee was in 1932 between the University of Miami Hurricanes and Manhattan College from New York City in what was then called the Festival of Palms Bowl. In 1935, the festival was renamed as the Orange Bowl and started featuring college football teams to participate based on their national rankings rather than offering a guaranteed position, and it was recognized by the NCAA as the first "official" Orange Bowl. The Orange Bowl stadium was created in 1937 to accommodate the game as well as the Miami Dolphins home games and several Super Bowls up until it was demolished in 2008, but it gained a prolific reputation as a local attraction during its lifespan in south Florida.

The Orange Bowl Records contains documents, financial and administrative files, scrapbooks, photographs, ephemera, pamphlets, newsclippings, audiovisual material, and 3D objects pertaining to the Orange Bowl Committee and their archives.

Frank Warren O'Reilly was a former music critic for the Miami News and founding president of the Miami-based Chopin Foundation.

The F. Warren O'Reilly Papers consist of newspaper clippings of articles written by O'Reilly, correspondence and photographs.

The Orichas Collection consists of the series of drawings by Cuban-born artist Alberto del Pozo (1946-1992) of the deities of Afro-Cuban Santería.  The Collection includes 17 original illustrations in pen, crayon, and ink on paper; signed and unsigned lithographs of these drawings; and catalogs and notecards of the Orichas series.  Lithographs, catalogs, and notecards are available for purchase.

The papers document activities of Orlando Bosch in capacity of President of Partido Protagonista del Pueblo (P.P.P.) and a writer, as well as activities of P.P.P. The materials include correspondence, documents, newspaper articles, two books published by Orlando Bosch, El grito del Escambray: su historia inedita, and 40 años de lucha y 40 años de razon with some annotations, two copies of a book by Adriana Bosch, "Orlando Bosch: el hombre que yo conozco," one print reproduction of a painting, one oleo of a "framboyan" and others of Martí and the Cuban flag.

The records reflect business and artistic activities of Orquesta Típica Cubanakán, a Miami-based group founded in 1968. It cultivated a traditional Cuban genre, the danzón. The orchestra consisted of nine members: conductor and flutist Simon Hernandez Padrino; pianist Raquel Valladares; bassist Juan T. Sanchez; saxophonist L. Borrel; drummer M. Socarras; "guiro" player M. Garcia de la Vega; and vocalists Marta Escauriza and Guillermo Ramos. Other musicians also participated in the Orchestra during its history. The materials document the group's mandate of preserving Cuba's cultural musical traditions, and its involvement in social, festive, religious, and cultural events.

The bulk of materials consists of danzón music scores, both manuscript and published. The materials also include four scrapbooks illustrating the group's history through photographs, clippings, correspondence and business cards. The collection also includes programs, proclamations, a book with annotations and diplomas.

This collection contains research materials on Panama collection during Oscar De Soto's time working for the Department of State, including handwritten notes, negatives, medica clippings, transcripts, essays, photocopies of articles and publications, reports, and periodicals.

The collection contains architectural plans, photographs, negatives, slides, business ledgers, clippings, and ephemera related to the professional career of Cuban-born architect Osvaldo de Tapia-Ruano, who was active in Cuba and Spain. In addition to materials related to Osvaldo de Tapia-Ruano, the collection also contains a maquette designed by Manuel Tapia Ruano Heinen and sketches of buildings by both architects.

The papers document professional activities of Osvaldo Farrés as a composer who composed both songs and lyrics. The bulk of papers consists of the scores of the songs that were translated into many languages and recorded by top singing stars e.g., "Quizás, Quizás, Quizás" (Perhaps, Perhaps, Perhaps) and "Toda Una Vida"(Until Tomorrow). The materials also include photographs, clippings, diplomas honoring Farrés' musical achievements, magazines, programs and a multicultural school calendar for year 1980 featuring Hispanic role models for children.

The Osvaldo Pradere Papers consist of materials pertaining to Osvaldo Pradere, a Cuban theater performer who has spent most of his career in New York City writing, producing, and acting in bilingual children's theater. The collection contains tapes, DVDs, and audiovisual materials of Pradere's performances, as well as clippings, pictures, and personal papers related to his activities in Cuba, Spain and the United States. Two handmade puppets used by Pradere are also included.

The Osvaldo Sánchez Film Collection contains commercials and newsreel footage filmed by Cuban cinematographer Osvaldo Sánchez from the 1940s to the 1980s, in Cuba and in the United States. Sánchez filmed a range of commercials for local businesses serving Miami's Latino community, from restaurants to furniture and clothing stores. Commercials for Miami businesses in the 1960s to 1970s, such as Café Estrella, Pestonit Florist, and Rivas Realty, have been digitized.