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Two photographs of the interior of artist Amelia Pélaez's residence in Havana, Cuba.

The Georgia Portuondo photograph collection consists of photographs of the construction and dedication of the Memorial bust of José Martí in Port Chester, New York.

The Herman Beller Photograph Collection contains photograph of metal works done by Herman Beller's (1899-1972) Havana, Cuba-based company, Industrias Unidas de Cuba. The photographs detail works in parks, schools, and public areas and buildings all installed during the 1920s to 1950s. Several small examples of metal pieces cast by Beller are also included in the collection.

The papers include correspondence mostly regarding homage to Lydia Cabrera, photographs of Giulio Blanc with Lydia Cabrera and a typescript of a poem by Virgilio Piñera.

The papers document activities of Pepe Delgado (1917-1990), a Cuban musician and composer of popular music. He left Cuba in the early 1960s and settled in the United States, dying in Miami in 1990. He was well known as a composer in Miami, New York, and throughout Latin America. The bulk of materials in this collection consist of manuscript and published music scores composed by Pepe Delgado. Various genres are represented in his compositions, such as waltzes, boleros, salsas, and merengues. The papers also include scrapbooks, photographs, correspondence, clippings and awards.

The Teatro Avante Collection contains documents from Teatro Avante, including show files, a talent directory, pictures and documents from the Hispanic Theater Festival, news clippings, and reviews.

The Lolita Berrio collection documents the life and career of Berrio and consists of photographs, audiovisual materials, posters, and awards, etc.

The Ediciones Universal Collection contains manuscripts of unpublished books by exile Cuban authors and a flyer from the book presentation El profesor y los hombres de Don Álvaro by Roberto Luque Escalona.

The papers document professional activities of Manuel Ochoa, Cuban exile musician and choral and orchestra conductor who founded the Miami Symphony Orchestra.  The materials consist of correspondence, published and unpublished musical scores, photographs, concert programs and pamphlets, clippings, writings about classical music, minutes of the meetings, concert papers, memorabilia, diplomas, magazines, scrapbooks and working papers of Miami Symphony Orchestra.

This photograph collection contains views of Havana and Marianao, Cuba taken in 1988.

The collection contains books, magazines, photograph albums, souvenirs, and booklets of Cuban views from 1850 to the 2000s. It also contains illustrated card games and stamps.

The collection contains 35mm footage and audio reels of the film "Nobody Listened/Nadie Escuchaba," an award-winning documentary about human rights violations in Cuba. It also contains transcripts of interviews with Cuban political prisoners.

The collection documents the activities of Carmen Alea Paz relating to her literary career. It includes clippings of three published poems written by Carmen Alea Paz, manuscript of Jose Marti about the Cuban flag, articles, programs regarding Los Angeles Cultural festival and memorabilia.

The Grupo Artístico Literario Abril (G.A.L.A) was founded in 1977 in Miami with the purpose of bringing together members of the literary and arts community. It became an official non-profit organization in 1982 in the state of Florida. G.A.L.A recognized many different Cuban and Latin American writers, poets, and artists from 1978 until 1997. G.A.L.A. was comprised of world renowned writers and they often paid tribute to their accomplishments. They awarded the "Agustín Acosta"award for poetry and the "GALA" award for short stories. Many newspapers around the world recognized and documented G.A.L.A.'s cultural events, lectures, conferences, recitals, and expositions held mostly in Miami, Florida.

The collection consists of newspaper clippings, correspondence, circular letters, press releases, lists of award recipients, photographs, and audio cassettes. Official records also include a constitution, by-laws, meeting minutes, and financial records.

The records document activities of Ofelia Menocal in capacity of a Secretary of International Relations of the Federación Mundial de Ex-presos Políticos Cubanos en Europa, as well as, the activities of the Federación. The materials include correspondence, documents, clippings, publications, photographs of Lincoln Evicelo Brito, the Canal de Vento, the Salto del Hanabanilla project and one copy of La Configuracion del exilio cubano en España, by Roberto Soto Santana.

The materials include pamphlets related to the Confederación Campesina de Cuba, by-laws of the association and "El Manifesto de Montecristi."

This collection consists of 17 rolls of panoramic photos from the Spanish-American War (1899-1902) during the U.S. military rule of Cuba. The photographs detail the US-built military fortifications on the island contructed during the time of US occupation.

The Cuban Museum of Arts and Culture Records contains institutional records and historial materials produced and/or collected by the Cuban Museum of Arts in Culture during its operation in the late 20th century in Miami.

The institutional records series consists of the operational records of the business activities of the Cuban Museum of Arts and Culture. Materials include financial records, official correspondence, board of directors meetings minutes, policies and procedures, exhibition planning documents, project proposals, artists' files, and resumes.

The historical materials series include paintings, lithographs, photographs, drawings by Cuban artists, original musical scores and songs, slides of art work, programs, clippings with reviews of exhibits, correspondence, posters, objects. The series also includes personal papers and photographs of Emilio Bacardí and other family members, which have been digitized on the University of Miami Digital Collections website. Other personal papers of note that have been arranged together include the personal papers of Carlos Hevia, Don Azpiazu, and Natalio Galán. Azpiazu's and Galán's papers include significant music holdings.

This collection is still in processing and updated container lists will be added as they are made available.