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The Robert B. Walder Collection contains photographs and negatives of pre-Revolutionary Cuba, focusing on engineering, manufacturing, and industrial subjects. It also contains the papers of Robert B. Walder, an American engineer who lived and worked in Cuba both before and after the Cuban Revolution.

The collection consists of research and financial papers for Lobo's film "Perú,"  as well as correspondence and financial statements of her company Arawak.  Materials also include clippings, theatre programs, manuscripts of screenplays, drawings of costumes, a few maps, copies of engravings and invitations.

The Sara Sanchez Collection contains a scrapbook containing extensive photographs, postcards, writings, and memorabilia of pre-revolutionary Cuba.

The Guillermo Álvarez Guedes Collection contains audiovisual materials and manuscripts of the Cuban comedian and performer Guillermo Álvarez Guedes active from the 1960s to the early 2000s.

The collection contains videos, cassette tapes and CDs of Guillermo Álvarez Guedes' comedic performances. The collection also includes manuscripts for books including Cadillac; and scripts for radio shows and live performances. It also includes, ephemera, posters, clippings, musical arrangements, and photo albums documenting Álvarez Guedes' career.

The collection consists of 14 pencil drawings with text in ink by Lucila Madruga de Díaz Piferrer, a Cuban artist of international fame, made in 1938 and two note cards painted by Madruga in the 1960s and 1970s.

The Rafael Rubio Padilla Collection contains numerous news clippings on various subjects related to Cuba and the Cuban exile community, from 1985-1995.

The Grupo Cubano de Investigaciones Económicas Collection contains original studies done by the Cuban Economic Resarch Group at the University of Miami.

It includes a manuscript titled A Study on Cuba: The Colonial and Republican Periods, The Socialist Experiment. Economic structure, institutional development, socialism and collectivisation, as well as a study on Cuban agriculture.

The Ediciones Vigía Collection contains various formats of artistic publications including books, magazines, scrolls and loose papers of new and classic literary material.

All of the items in this collection have been cataloged in the University of Miami online catalog, available for browsing in the following catalog search: Ediciones Vigía.

The Antonio Molina Collection contains historical materials, pamphlets, photographs, manuscripts, correspondence, published materials, and ephemera from across the Cuban diaspora, as collected by the UNESCO cultural center in San Juan, Puerto Rico.

The Gustavo Godoy y Agostini Papers contain correspondence to Gustavo Godoy y Agostini, along with poems and clippings collected by him.

Notable correspondents include Agustín Acosta, José María Chacón y Calvo, Juan Fonseca, Eduardo Áviles Ramírez and Arturo Doreste.

The papers document activities of Cuban president Fulgencio Batista Zaldivar and his son Fulgencio Rubén Batista. The papers include records and rosters of Batista Zaldivar's army, speeches given by president Batista, and letters from Batista Zaldivar to his son and to other correspondents. Batista Zaldivar founded the Institutos Cívico-Militares in Cuba and the collection includes many accounts of rural military school teachers and their experiences.

The records also include speeches, programs, invitations, and photographs from the "10 de marzo" and the "4 de septiembre" annual celebrations. Included are also articles, poems, clippings, and publications about Batista Zaldivar's resignation, exile, death, and funeral. The materials also include Fulgencio Rubén Batista's funeral memorial programs and clippings and articles and letters of interest to F. Rubén Batista.

The Lalita Salazar collection contain musical scores and audiovisual material from Cuban stage singer Lalita Salazar.

The Mario Santi Collection contains works, papers and memorabilia related to Cuban sculptor Mario Santi (b. 1911). Included are clippings, slides, typescripts, photographs of his works, and awards given to him. Also included is a curriculum vitae and AV material.

The collection consists of 8 negatives made by Thomson Lab., Coral Gables, Fla. in May 2000 from illustrations, photographs and print collections held in Cuban Heritage Collection.

This collection consists of documents, books, and other materials written and collected by Cuban poet and writer Eugenio Florit. Materials include personal correspondence, along with professional correspondence pertaining to his work as a writer, translator, and professor at both Columbia University and Middlebury College.  It also includes published and unpublished works by Florit, clippings of newspaper articles by and about Florit, and research notes.  Travel is a recurring theme in Florit’s work, and this is visible in the abundant slides he has of his travels, and the travel diaries he kept. Mementos such as photographs, cassettes, awards, diplomas and memorabilia also make up a portion of the collection.

The Concha Alzola Collection contains the correspondence and writings of Concepción "Concha" Alzola, a Cuban author active in the 20th century.

The collection contains correspondence, event programs and articles written by Concha Alzola for Vanidades, Intimidades and Cosmopolitan.

The Puente de Jovenes Profesionales Cubanos records contain the official records of the organization, including financial records, legal documents, correspondence, pamphlets and event programs, membership records, and articles written about the organization. It also includes officail stationary.

The Armando Couto Collection contains photographs, correspondence, and typewritten scripts of radio programs written by Armando Couto (1918-1995) broadcast in Miami, Venezuela, Mexico, Puerto Rico and Nicaragua.

The collection also contains "Revistas Semanales," illustrated reproductions of Couto's radio programs published by Editorial América in Venezuela.

The records reflect business and artistic activities of Orquesta Típica Cubanakán, a Miami-based group founded in 1968. It cultivated a traditional Cuban genre, the danzón. The orchestra consisted of nine members: conductor and flutist Simon Hernandez Padrino; pianist Raquel Valladares; bassist Juan T. Sanchez; saxophonist L. Borrel; drummer M. Socarras; "guiro" player M. Garcia de la Vega; and vocalists Marta Escauriza and Guillermo Ramos. Other musicians also participated in the Orchestra during its history. The materials document the group's mandate of preserving Cuba's cultural musical traditions, and its involvement in social, festive, religious, and cultural events.

The bulk of materials consists of danzón music scores, both manuscript and published. The materials also include four scrapbooks illustrating the group's history through photographs, clippings, correspondence and business cards. The collection also includes programs, proclamations, a book with annotations and diplomas.