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The papers document activities of Raquel La Villa. The papers consist of correspondence, documents, scrapbooks documenting visits to Poland where she met with Lech Walesa and Hungary, clippings, publications of IFEDEC and PDC, memorabilia and pamphlets published by Partido Demócrata Cristiano.

Those documents provide information about the history of the organizations who fought to rescue Cuba from the communist government.

The papers document professional activities of Carolina Garzón.  She taught mathematics in Elementary School and Social Studies in High School in Cuba since 1926.  In her capacity as a teacher, she collaborated on a book discussing the development of new programs in the Cuban Schools.  Garzón also worked as a Social Worker in Cuba in the 1950s, Miami and Tallahassee and as a supervisor of Pedro Pan program. 

The materials consist of those documenting Garzón's work as a teacher, and those reflecting her work as a social worker. They include correspondence, manuscripts of scholarly essays, social histories of Garzón's clients, a typescript of an essay "A Psychoanalyst's Observation During A Totalitarian Take-Over" by Dr. Gabriel Casuso Assistant Professor of Psychiatry at the Medical School of the University of Miami, which discusses Fidel Castro's revolution from Psychoanalytic perspective, bibliography of materials for Florida State University School of Social Work, a pamphlet on the destruction of private school system in Cuba, a published thesis titled "A Study of the Adjustment of Thirty Four Boys in Exile," photographs, a student card from Florida State University, clippings, miniatures of religious paintings and memorabilia.

The papers document activities of José Morell Romero.  They illustrate his entry into the fight against Machado as one of the leaders of the Directorio Estudiantil Universitario of 1930, his service as general counsel to the University of Havana and his service in the Grau administration as president of the Retiro Azucarero.  The materials also document Morell Romero's service in the Prío administration as president of the Retiro, administrator of the railroads, administrator of the bus lines and Secretary of Labor, as well as his service as a justice of the Cuban Supreme Court during the period 1950-1960.  Finally, the documents depict Morell Romero's  service as  a leader or member of various exile groups seeking to achieve the liberation of Cuba from 1960s until his death, and his service as provisional president of Cuba in exile under the 1940 Constitution.  The papers contribute to the documentation of the efforts of the Cuban exile community to regain the homeland.  Of particular interest in this regard are those documents that detail efforts that took place in the early 1960s and are being made available to the public perhaps for the first time. One can discern from these documents that the exiles were closer than most may have imagined to securing a post-Bay of Pigs action against the Communist regime.

The materials include documents, photographs, correspondence, meetings minutes, anti-Castro articles, notes, essays and course outlines.  From the Cuba period, the papers contain documents and newspaper clippings that were brought by José Morell Romero from Cuba.  Included in this group is his "Algunos Votos Particulares," a monograph of his dissenting votes during the Batista administration, as well as, dissenting opinions and newspaper clippings from the time period right before and immediately after his resignation from the Cuban Supreme Court in November of 1960.  These documents reflect the deterioration and ultimate destruction of an independent judiciary.

The Tom Pohrt photograph collection includes photographs from Cuba in the 19th and 20th century collected by Mr. Pohrt: albumen prints, including a group of images from an album dating from 1859 through the early 1860s of the lighthouses of Cuba and attributed to the studio of C.D. Fredricks; daguerreotype, ambrotype, carte de visite, and cabinet card portraits, the earliest dating from about 1845; stereographs taken by George Barnard around 1863; over 200 glass stereographs from the late 1890s to the 1920s; and 35 color slides from the 1940s.  Barnard’s images include several prints that are among the earliest known photographs documenting slavery in 19th-century Cuba.

The Vertical Files: Personal Names is a collection of ephemera, clippings, articles, and other items collected about various people in Cuba and the Cuban Diaspora. These files range in dates and topics, but are organized by last name of the person that the materials represent.

The papers document personal and professional activities of Adria Catalá Casey, "Cuban Shirley Temple,"  who was also a dancer in Grupo Folklórico.  Grupo Folklórico was established by Ministry of Education of the Republic of Cuba in 1951 with the mandate to represent Cuba in official international events, including festivals.  In April of 1954, the group represented Cuba in the National Folk Festival founded by the National Association of the Folkloric Festivals of the United States and the newspaper St. Louis Globe-Democrat.  There are clippings and photographs in the papers that document Adria Catalá Casey's participation in this festival. The materials include three scrapbooks containing clippings, photographs, invitations, programs, two issues of Bohemia, correspondence, etc. regarding Adria Catalá, clippings and photographs of Grupo Folklórico from 1954, photographs of artists of the radio station CMQ, edited by Radio Emisora CMQ on June 5, 1938.

Nicolás Guillén Papers cover a particular time and place in the life of one of Cuba's finest 20th century poet.  They all deal with a trip he made to Uruguay in the late 1940s.  There are two manuscript writing styles.  The smaller tighter script is probably Guillén's.  The looser more open script matches his signature but could be someone else's.  It is possible that this second script is a dictation or copying of a Guillén work.  Materials include correspondence, clippings and photographs.  Some documents are signed by Guillén and others are not signed.

The Vicente Pardo Castelló papers contain correspondence, honors, and awards of Cuban physician Dr. Vicente Pardo Castelló.

Pedro Monge Rafuls is a playwright and the founder of the Ollantay Center for the Arts in Queens, New York and Ollantay Theater Magazine.  His papers include records of the Ollantay Center for the Arts in Queens, New York along with a collection of ephemera documenting Hispanic and primarily Cuban theater, literary, and other arts in the area.

The José García-Pedrosa Papers contain documents and books about Cuba and Cuban exiles collected by José García-Pedrosa.

The Sergio Rodríguez Papers contain booklets, pamphlets, and maps; periodicals; state and university reports; audiovisual materals and correspondence from Rodríguez's tenure at the University of Miami.

The Roberto Rodríguez de Aragón Papers contains personal papers relating to Cuban academic and politician Roberto Rodríguez de Aragón (1927-2012). Materials include unpublished manuscripts of political discourse; family and professional correspondence and cassettes and video tapes of Junta Patriótica; various published writings, speeches, diplomas, funeral cards, clippings, books; and family and social photographs.

The Alberto Arredondo Papers consist primarily of Cuban economic reports and papers prepared by Arredondo or by groups of which he was a part.

This collection contains reel-to-reel audio recordings of radio productions created by CMQ while in Exile.