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Collazo Family Papers

  • CHC5352
  • Coleção
  • 1820-1898

The Collazo Family Papers document the commercial activities of Bernardo Collazo (1820s-1830s); Juan Collazo y Gil and Viuda de Collazo e Hijo, and Enrique Collazo (1830s-1890s).  The Papers include the correspondence about their commercial activities in the Caribbean.

Sem título

Burrows family papers

  • ASM0534
  • Coleção
  • 1822-1842

Correspondence between the Burrows family of Key West and Charleston.

Sem título

Fred Koch collection

  • ASM0117
  • Coleção
  • 1823-1944

The personal papers of Frederick H. Koch, dramatist and educator, were donated to the University of Miami Archives by his son Fred H. Koch Jr., a Professor in Drama here at the University of Miami from 1939 to 1977.  The collection was received in the early 1950's.  Frederick H. Koch was a famous dramatist and gained fame from the founding of two major college theatre troupes as well as through his involvement in the production of native American folk drama.

The Frederick H. Koch Collection contains the personal papers of Frederick H. Koch and material he collected throughout his lifetime.  The material extends from 1823 to 1947, with the bulk of the material concentrated in the period of time between 1905 and 1944.  The bulk of the collection is composed of theatre programs collected by Koch.  These come mainly from New York but there is a good selection of theatre programs from other parts of the United States.  Many of these programs date prior to Koch's birth.

The personal papers are composed mainly of material from Koch's work as an English and drama professor at the University of North Dakota (1905-1918) and the University of North Carolina (1918-1944), including a large number of folk plays written by his students.

The correspondence in the collection is mainly correspondence within the Koch family, including many letters between Koch and his four sons: Robert, Fred Jr., Bill, and George.

Of special interest to the University of Miami is a folder containing material related to the University and the University of Miami Playmakers founded by Fred H. Koch Jr. in the 1940's.

Sem título

René León Papers

  • CHC5037
  • Coleção
  • 1827-1993

The papers consist of documents, correspondence and clippings of Cuban exile associations, materials related to the "Municipios de Cuba en el Exilio" and a list of prisoners of the Virginus.

Sem título

Kenneth Close collection

  • ASM0047
  • Coleção
  • 1828-1940

The Kenneth Close Collection contains a number of prints from the Metropolitan Museum of Art and elsewhere, sheet music for "The Death of Minnehaha" by Longfellow and Ch. C. Converse, and several insurance policies from the 19th century (some which are photocopied).

Thomas G. Ennis papers

  • ASM0305
  • Coleção
  • 1828-1910

The Thomas G. Ennis collection contains 41 letters written to George Thompson from 1834 to 1838, largely concerned with business matters pertaining to iron forges; a 1929 Pennsylvania court record for John Kiner, sentenced for horse theft; a 1828 copy of appropriation for state penitentiary, Philadephia; several 19th century almanacs; and a number of 19th century newspapers, including one replica of the Saturday April 15, 1865 issue of the New York Herald, the day Abraham Lincoln's assassination was announced.

Francisco de la Vega Collection

  • CHC5353
  • Coleção
  • 1829-1852

Francisco de la Vega Collection consists of the correspondence between Francisco de la Vega Company, settled in Santander, Spain, and his partners from Havana, Cuba. The correspondence is about the situation of the trasatlantic trade of sugarcane and flour between those companies (1829-1835).

Sem título

Fanny Kemble Playbill collection

  • ASM0169
  • Coleção
  • 1829-1832

"The Fanny Kemble Playbill Collection is a collection of 28 playbills from 1829-1832, comprising of her years on the English stage and including her first performance on any stage. Fanny Kemble (Frances Ann Kemble, 1809-1893), the daughter of the actors Charles and Marie Kemble, was born in London on November 27, 1809. She made her first appearance on the stage when she appeared as Juliet in her father's production of "Romeo and Juliet" on October 5, 1829. Fanny was a great success, and this role was followed by several others in her father's Covent-Garden Theatre. She played all the principal women's parts, notably Portia, Beatrice, and Lady Teazle. Most of the performances were at Theatre Royal Covent-Garden with a few few performances at Theatre Royal Edinburgh where she performed with her brother on a tour in June of 1830." -Golden Legend, Inc.

Finlay B. Matheson collection

  • ASM0216
  • Coleção
  • circa 1830s-2020s

The Finlay B. Matheson collection includes more than 2,411 photographs; 112 maps, surveys, and architectural plans; and 13 books related to William John Matheson and his immediate family. Estate documents and other documents containing historical and biographical information pertaining to the Matheson family and their various business ventures can also be found within this collection, as well as drawings, postcards, and some of the first aerial view photographs of Key Biscayne, Coconut Grove, the Miami River, and the Florida Keys. Florida's landscape during the early 20th century is captured throughout the various albums and scrapbooks and attests to a more leisurely lifestyle before the advent of skyscrapers and multi-lane highways. Furthermore, the collection provides an in-depth glimpse into the burgeoning social life of early inhabitants who gathered at the Biscayne Bay Yacht Club.

Sem título

Abner T. Allen papers

  • ASM0009
  • Coleção
  • 1832-1896

The Abner T. Allen Papers consist primarily of Allen's correspondence with family in New England during the mid- to late-1800s.

The papers of Abner T. Allen reflect his life as a farmer and merchant in the state of Ohio during the 1800's. The correspondence is typical of this period as the letter itself is folded to form the envelope, the address is printed on the outside, and the fold sealed with a wax seal. The majority of the correspondence was to Abner T. Allen from his parents, brothers and sister. These letters concerned all aspects of family affairs and travel between Chagrin Falls, Ohio, South and Western Warren, Massachusetts and New Hartford, Connecticut, where each of the families resided. The collection includes the following documents: leaf of cash transactions, booklet of expenses and revenues, an award. and two Last Will and Testaments; also included are invitations to social affairs.

Sem título

Lloyd T. Everett papers

  • ASM0068
  • Coleção
  • 1833-1950

Lloyd T. Everett practiced law and researched, wrote and lectured on Confederate history from a legal standpoint. His papers contain manuscript copies of articles and books as well as published works. Articles include manuscript copies of "Abolition, Slavery and the Year 1833," of "Pro-Tariff Et. Al." and "Anti-Slavery," and copies of "Federal Initiative and Referendum" published in the South Atlantic Quarterly in 1912. The following essays and articles, published in pamphlet form, also appear among the papers: "Patrick R. Cleburne, Prophet," (1946) "Was It Anti-Slavery," (1916) and "Davis, Lincoln, and the Kaiser: Some Comparisons Compared" (1917). Among the books are manuscript copies of Dixie's Story and of A Titan's War, a study of the nullification crisis and the debates of 1830 and 1833. A copy of a Revolutionary War recruiting broadside is included in the remaining papers.

Sem título

Richard B. Hoit photograph collection

  • ASM0636
  • Coleção
  • 1834-1973

Photographer Richard Hoit came to Miami in 1914 when he was 27. Already an experienced movie and aerial photographer, his collection of photographs includes landscapes from diverse regions including Massachusetts, Vermont and Florida in the United States. In addition, Hoit traveled extensively in South America in the early nineteen hundreds. The images resulting from these travels are of people and scenery from Bolivia, Chile, Colombia, Ecuador, Mexico and Peru. Finally, the Richard Hoit Collection contains Hoit family photographs that span the period 1834 through 1973.

English Manuscripts collection

  • ASM0318
  • Coleção
  • 1835-1907

The English Manuscript Collection contains 19th century official documents on vellum parchment. Included are 21 indentures, 7 last will and testaments, and 7 documents granting privileges to women in name of the 1833 "Act for the Abolition of Fines and Recoveries, and for the Substitution of more simple Modes of Assurance."

Rinhart, Floyd, and Marion photograph collection

  • ASM0157
  • Coleção
  • 1836-1840, 1857, 1860-1892, 1900-1907, 1924-1935

The Floyd and Marion Rinhart Photograph Collection consists of rare and historical photographs and images of Florida.

Sem título

G. Dearborn diary

  • ASM0506
  • Coleção
  • 1836-1841

Diary of G. Dearborn from 1836 to 1841. The papers also include a letter with an envelope addressed to [B]? G. Dearborn, 1st. Infantry, Fort Pleasant, Via Tallahassee, Florida.

Sem título

Amos B. Eaton diary

  • ASM0239
  • Coleção
  • 1837-1838

The diary of Amos Beebe Eaton begins on July 31, 1837 and concludes on August 24, 1838. This handwritten journal chronicles an extraordinary year in the life of a young lieutenant who served in the Second Seminole War. The diary contains personal observations, detailed reports on military activities, occasional sketches and drawings, and extensive  commentary on the Seminole Indians and life in Florida. All notations are in Eaton's hand, including the transcription of letters and military documents.

Sem título

Ramiro Casañas Collection

  • CHC0219
  • Coleção
  • 1845-1959

The Ramiro Casañas Collection is composed of historical materials documenting the history of Cuba during the nineteenth and twentieth centuries.  Included are correspondence and documentation from the Junta Revolucionaria Cubana (Series 1); military orders from Cuba and Puerto Rico; slavery documents; nominations written by Isabel II (Queen of Spain) and Alfonso XII (King of Spain); photographs of Cuba; letters and postcards; periodicals; music scores and memorabilia.

Sem título

Tom Pohrt Photograph Collection

  • CHC5252
  • Coleção
  • ca. 1845-1940s

The Tom Pohrt photograph collection includes photographs from Cuba in the 19th and 20th century collected by Mr. Pohrt: albumen prints, including a group of images from an album dating from 1859 through the early 1860s of the lighthouses of Cuba and attributed to the studio of C.D. Fredricks; daguerreotype, ambrotype, carte de visite, and cabinet card portraits, the earliest dating from about 1845; stereographs taken by George Barnard around 1863; over 200 glass stereographs from the late 1890s to the 1920s; and 35 color slides from the 1940s.  Barnard’s images include several prints that are among the earliest known photographs documenting slavery in 19th-century Cuba.

Sem título

Fernando Fernández-Cavada Collection

  • CHC5006
  • Coleção
  • 1846-1976

The Fernando Fernández-Cavada Collection consists primarily of the correspondence of Federico, Adolfo, and Emilio Fernández-Cavada, as well as of Emilio Fernández-Cavada Suárez del Villar. Many of the letters are written in code and have been transcribed. A large number of letters in Series I and II from Federico and Adolfo are addressed to "Netts," the code name for their brother Emilio in Philadelphia. Series III contains letters from leaders of the Cuban Revolutionary Party in the United States to Emilio. The correspondence in this collection deals primarily with the insurrection in Cuba and particularly with the activities of Cuban exiles in support of the war. Also included in this collection are clippings and three photographs of the Fernández-Cavada brothers, as well as Emilio Fernández-Cavada Suárez del Villar’s war diary from 1896 to 1898 (Series III).

Sem título

Mariana Avilés Collection

  • CHC0554
  • Coleção
  • 1850-1964

The papers consist of manuscripts of musical scores, photographs of Avilés family, scrapbooks, drawings and memorabilia of Avilés family. The drawings, in particular, exhibit artistic aptitudes of John and Mariana Avilés.  Of note, is the collection of daguerreotypes and photographs from 19th and early 20th century of Avilés family.

Sem título

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