This collection contains scripts, schedules, program logs, and other administrative documents pertaining to University of Miami Radio and Television Department and their shows.
The materials consist of correspondence, photographs, interviews, statistics, and pamphlets about Catholic education in Cuba collected in research for the book "About Catholic Education in Cuba, 1582-1961."
Born in New York City, Evan H. Rhodes (1929-2010) is a noted Key West-based author who penned many novels over the course of his lifetime, including the novel, The Prince of Central Park, which had been adapted into both a feature-length film and a musical. He graduated from New York University with a Master of Arts degree and then worked as a screen reader for Columbia Pictures and Universal International before settling down in Key West to write novels. He was also a member of the Author's League of America, the NYU Alumni Federation, and the Library of the British Museum and had exhibited his own sculptures at the Washington Square Gallery in New York City.
His papers contain a wide arrange of material documenting his noteworthy literary career, including manuscripts, playscripts, drafts, notes, research files, promotional materials, news clippings, reviews, correspondence, poetry, audio-visual materials, photographs, and ephemera.
R. A. Seymour was a Wing Commander from the Royal Air Force. The collection contains photographs and memoirs Seymour's training at the Pan American Training Academy at the University of Miami during World War II.
The papers document activities of Antonio Hernández Travieso in capacity of a writer and a biographer of Father Félix Varela. The materials include newspaper clippings of articles written by Hernández Travieso, as well as, articles by other authors about Hernández Travieso, pamphlets, typescripts, journals, parts of books and correspondence.
The Richard Forbes Papers contains research documents for Richard Forbes's 1984 University of Miami dissertation titled Arya Samaj in Trinidad: An Historical Study of Hindu Organizational Process in Acculturative Conditions. The description of the dissertation is as follows: "Arya Samaj is a democratic Hindu reform movement founded in 1875. Though reflecting Western and Christian methods, it aims to revive ancient Vedic ideals. Brought to Trinidad after 1910 by Indian Missionaries, the Samaj spearheaded a Hindu renaissance and socio-religious reforms while also provoking an orthodox counter-reformation in the 1930s. While retarding assimilation of Hindus into the dominant Trinidad culture, the Samaj promoted inter-communal dialogue and was an effective and unified pressure group. Yet, despite emphasis on constitutional rule, the "Aryas" eventually suffered the same factionalism as other Hindus. Differential acculturation between competing groups within the movement was found to be the immediate source of conflict. Opposing factions differed significantly in their members' average educational level, exposure to Christianity, proximity to urban centers and acceptance of secular values."
Contained in the collection are a number of audio cassettes (and corresponding transcripts) of interviews with members of the Arya-Samaj, articles, typescripts, manuscripts, notebooks, reports, bibliographies, pamphlets, and photocopies.
The collection consists of correspondence from a Cuban writer, Anita Arroyo to Julia Rodríguez Tomeu, letters from Cuban intellectuals, which were part of a personal archive of Dr. Néstor Carbonell, who was an Ambassador of Cuba in Buenos Aires, typescript of a play and short story by Rodríguez-Tomeu.
The papers document professional activities of Virginia Hern as a fiction writer and a journalist in Cuba and Miami. The materials include a manuscript of her novel, El Otro, scrapbooks with clippings of her articles published in Cuba and in Miami, in El Miami Herald and El Nuevo Herald, photographs and memorabilia.
The collection consists of research and financial papers for Lobo's film "Perú," as well as correspondence and financial statements of her company Arawak. Materials also include clippings, theatre programs, manuscripts of screenplays, drawings of costumes, a few maps, copies of engravings and invitations.
The Laurence Donovan Papers include correspondence, poetry, artwork, book reviews, writings, subject files, and other documents concerning the life and career of Laurence Donovan, an English professor at the University of Miami.
The correspondence dates from 1945-2001, and includes letters from Donovan’s family, friends, and professional associates. It provides insight into Donovan’s personal life, in addition to documenting his writing, artwork, and teaching. Most of the letters are incoming, but the series does contain some outgoing letters.
The collection also contains poetry, artwork, and writings by Donovan. The poetry includes typescripts and published poems. The typescripts are undated, and some have handwritten revisions. The artwork includes a small selection of Donovan’s published illustrations. The writings include typescripts and photocopies of book reviews that Donovan wrote for the Miami Herald, as well as papers and other materials.
The subject files include materials related to Donovan’s teaching and work at the University of Miami, as well as his poetry and artwork. Also included are articles and other materials about literary figures and works; programs and flyers for exhibitions, readings, shows, and other events; and writings and other materials by and about his friends and colleagues.
The collection contains scrapbook pages related to the Cuban Telephone Company, including a document, clipping and photographs; one document titled "Resolución No. 105" by the Empresa Nacional Telefónica "13 de Marzo," signed by Carlos Tejera Paz, 1964; and one issue of Unidad, the bulletin from Federación de Trabajadores Telefónicos de Cuba en el Exilio, Año XXXV, Nos. 419/423, Agosto/Diciembre 1997.
The papers of the ALA (Agencia Latinoamericana) are divided in 3 major categories: the articles written by the contributors to the ALA (collected during almost 40 years), their correspondence, and the newspaper clippings of those articles.
The writers are mainly from Latin American countries and Spain, but with a few American and British writers also included, such as Waldo Frank and Hugh Thomas. The articles provide information on literature, journalism, sociology, economics and political history of the major powers of the world of that period, and in many cases relating to the Latin American countries.
The bulk of the collection is comprised of contributions from Víctor Alba, Marco A. Almazán, Luis Araquistain, Paul Andrade, Germán Arciniegas, Carlos Alberto Montaner, Ramón Gómez de la Serna, Julian Marias, Cristina Martin, Alberto Luis Sanchez, Salvador de Madariaga, Ramón Sender and Arturo Uslar Pietri. There are also articles by other distinguished authors, such as Miguel Angel Asturias, Alberto Baeza Flores, Alejandro Casona, Pablo Neruda and Alfonso Reyes.
Included among the ALA papers are articles written by Joaquín Maurín, who used the pen names of W.K. Mayo and Félix R. Anderson. He also wrote under the pen names of John Andersen and Julio A. Roy, but these articles ore not included in this collection. When signing correspondence, he used his own name, Joaquín Maurín, as well as J.M. Juliá and Ray Campbell. Joaquín Maurín's son, Mario, wrote some articles under the same pen name as his father, John Andersen.
Paul Nagel was a professor at the School of Communication at the University of Miami, as well as a writer, producer, director, and actor in non-theatrical "sponsored films."
The collection includes University of Miami radio tapes and video cassettes, scripts, and publications including Tempo, UM Bulletin, UM School of Music, UM Ballet, UM School of Communication; a series of historical photographs depicting students at work in the Radio, Television and Motion Pictures department of the School of Communication; and clippings, scripts, playbills and programs from the Coconut Grove Playhouse, Parker Playhouse, the Ring Theatre, Players State Theatre, the Cannes Film Festival, Mayfair Theatre, and the Carillon Hotel.
The papers document Helio Nardo's activities as a writer. The bulk of materials includes correspondence to Nardo from Cuban prominent exiled figures. The materials also consist of extracts from some published articles, and clippings. Some letters discuss the topics of Castro's regime in Cuba and political situation in Chile.
The papers document activities of Alberto Fernández-Medrano who was a Secretary, Vice-President and President of Lions Club of Florida, Camaguey, Cuba and a member of the Committee for International Relations. Fernández-Medrano was shot by Castro's Government in 1964. Materials consist of typescripts of anti-communist and anti-Castro writings including a typescript of a book "La unica alternativa: democracia o comunismo," correspondence, clippings, certificates and other documents.
Edison Marshall was an American adventure and fiction writer active during the 1920s to the 1960s.
The Edison Marshall collection contains six typescripts and an undated photograph inscribed to Dr. Archie McNeal, former dean of the University of Miami Libraries. The typescripts are as follows: A publisher's copy of The Conqueror (1962), a publisher's copy of Cortez and Marina (1963), an original and corrected copy of Cortez and Marina which is titled "The Serpent and the Sword," a publisher's copy of The Heart and the Hunter (1956), a publisher's copy of The Inevitable Hour (1957), and a publisher's copy of Princess Sophia (1958).
The Cesare Emiliani Papers contains Dr. Emiliani's documents from his time spent at the University of Miami Rosenstiel School of Marine and Atmospheric Sciences, from 1957 until his retirement in 1993. The documents consists of correspondence, memorandums, reports, proposals, typescripts, periodicals, photocopies, minutes, newspapers, and a scrapbook of photographs.
The Héctor Santiago Papers collection includes only part of his literary anthology, with future additions expected. The Papers include scripts, essays, short stories, reviews, clippings, and theater programs. Additionally, the collection contains personal and professional correspondence, interviews, awards, and financial records. Some scripts and stories written by Santiago in 1960s were excavated from the ground beneath a tree in Cuba where they had been buried for more than 20 years. In order to preserve these original typescripts, photocopies have been made for perusal. Also of interest is a group of letters written by Santiago’s fellow prisoners in UMAP.