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This collection currently contains advertisements, ephemera, pamphlets, scrapbooks, and graphic materials from National Airlines, mostly dating to the 1970s.

The Nathaniel Hooper Collection contains one visitors' book from the Chateau Malet in France.

The Nathalie Marshall Papers consists of selections of personal writings, dream journals, notebooks, poetry and correspondence by the artist reflecting thirty years of her creative process.

The Natasha Mella Papers contain the personal papers of the Cuban exile intellectual Natasha Mella (1927-2014). The collection contains photographs and audio cassettes of radio programs, conferences, interviews, and other recordings relating to Mella's writings, primarily from her time in exile. There is also correspondence, clippings, and pamphlets which relate to Mella's research on Cuban politics and history as well as correspondence with fellow exiled Cubans. There are numerous speeches, handwritten notes both personal and for research, and essays and articles written by her on Cuban topics for various news and radio outlets, especially in Miami.

The Natalia Aróstegui Bolognini Collection contains poems, articles, extracts and off-prints, and music scores by important early/mid 20th century Cuban composers. Music scores include autographed manuscript music scores by Gonzalo Roig, an important Cuban musician of the mid-twentieth century; autographed music scores by Ernesto Lecuona, one of the most important and internationally known Cuban musicians of the 20th century; and sheet music by Jorge Anckermann, Eusebio Delfín, Gisela Hernández González, José Marin Varona, Jorge Mauri, and Ernestina Lecuona, Ernesto Lecuona's sister.

This collection also contains manuscript poems by Dulce María Loynaz del Castillo, a renowned Cuban poet and the 1992 recipient of the Cervantes Award of Literature; and documentation about Dr. Gonzalo E. Aróstegui y del Castillo, Aróstegui's father.

Natale Bongiovanni was a Field Captain with the U.S. Army. The Natale Bongiovanni Papers contains six notebooks in which Bongiovanni defines and provides context and etymology for every word of President Harry Truman's State of the Union Address to Congress on January 4, 1950.

This collection contains drawings, sketches, photographs, research materials, clippings, audio-visual materials (CDs and audiocassette tapes), periodicals, ephemera, and other archival materials created and collected by the noted Miami and New York artist Naomi Fisher (1976-).

The My Family Project Conchita Espinosa Academy Collection contains family reports and oral history interviews of family members by several students of the Conchita Espinosa Academy.

The Music Scores Collection contains publications dating from the late nineteenth century to the present day. It includes art music and popular music scores for various combinations of instruments, from piano or guitar solo to symphonic works with choir. This collection continues to grow as more music scores are added, in alphabetical order of composer.

Most publications in the collection include music by Cuban composers or authors. Others feature Cuban subjects or genres. Some publications are kept in the collection because they were printed in Cuba. Supports range from handwritten staff paper to commercially edited volumes.

The collection is arranged in three series. Series 1 includes all publications with works by a single composer. Series 2 includes all publications with works by multiple composers. Series 3 includes all oversize scores. The collection is distributed in three boxes. Box 1 contains series 1, A-K. Box 2 contains series 1, L-Z and all of series 2. Box 3 contains series 3. Folders within boxes contain all available copies of a single publication. A .pdf file with detailed information (title, composer, author, composition date, copyright date, date of publication, number of pages, genre, instrumentation and comments) about each publication is provided within this finding aid.

Some items in the collection seem to be only surviving copies of certain compositions. The collection offers insights into the music printing process in Cuba, and into the editorial policies followed in music printing after 1959. Art music composed after 1959 is well represented in the collection, as well as an important amount of classical danzones and contradanzas by Cuban masters Cervantes, Romeu and Lecuona.

The Muriel M. Curtis scrapbook contains newspaper clippings, photographs, and several University of Miami publications and documents. She was a student of the university in 1937.

The collection includes correspondence, logbooks, photographs albums, slides,  and diaries pertaining to various members of the Munroe Family who settled in Coconut Grove, Florida.

The collection contains a data set of tweets collected from the Twitter microblogging and social networking service regarding the Movimiento San Isidro, a social and political movement created by a group of Cuban dissident artists protesting the country's Decree 349 that requires artists to obtain prior approval from the Ministry of Culture to perform in public and private spaces. The group protests police violence, with some members using non-violent methods of resistance such as hunger strikes to bring attention to their cause.

Beginning in November 2020, the Cuban Heritage Collection collected tweets relating to the following accounts, phrases and hashtags: @Mov_sanisidro, @LMOAlcantara, @MaykelOsorbo, @CubaCultura, #TodosSomosSanIsidro, #FreeDenis, #LiberenADenis, #LibertadParaDenis, #EstamosConectados, #FuerzaCuba, #SomosCuba, #CubaEsCultura, M-26-11 AND Cuba, #unidad AND Cuba, #Luisma AND Cuba, #CubaDeTodos, #TodosConSanIsidro, #NoALaViolenciaPolicial, #DondeestáLuisManuelOtero, and #CubaYChacón.

The tweets collected by the Cuban Heritage Collection for this data archive do not represent an exhaustive or complete record of all tweets relating to the targeted hashtags due to restrictions on tweet volume accessed via the Twitter API.

The Movimiento San Isidro Oral History Project documents the Movimiento San Isidro, a social and political movement created by a group of Cuban dissident artists protesting the country's Decree 349 that requires artists to obtain prior approval from the Ministry of Culture to perform in public and private spaces. The group protests police violence, with some members using non-violent methods of resistance such as hunger strikes to bring attention to their cause.

The records document activities of Movimiento Cristiano Liberación, a movement dedicated to fighting Castro's dictatorship using peaceful measures.  The materials include reports on political, economic and social situation in Cuba, presentations and correspondence.

The Moreno Habif Papers contain bound volumes of correspondence, publications and reports from Jewish organizations in Havana, Cuba, from the 1950s and 60s, compiled by Moreno Habif (1937-2017).

Publications include issues of Ecos de juventud, Órgano Independiente de Orientación de la Juventud Hebrea de Cuba, and Voces, Órgano Oficial de la Organización Juvenil del Patronato de la C.C.H.C. The collection also contains meeting minutes from the Asociación de Ex-Alumnos del Colegio Hebreo del Centro Israelita (C.H.C.I.) from 1951 to 1955 and the Comité Gestor de la Organización Juvenil del Patronato. A bound volume details the activities of the Patronato from 1958 to 1960, while two other volumes from 1957 to 1959 capture the activities of the Escuela Dominical associated with the Patronato, of which Moreno Habif was the technical director.

The Moravia Capó Papers contain correspondence, manuscripts, clippings and photographs related to Moravia Capó, Cuban educator and human rights activist who lived and worked in Nicaragua and Miami from the 1960s to her death in 2007.

The Mirta Ojito papers contain a collection of clippings, press releases, and government documents relating to the Mariel boatlift, and photographs, clippings, and excerpts documenting Cuban history. Ojito used the files for writing the memoir of her exile in the United States, El Mañana (Finding Tomorrow), published in 2005.

The materials found in the collection create a context from which the social and economic cost of the Mariel boatlift, for both Cuba and the United States, can be understood. Various prominent (and at times notorious) figures within the Cuban exile movement are examined.