The Eneida Guernica Collection contains academic documents and data by educational psychologist Eneida Guernica.
The collection includes a statistical study on Cuban and Mariel children, a bilingual education study, a paper on the PRAM method for teaching languages, original research material, and pamphlets on PRAM.
The English Manuscript Collection contains 19th century official documents on vellum parchment. Included are 21 indentures, 7 last will and testaments, and 7 documents granting privileges to women in name of the 1833 "Act for the Abolition of Fines and Recoveries, and for the Substitution of more simple Modes of Assurance."
Enildo A. García was a Spanish and Latin American Literature professor at St. Francis College in Brooklyn, New York. His collection is comprised of research materials about the Guiteras family from Matanzas, Cuba. Writings, photographs, correspondence and some memorabilia of the Guiteras family are also included in this collection.
The Enrico Mario Santí Collection contains works, papers and memorabilia related to Cuban sculptor Mario Santí (1911-1988). Included are clippings, slides, typescripts, photographs of his works, and awards given to him. Also included is a curriculum vitae and audiovisual material.
The Enrique Baloyra Collection contains the personal papers of Enrique Baloyra, professor and former associate dean of the Graduate School of International Studies at the University of Miami.
The collection contains correspondence, articles, reports and studies authored by Enrique Baloyra regarding the economic and political situation of Cuba, and audiovisual materials including a 16mm copy of the documentary "Minefield" (along with its accompanying script) and cassette tapes of interviews with exiled Cuban and Latin American political figures conducted by Baloyra for his PhD thesis, "Political Leadership in the Cuban Republic, 1944-1958." Interviewees include Eduardo Suárez Rivas, Ángel Fernández Varela, Jorge García Montes and Andrés Rivero Agüero.
The Enrique Caravia Montenegro Papers contain correspondence, receipts and photographs and memorabilia collected by Enrique Caravia Montenegro (1905-1992), a Cuban artist active in the mid-1900s.
The collection contains letters written to and collected by Caravia from international and Cuban artists; receipts from the Patronato de Artes Plásticas in Havana for artworks commissioned by the organization; and photographs of artists and artworks.
The Enrique Hurtado de Mendoza Collection contains publications of the Organization of American States (OAS) collected by Felix Enrique Hurtado de Mendoza during his tenure as a diplomat (1952-1960) and functionary (1961-1987) of the organization.
The Enrique Labrador Ruiz Papers are organized into five series and consists primarily of the manuscripts of his articles and essays written in exile and includes that of his final book, Cartas a la carte (1991) which can be found in box 5, folders 444 and 445. The bulk of the material of this collection is in Series I: Works, n.d., 1933–2001 (bulk dates 1977–1987). There are many photocopies of his articles as they were published in various publications. A small collection of correspondence, photographs, and graphic materials can also be found in this collection, along with programs of events held in the 1980s and 1990s in honor of Labrador Ruiz.
The Enrique Pujals collection on Carlos Montenegro contains documents and materials related to Cuban author Carlos Montenegro collected by Pujals for his book on the writer,Vida y memorias de Carlos Montenegro (1988). Pujals was a foreign languages professor at Rowan University in Glassboro, New Jersey from 1969 until his retirement in 2009.
Pujals collection on Carlos Montenegro includes photographs, book reviews and reports, articles about Montenegro, Montenegro's correspondence with Enrique Pujals, and a cassette tape with an interview of Pujals with Montengro in 1976.
The Enrique Quintana scrapbook includes materials collected by Cuban Red Cross worker Enrique Quintana. It includes photographs, correspondence, documents from the Cuban Ministry of Public Health and other departments, clippings, and personal memorabilia. It includes a core grouping of materials relating to Quintana's participation in the 1951 VI Convención de la Cruz Roja Interamericana held in Mexico.
The Enrique Ros Papers contain the papers of Cuban historian, writer and activist Enrique Ros (1924-2013) primarily regarding his participation in the Movimeinto Democrático Cristiano (Christian Democratic Movement). This collection consists of one box of articles and scripts, pamphlets, clippings, photos and political and personal correspondence.
A growing collection of documents, photographs, and correspondence pertaining to the capture, purchase, bargaining, and freedom of enslaved people in Europe, Africa, and the Americas from the 18th to the 20th century. The collection contains a variety of petitions, contracts, estate settlements, and ephemera that record the activities of enslaved people during that era and illustrate the relationship between enslaved people and the people who enslaved them, as well as local government policy regarding enslavement and ownership in various parts of the Americas. Also included the collection are images and ephemera that feature racial caricatures, which were prevalent during their time of printing.
University of Miami Library - Collaborative Archives from the African Diaspora (CAAD)
The Eric Bennett Photograph Collection contains portrait and scenic photography from Havana in the late 1930s to early 1940s taken by Eric Bennett (1902-1964), an exiled German photographer.
The collection contains over 100 portrait photographs of children, as well as scenes of Havana and the surrounding countryside, taken by exiled German photographer Eric Bennett from 1939 to 1941.
The Erica Dawn Lyle papers offer a rich history of Miami’s countercultural art and music scenes and grassroots political activity from the 1990’s to the present. Writing under the name Iggy Scam, Lyle has produced a series of classic underground fanzines, called SCAM, that are known internationally in the punk rock scene. Lyle’s writing and archive also provides a fascinating back story to some of the political activity Miami is now known for. With the current wave of home foreclosures that has spread across South Florida, has come a resurgent wave of housing activism. The most well-known activist group in Miami today is Take Back The Land, a group that has gained national media attention for their tactics in helping homeless families move into and squat homes that have been foreclosed across Miami. The Lyle papers show a pre-history of an equally militant though far less organized and coherent group of South Florida squatters and anti-gentrification activists who were attempting similar tactics a generation ago. The papers also document the formation of the city’s first Food Not Bombs, a group that is still active today. The collection of zines, journals, sketchbooks, ephemera and original art work depict contemporary social history as well as Greater Miami’s issues of urban planning, property and housing rights and the responsibility and role of art. Also well documented are Lyle's travels through unconventional methods such as hitchhiking and train hopping.
The papers of Erl Roman, well known sport fisherman and skilled writer and publicist, provide information about the sport of angling and about the University of Miami's early years. The records, dated 1935-64, are divided into four series. SERIES I: CORRESPONDENCE and SERIES IV: SCRAP BOOKS, document Roman's fishing career as well as laws and events influencing the sport. SERIES II: TOPICAL FILES relate to fishing and to Roman's involvement with the University of Miami. SERIES III: PRESS RELEASES contains the press releases issued by Roman for the University of Miami Office of Public Information.
The collection contains original architectural renderings, working drawings, specifications, and photographs, as well as architectural plans and records of buildings such as Bacardi LTD.
The Ernesto González Papers contain literary manuscripts for novels, short stories, poems and essays written by late 20th, early 21st century Cuban-born alternative writer Ernesto González.
This collection documents the works of noted Haitian Vodou priest, healer, educator, and performance artist of “electro-Vodou music,” Erol Josué. He has spent much of his career passionately practicing the Vodou religion and advocating to keep it alive through his performance art and by lobbying against government restrictions on religious practice. Items in the collection specifically focus on Josué's work as a healer and performance artist. It includes newsclippings and ephemera related to his performances, which feature Vodou and his Haitian cultural heritage as prevailing themes.
His full oral history, as part of the Haitian diaspora oral history collection, can be accessed from this page (see: Related archival materials note).