The Lenny Kaye Science Fiction Fanzine collection holds a significant number of sci-fi zines from the 1940s-1970s. Zines are typically independent and self published booklets popular in underground subcultures. The first zines were fanzines, started in the early 20th century by science fiction fans documenting the genre. This collection contains fanzines from the mid-20th century, collected by the musician Lenny Kaye. The fanzines document the active subculture surrounding science fiction, including fan fiction, convention news, and fan clubs. The collection holds zines produced as part of a number of amateur press associations, including the Spectator Amateur Press Society (SAPS), the Neffer Amateur Press Alliance (N'APA), and the Fantasy Amateur Press Association (FAPA). The collection is truly international in scope, with zines produced in the United States, Canada, the United Kingdom, Australia, New Zealand, Argentina, Japan and several European countries present.
Dr. Melanie Rosborough was a language professor and administrator for the University of Miami from the time she joined the faculty as Professor of German in 1927. The Melanie Rosborough Papers document her academic career, activities with professional academic organizations, and University of Miami religious organizations and activities.
An ongoing collection of comics and zines added to the holdings of the University of Miami Libraries Special Collections, with a focus on zines produced in and/or about the Caribbean and Latin America, including diaspora communities. Zines are typically independent and self published booklets popular in underground subcultures. The first zines were fanzines, started in the early 20th century by science fiction fans documenting the genre. The format truly took off with the punk rock movement of the 1970s, as a do-it-yourself spirit inspired legions of underground punk fans to start raw but vibrant journals documenting the nascent music scenes in their communities. Zine topics would broaden throughout the 1980s and 1990s to cover a variety of subject areas, from comics to anarchist politics to women’s rights, to more mundane subjects like dumpster diving, alternative fashions, tattoo art, and much more. Despite the expansion of topics, the format usually remained the same—self-published booklets printed in limited editions and typically produced with a photocopy machine.
Sweat Records began as a local independent music store in Miami in 2005, conceived by DJ and club promoter, Lauren (Lolo) Reskin, and by former WVUM DJ and public defense attorney, Sara Yousuf. It served as not only a record store but a public event space and coffee shop, catering to the eclectic music scene in South Florida. The store was forced to temporarily relocate to the back of Churchill's pub in 2005 after the destruction caused from Hurricane Wilma and eventually moved to its new permanent location near Little Haiti. Sara Yousuf also left her role as co-owner to pursue a full-time career as a public defense attorney in 2006 and was replaced by Jason Jimenez who came onboard as Lolo's new partner in 2007. Sweat Records continues to this day to offer a wide variety of performances and events, featuring both budding local artists and veteran rock bands, and to contribute heavily to Miami's thriving music culture.
The Sweat Records collection contains archival material documenting the history of the record store, including newspaper articles, magazines, ephemera, pamphlets, company records, administrative files, personal papers from Lolo Reskin, and audio-visual material. Items are arranged categorically by series and material type.
The Robert Huff collection contains exhibit catalogs, postcards, flyers, gallery guides, other ephemera documenting South Florida artists and art-related events in Miami, and materials from the Gloria Luria Gallery, the National Gallery of Sciences, the Gallery of 24, and the Miami Book Fair. The collection also includes materials documenting South Florida sculpture and sculptors, along with many items relating to the work of South-Florida artist Robert Huff and an oversized Rauschenberg Tropic cover, signed "Bob."
The Borscht Film Festival is a semi-annual film festival held in Miami, Florida. The festival's mission is "to commission and showcase films by emerging artists that tell Miami stories going beyond the typical portrayal of a beautiful but vapid party town, forging the cinematic identity of the city." Their collection includes ephemera, flyers, postcards, printed materials, posters, 3D objects, and other associated items pertaining to the Borscht Film Festival.
Conceived in 1932 by the original Orange Bowl Committee, the Orange Bowl was created as a popular tourism attraction for the New Year's Festival in Miami that would attract national publicity and bring more businesses and money to South Florida. This venture proved successful as the Orange Bowl celebration grew in both size and popularity, becoming a national extravaganza with their lavish parades, annual football games, and beauty pageants, all in an effort to create the "world's greatest half-time spectacle."
The first football game ever put on by the committee was in 1932 between the University of Miami Hurricanes and Manhattan College from New York City in what was then called the Festival of Palms Bowl. In 1935, the festival was renamed as the Orange Bowl and started featuring college football teams to participate based on their national rankings rather than offering a guaranteed position, and it was recognized by the NCAA as the first "official" Orange Bowl. The Orange Bowl stadium was created in 1937 to accommodate the game as well as the Miami Dolphins home games and several Super Bowls up until it was demolished in 2008, but it gained a prolific reputation as a local attraction during its lifespan in south Florida.
The Orange Bowl Records contains documents, financial and administrative files, scrapbooks, photographs, ephemera, pamphlets, newsclippings, audiovisual material, and 3D objects pertaining to the Orange Bowl Committee and their archives.
Located in the heart of Coral Gables, ArtSpace Virginia Miller Galleries have served as a launching pad for budding young artists in South Florida and Latin America for over 44 years. This collection contains several publications and gallery catalogs that discuss many of the exhibits Virginia Miller and her colleagues have helped pioneer.
The William Calhoun “Bill” Baggs Papers includes thirty-one boxes of correspondence, memoranda, clippings, photographs, diaries and other materials relating to the professional career of Baggs, a newspaper journalist, editor, and political commentator from the 1940s until his death in 1969. As a columnist and editor for the Miami Daily News, Baggs developed relationships with many prominent figures. The Baggs Papers, arranged in six series, totals thirteen cubic feet of materials. In addition to incoming correspondence, the files include hundreds of carbon copies of outgoing correspondence from Baggs to a variety of local, regional, state, national, and international politicians, journalists, and others.
This collection contains the papers of Dr. Roger W. and Frances S. Arnold. Dr. Roger W. Arnold was a doctor who practiced Naprapathy and massage, an active member of the First Presbyterian Church of Miami, and a World War II air warden. Frances S. Arnold was a soprano soloist in churches, programs, and music clubs, an editor of the Florida Teacher Magazine, member of the Florida Historical Society, and 1948 president of the Mothers of Sigma Chi Coral Gables Chapter. She was active in the research and development program of the University of Miami, and in local music clubs. The papers document their activity in all of the above, and also contain materials (i.e. brochures, directories, pamphlets, photographs) on the University of Miami, Coral Gables, Coconut Grove, and Miami at large.
The Joseph Auslander and Audrey Wurdemann Collection consists predominantly of correspondence, programs, and scripts relating to their involvement with the CBS radio program Housewives' Protective League. The Housewives' Protectice League, airing from 1948 to 1962, was a daily CBS radio feature which explored a variety of issues from childrearing and health to fidelity and marriage troubles. The letters are either from publishers confirming the Auslander's permission to review or discuss their books on air, or from CBS executives discussing their scripts. Included also are several scripts not by Auslander or Wurdemann, and an untitled typescript. Finally, the collection contains a leasing agreement from the Auslanders for a house in New York City. several periodicals, 15 research notebooks, and 28 photographs (with French inscriptions) depicting trench warfare in Belgium during World War I.
The Theodore Bolton Papers contains materials that span from across the entirety of Bolton's life. Bolton was active as a book illustrator and as an art historian, and so there are typescripts, manuscripts, reprints, and periodicals, as well as sketches, prints, drawings, engravings, and sketchbooks.
Bolton's sketches are primarily illustrations for books or Christmas Card designs. Also among the sketches are several done by other illustrators. These include an original illustration by Timothy Cole, as well as a number of original sketches by James Daugherty. Many of these sketches are on Christmas cards sent to Theodore Bolton and Helen, his wife.
Beside his manuscripts and illustrations, of special notice are travel journals by Bolton spanning across several decades, each of which contain illustrations of the places that he visited, and 20 Confederate States of America Banknotes.
The Julian Corrington Papers contain teaching and academic files concerning the University of Miami in addition to materials on scientific research and literature. Class records and course materials, dated 1944-63, include syllabi, memos, lecture notes, book lists, lists of research topics, correspondence with students and student recommendations. Other correspondence and memos, relating to the Biology Department discuss such topics as the curriculum, course requirements, faculty meetings and building plans. University of Miami "faculty notices," and "university memoranda" cover announcements of library news, information on education, and the Science Department. The records also contain publications such as "Self Portrait of a University," and a program from the 1962 dedication of the Otto G. Richter Library. Correspondence with faculty of other universities discusses the merits of general introductory science courses versus more specialized instruction.
Several files contain manuscripts and correspondence dealing with publications. Other files include materials on the electron microscope and include photographs taken through the microscope, reprints of articles and news clippings relating to the microscope. "Field Check Lists," dated 1917-21, and field trip reports record observations on the sea coast at Georgetown University. Photographs document trips led by Corrington. Reprints and publications on various scientific topics as well as and bulletins, newsletters, and programs from various scientific and scholarly organizations are included in files. Additional files of particular interest contain newspaper clippings and literature from various organizations on eugenics, genetics and the teaching of evolution. Corrington collected these materials, dated 1920-44, for inclusion in class lectures.
The Cronin papers consists primarily of Spanish poetry in manuscript form. However, there is also a notebook with personal reflections, a catalogue of "Teatro del Siglo XVI" (or 16th century theater), a list of authors and poems, cards with authors and poems, and a piece of sheet music.
Allison B. Curry, Jr. served as Director of Public Service for Coral Gables from 1934 to 1939. Between 1939 to 1942 he was promoted to city manager. In 1942 he left to hold this same post for the city of Miami. From 1946 to the end of his career he was Director of the Dade County Port Authority as well as of the Miami International Airport.
The Allison B. Curry collection contains diplomas, photographs, a brochure on the metric system, two metric rulers (one in a leather sleeve with his name in ink), metric converters, a lighter with his initials engraved and a case, and a cartoon of Curry signed by city employees.
The Thomas de Valcourt and Michael Lerner collection contains materials concerning 19th century New England poets and authors, most prominently Henry Wadsworth Longfellow, but also Henry David Thoreau, Washington Irving, Oliver Wendell Holmes, Ralph Waldo Emerson, Nathaniel Hawthorne, Walt Whitman, and minor figures. Much of the materials - which predominantly consists of prints, photographs, clippings, photocopies, newspapers, periodicals, postcards, reprints, poetry, and other formats - concerns their famous New England homes and their families' homes, and other literary landmarks in the vicinity. Most of the materials date from the late 19th and early 20th century.
Also included are a scrapbook of clippings of poetry, a 1962 plaster cast bust of Henry David Thoreau by Melvina Hoffman, an 1864 ceramic bust of Henry Wadsworth Longfellow by M. Milmore, two paperweights with depictions of the Longfellow house, a brick noted as "being used by Thoreau when adding to the family house on Virginia Road in Concord," and one copper ashtray.
The Virginia Spencer Carr Collection contains correspondence, research notes, interviews (transcripts and audio tapes), photographs, manuscript drafts of publications and other materials compiled and created by Virginia Spencer Carr in the course of her research and writing of John Dos Passos: A Life. John Dos Passos, a noted American literary figure of the "lost generation," published a number of important works, including the trilogy U.S.A.
Among important materials in the collection are the personal reminisces of family members, colleagues and contemporary figures of Dos Passos (notably, letters by Simone de Beauvoir, William F. Buckley, William Slater Brown, Frances Scott Fitzgerald, and family members of both Ernest Hemingway and John Steinbeck are included). The collection also includes extensive research files on the life and publications of Dos Passos and family members.
The Clark Mixon Emery papers consists of materials regarding the 20th century modernist expatriate American poet Ezra Pound (1885-1972).
A total of 53 letters and postcards by Ezra Pound addressed mostly to Emery written from September 4th, 1951 to August 1st, 1959 are held in this collection, predominantly written during Pound's stay in the St. Elizabeth Hospital where he was treated for mental illness until 1958. Some letters by his wife Dorothy are included as well. Most of the letters are typed, and about half are signed. Many of the letters concern Emery's work on his 1958 monograph Ideas Into Action; A Study of Pound's Cantos. In others Pound writes about his complacency in the hospital and his eagerness to depart, and discusses the work of Emery's student Ronald Perry. In addition to the letters the envelopes are preserved as well. Photocopies of the letters and envelopes are included in the collection.
Other correspondence held in the collection concerns Ezra Pound and his Cantos. These include letters from Pound's daughter, Mary de Rachewitz, to Emery; letters from Sheri Martinelli and Ronald Perry, also 20th century American poets, to Emery; a letter from Walton Brooks McDaniel, former teacher and friend of Pound, to Archie McNeal, former university librarian of the University of Miami Libraries, regarding Emery's work on Pound; and photocopies of other letters by Pound not addressed to Emery. Some of Ronald Perry's poetry, and two photographs of Sherri Martinelli's paintings of Ezra Pound, are included as well.
The other materials in the collection are as follows: essays by and about Pound from the 1950s; transcripts of broadcasts by Pound from December 7, 1941 to June 28, 1942; The Analyst, "A Guide to Ezra's Cantos"; a January 1948 issue of "Four Pages," regarding Pound's poetry; an "Ezra Pound for President" pamphlet; The Pound newsletter #1-10 from January 1954 to April 1956; Strike periodical #1-3, #5-6, #8-10 from June 1955 to June 1956; Amagogic & Paideuminic Review #5-6 and an October 1959 issue; a 1952 typescript titled "Die Pisaner Gesänge" by Rainer M. Gerhardt; and other periodicals, newspapers, and clippings.
The Theodore R. Gibson Family Papers document the life and work of Reverend Gibson, longtime Miami Commissioner during the 1970s and 1980s, and champion of Black Coconut Grove. The collection also contains materials documenting the civic activities and interests of Reverend Gibson’s wife, Thelma Gibson.
The collection includes albums that document Reverend Gibson’s family life, as well as his church, community, and political activities. The albums include photographs, letters of commendation, invitations, programs, biographical information, and numerous clippings.
The subject files provide evidence of the activities and interests of Reverend and Thelma Gibson, dating from the 1950s to the 1990s. Included are programs for services and events at Christ Episcopal Church and other area churches; speeches and invocations written by Reverend Gibson; letters received; and materials concerning the NAACP.
The clippings document the interests of Reverend and Thelma Gibson and highlight their work and accomplishments. A majority of the clippings are arranged chronologically and date from 1981-1990. Clippings arranged by subject document the activities of Reverend Gibson and his family, as well as other topics, and date from the 1960s to the1990s.
