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Papal Visit collection

  • ASM0241
  • Collection
  • 1987

This collection contains materials documenting Pope John Paul II's visit to Miami, September 10-11, 1987. It includes photographs, memorabilia, newspaper clippings, special edition periodicals, and posters. The collection was compiled with donations from various people working at the University of Miami's Otto G. Richter Library. The photographs in this collection were taken by members of the Otto G. Richter Library staff during the Papal visit. They were donated by Georgina Golik, Ana Rosa Núñez, and Blanca Herrera Torres.

Sans titre

Constantin and Georgeta Arămescu papers

  • ASM0017
  • Collection

The papers of Romanian artists Ticu Arămescu and his sister, Gigi Arămescu Anderson, contain exhibit programs, newspaper clippings, photographs of Gigi's paintings and of Ticu's sculptures. Newspaper clippings from Crónica, The Miami News, and Romanian newspapers, dated 1966-1981, cover exhibitions of the artists' works.

Exhibition programs from the Norton Gallery and Miami Museum of Modern Art document individual and joint showings. The papers also contain photographs of Ticu Aramescu's sculptures and of Gigi's paintings. Photographs also include several of Gigi Aramescu's presentation at Drury College in Springfield, New Jersey as well as sculpture and paintings from her home. Titles identify most of the photographed artworks.

Sans titre

Kauffman Collection of Mississippi papers

  • ASM0108
  • Collection
  • 1799-1893

The Kauffman Collection, comprised of the Mississippi papers, pertains to three generations of plantation families in southwestern Mississippi. The papers were first received in four wrapped bundles, or packages.

The first package of documents are those of Dr. John F. Carmichael produced from 1800 to 1845. The majority of these manuscripts date from the 1820s, but there is a good distribution of items from 1800 to 1837, the year Carmichael died. The last dated item, produced in 1845, is the distribution of Carmichael's own estate, as written by his nephew John Carmichael Jenkins.

These papers give a limited view of life in early Mississippi when it was part of West Florida, the Mississippi Territory, and after it became a state. As there is not much lengthy correspondence involved, it is difficult to obtain a deep understanding of activities around that time. The papers do, however, show that the early settlers in Mississippi were in rather dangerous and isolated territory; floods and disease were quite common, and food was simple and not in ample supply. The numerous receipts are effective in demonstrating the lifestyle of the people; what was bought and sold in the area indicates the degree of comfort in which the residents lived.

The quality of the materials themselves runs from fair to poor. Many items have pages missing or are torn, holed, brittle, and stained, some beyond easy identification. Most of the papers are small, single-paged items, but the legal documents and manifests are usually oversized and lengthy.

The second package in this collection is related to Dr. John Carmichael Jenkins, the nephew of the aforementioned John Carmichael. The materials were produced from 1827- to 1869. The bulk of these papers were written between 1835 and 1855, the years Jenkins lived in Mississippi. There are, however, two items which date from his years in Pennsylvania, and a copy of a sharecroppers' lease in 1869 for the Beverly Plantation, which apparently was in the control of Dr. Jenkins' elder son, John Jenkins, Jr.

These manuscripts are useful in understanding the business and social climate of the expansive and antebellum periods in Mississippi. They are more diverse and detailed than the letters to Carmichael. They show the lifestyle one would experience as a middle-class Southern farmer of the 1840s and 1850s.

The condition of the material is fair to good; most of the items are intact and only slightly faded. Colored paper is still in good shape, but the handwriting becomes harder to decipher than on the yellowed white paper generally used. Occasionally there is a page missing from a long letter, but almost everything is complete.

The third package of the Kauffman Collection contains those papers relating to Judge Josiah Winchester. These papers were produced from 1849 to 1893. There are many unsigned and undated drafts of letters, mostly dealing with Chinese labor immigration and miscellaneous notes and accountings.

These items were produced mostly from 1856 to 1888, with a thinning of the material from 1860 to 1865, during the Civil War, and again from 1874 to 1880. The earlier papers were probably left with this collection as received, the more important documents relating to wartime being removed. A single document from 1849 was received in this package, but it concerns lands belonging to the Bank of the United Sate (Pennsylvania) and probably not relative to Winchester. There are also a printed map of Adams County, Mississippi, and a length typewritten draft of a proposal sent to Congress concerning levee construction along the Mississippi, and a lengthy typewritten draft of a proposal sent to Congress concerning levee construction along the Mississippi River. These date from around 1893, five years after all documents with Winchester's name ceased to appear.

These documents are somewhat helpful in understanding legal procedure and domestic law during the 1860s and 1870s. Many of the receipts and bills are printed with handwritten inserts; the stationary shows some the flair of the period with its lettertype and occasional engravings.

The condition of the material is in a quite good state of preservation. There are few holed or brittle papers, and the ink quality has been retained. Unfortunately there are some incomplete letters and documents, some unsigned, and many undated.

The fourth and final package in this collection is the most fragmented. Here are papers and documents that are in disarray, belonging mostly to six groups. The papers of S.J. Hoggatt all relate to Judge Winchester: Winchester was Hoggatt's attorney. When the collection was received, however, these papers were separate from the rest of Winchester's correspondence. Most of Hoggatt's papers are letters to Winchester or bills received and paid through an account with the attorney. The period covered runs from 1870 to 1888.

The letters of the Dunbar family total seven items, running from 1799 to 1850. These probably belonged to Annis Dunbar Jenkins, but they too were separated from the Jenkins package when received. The Morgan Company and Morgan family papers, and an inventory concerning a lawsuit between family members over the ownership and distribution of George Morgan's estate.

The United States Bank at New Orleans seems to have been a part of the Bank of the United States in Pennsylvania; several of the tax receipts in the Jenkins collection belong with these papers concerning land deals and business transactions in Mississippi. Most of these items are business letters for the secretary for the bank trustees in Philadelphia to their agent, A. C. Ferguson, in Natchez. The time covered is from 1837 to 1866, but the majority of these papers were produced in the late 1850s.

The final group in the package consists of miscellaneous material relative to Mississippi. They run from 1803 to 1869, and some actually belong in Carmichael's, Jenkins', or Winchester's papers, but for some reason they were placed in this package when received. Other items in this group are single letters or unidentified notes which have nothing to do with the principle persons in this collection.

These papers are generally useful in understanding the activities of specific groups on a smaller scale. The Harris family letters give insight into the way of life experienced by poorer Mississippians after the Civil War. The Morgan family legal case demonstrates the greed and desperation for wealth after the collapse of the Southern economy during Reconstruction.

The material is in good condition except for the oldest of the papers, those being the Dunbar letters and a few of the miscellaneous papers from the early 1800s.

Sans titre

Urban Environment League records

  • ASM0388
  • Collection
  • 1985-2012

The Urban Environment League is a non-profit organization originally created in 1996 under the leadership and guidance of Gregory Bush, a professor at the University of Miami's History department and the Institute for Public History. The organization is dedicated to promoting safe and responsible practices in urban development in Miami-Dade through education and by advocating for environmental reform and legal protections for historical landmarks. Their records contain several issues of their internal newsletter, the Urban Forum; membership lists; minutes; correspondence; pamphlets; flyers; brochures; periodicals; research files on historical landmarks in Greater Miami, and urban planning; financial records; administrative files; ephemera; audio-visual materials (floppy disks and negatives); and legal files.

Sans titre

Peggy A. Phillips collection

  • ASM0255
  • Collection
  • 1989-1991

Dr. Peggy A. Phillips was a history professor at the University of Miami. Her collection contains materials from three of her history courses, two undergraduate and one graduate, where students were asked to interview a World War II veteran and compose an oral history report based on that interview. The materials include essays, transcripts, audio recordings, and videocassettes.

Sans titre

Marjory Stoneman Douglas collection

  • ASM0158
  • Collection
  • 1964-2006

This collection consists of archival materials acquired that relate back to Marjory Stoneman Douglas, the well known environmentalist who was a major force in the fight to preserve the Everglades.

Sans titre

Basil Rowe papers

  • ASM0200
  • Collection
  • 1940-1950

This collection consists of the personal papers of Captain Basil Rowe. Rowe flew for the airline West Indian Aerial Express (WIAX) before being hired by Pan American World Airways, Inc. His papers include: correspondence, news clippings, short stories, reocords of nomination into the aiviaton hall of fame, operations bulletins, photographs, a cockpit checklist, an examination on keeping fit for flying, maintenance bulletins, Martin M-130 information, instructions for the use of the Boeing 247-D Circular Balance Computer, and memoranda concerning emergency landings.

Power U Center for Social Change records

  • ASM0154
  • Collection
  • 1997-2012

Power U for Social Change was founded in 1999 by renowned activists Denise Perry and Sheila O’Farrell. Perry has been a dedicated international labor and community organizer for over twenty-five years; she has organized health care workers into labor unions in the east and southeastern U.S. and worked throughout Africa and the Caribbean to train and work with women labor activists as a part of the Women’s Global Equity Project. Power U was originally based in the historic Black community of Miami, Overtown (1896), as the organization formed in order to fight for solutions to threats being faced by this area specifically, such as poor-quality, unaffordable housing, and gentrification. However, in latter years Power U has placed additional focus on working with schools to advocate for young students of color, as well as continuing to address issues of environmental justice and emerging challenges faced by vulnerable communities.

Being a historically Black neighborhood, Overtown – named “Colored” town in the Jim Crow Era – has been variously subject to state neglect and, in recent years, an excess of attention; however, the continuity between the discrepancies in how Overtown has been (dis)engaged with lie in the fact that at no point has the county championed the interests of the residents. Once a bustling center of Black industry, Overtown has been in decline since the early 1960s when the construction of the highway I-95 decimated the business district and led to the removal of 10,000 people¹. In the years leading up to the founding of Power U, Overtown became under threat again but for different reasons. Samara and Chang narrate, “Long neglected, the Overtown neighborhood has in recent years become an area of interest to the city and to developers. The ‘revitalization’ of Miami has made Overtown suddenly valuable again, but the proximity of a poor, Black neighborhood to downtown stands as a glaring obstacle to urban renewal. This combination of ‘bad’ people and good land could only mean one thing in the new Miami: the neighborhood had to be redeveloped” (14). The notion that Overtown is “suddenly valuable again” is a story that is having yet another revival in context of Black neighborhoods in Miami such as Little Haiti and parts of Allapattah where the pressures of rising sea levels have galvanized interest in these elevated areas². Therefore, both Power U’s initial and continued work in Overtown has proven to be vital in an area that is under consistent threat; for example, in 2003 they stopped the expansion of an I-95 ramp that would cause further destruction in addition to the initial damage wreaked by the highway. In addition, in 2008 Power U created the Renter Majority Project in response to the growing epidemic of substandard living conditions and illegal evictions in Overtown, the renters being at the mercy of “slumlords³.” With the assistance of the Community Justice Project and DataCenter, they undertook a huge survey of individual people in the neighborhoods of Liberty City, Little Haiti, Wynwood, Allapattah, Overtown, Coconut Grove, and Little Havana which evaluated housing costs, quality, and renter rights⁴. The report, “State of Miami Renters,” was subsequently published in June 2012⁵.

In 2007, in response to the violent repression of a peaceful student demonstration in a predominantly Black high school in Miami’s urban core, Power U became actively involved in the fight to dismantle the school-to-prison pipeline and promote restorative justice practices in schools. Their development of restorative justice practices, including the anti-criminalization of school children, was a focused extension of work they had already begun to revitalize Miami’s school system, such as obtaining one million dollars in funding for school improvements. In 2003, they provided certified graduation for more than one hundred and forty students who had met all graduation requirements but failed to graduate on the basis of the Florida Comprehensive Assessment Test (FCAT), which has already attracted huge criticism on the basis that the State set achievement goals on the basis of race and ethnicity, and set far higher and harder to achieve goals for Black and Hispanic students, for example, than it did for white and Asian students⁶. In the same year, they also established the People of Color Alliance for Public Schools. Throughout Power U’s various endeavors, the voices of the children actually affected by racist practices that have compromised their educational pathways are consistently centralized. In 2012 in association with Advancement Project⁷, Power U released a video documentary in which students of color discussed their personal experiences of the school discipline crisis in South Florida, explaining how they felt pushed out of the classroom and racially targeted by school staff through harsh disciplinary practices that were not commensurate with the codes of conduct they had supposedly broken⁸. Their efforts seemed to have paid off when, in 2015, Miami-Dade County Public Schools (MDCPS) announced that they would no longer suspend students from school, but rather send them to “Student Success Centers,” which would offer additional support to struggling students. However, as detailed in Power U’s 2017 report, Miami-Dade County Public Schools: The Hidden Truth, which was a result of interviews and surveys of over five hundred young people, these success centers are anything but successful and are actually serving to mask continuing systemic discriminatory practices in Miami’s schools.

Founded by feminist activists, unsurprisingly Power U has consistently advocated and developed programming specifically for women and Lesbian, Gay, Bi, Transgender, Queer, Intersex, and Asexual (LGBTQIA) youth. In 2009, they launched their first reproductive justice project, Powerful Women and Families (PWF). PWF worked towards developing Black mothers’ consciousness and organizing skills to increase their agency over their own birthing experiences. Through a variety of workshops, training, and campaigns Power U aimed to demystify the medicalization of birthing, expose community members to the tradition of midwifery, and extolled the benefits of breastfeeding. Because of resource constraints, Power U unfortunately had to discontinue the PWF program but stays committed to maintaining reproductive justice as a crucial element of their work. For example, Power U runs programs at a local alternative high school for young parents, which combines birth and political education to develop participants’ awareness of reproductive justice, criminalization, and restorative justice. More so, in The Hidden Truth Power U dedicated substantial space to specifically analyze Miami-Dade County public schools in terms of the experiences of young Black femmes and Transgender and Gender and Gender Non-Conforming (TGNC) students. In the report they argued, “If our schools continue to be environments where girls’ bodies, sexualities and identities are preyed upon and objectified, our schools will continue to be unsafe” (10).

Aside from their continued projects and advocacy, key to Power U as an organization is the sustained recruitment of new generations of Black and Brown working-class activists, who through social media and on-the-ground organizing, continue to safeguard Power U’s presence as a resource for some of the most vulnerable populations in Miami.

Written by:
Laura Bass
UGrow Fellow for the Department of Manuscripts and Archives Management, 2019-2020

Notes:

¹ See also N. B. D. Connolly. “Colored, Caribbean, and Condemned: Miami's Overtown District and the Cultural Expense Progress, 1940-1970.” Caribbean Studies, vol. 34, no. 1, 2006, pp. 3–60.
² See Jesse M. Keenan, Thomas Hill, and Anurag Gumber. “Climate gentrification: from theory to empiricism in Miami-Dade County, Florida.” Environmental Research Letters, vol. 13, no. 5, 2018, iopscience.iop.org/article/10.1088/1748-9326/aabb32.
³ See Roshan Nebhrajani. “Smashing the Slumlords in Liberty City.” The New Tropic, 26 Jan. 2017, thenewtropic.com/smashing
slumlords-liberty-city/. Also, see website for the organization Struggle for Miami’s Affordable and Sustainable Housing (SMASH), www.smash.miami/.
⁴ For more information about the Community Justice Project see: Community Justice Project Records, Special Collections, University of Miami Libraries.
⁵ Power U for Social Change, Community Justice Project, and DataCenter. “State of Miami Renters.” June 2012, pp. 1-23, static1.squarespace.com/static/54179ca4e4b0b0c7bc710d3d/t/54225611e4b097e05f75b895/1411536401877/State+of+Renter+Report.pdf
⁶ See John O’ Connor. “Explaining Florida’s New Race-Based Achievement Goals.” State Impact: NPR, 15 Oct. 2012, stateimpact.npr.org/florida/2012/10/15/explaining-floridas-new-race-based-achievement-goals/.
⁷ See advancementproject.org/ for details about the Advancement Project.
⁸ See video here: www.youtube.com/watch?time_continue=159&v=sbkfdg84g8U&feature=emb_title.

Works Cited:

Power U and Advancement Project. Miami-Dade County Public Schools: The Hidden Truth. October 2017.

Samara, Tony Roshan, and Grace Chang. “Gentrifying Downtown Miami.” Race, Poverty & the Environment, vol. 15, no. 1, 2008, pp. 14–16.

Sans titre

Jason Handelsman collection

  • ASM0307
  • Collection
  • 1976 - 2013

Jason Handelsman is a writer/journalist based in Miami. This collection consists of zines and zine originals for his project, "Untitled Rough Manuscript for the President's Reality Show," his journals, personal notes, and other writings.

Sans titre

Florida LGBTQ+ History collection

  • ASM0231
  • Collection
  • 1974-2022

This collection contains various materials documenting the rich history of LGBTQ+ (lesbian, gay, bisexual, transgender, questioning, queer, intersex, pansexual, two-spirit (2S), and asexual) culture in Florida and its many decades of political and social activism. Included within are periodicals, ephemera, political tracts, general documents, and advertisements pertaining to the LGBTQ+ lifestyle and hailing from both earlier and contemporary eras. The contents of this collection will continue to grow as more materials are purchased and collected.

The Koreshan Unity collection

  • ASM0297
  • Collection
  • 1888-1897

"Collection of 208 Koreshan Unity Periodicals - The Guiding Star: Expositor of the Divine Science[together with] The Plowshare and Pruning Hook: Indicator of Commercial Equation[together with] The Flaming Sword[bound together with] The Salvator and Scientist: Evangel of Koreshanity, the Religion of Science and Life.

A substantial group of periodicals and newsletters edited and written by Dr. Cyrus R. Teed, a Utica, NY native and founder of the Koreshan Unity. 'Koreshanity,' as it was also known, was born in the wake of two related western movements: the millenial fervor that swept early-to-mid 19th century central and western New York State, and the utopian communalism that began attracting increasing numbers of adherents during the same period and into the later 19th century.' A graduate of Eclecitc Medical College of the City of New York, Teed's inerests went beyond medicine to encompass alchemy, botany, physics, and metaphysics, and he would regularly conduct experiments in these areas inside what would become known as Koreshanity after experiencing a late-night religious vision. During what he called his 'illumination,' he saw a beautiful woman who revealed to him a series of universal truths which formed foundamental principles of Koreshan belief. 'Among Teed's most interesting beliefs was cellular cosmogony, or the hollow earth - the notion that the earth was not a convex sphere but instead a hollow, concave cell, containing the entire universe with the sun at its center.

After failed attempts at founding communal settlements in Moravia, Syracuse, and New York City, Teed moved to Chicago, IL, where his persuasive oratory enabled him to assemble a firm core of followers in the late 1880's and form the commune called Beth-Ophra. Teed incorporated his organization there as the College of Life in 1886, and established a printing house that began producing three major publications: The Guiding Star, The Flaming Sword, The Plowshare and Pruning Hook. 'These publications began a long legacy of Koreshan publishing aimed at the public as well as their own members, intending to explain and promote their beliefs, relate and preserve their story, and discuss political, social, scientific, and religious ideas and issues.' The Salvator and Scientist, a short-lived publication publsihed concurrently with The Flaming Sword, focused primarily on aspects of Koreshan science, astronomy, and geodesy.

Believing himself to be a messiah who would lead his people in establishing a New Jerusalem, Teed assumed the name Koresh in 1891 (after Cyrus the Great, King of Persia). As with his previous locations, Teed's beliefs did not endear him or his followers to the general public, forcing him to relocate from Chicago to the quiet beach town of estero, FL. in 1894, the final home of the Koreshan Unity where Teed would establish his New Jerusalem. It was here that the Koreshan Unity established a growing, self-sustaining community, though at the height of the movement, their membership numbered no more than 250. Apparently, there were an additional 4,000 members scattered throught the country, including a small contingent who formed a short-lived Koreshan community in San Francisco, CA. Teed died in Florida in December 1908, nearly two years after a brawl with citizens of nearby Ft. Myers, during which he was struck in the head and face several times. " -Lorne Bair / http://www.lornebair.com/

StoryCorps - Warmamas community archive

  • ASM0700
  • Collection
  • 2013-2015

The StoryCorps-Warmamas Community Archive (2013-2015) is a collection of interviews with enlisted men and women, veterans, their family and friends. The collaboration between StoryCorps and Warmamasis part of StoryCorps' Military Voices Initiative which serves as a platform to allow military families to share their experiences.  Warmamas also places a special emphasis on interviewing women whose children were deployed  to serve in the Iraq and Afghanistan wars. As a repository for personal reflections on the ramifications  of war, the collection includes individual testimonies and helps to document American history.

Sans titre

Louinès Louinis Haitian Dance Theater collection

  • ASM0204
  • Collection
  • 1959-2017

The Louinès Louinis Haitian Dance Theatre collection contains photographs, pamphlets, programs, ephemera, audio-visual materials (VHS and DVDs), clippings, correspondence, and other archival materials documenting the history of the theater and its founder, Louinès Louinis.

Sans titre

James Merrick Smith and Hal F. B. Birchfield collection

  • ASM0280
  • Collection
  • 1948-2019

The James Merrick Smith and Hal F. B. Birchfield collection contains images, letters, news articles, DVDs and a CDs highlighting the stellar lives, careers and involvement of James Merrick Smith and Hal Birchfield in their personal, professional and civic activities.

With his vision of design becoming much more than the up-market selling of merchandise, James Merrick Smith set about the machinery of change that would make interior design a legitimate and accredited profession.   This progression would require the development of education, testing, administration and implementation and then onward to governmental accreditation. James Merrick Smith was the person that not only had the vision but the guts and the charisma and good fortune to find others to help fulfill this dream of professionalization of the field of interior design. Life partner Hal Birchfield would also be a part of this much involved process. And among other facets of their lives was the matter of the highly respected professional work the office of James Merrick Smith and Hal Birchfield achieved, setting high professional standards for interior design excellence.

Sans titre

Lenny Kaye Science Fiction Fanzine collection

  • ASM0326
  • Collection
  • 1941-1971

The Lenny Kaye Science Fiction Fanzine collection holds a significant number of sci-fi zines from the 1940s-1970s. Zines are typically independent and self published booklets popular in underground subcultures. The first zines were fanzines, started in the early 20th century by science fiction fans documenting the genre. This collection contains fanzines from the mid-20th century, collected by the musician Lenny Kaye. The fanzines document the active subculture surrounding science fiction, including fan fiction, convention news, and fan clubs. The collection holds zines produced as part of a number of amateur press associations, including the Spectator Amateur Press Society (SAPS), the Neffer Amateur Press Alliance (N'APA), and the Fantasy Amateur Press Association (FAPA). The collection is truly international in scope, with zines produced in the United States, Canada, the United Kingdom, Australia, New Zealand, Argentina, Japan and several European countries present.

Sans titre

Melanie Rosborough papers

  • ASM0165
  • Collection
  • 1940-1983

Dr. Melanie Rosborough was a language professor and administrator for the University of Miami from the time she joined the faculty as Professor of German in 1927. The Melanie Rosborough Papers document her academic career, activities with professional academic organizations, and University of Miami religious organizations and activities.

Sans titre

Caribbean and Latin American zine collection

  • ASM0520
  • Collection
  • 1985-2022

An ongoing collection of comics and zines added to the holdings of the University of Miami Libraries Special Collections, with a focus on zines produced in and/or about the Caribbean and Latin America, including diaspora communities. Zines are typically independent and self published booklets popular in underground subcultures. The first zines were fanzines, started in the early 20th century by science fiction fans documenting the genre. The format truly took off with the punk rock movement of the 1970s, as a do-it-yourself spirit inspired legions of underground punk fans to start raw but vibrant journals documenting the nascent music scenes in their communities. Zine topics would broaden throughout the 1980s and 1990s to cover a variety of subject areas, from comics to anarchist politics to women’s rights, to more mundane subjects like dumpster diving, alternative fashions, tattoo art, and much more. Despite the expansion of topics, the format usually remained the same—self-published booklets printed in limited editions and typically produced with a photocopy machine.

Sweat Records collection

  • ASM0605
  • Collection
  • 1997-2015

Sweat Records began as a local independent music store in Miami in 2005, conceived by DJ and club promoter, Lauren (Lolo) Reskin, and by former WVUM DJ and public defense attorney, Sara Yousuf. It served as not only a record store but a public event space and coffee shop, catering to the eclectic music scene in South Florida. The store was forced to temporarily relocate to the back of Churchill's pub in 2005 after the destruction caused from Hurricane Wilma and eventually moved to its new permanent location near Little Haiti. Sara Yousuf also left her role as co-owner to pursue a full-time career as a public defense attorney in 2006 and was replaced by Jason Jimenez who came onboard as Lolo's new partner in 2007. Sweat Records continues to this day to offer a wide variety of performances and events, featuring both budding local artists and veteran rock bands, and to contribute heavily to Miami's thriving music culture.

The Sweat Records collection contains archival material documenting the history of the record store, including newspaper articles, magazines, ephemera, pamphlets, company records, administrative files, personal papers from Lolo Reskin, and audio-visual material. Items are arranged categorically by series and material type.

Sans titre

Robert Huff collection

  • ASM0701
  • Collection
  • 1983-2004

The Robert Huff collection contains exhibit catalogs, postcards, flyers, gallery guides, other ephemera documenting South Florida artists and art-related events in Miami, and materials from the Gloria Luria Gallery, the National Gallery of Sciences, the Gallery of 24, and the Miami Book Fair. The collection also includes materials documenting South Florida sculpture and sculptors, along with many items relating to the work of South-Florida artist Robert Huff and an oversized Rauschenberg Tropic cover, signed "Bob."

Borscht Film Festival records

  • ASM0602
  • Collection
  • 2005-2015

The Borscht Film Festival is a semi-annual film festival held in Miami, Florida. The festival's mission is "to commission and showcase films by emerging artists that tell Miami stories going beyond the typical portrayal of a beautiful but vapid party town, forging the cinematic identity of the city." Their collection includes ephemera, flyers, postcards, printed materials, posters, 3D objects, and other associated items pertaining to the Borscht Film Festival.

Sans titre

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