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The records contain legal cases, research files, correspondence, audio-visual materials (VHS, CD-ROM, audiocassettes, microcassettes), and trial notes from the Miami Community Justice Project. Topics covered include development for low income housing, gentrification, public housing, and privately run detention centers. In particular, the materials discuss the Scott Homes/Hope VI housing revitalization plan and the Reese v. Miami-Dade County court case; the Sawyer's Walk (Overtown) and Crosswinds (Overtown) redevelopment projects; the Manuel et al. v. city of Lake Worth court case; and the Miami Workers Centers Transit HUB. Other organizations mentioned in the files include Power U Center for Social Change and Florida Immigrant Coalition (FLIC).

This collection includes regional and historic maps, original drawings, plans, elevations, photographs, and blueprints of residential and commercial architecture, community project plans, city/town plans, historic restoration plans and aerial photographs.  The bulk of the materials are focused on, but, not limited to the areas of Miami-Dade, Coral Gables, and Miami Beach.

The Katy Sorenson papers document the career of Kathryn “Katy” Sorenson, a former Miami-Dade County Commissioner (District 8) for 16 years, from 1994–2010. As commissioner she was concerned with human rights, the environment, child welfare and the arts.  After leaving the County Commission, Sorenson founded the Good Government Initiative at the University of Miami to cultivate strong political leaders in South Florida. The collection consists primarily of campaign files, along with a number of scrapbooks and government and other documents relating to Sorenson’s terms as commissioner.

Photographs and records of the Miami food distribution company, 1938-1970s.

Edward C. Dougherty was a Government Administrator and United Nations Expert in taxation for Latin America, as well as a private practitioner of law in the Miami area, specializing in Latin American matters. His papers consists predominantly of materials concerning real estate in Brazil, in the form of letters, maps, notes, photocopies, clippings, photographs, pamphlets, and reports.

The Bernhardt E. Muller collection is a compendium of newspapers, architectural drawings, renderings, and photographs related to the design and construction of Opa-locka, Florida, the nation’s largest concentration of Moorish Revival architecture. The city, incorporated in 1926, was the third Florida suburban real estate development of Glenn H. Curtiss, aviation pioneer and millionaire developer. Opa-Locka is the only known city in the United States that used Moorish Revival architecture as its original theme.

The contents of the Muller collection fall into two distinct groups: architectural materials related directly to buildings designed by Muller and his staff; and supporting materials presumably collected by Muller that pertain to his work and the city of Opa-Locka. The vast majority of these materials are directly concerned with Muller’s work in the Opa-Locka and Miami area between 1925 and 1928. Supporting materials, including magazine extracts, brochures, and newspapers, date mostly from 1926 and 1927, with a few items from 1928, 1930, 1959, and 1960.

The Muller collection’s importance concerns its detailed documentation of the progress of Opa-Locka from a developer’s dream to a constructed city. Opa-Locka was designed according to a specific theme: a combination of Arabic, Persian, and Moorish architectural styles. It is also the first known instance of a town developed from interpretations of a literary work, The One Thousand and One Tales of the Arabian Nights.

The collection contains construction documents, sketches, renderings, and photographs of Opa-Locka’s first buildings. Extensive material exists on the designs of the Opa-Locka Company’s administration building, now the City Hall, as well as plans for seventeen institutional and public projects, including the Archery Club, Bathing Casino, and Observation Tower, with unbuilt designs for a Golf Club, school, and Mid-Winter Southern States Exposition.

Eighteen commercial buildings are found in the Muller collection, including many stores and apartments, as well as an unbuilt Chinese hotel. Sixty-three private residences of various sizes and designs are included in these drawings. It is probably that most of the work Bernhardt Muller ever did for Opa-Locka is contained in the collection. The majority of these drawings and materials date from 1926 to 1927, with only three drawings dated later than 1927.

The Muller collection is significant for its documentation of the history and development of South Florida. The volume of work designed and media contents demonstrate and describe the magnitude of the Florida Land Boom, which peaked early in 1926, just as construction began on Opa-Locka.

The Muller collection contains newspaper articles describing the hurricane that struck South Florida on September 17 and 18, 1926. The storm’s direct effect was a loss of 372 lives and $159 million in property, but its long-term results included the onset of the land “bust” and an economic decline that preceded the Great Depression of the 1930’s.  There are numerous articles and photographs of the hurricane's destruction.

The Kevin Arrow Miami, Music, Art, and Culture collection contains zines, periodicals, ephemera, flyers, photographs, art work, posters, audio-visual material (CDs, CD-ROMs, and vinyl records), and other related archival materials.

The Plymouth Congregational Church records contains historical records created and maintained by the church from around the 1910s through 2010s. The collection contains (but is not limited to) church records on baptisms, weddings, and funerals; architectural drawings of the building and grounds (including the Little Schoolhouse); church bulletins; educational materials; organizational records, including minister files, records maintained by church organizations (eg. Music Committee, Women's Fellowship Circles), and information on governance; ephemera related to events; press clippings; scrapbooks, photographs; and sermons and memorial tapes.

The Funding Arts Network is a non-profit organization dedicated to supporting the arts in Miami-Dade County through publicly funding grants for various art-related institutions, events, projects, and educational initiatives. The organization originally formed in 1996 under the name of Fifty over Fifty, Inc. with the initial goal of recruiting 50 members who would each contribute $1,000 a year to form a pool of $50,000 that would be endowed to the arts. Both the award pool and membership grew considerably over time, and by 2018, they had funded over 108 art organizations and had awarded $4,822,600 in grants. Their records contain past grant applications, newsletters, correspondence, contracts, awards, audio-visual materials, press clippings, bylaws, reports, minutes, membership lists, and other administrative documents for the organization.

The Walter Etling Papers include documents, clippings, and photographs related to Etling’s student years at the University of Miami, as well as his professional and community activities in Miami from the 1950s through the 1970s.

The bulk of the collection consists of photographs, clippings, documents, letters, programs, advertisements, brochures, and ephemera that Etling compiled into albums documenting his student years, professional activities, community service, and personal life.  The collection also contains loose personal papers, photographs, clippings, and other materials related to Etling’s student, business, community, and alumni activities, and personal life.

Business related materials, such as advertisements, brochures, statistics, and other papers, document Etling’s work as a real estate agent for the Allen Morris Company, the Keyes Company, and Walter Etling Company. Examples include brochures for the Keys Company and the Walter Etling Company, as well as the sale of the Flamingo Hotel. The collection also contains photographs and ephemera related to Etling’s involvement in establishing a Kentucky Fried Chicken franchise in Spain, and letters and documents regarding his service on the board of Key Biscayne Bank.

Community service related materials include letters, certificates, clippings, photographs, and other materials primarily related to Etling’s service to the Miami Science Museum, and also his involvement with Kiwanis International and the Dade County Grand Jury.

The collection also contains materials related to Etling’s extensive involvement with the University of Miami. Class assignments, notes, photographs, clippings, and other materials document his student years. Also included are letters, programs, photographs, clippings, and ephemera regarding his service for the Alumni Association and the Board of Trustees. In addition, the collection contains materials relating to class reunions and university athletics, as well as artistic studies Etling prepared when creating the painting that is on the cover of the University of Miami’s 75th anniversary book, Rendezvous with Greatness. 

Personal materials document family vacations, such as photographs of a trip to the 1976 Winter Olympics. Also included are materials related to his hobby of selling memorabilia, and programs and clippings that document the activities of his children while attending the University of Miami.

This collection contains promotional materials, club guidelines, news clippings relating to Students Toward a New Democracy, and newspapers with articles relevant to Overtown and labor campaigns.

The International Union of Operating Engineers (IUOE) is a progressive, diversified trade union that primarily represents operating engineers, who work as heavy equipment operators, mechanics, and surveyors in the construction industry, and stationary engineers, who work in operations and maintenance in building and industrial complexes, and in the service industries. IUOE also represents nurses and other health industry workers, a significant number of public employees engaged in a wide variety of occupations, as well as a number of job classifications in the petrochemical industry (https://www.iuoe.org/). This collection focuses on Local 487, based in Miami, FL, and their minutes and bylaws from 1911 to 2012.

Founded in 1995 as the Human Services Coalition by Daniella Levine, Catalyst Miami is a non-profit community activist group. Utilizing a vast network of partner organizations and numerous initiatives, Catalyst seeks to equip the socially disadvantaged with financial and healthcare information, public benefits, and educational and economic opportunities. Through programs such as the Prosperity Campaign and Public Allies, Catalyst Miami promotes self-sufficiency, participation in civic life, organizational strength and respect.

This collection contains seven series including: Administrative Files, Initiatives, Conference Materials, Audiovisual Materials, and more. Within these series are various forms of correspondence, training materials, schedules and agendas, promotional materials, newspaper articles and photographs. The documents help reveal the social activist nature of the organization and shed light on some of the many accomplishments it has made through the years.

Daniella Levine Cava was elected as the Miami-Dade County Commissioner in 2014 and 2018, representing District 8. Her collection contains materials from her successful 2014 campaign, including correspondence, interviews, and periodicals documenting her initiatives on the campaign trail.

A collection of papers, photographs, scrapbooks, ephemera and other objects that document various cultural scenes in Miami from the 1980s to the present, with an emphasis on the art, nightclub and drag subcultures.

The Florida culinary history collection contains a wide range of materials related to Florida's rich history of food, its unique restaurants and dishes, and its domestic food production. Items within the collection include pamphlets, flyers, ephemera, periodicals, and other memorabilia originating from Florida.

The Florida Menu collection is comprised of both vintage and contemporary menus originating from restaurants all around Florida, which depict a unique part of Florida's culinary, agricultural, and commercial history. Origins of these menus currently include Miami, Miami Beach, Bradenton, Brandon, Coral Gables, Key West, Pembroke Pines, Ft. Lauderdale, Tampa, Hallandale, Kissimmee, and Jacksonville. New menus will be added periodically to the collection as they are acquired.

This collection features an array of scrapbooks, many of which are homemade, from the 19th and 20th centuries. Subjects covered in these scrapbooks include fashion, advertising, history, Robert Louis Stevenson, Pat Cannon's congressional run, garden clubs, cruises, and more. These scrapbooks are comprised of portraits, photographs, postcards, newspaper clippings, programs, brochures, maps, drawings, telegrams, and more. Some of the creators are unknowns or names without renown, but these scrapbooks highlight their personal tastes and interests, offering some unique insight into their lives.

Originally established by W. L. Philbrick with Steve L. Stanfill, Jr., Philbrick Funeral Home served as an important landmark in the early 20th century, offering premium funeral services to the citizens of South Florida. It has since then been renamed to Philbrick-Stanfill Funeral Home and then Stanfill Funeral Home. This collection contains funerary records and burial information for those whose memorial services were performed under the original Phibrick Funeral Home leadership.