The David Ewen Collection consists of materials which pertain to several aspects of music, ranging from composers to opera houses and festivals, as well as his personal life and work. The papers follow the original order established by David Ewen.
The bulk of the collection contains information and some correspondence pertaining to American and foreign composers and serious and popular performers such as George Gershwin, Charles Ives, Igor Stravinsky, Gustav Mahler, Maria Callas, Bing Crosby, and other notable 20th century composers and performers.
The David Fairchild Papers contains an undated and corrected typescript of Fairchild's autobiographical book The World was My Garden; Travels of a Plant Explorer.
The David L. Powell papers contain research files created for the production of the book "Ninety Miles and a Lifetime Away: Memories of Early Cuban Exiles." The collection contains audio recordings of interviews, physical and digital transcripts, manuscripts, and digital images of photographs and memorabilia, as well as permission documents collected during the interview process.
A collection of zines acquired by underground science-fiction artist, David Rike, who did cover work and illustrations for Variant World, co-edited the zine, Innuendo, and provided contributions to other zines, such as Science Fiction, Five-Yearly, and The Incompleat Burbee. Many of these zines document the rise of science-fiction fandom in the United States from as early as 1944.
This collection contains manuscripts, drafts, notes, poems, short stories, translations, and unpublished works by the award-winning Guatemalan author and translator, David Unger (1950-). Also featured within the collection are his correspondence (both personal and work-related), photographs, his education files from elementary school to university, book contracts, book reviews, article clippings, and artwork and prints by the artist, Walter Mosley.
The papers document activities of Delfín Rodríguez Silva as a reporter. The bulk of materials includes two scrapbooks with articles published by newspapers, mostly in New York and in other North-Eastern cities in the United States, about various Cuban organizations during the early years of exile. The materials also include a report written by Rodríguez Silva and clippings about Cuban birds.
This collection contains memos, correspondence, application materials, scrapbooks, historical information, certificates, scholarships, invitations, and photographs documenting the history of the Delta Theta Mu University of Miami Chapter.
This collection contains information about and writings of designers from fashion design as well as interior design. Included is the typescript of "Nobody's Fault but My Own, Unlimited", a memoir of Dora Sarin's memoirs of her Post-World War II New York fashion business, and 14 pieces of correspondence from interior designer David Hicks as well as 12 pieces of press clippings about Hicks, his work and family. The collection also contains ephemera from Suzanne Caygill's life, including six color swatches, a personal notebook, lecture hand-outs, and one booklet entitled "Everyone is talking about Suzanne."
This collection contains working papers, publications, and reports pertaining to the Ethnography of Cuban Drug Use, a research project funded by U.S. National Institute on Drug Abuse. The research team comprised of two University of Miami anthropologists, a sociologist and a demographer. Kirby was one of the two anthropologists and the project's research assistant in charge of collecting information about Cuban women.
The 1978-1981 project was funded to study patterns of drug use among a sample of Cuban men and women living in Miami, Florida. The research methods used by the research team included participant observation and the administration of structured and open-ended interview schedules. Life and drug histories were recorded on tape, transcribed, and coded using the Human Relations Area Files Outline of Cultural Materials for ease of retrieval and data analysis.
The researchers focused on patterns of legal and illegal drug use among a sample of Cuban refugees who had been living in the United States since Castro's rise to power in 1959. Kirby's contribution to the study was in conducting life history interviews with sixty women and in compiling statistical data on women's use of minor tranquilizers and herbal remedies. Patterns of drug use and abuse were placed within the context of stressful life events such as the exile experience, acculturation, and downward socioeconomic status.
Diaspora Vibe Cultural Arts Incubator was created to promote, nurture, and cultivate the visions and diverse talents of emerging artists from the Caribbean and the Latin American Diaspora through exhibitions, artists in residence programs, international exchanges, and education and outreach activities that celebrate Miami-Dade's rich cultural and social fabric. The Diaspora Vibe Cultural Arts Incubator records include the gallery's organizational records, administrative documents, artists' information, resumes, artists' profiles, programs, invitations, slides, catalogs, photographs, audio-visual materials (VHS tapes, CD-ROMs, CDs, audiocassettes), notes, and event ephemera.
The Diego Trinidad Papers contain correspondence, notes and photographs related to the Castro Revolutionary period in Sierra Maestra and El Escambray. The majority of the correspondence is between Diego Trinidad Valdés, Ernesto “Che” Guevara and Fidel Castro. Other correspondence relates to Cuban Revolutionary officers, including Otten Mesana, José Figueredo, Armando Quesada and Luis Orlando Rodríguez.
The Dionisio de Lara Collection contains photographs, event programs, articles, philosophical and scholarly essays by Rev. de Lara, including papers on Felix Varela, Søren Kierkegaard, and others.
This collection contains bulletins, budget and finance documents, committee and organization records, administrative documents, correspondence, topical files, contracts, campus plans, annual reports, promotion and tenure files, analyses, statistics, fact books, and other archival materials pertaining to Frank Rogers' administration as Director of Libraries from 1979-1997.
This collection contains administrative records, correspondence, donor information, and other archival materials documenting his term as the University of Miami Director of Libraries from 1997-2002
The Directorio Revolucionario Estudiantil en el Exilio (DRE) Records include administrative files, correspondence, clippings, propaganda, subject files, and photographs created, collected, or published by the DRE in exile.
Directorio Revolucionario Estudiantil en el Exilio
The Division of Communication Services slide collection consists of 35mm slides on University of Miami-related subjects, such as UM buildings, schools and departments, athletic programs, and events dating from the 1920s to the 1980s.
The Documenting Diversity and Democracy in Brazil collection consists video recordings from sessions at the Documenting Diversity and Democracy in Brazil symposium, held virtually at University of Miami from April 12-13, 2021.
This symposium was created thanks to a grant sponsored by University of Miami Libraries as part of the CREATE Grant Fall 2019 grant Cycle Awards. The symposium was established to highlight the unique and richly-textured Leila Míccolis Brazilian Alternative Press collection. The event featured keynote presentations by João Silvério Trevisan (Brazilian LGBT activist, journalist, and novelist), Dr. Leila Míccolis (Lawyer, activist, and writer) and Sonia Guajajara (Brazilian environmental and indigenous activist and politician), alongside invited papers of scholars who had worked with the Collection to showcase intersectionalities and (dis)connections between burgeoning social and political movements in Brazil from the military dictatorship (1964–1985) to the present day, as well as works focusing on human rights, social justice, and cross-fertilization of historical and sociopolitical trajectories that shed more light on recovering the voices of marginalized Brazilians.
