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The Alma Flor Ada papers contain correspondence, photographs, negatives, manuscripts, typescripts, as well as some of Ada's teaching materials.

The Rosa Lowinger and Todd Kessler collection contains three original watercolor drawings on paper by Los Carpinteros (Alexandre Arrechea, Marco Castillo, and Dagoberto Rodríguez).

The drawings include:

• "Casa de rollos," proyecto para la VII Bienal de La Habana, 2000. A watercolor drawing proposal for a house made from rolls of canvas.
• Public art project, 2001. A watercolor drawing of a four-shaped swimming pool on an asphalt road marked with broken yellow divider lines.
• Teatro [prototype for the Transportable City Series], 2001. A watercolor drawing of a bivouac tent decorated with camouflage with four extension windowed wings and a fifth semi-circular wing in the rear.

The Mario Torroella collection contains four original drawings on paper by Torroella.

The Dr. Luis F. González-Cruz Papers document the life and career of writer and Professor Emeritus of Pennsylvania State University, Dr. González-Cruz. These works include fifteen books that include literary critiques, three volumes of poetry and novels.

The Tad Szulc Collection of Interview Transcripts includes the typescript transcripts of Tad Szulc's taped interviews with Fidel Castro, Raul Castro, and other government officials in Cuba and with Cuban exiles in Miami, Florida, from 1984 to 1985, in preparation for Szulc's book Fidel: A Critical Portrait (New York: Morrow, 1986).

The papers document professional and personal activities of José Martín in capacity of a commercial artist and professor in Cuba and Miami. Martín was a Professor Founder of the Koubek Memorial Center at the University of Miami where he taught for 10 years. He also founded and headed Martín Technical College until 1979, and his commercial firm, "Martín-Studio Advertising," and founded APLA (Asociación de Publicitarios Latinoamericanos). Martín's art expresses pain, suffering and joy of people searching for freedom.

The materials consist of autographed letter of Generalísimo Máximo Gómez, Chief of the Cuban Army during the Cuban Independence War to Victoria Pedraza, dated September 22, 1898, postmarked envelopes with stamp of winning design featuring José Martí and Antonio Maceo by José Martín, postmarked envelopes with stamps of winning design featuring José Martí by Isidro Martín and stamps of first place awards granted to José Martín in a Postage Stamp Contest held in Cuba in 1948 and 1953. The materials also include correspondence, clippings, post cards with award winning photographs by José Martín, drawings by Martín, photographs, awards, certificates, drawings showing various stages of advertisement, documents related to Commercial Art and Advertising College, information about programs offered in Koubek Memorial Center at the University of Miami, scrap book and DVD with Martín's art.

The Elián González Collection consists of copies of newspaper clippings and court orders documenting the case of the Cuban refugee child Elián González.  In 1999 when he was five years old, González was rescued at sea off the Florida coast. His mother had drowned during their passage from Cuba on a raft.  Relatives in Miami took custody of him and fought to keep him in the United States instead of being returned to Cuba with his father. In addition to clippings, the collection also includes memorabilia and photographs.  Clippings have been added to the collection following up on González, who returned to Cuba with his father in April 2000 after a months of court cases and protests in Miami's Cuban-American community.

The papers of Cuban actress Yolanda Arenas include primarily photographs, clippings, and  programs of theater productions in which Arenas performed. Folders for a few productions include scripts with annotations by Arenas.  The collection also contains headshots and other portraits and audio and video recordings.

The collection consists of nine scrapbooks with newspaper clippings, photographs, memorabilia, folders and correspondence documenting personal and professional activities of Frank Trelles, the chairman of the "Big Five Clubs," the largest private clubs in Havana, which included Havana Yacht Club, Miramar Yacht Club and Vedado Tennis Club.  Materials also document swimming competitions.

The Cuban Photograph Collection spans a wide range of topics and time periods related to Cuba and the Cuban diaspora.

The Theater Poster Collection consists of posters of theater productions and events in Cuba or in the diaspora during 1925 to the present.

The papers of José Antonio Font document primarily his activities in Cuban exile initiatives and organizations such as Agrupación Abdala, the Cuban American National Foundation, and Alianza Democrática Cubana.  The bulk of the materials in this collection pertain to the latter organization.

The Grandes Leyendas Musicales Cubanas Interviews Collection consists of interviews conducted by Eloy Cepero with Cuban-born musicians. The presentations are part of a series sponsored by the Institute of Cuban and Cuban American Studies that showcase Cuban well known musicians and recording artists.

This is an ongoing program and recordings will continue to be added to the collection as more presentations are made.

The Abel González Melo Papers contains theater ephemera and publications collected by playwright Abel González Melo, including DVDs and programs of performances at Universidad Carlos III de Madrid directed by González and programs for Por Gusto, written by González Melo, performed at Repertorio Español in New York City.

This collection contains manuscripts and notes for two of William Navarrete’s most recent books, Lumbres velados del Sur(2008) and La gema de Cubagua (2011). The collection also features correspondence and articles relating to Navarrete’s work with the French government and the Asociación por la Tercera República Cubana to facilitate the release of Cuban political prisoners and support the Bibliotecas Independientes de Cuba.

The collection includes three costume designs produced by Rolando Moreno in 1987. Drawn with watercolor and pen, the images provide insight into the director’s creative process.

The Ruston Academy Records contain materials related to the Ruston Academy, a bilingual American school founded in Havana, Cuba, in 1920. It also contains the administrative files of the Ruston-Baker Educational Institution, Inc., a group of alumni and friends organized to plan for a possible re-opening of the school in a post-Revolutionary Cuba. Other materials include photographs, programs, directories and correspondence documenting the history of Ruston Academy alumni reunions held in the United States from 1975 to 2012.

The Ruston Academy records are arranged into three series. Series 1, Ruston Academy, contains ephemera, publications, correspondence and alumni directories; Series 2, Ruston-Baker Educational Institution, Inc. administrative files documents the administrative history of the organization with correspondence, meeting minutes and subject files related to RBEI, Inc. projects; and Series 3, James and Sibyl Baker papers, contain personal papers related to Ruston Academy directors, James and Sibyl Baker, including anniversary and memorial tributes and the manuscripts for James Baker's book on the history of Ruston Academy, Ruston: From Dreams to Reality (2007).

Ruston Academy yearbooks from 1940 to 1960, ephemera and photographs of the school and school functions, school publications, and photographs from alumni reunions have been digitized and are availabe via the University of Miami Digital Collections.