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Dr. Melanie Rosborough was a language professor and administrator for the University of Miami from the time she joined the faculty as Professor of German in 1927. The Melanie Rosborough Papers document her academic career, activities with professional academic organizations, and University of Miami religious organizations and activities.

This collection contains aerial photographs of Miami-Dade, Broward, West Palm Beach counties, and other areas of Florida.

The Axelson Papers document the family life and professional careers of several  members of the McDougal and Axelson families. Materials relating to Mary McDougal Axelson document her life as a political activist and writer. A leader and organizer of political, literary, and women's groups, Axelson participated in the women's club movement, women's suffrage activities, democratic party politics, health reform, and the world peace campaign. She gained a national and international reputation for her work "Life Begins" which appeared in the form of a novel, play and film. Files also document the accomplishments of family members including her parents, Daniel Archibald and Myrtle McDougal, her sister Violet, husband Ivar Axelson and daughter Mary Ivonne Axelson.

The Mark F. Boyd Collection contains materials relating to Florida and United States history as well as to natural history and medicine.  The collection, arranged in six series, includes maps, newspapers, prints, photographs, pamphlets, original documents, copies of historical documents, reprints of articles and other materials.

The María Mendoza Kranz Collection contains family photographs and clippings as well as clippings about Mendoza Kranz's work at an aircraft factory in Miami during World War II. The collection also contains a program with her involvement in the celebration of the International Women’s History presented by the Community Action Center in Hialeah, Florida.

The María Luisa Guerrero Collection contains reports, clippings, and articles about Cuba and Cuban exiles during the 1930s to the 1980s, material on the Lyceum and Lawn Tennis Club, and the feminist movement in Cuban society. The collection also contains extensive accounts about Elena Mederos, human rights issues, and the plight of Cuban political prisoners.

The María Julia Casanova Papers primarily document the work of radio and television writer and theater designer and director María Julia Casanova (1916-2004) in Cuba and Miami. The Papers include her scripts, photographs, clippings, theater programs, set and costume designs, posters, audiovisual materials, memorabilia, and honors and awards.

The Manuel R. Bustamente Photograph Collection consists primarily of hundreds of black and white photographs of Cuba from the early 1900s to the 1930s. There are several photographs dating from the 1950s and 1960s, and a few color snapshots from the 1990s. The bulk of photographs are found in Series II and III. Series II: Havana, n.d., 1900s-1999 (bulk dates 1910s-1930s) contains photographs of the city of Havana and includes various aspects of the life, architecture, and culture of that capital city. Series III: Cities and Towns, n.d., 1900s-1990 (bulk dates 1900s-1920s) is arranged in alphabetical order and contains photographs of various towns and cities throughout the island of Cuba. The Manuel R. Bustamante Papers in Series V consist of materials donated by Mr. Bustamante related to his personal works and educational experiences, including photographs and memorabilia of the Universidad Social Católica San Juan Bautista de la Salle in Havana (Sub-Series 1).

The Manuel Martín, Jr. Papers consists primarily of scripts, programs, clippings, and photographs of plays written by Cuban-born playwright Manuel Martín, Jr.

A container list is available for the first three series of the collection, which includes the papers donated by Manuel Martín, Jr. Series 4 contains the materials donated by Pedro Monge Rafuls.

The Mabel Blake Papers document the activities of Mabel Blake, a member of the National Council of Negro Women from 1967-1972. The papers include copies of the NCNW constitution of 1967, correspondence, pamphlets and programs, materials from a regional conference, and notes and clippings. Financial records, membership lists, and information on the founder of the NCNW, Mary McLeod Bethune are also arranged in these files.

The Lyceum and Lawn Tennis Club Collection is comprised of administrative files, publications, events and exhibitions programs, and photographs of this Cuban women’s club. The materials in this collection primarily document the Lyceum’s services and activities, e.g. art exhibitions, children’s programs, and its famous flower arrangement classes and shows, from its inception until its closing by Castro’s government in 1968.

The collection consists of manuscripts, publications, books, clippings and photographs.  Of primary importance is the poetry of Luisa Muñoz del Valle, most of which is unpublished outside of Cuba.

This collection documents the work of the television writer and playwright, Luis Santeiro. It includes television scripts for the bilingual sitcom "¿Qué Pasa, USA?" and other files related to the show such as contracts and reviews. The papers also consist of scripts and other documents related to his plays (such as programs and production files) and documents regarding "Carrascolendas".

The collection contains the personal papers of Louis J. Hector, in the form of clippings, invitations, letters, memorandum, notebooks, photographs, and reports. Prominently represented are files pertaining to the University of Miami, the Southeast Banking Corporation, Pan American World Airways, Inc., the Civil Aeronautics Board, the National Endowment for the Humanities, the National Gallery, the National Humanities Center, and the Academy of Arts and Sciences.

The Karpinski Map Collection contains maps from the Caribbean, the Southeast of the United States, the Mediterranean, Central America, and South America.

The Lorenzo DeStefano papers contain DeStefano's Cuban photography collection, titled "Cubanos - Island Portraits: Cubanos - Retratos de la isla," 1993-1998, which consists of prints, negatives, proofs, text, and other related marginalia.

Lloyd T. Everett practiced law and researched, wrote and lectured on Confederate history from a legal standpoint. His papers contain manuscript copies of articles and books as well as published works. Articles include manuscript copies of "Abolition, Slavery and the Year 1833," of "Pro-Tariff Et. Al." and "Anti-Slavery," and copies of "Federal Initiative and Referendum" published in the South Atlantic Quarterly in 1912. The following essays and articles, published in pamphlet form, also appear among the papers: "Patrick R. Cleburne, Prophet," (1946) "Was It Anti-Slavery," (1916) and "Davis, Lincoln, and the Kaiser: Some Comparisons Compared" (1917). Among the books are manuscript copies of Dixie's Story and of A Titan's War, a study of the nullification crisis and the debates of 1830 and 1833. A copy of a Revolutionary War recruiting broadside is included in the remaining papers.

Leola G. Hartwell was an architect who resided in New Jersey and Miami. The L. G. Hartwell Collection consists of materials documenting her architectural design work primarily in the greater Miami area, but also some in other parts of the state and the country at large. Among projects that Hartwell worked on include the construction of Miami Dade Community College South Campus, a number of different constructions for the City of Miami, and an Opa-Locka neighborhood facility project.

The Leonard Albasi/Gill Family Collection contains eight copy negatives and ten copy prints of 1937 photographs of American pilot Amelia Earhart at an unidentified airfield, probably Miami's Municipal Field. In 1937, Earhart made her second attempt at flying solo around the world. Her preparations included a stop between March 22nd and 31st, at Miami's Municipal Field near today's Opa-Locka Airport. After leaving New Guinea on July 2, 1937, Earhart disappeared over the Pacific Ocean.

The Leila Míccolis Brazilian Alternative Press Collection consists primarily of political and countercultural pamphlets and periodicals, concrete poetry, neo-concrete poetry and other vanguard/avant-garde artistic experimentation, fanzines, film reviews, university publications, theater, and musical pieces.

As opposed to the commercial and widely-circulated press of "official" Brazilian governmental venues, the publications contained in the collection especially treat stigmatized or marginalized groups, such as Afro-Brazilians, women, sexual minorities. It accomplishes this goal by utilizing various mediums including literary pieces, editorial cartoons, political comics, sociopolitical critiques of "Brazilianness," humor, and the promotion of ecological and environmental awareness. The collection also contains a large variety of materials from the 1970s Marginália movement, a term used to describe a series of underground publications which circulated during the military dictatorship.

The collection was painstakingly accumulated over the course of forty-five years by Míccolis who decided to place the archive in a North American university so as to assure the preservation of the collection, as well as to prevent its censorship.