The Aldemaro Romero Archive is comprised of the artistic and intellectual production of the Venezuelan composer from 1945 to his death in 2007. His collection is divided in two sections: concert and popular music. Aldemaro Romero's concert collection is made of one hundred original manuscripts and copies of scores with works for symphonic orchestra, chorus and orchestra, solo concerts for wind and string instruments with orchestra, and chamber music. The popular music collection contains 126 songs and 31 instrumental works (vol. 1 and vol. 20), manuscripts and copies of the lead sheets and/or lyrics and recordings.
The papers document professional and personal activities of Bernardo Benes, a Cuban exile in South Florida and high profile civic activist attempting to bridge the gap between the Anglo and Cuban communities. Materials include correspondence, writings, notes, newspapers, magazines, clippings, reports, articles, books, photographs, memos, resumes and catalogs.
The Edgar Hay Papers contain articles, short stories and other writings, correspondence, photographs and scrapbooks with clippings of the column "Show Folks" which he wrote for the Miami Herald.
Pedro Monge Rafuls is a playwright and the founder of the Ollantay Center for the Arts in Queens, New York and Ollantay Theater Magazine. His papers include records of the Ollantay Center for the Arts in Queens, New York along with a collection of ephemera documenting Hispanic and primarily Cuban theater, literary, and other arts in the area.
The Evelyn Frink Scrapbook documents the activities of the Miami Beach garden clubs that led to the construction of the Miami Beach Garden Center and Conservatory. The clippings, photographs, reports, speeches and correspondence capture Mrs. Frink’s work as chairman of the Garden Center Committee from its inception to the inauguration of the garden center and conservatory.
The Manuel Martín, Jr. Papers consists primarily of scripts, programs, clippings, and photographs of plays written by Cuban-born playwright Manuel Martín, Jr.
A container list is available for the first three series of the collection, which includes the papers donated by Manuel Martín, Jr. Series 4 contains the materials donated by Pedro Monge Rafuls.
A comprehensive and eclectic collection of contortionist images. Subjects include contortionists performing before audiences; child contortionists; twin contortionists; families of contortionists; contortionists posing privately in apparent studio settings; in costume; in various states of undress; indoors and outdoors; etc.
The Finlay B. Matheson collection includes more than 2,411 photographs; 112 maps, surveys, and architectural plans; and 13 books related to William John Matheson and his immediate family. Estate documents and other documents containing historical and biographical information pertaining to the Matheson family and their various business ventures can also be found within this collection, as well as drawings, postcards, and some of the first aerial view photographs of Key Biscayne, Coconut Grove, the Miami River, and the Florida Keys. Florida's landscape during the early 20th century is captured throughout the various albums and scrapbooks and attests to a more leisurely lifestyle before the advent of skyscrapers and multi-lane highways. Furthermore, the collection provides an in-depth glimpse into the burgeoning social life of early inhabitants who gathered at the Biscayne Bay Yacht Club.
Annual Reports issued by the Institute of Marine Science / Rosenstiel School of Marine and Atmospheric Science at the University of Miami. These reports summarize the Board of Trustees, the Administration, the Faculty , Staff, and Students, the financial outlook, fund raising efforts, improvements and changes, as well as research initiatives, outreach, and goals.
Ephemera, exhibition catalogs, newsletters, and books related to Miami's contemporary art scene. Items featured in the collection document much of César Trasobares' personal life work as a local Cuban-American artist whose pieces often illustrate ties to his heritage as well as touching upon various topics, such as poverty, homosexuality, religion, social issues, and personal expression.
The Firefly Zine collection is a collection of zines donated to the University of Miami Libraries by former residents of the Firefly, a local Miami collective house and important part of Miami's punk rock and activist subcultures. There are over 2,000 zines held in the collection.
Zines are typically independent and self published booklets popular in underground subcultures. The first zines were fanzines, started in the early 20th century by science fiction fans documenting the genre. The format truly took off with the punk rock movement of the 1970s, as a do-it-yourself spirit inspired legions of underground punk fans to start raw but vibrant journals documenting the nascent music scenes in their communities. Zine topics would broaden throughout the 1980s and 1990s to cover a variety of subject areas, from comics to anarchist politics to women’s rights, to more mundane subjects like dumpster diving, alternative fashions, tattoo art, and much more. Despite the expansion of topics, the format usually remained the same—self-published booklets printed in limited editions and typically produced with a photocopy machine.
The Firefly Zine collection in particular is significant for its materials documenting political beliefs and causes such as anarchism, direct action, women's rights, lesbian/gay/bisexual/transgender (LGBT) rights and environmentalism. There are also many zines about the punk rock music scene and subculture, the rights of indigenous peoples, and alternative forms of transportation such as bicycles. As with many zine libraries, there is also a strong collection of zines that are of a more personal nature. Zines about South Florida, Latin America and the Caribbean regions—important collection areas of University of Miami Special Collections—are also significant in number.
Richard A. Kahn was a lawyer and economist who taught
economics and business law courses, published numerous articles and held a variety of positions in the United States government. The Richard A. Kahn Papers, arranged in three series, contain correspondence, newspaper clippings, book manuscripts, copies of published articles, and marketing research. Much of the content of this collection concerns his work with various fishery institutions, such as the U.S. Branch of Commercial Fisheries and the Gulf and Caribbean Fisheries Institute.
This collection contains official records, administrative documents, statistics, minutes, contracts, correspondence, ephemera, and reports compiled and created by the University of Miami School of Engineering from 1952 to 1988.
FAULTY PRODUCTS 1978-80. Small archive of official records from the Independent Label, "Faulty Products." Various concert fliers, correspondence between owners of the record company, and newspaper articles from different sources on the bands signed by the label. This label was established by Miles Copeland initially to distribute a welter of new musical talent that emerged in 1977, in the period of "punk rock," via its three in-house record labels, Illegal Records, Step Forward Records, and Deptford Fun City Records.
